Showing posts with label 2023 Quarter 3 theme Transparency. Show all posts
Showing posts with label 2023 Quarter 3 theme Transparency. Show all posts

Tuesday, 2 January 2024

PaperArtsy Blog - 2023 Year in Review {Quarter 3, Topics 7 to 9}


Hi everyone, it's Leandra back with you for the 3rd instalment of the annual PaperArtsy blog review, and this one really is a doozy! Our blogger by this part of the year were thoroughly enjoying the theme, and how the 3 topics could bounce off each other, so we saw a fair bit of cross-pollination of topics this quarter! But first a bit of behind the scenes catch up from me!

I've been hearing from lots of people that 2023 seemed like it was the most 'normal' year we have had in some time! Yay for that, right!?

Mark and I still have lists and lists of things that need doing in and around our property here in France, it seems to take forever to get things done when juggling work, visitors and planning forward, but we are thoroughly enjoying ourselves. It is a never ending surprise that we have met so many people since our arrival, and in particular we have become super friendly with people from the closest neighbouring houses. But even in the nearest villages as we settle into a Sunday routine of Brocante visits and such, we are gradually meeting up with other 'regulars' on the similar schedule! We never expected to be so lucky to be surrounded by so many chatty, welcoming people in this little corner of rural France. We feel so fortunate and are content to be here.

This year we were also joined by our parents from New Zealand who each stayed for 3-4 weeks, as well as other New Zealand friends - the house was full from early Spring to late Autumn. In November we managed a trip to New Zealand ourselves for our niece's wedding, which was also an opportunity for us to catch up with many New Zealand people who we have not seen in a very, very long time! Nothing like a wedding for a good excuse to catch up!

After a few tough years, not only planning a move, but navigating covid, for us 2023 finally felt like a year of enjoyment, social activites and a lot less stress, which was truly needed! We are finding a nice balance and starting to understand the seasonal cycles that French life is very much based around, be it what you eat, through to what you do. It is a culture full of tradition and ritual, and people here use the seasons to plan events, festivals, celebrations and food or wine related harvests, there is always something new to learn and discover, be it a place, a flavour or an activity. 

One of our serendipitous highlights was booking a last minute vineyard tour to one of the higher-end producers in St Emillion. We had 4 kiwis here, and as the 6 of us drove up to the magnificent building on the estate, we realised harvest had begun (it only lasts for 2 weeks, you'de be surprised how small each vineyard is physically, and during harvest, with all hands on deck, it is quite common for tours to stop). We not only got to taste the grapes that had just been picked, but ohhh the smell as you walked through the room of tanks holding the new season's liquid was like you were being blasted with raisin vapour. It was incredible to smell the fresh grapes already being squeezed of their full juice. A real treat to see all the action of harvest up close. 

Speaking of learning new things .... Quarter 3 on the blog had the theme of 'Transparency' running through all the posts, another wonderful concept with wide reaching creative opportunities easily incorporated into crafty projects. Our bloggers came up with many fabulous ideas!

The topics were also popular: 7: Art Dolls, 8: Master Colour Wheel and 9: Lynne Perrella, designer focus. I was super keen for this entire quarter and what it would bring - all my favourite elements were coming together for this quarter!

Come along with us as we take a look back at some of the highlights...

Transparency can be anything from delicate overlays like mica, vellum or acetate, to see through layers we apply: glaze, embossing powder, glass or wax, or perhaps something that disappears like tissue paper. Head over here to see the topic introduction and a wide range of ideas that Dounia presented. We thought it would be nice to highlight a few of the transparency interpretations by our bloggers...

Martha Ponsanesi made a gorgeous mini accordion book with printed tissue in the background and Lynne Perrella stamps throughout. The transparent part of this project was the vibrant alcohol inked cover/ sleeve that surrounds the book-in-a-box. It's a delightful cheery idea. Check it out here


What about this resplendent Egyptian tribute? Riikka Kovasin used tissue paper onto wood in tiny squares for the garment on this Egyptian goddess. It wasn't all plain sailing though and she did have to tweak things a bit but the resulting impact is fantastic. Read all about it in her blog post here


Etsuko Noguchi created these two little shrine boxes with see-through panels, the overall style was quite steampunky - Darcy's stamps do often head in that direction. The accents with metal embellishments fit in beautifully. Etusko's  blog post is well worth a read, she always explores interesting products and ways to use them!



Art Dolls have been a passion of mine for some many years, there even used to be a magazine dedicated to them back in the day! It is a theme we regularly come back to because the scope is so wide, paper dolls, stuffing, filled dolls .. or event a bottle doll perhaps! If you want more inspo for this theme, check out the topic intro post

Renata Peley's post created a bit of a buzz using Nicci Battilana's articulated doll stamps. The 'stage' frame was an inspired choice and really helped set off those dolls and thier personalities so perfectly. Check her blog post here.


