2023 Topic 12: Designer Focus: JoFY {by Ellie Knol}

Hi everyone

Ellie Knol from PAPER-STAMPS-COLOR here with you today.

I want to concentrate on a 'wonky bits' style with JoFY stamps as people seem to enjoy that at the moment; I do for one! 

In JoFY's stamp sets are lots of versatile images that are easily fussy cut; I will use them as fodder. Do you know what fodder is? Read on and you will find out. 

The first theme this quarter was tags, and the overall theme typography. My aim is to add these in my project too. Follow the pictures and see where I've incorporated them. 

First things first: I need a book to store these fussy cut images! 

I found a book for photographs with sticky pages; I will recycle it for my purpose!! I need to make it pretty of course. I took it apart, and will adhere gelli printed papers (fodder from my stash) to the covers.

I chose to mainly use the beautiful Jo Firth-Young Stamp Set 127 (JOFY127), but will eventually add fussy cut images into the book from other stamps sets. More fodder! 

So what can be used as fodder?
Another word for it might be: 'stash' to be used later on, on a project. 
I made a list, I've used the first 6 on the front cover of the recycled book. 

- colorful (gelliprinted) papers 

- fussycut images 

- printed tissue paper like JoFY Printed Tissue PT03 

- dried leaves and flowers

- books to recycle

- words and quotes

wooden / paper / grey board alphabets

backgrounds

rub-ons

magazine text and pictures

diecuts, also from colored or text papers

found objects

ephemera

brads and other embellishments

threads and fabrics
Fabric lace and lacy/ structured papers
etc

I stamped the pictures that are fussy cut easily of all my JoFY stamp sets (twice) onto some sturdy paper with a black ink.

So the fussy cutting began.... 

An example of a fussy cut image used on an art journal page; yes it's featured on the page I used as inspiration for my previous post with EAB! 

I love how this has turned out. 

On this second art journal page I used the fussy cut flower from JOFY127, the stamp set featured in this post. I made this page a while ago, and it was the inspiration to create fodder for future use. 

I adhered a laser copy of this gelliprint to the covers of the book.

I am so happy I used a copy as I messed it up. Read on to find out what I did (wrong). 

 

The cover looks so pretty. 

I try getting a nice composition with a few fussy cut images....  

.. lots of possibilities!

 

 

... lots of images to choose from. 

 

While creating this project I suddenly had to be without contact lenses for 3 weeks, and I had to pause this as I couldn't see much. JUST before that situation,  as a final touch, I added a layer of watered down gold mica creative paint. When it dried I knew I made a mistake; it was yellowish all over, and the paint was not as transparent as I'd hoped. 

So, 3 weeks later, with eyesight back, the project needed a twist!
I adhered another copy of the gelliprint and covered it with two layers of PaperArtsy Fresco Finish Satin Glaze, otherwise the paper might absorb too much moisture in the steps to come, and also it acted as a better base for the crackle I want to apply in a future step.  

When dry I applied PaperArtsy Fresco Finish Crackle Glaze through PaperArtsy Stencil by JoFY (PS396) with a palette knife.

I air dried the crackle paint, then lined the stencil back up, and applied a mix of 50/50 PaperArtsy Grunge Paste and Fresco Finish Chalk Acrylic (Snowflake, FF15) with a palette knife.   

 

Then the magic happened. There's not as many cracks as I hoped for, but I kind of expected this to be the case. Grunge paste , being so thick, is logically going to be more complicated to crack than a thinner product like paint, so potentially not as 'crackable' as Fresco Paints, and the surface area of the stencil pattern was not that big. But the mix of the 2 produced this result, what do you think?

 

LOVE this PaperArtsy Stencil by JoFY (PS396)!

This, adding finishing touches, is always my most favorite part of a project.

I try to balance dark and light to create depth and interest.

It needs a bit more color.. I sponged Worn Lipstick Distress Ink -  to areas and sprayed it with water. 

No.. it needs Infusions!
Infusions - Royal Blood; dried with a heat tool:

and Blackcurrant...

.. and also a little Rusty Car and Sleight Blue! 

All of them in a row : Infusions Dye Stain - 
Blackcurrent, Rusty Car, Sleight Blue and Royal Blood.

Back to the fodder: here you see JoFY Printed Tissue PT03 adhered to some edges.
I am not sure whether I will use all of these fussy cut images, though. The dried fern leaf has been adhered and covered with watered down bookbinding glue. 

