Funky Neverending Card with JoFY {by Martha Ponsanesi}

Hello everyone, Martha (@CrfatingMartha ) here with you today for a trip back in time! I am so excited to share an interactive 'never-ending' card, packed with warm colours, funky doodle layers, and a delightfully nostalgic palette.

The spectacular March release by Jo Firth-Young instantly stole my heart and inspired me to play with retro vibes using her new mini stamps and stencils. To bring this project to life, I also decided to dust off an older stamp set featuring those wonderfully bold, chunky flowers that scream 'flower power' to me.

To capture that authentic retro aesthetic, I curated a warm, earthy, and slightly dusty colour palette using PaperArtsy Fresco Finish Chalk Acrylics. I chose the Chocolate Pudding (FF42),  Cayenne (FF159),  Mustard Pickle (FF148), for a striking pop of contrast, I added Caribbean Sea (FF94) and Slimed (FF137). While the final color balance turned out slightly different from what I had originally envisioned, I absolutely love the result!
I used the three stencils from JOFY's latest release  PS512, PS513 and PS514 ( as usual, you can find the latest release products at the PaperArtsy stockist listed here ), to build my backgrounds, simply applying the paint with a dedicated sponge for each colour.

The beautiful vase stencil PS514 inspired me to create a layered pattern, overlapping the shapes in different shades to build depth.

By the end of this first stage, I had created a collection of vibrant, textured backgrounds ready to be cut down into panels.

As well as a background, I wanted to use the PS514 stencil to create a focal image too.

First, I stenciled a vase using a sponge and let it dry completely.
Next, I replaced the stencil exactly over the painted shape to act as a protective mask.
I then stamped some of the mini geometric patterns directly through the stencil opening. This ensured the stamped designs stayed perfectly inside the vase silhouette with crisp, clean borders.

I stamped some flowers from JOFY95 stamp set onto cardstock and heat-embossed the outlines with clear embossing powder.

Once embossed, I painted the petals using my Fresco Finish paints highly diluted with water, creating a beautiful, translucent water color effect.

Since I wanted to showcase some of the gorgeous new mini stamps, I knew a neverending card structure would be the perfect interactive choice.

You can find in the photo reminder of how to make the structure.

I cut out the squares and rectangles from my custom backgrounds to decorate each section of the card.

For these long side panels, I added some playful, abstract detail by randomly stamping the geometric curves from JM100.

I then fussy-cut the water coloured 'flower power' blossoms and layered them onto the central panels to create a striking focal point.

To prevent the busy backgrounds from becoming visually overwhelming, I made a conscious design choice for the other panels. While some images were stamped directly onto the stencilled papers, others were stamped on a separate sheet of cardstock, fussy-cut, and kept in crisp black and white. This created a perfect visual balance. For this part of the card I used JM97, JM102 and JM104.

Again, some images were stamped directly onto the background (with solid color this time, not through the stencil), with JM99 and JM102, while others were colored and cut out.

My absolute favourite spread is the one featuring the large Chocolate Pudding (FF42) vase. The pops of Caribbean Sea (FF94) dots on the vase, combined with the vibrant hand-painted flowers from JOFY123, feel so wonderfully retro.

And here is how the card unfolds, revealing its four different faces.

The defining feature of a neverending card is its continuous folding mechanism, which means you have to be incredibly mindful of the embellishments you apply. On two of the spreads, I made sure all my decorative elements stayed strictly within the square panels. 

However, on the other two spreads, I chose focal elements that crossed over the edges. To allow the card to fold seamlessly without catching, I had to carefully slice through these overhanging stamped elements exactly along the fold lines after gluing them down.

I still have a lovely pile of extra stencilled vases on my desk, just waiting to be filled with more funky flowers for some standard-sized cards. The possibilities really are endless!

Have fun!

Martha xxx

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Strawberry journal spread with ESC {by Riikka Kovasin}

Hello everyone, Riikka here with you today for an art journal spread process. I was inspired by warm days, memories of summers gone by and the sweet taste of strawberries. In this post I'm showing you, how I created a weathered collage background for the page to echo fleeting moments and then layered a mix of vintage and herbal focal points on top.

 

My main inspiration for this project was the beautiful strawberry set by Scrapcosy (ESC53). I wanted to use that as my focal point. I then thought about a fun technique using rubbing for the background, so I chose a stencil (PS491) to be used in that.