I hope you did not miss this ... by Floss Nicholls. She painted onto some thick plastic packaging and then scratched off some of the paint to make patterns with an embossing stylus - this packaging became part of her art doll's clothing. She also stamped onto organza, and we love how the 'hair' comes from a Sara Naumann foliage stamp! Here's her blog post .


We were absolutely blown away by Rikka's take on the art doll theme - she made a pair of crows! These imposing characters challenged Riikka initially, but after one came into being, she had to make another. Her story is a fabulous read, you can find out all about the process here. The Scrapcosy stamps she used were stamped onto the black fabric, and then embroidered to highlight the petals in a monochromatic colour scheme. Riikka often ties her work into her Finnish roots, so with each post, she also weaves a tale throughout, making her blog posts extremely interesting and educational!




For our colour topic, we decided it was time for a sort of round up post. By this time (18 months or so with a colour topic every quarter) we had been studying numerous 'colour theory' combinations (complementary, split-complementary and so on), so we thought, why not create a 'master wheel' where we chose the 3 starting fresco colours, and then each blogger could explore the various combos each colour way could allow, and they could choose to make something with one of those combos. 
Our 3 colours, after much deliberation, were Butter, Aqua Duck Egg and Candy Floss, these can be identified as primary colours, and they mix to create a soft, user-friendly, well balanced master-wheel. Those 3 colours created over 100 possible combinations. The topic intro to is a handy review post, so if you want to know more about colour mixing and combinations, this is a really good one to read - here's the link: Topic intro post


Nikki Acton chose this split-complementary colour combination. Butter with the colours created either side of opposite (blue-grey and purple).


Nikki layers her colours and page layers to get a balance of elements. She's used France Papillon images throughout, and when you look at the up close image below, you can see how the colours work so well together. Her transparent element was stamping Alison Bomber quotes onto paper towel, and then using wax to make them transparent. Check her post here for more info. 


Autumn Clark discovered 4 options within the Triadic colours created when you have 3 gaps selected between each. which one would you choose? The eagle eyed among you might notice that she substituted Lake Wanaka for Aqua Duck Egg ... but what a gorgeous wheel....



Autumn worked with Sara Naumann's bird series of stamps to make a wonderful book. You can see how the Peach, Purple and Teal colours she created all bounce off each other. You will find more pictures of the pages over at her blog post here.



Etsuko Noguchi was asked to add grey to her master wheel - this adds shade to the colours, taking them in another direction. The result was the frame above. In her blog post she explains really well how she mixes them to create more colour options For example, here is the chart she made ... 


Here Etsuko shows how the slightly edited colour is used to stamp over background layers


We hope you've found our deep dive into colour useful, but most of all, we hope it gives you confidence to try colour mixing yourself to open up new creative options as you unlock new colours. Etsuko's  blog post is full of lots of useful tips.


Many of you will know that Lynne Perrella's inimitable design style is a stand out masterclass in how create lots of details within a stamp! We are always so excited to see what she does next, and what we also love, is to see bloggers use her stamps in their unique way. Each time we shine the spotlight on one of our designers we share a bit of the back story for you, then you get a better understanding how they tick! If you would like to read about Lynne, then head here to the topic introduction post

Lynne loves bright, but Jennie loves muted, so immediately you see a different take on how these designs can look. Jennie's envelopes and tags were so delicate and pretty with the touches of lace, tying in perfectly with the lace series of stamps Lynne designed not too long ago. Check the blog post here.


What about this by Mags Woodcock? The transparent part of her doll was the bottle structure support. Lots of rusted fabric layers, and a terrarium hat no less! Read all about it in her original post. That stamp is A5 tall, so it's a beauty for a larger format project like this.


Also, I hope you saw this by Keren Baker. Her  blog post is here and you will discover she made a treasure box holder to keep the hand sewn brooch in! Again so many details to explore, from the stamped box to the acetate painted lid.


A few of our bloggers in this quarter challenged themselves to bring together all 3 topics (Art Dolls, Master Wheel and Lynne Perrella) from this quarter for example Jenny Marples here


This post is quite incredible, as Jenny makes a colour wheel, then dyes fabric to match the 'Master wheel' topic. Her Art Doll is hand made with lacey undergarments, and the Lynne Perrella stamps are not just the face of the dolls, but also make up the accoutrements of her attire too. The planning, thought and passion that goes into a creation like this is just stunning, even the backdrop wallpaper uses the Master wheel colours. And like I say, Jennie wasn't the only blogger to take this approach! 

We truly are so spoiled by our blogging team and the lengths they go to creating their projects. I hope you can appreciate the time they put into each piece, but more importantly, how much they enjoy what they do while creating.

We'll be back in a few more days with more highlights from the PaperArtsy Blog, hope to see you again!

Leandra

Thursday, 27 July 2023

2023 Topic 8 : Master Colour Wheel - Split Complementary Colours {by Nikki Acton} with France Papillon stamps


Hi everyone
Nikki (@a2a.craft) here with you today.