LOTS going on.. I know, but I like it!
White splatters... extra color added to the images, white border around the dried fern leaf and around the gelli print as a frame.. also 3 small tags.. 

Where's the typography?
.. the word 'timeless', stamped script in the background, and of course the script from the Printed Tissue!

 ... and the flower head needed more yellow as a final touch! 

 

I have some useful fodder! For future projects! 

 

I'm sure you've noticed that I kept going, not sure whether it would work, messing up a background and continuing with a new idea. Sometimes a project has to go through an ugly phase, to end up being a very unique project, prettier as envisioned in the first place, and very personal.

Creating or collecting fodder is timeless.. I find inspiration in them, and sometimes use them years later. Just imagine a creative space without fodder..  it would be a quite boring space. 
Keep saving and creating fodder! Look at the list (above in the post) and save it all!
A start could be creating a book with just stamped and fussy cut images; as shown in this post.
Find the background and project for these fodder images later, maybe years later. Easy.. 
Have fun!

Ellie Knol

Blog: http://elliecreahoekje.blogspot.nl/
Owner of: https://www.facebook.com/groups/DutchArtJournal/
Facebook: https://www.facebook.com/EllieKnolCrea/
Instagram: https://www.instagram.com/ellie.knol/
Pinterest: https://nl.pinterest.com/ellieknol/

2023 Topic 12: Designer Focus: JoFY {by Renata Peley}

Hi everyone, it’s Peley Renata with you today with a fun and crafty little project. A long time ago, when I just started doing mixed media, very soon I realized how beautiful and magical this world is. And instead of being a responsible grownup, I spent many nights browsing the internet for some amazing stencils and stamps. Even now I remember seeing the PaperArtsy line the first time, but the first designer that draw my eyes was JoFY, with her whimsical and colorful designs. And that’s when I started assembling my early Christmas wish list. Luckily my husband fulfilled my desires and bought me two gorgeous stamp sets. And those two stamp sets were some of the first ones that I got in my now beautiful collection. So, I thought it was fitting that I make a project highlighting some of Jo Firth-Young’s beautiful stamp sets, that she released this year.

You know that feeling, when you feel like crafting, but don’t have the mood or time to commit to a whole art journal page, or any larger mixed media project? Well, for such occasions, what’s better than creating tags or artist trading cards. Though it is also a really fun format to work in and a perfect format for experimenting. This time I won’t be experimenting much, but I do promise some fun and good time.  

Recently we visited my husband’s parents and that place is like a treasure trove. I almost always find something that inspires me to create a project. They have some amazing vintage items, just laying around the house and collecting dust, but also some items that they got as an advertisement. And that’s precisely how I found my substrate and inspiration. On one of the shelves, they had an incomplete deck of cards with some company logo on the back. They weren’t vintage, or too pretty, but you know we crafters always find a way to make stuff look more interesting.

Now the two things came together for me: an old ugly deck of cards and new, gorgeous JoFY’s stamps.

Now that I had my main items for this project, I just had to figure out how to make them work together. But also, not to forget this quarterly topic: Typography. To be honest, the whole idea developed really fast, but soon I will tell you more about it.

Not long ago, in my previous blog, I was talking about my junk journaling crafting phase. That was the time when I was searching for ideas to make all sorts of fun pocket inserts. And one of my favorites was making something like specimen windows…or at least I think that’s how they are called. Anyway, that is what I have planned for this project, just in an artist trading card format.

The first step for this was to make windows in my cards. This took a couple of attempts as first I tested making windows with some of my cutting dies. None of them really fit my imagination so at the end I decided to create my own custom windows.

Those three cards on the left are the ones I cut using cutting dies, but the rest were the ones with my own measurements. I already said that my cards had an ugly back, so I decided to take two cards and adhere them back-to-back. In between two cards I would put JoFY’s stamped designs. To help the cards’ windows fit well and stay in place, using blue masking tape, I attached two cards to each other and cut them at the same time using a craft knife.

I cut out altogether ten cards, creating five atc bases this way. I planned to make three or four only, but you know the saying: “Two is one and one is none.”, and I was expecting to mess up up at least one. 😊

Anyway, now the basic frame for my cards was done. Simple enough, right? But now on to the second stage: making the middle layer and focal interest.