It's always fun to do one of our colour wheel themes - it often encourages me work in colours or combinations of colours I wouldn't naturally chose . It was a double challenge for me this time, using France Papillon stamps - again not my natural style. As her stamps lend themselves well to collage I decided to create a mini book incorporating a translucent window.


It's not easy to take a photo capturing the whole book - but this gives you an idea. The front cover includes the translucent window - I have stamped on a single layer of kitchen roll and added wax to create this.... more on this later.


I decided to use a combination of 2 stamp sets and one stencil from designer France Papillon - to build my 4 double pages and front and back cover. I wasn't sure at the beginning how this would look - there was no plan - except to build up the colours and elements as I went and see what happened.


All bloggers for the current topic are using the same 3 colours to create the masterwheel shown below: PaperArtsy Fresco Finish Chalk Acrylics - Aqua Duck Egg (FF199), Butter (FF129) and Candy Floss (FF70). They are all quite subtle with no one colour too vibrant or bold - but the more I worked, the more I enjoyed this combination.

I decided to select one (of the 12 standard Split Complementary colourways. I used Butter contrasted with the tertiary colours created from Candy Floss and Aqua Duck Egg.

The 'blue' colour you can see is two thirds Aqua Duck Egg and one third Candy Floss.
The 'lilac' colour is made with two thirds Candy Floss and one third Aqua Duck Egg.


When you use a viewfinder like this, it is so much easier to see how the colours will look as a combination.


This is such a useful tool ... creating a colour wheel. When you look at those 3 bottles of paint, you may not be able to visualise the colours that will emerge, so to keep a colour wheel handy also means you know how to get back to those colours again in the future. 

Understanding colour mixing really offers the opportunity to get more value out of your paints.




These are all the different Split Complementary colour options possible from the 3 Fresco paints above ... which would you choose?



When I am not sure where to start I do two things - create some backgrounds and stamp the images. Seeing them on paper and maybe a bit of fussy cutting often generates ideas for me. I started with some backgrounds - simple painted layers - with a brush, a sponge and a brayer. I did these on photocopy paper as I wanted the paper to be thin for collage.


As you can see these are very quick and easy but gave me some coloured paper to stamp my images on. I cut some of these out and started layering them - and ideas started flowing.....


With some collage elements created, I then began my book pages. The book is around 10.5cm x 7.4cm so I cut lengths of card 21cm x 7.4cm and scored.


For some contrast I also stamped, using Ranger Archival ink in black, on white copy paper. I used the tiny circle cluster from France Papillon stamp set 31 (FP031) and the long incomplete circle stamp from France Papillon stamp set 36 (FP036).





There are 4 double pages in my mini book, plus the front and back. Each started with a painted background, in 2 or 3 of my colours. I then added some stamping and/or stencilling. Here you can see I used the large stamp from FP036.


In this one I started with some stamping and stencilling with more colour. I used PaperArtsy stencil by France Papillon (PS377).



Then I added more background interest with tissue paper, more stamping, book paper or the black and white stamped copy paper.



Sometimes an area can look wrong - so I add a little white paint with my finger. I used PaperArtsy Fresco Finish Chalk Acrylic - Chalk (FF83). I can then stamp over it.


Finally I added the stamped collage elements I had fussy cut earlier, to add focus and design to each page.




As you can see my front cover has a 'window'. I die cut the rectangular space on both the inside page (above) and also what would become the front cover (below).


I stamped many of the words and phrases from the two stamp sets by France Papillon and also some quotes from Alison Bomber stamp set 13 (EAB13) on a single layer of kitchen roll.
 

I placed this on some baking/parchment paper, added a little wax (I used Beewax but you could use candle wax), another layer of parchment and ironed the surface allowing the wax to melt over the stamped words and the surrounding tissue.

This not only makes the tissue firmer but is also translucent. I was inspired to try this having seen an Instagram reel by @junkjournaljoy that you can hopefully see here.



At this stage I put my book together - simply by adhering the reverse of the pages together.


Before attaching the front cover - I took one of the waxy quotes and cut to slightly larger than the aperture. This allowed me to stick it to the cover before adhering that page to the rest of the book. (So it is sandwiched between the 2 pieces of card).
 
 
I added the waxed quotes and words to other pages too.




I added some extra pen work and dots of paint on some pages....


and of course some paint splatters!




As I mentioned earlier, I used a standard Split Complementary colourway, but did you realise there are also Double Split complementary combinations too. We we want this post to be a comprehensive record of this concept, below you will find all those possible 12 options. Again, a viewfinder is such a helpful tool to identify these different combinations clearly.


I really enjoyed making this mini book for you! The France Papillon stamps are fabulous for collage either as the entire stamp or just using parts of them. 


I shall be using the wax again too - as not only does it have the translucent effect but it also adds wonderful texture. Perhaps that is a new technique you might like to give a try too!

Thanks for reading!

Nikki