I originally intended to stamp on a plain thin paper or vellum (which I still think would look gorgeous), but then the typography topic came to my mind. So, I thought of a paper pad that I had for ages. This one is from Docrafts – Papermania: Bookprint. It is a very old paper pad and I can’t find it anymore for sale, but it looks something like this: one side has usually text in various fonts and languages with or without images, but the other side is plain white. Which was perfect as I needed one side to be blank so I could do some stamping. If you don’t have such paper pad, there are alternatives. Either book pages (sometimes if there is an end of a chapter, the other side of the page can be blank) or take a paper and stamp text on one side.

 For each card, I chose a different paper, just for fun. Of course, the next thing to do was stamping. My chosen stamps were PaperArtsy stamp sets by Jo Firth-Young (JOFY125 and JOFY126).

I cut the papers from the paper pad roughly to the size of the atc’s and drew in the outline of my window with light lines and graphite pencils, so that I would know where to stamp precisely. I stamped most of the stamps with a stamping platform and Ranger Archival Ink in Jet Black color, but again, there were some stamps that I didn’t want to stamp fully. For those cases I used Pigma Micron brush pen in black color.

As you can see on the image above, I really liked the stamp with those two insects on a tag, but I didn’t want the tag outline. Of course, you can solve that either like me, with partial stamping, or with some masking tape. Two ways but the same result.

Additionally, I stamped those two mini tags, and drew in some numbers using Pigma Micron pen again. I did try to imitate the style of Jofy’s numbers, but I’m not really sure how successful I was. :) 

Very soon, all four papers were stamped in the same way and it looked something like this:

Obviously, the next step was to color my images. As the paper on which I stamped was very thin, I didn’t dare to go with any heavy medium, so I opted for Prisma Premier colored pencils.

I always enjoy adding some subtle touches to my images so I thought to add a bit of shine to my colored insects using Art by Marlene Special Effects Glamour Glitter in Gold color.

I was happy with how the images turned out with bright and bold colors, but also with that touch of shine. Now obviously it was time to start making my artist trading card sandwich.

Originally, I imagined the cards with clean designs and bright and bold colours. I don’t know why, but at this point I started feeling attracted to an idea of adding just a tint of brown and making my cards look…not so neat and new. Anyway, let me show you what I mean.

First, I applied just a touch of the Antique Linen Distress Oxide ink by Ranger, using an ink blending brush. I applied the color on both sides of my paper but also on the cards.

After that, using Vintage Photo Distress Oxide ink I added some discrete interest using a text stamp from the PaperArtsy stamp set by Jo Firth-Young (JoFY102). The effect was very subtle, but I really liked it this way. Also, I added a bit of the same ink on the edges of my cards and windows.

Now was the time to assemble my sandwich, going something like this: on the back of one of the cards, I adhered the paper with the stamped image, over that the acetate and finally I adhered the second card.

I repeated the process for all the cards and in my opinion, they looked really pretty. But I still felt like something was missing.

For better or worse, very often I can’t resist adding small details. This time, one of those details was adding some more texture and interest using cutting dies. The die set that I found perfect for this set of cards was from Sizzix and Tim Holtz, called Specimen.

For each card, I made one embellishment and adhered it using a paper glue.

This was the moment when I decided to stop before I spoil the cards. Though I was considering adding some more interest using either dry, pressed flowers or some die cut florals. Maybe even a piece of thread…but not for me this time. 😊

Oh and a bonus fun fact, as the paper that I used for stamping is very thin, when I turn my cards towards a light source it becomes semitransparent and I can see the both sides of the paper. 

So cool, right? :) 

This was one of the projects where the idea and inspiration came easily. It all went smoothly and I was happy with the result. But when I try to make something like this next time, I will try either stamping directly on acetate, or use vellum paper. Also, I might really go for using pressed flowers and threads. Perhaps even add a metal charm as well. These are just some ideas for you or me to play with next time.

Anyway, this was my last blog post for this year, so I will use this opportunity to in advance wish you all a Merry Christmas and Happy New Year!

Renata 💜

If you enjoyed this process, but some technicalities are still not clear, or if you are a more visual type (like me), I have also prepared a full step by step tutorial for this project on my YouTube channel.

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Instagram: @renata_artjournaling

Pinterest: Renata Art Journaling

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