To be honest, I started with three Fresco Finish acrylic paints and then added a Mattint and another Fresco Finish color along the way. First, I chose a color palette that would highlight the red strawberries, but also show off the green leaves. I picked Spring (FF180), Aquamarine (FF153), and China (FF101). When creating, I wanted the background to be more vintage looking, so I added Mattint Glow (MT01) to the mix, and lastly used Gold Rush (FF204) as the last stage of my worn wallpaper technique.

Along with these PaperArtsy mediums, I used a black stamping ink, beeswax crayons, and colored pencils.

I started my art journal spread by coloring tissue paper. For that I used a gel plate and added two acrylic paint colors, Aquamarine (FF153) and Spring (FF180) on top of the plate in small dots. I then used a brayer to spread the colors and pulled a print to a piece of tissue paper.

While making the prints, I cleaned my brayer to my art journal. This added a touch of color to the spread, with the same color scheme I was then adding on top a bit later. Also, no paint was wasted this way!

After the tissue had dried, I added a pattern on top using frottage. I slipped the stencil (PS491) underneath my tissue paper print and then gently rubbed with a beeswax crayon from the top. This added the pattern of the stencil to the print.

 

I named this technique worn wallpaper, but in fact it's a couple of techniques bundled together. The end result looks like a weathered, stained, and torn wallpaper.

I started with collage. I tore the tissue paper into smaller pieces and adhered them on top of the colored spread. I used a matte medium to adhere the pieces in place. If you want to combine a couple of steps, read further for another medium option. I didn't want to cover the whole area but instead give the impression of torn wallpaper.

Next, I added the same pattern but in another way. I used the same stencil (PS491) but this time with paint and a sponge. I used Fresco Finish China (FF101) mixed with Aquamarine (FF153). I concentrated the pattern to the gaps between the tissue paper pieces.

I thought the background needed a touch of contrast. I created that with a text stamp from the set (ESC53) and black ink. As you can see from the picture below, I didn't mean the text to be readable, but instead to add visual texture.

These steps were all about building layers, like layers of different wallpapers added to the wall along the years.

While I liked how fresh the background looked, I felt that a touch of vintage was needed to convey the idea of worn wallpaper and to match the background better to the vintage photos I was planning adding on top. 

First, I added a layer of Mattint onto the page, transforming the color scheme to a warmer one. You can tweak the colors easily with a layer of this medium! If I'd realized earlier, that a vintage touch would be needed, I could have used Mattint to adhere the tissue paper pieces in the first place.

As the last step of the worn wallpaper, I used water resist to create a splodgy paint layer on top of everything already on the background. First, I took a water mister and kept it at hand. I then painted the spread speedily with Fresco Finish Gold Rush (FF204). Next, I sprayed some water on my hand and flicked droplets to the wet paint. I tried to add a generous amount of the droplets, covering the whole area. 

I then used a heat tool to dry the paint. The idea with the water droplets is that the paint underneath the water won't dry while the other parts of the layer do. I then picked up a rag and dried the droplets and removed the paint underneath them. I was left with a splodgy, weathered looking paint layer with all the previous patterns peeking through.  

I had now my mission accomplished - a weathered, torn looking wallpaper background!

Now that the background was done, I concentrated my attention to the focal points. That is the strawberries. I stamped a multitude of them to two surfaces - the more geometrical design from the set (ESC53) on top of white cardstock, to be colored, and the more loose design on top of old book pages. I used the same black ink for both.

I cut the strawberries stamped on top of the book paper loose, and collaged those onto my background. I let the design partly overlap and created a cluster of plants on both pages.

Then it was coloring time! I used colored pencils to add color to the geometrical strawberry designs. I wanted the berries vibrant red and the leaves luscious green. I also stamped a couple of additional strawberries and colored them, too.

After coloring the images, I cut the strawberry plants loose. I also cut some of the berries loose, to be used individually here and there.

I chose a couple of old photos of girls to be standing among the strawberries. I layered the strawberries and girls and adhered them to the page using double sided tape. As I was working on a bound journal, I didn't dare to use foam tape, which I usually prefer to create an illusion of perspective.

As a finishing touch, I added a little journaling to my spread. First, I stamped the "beautiful memories" from the stamp set (ESC53) onto a piece of old book paper. I then searched text stickers that would make up a story, when combined. The stickers were actually from a Halloween themed pad, but I bet you couldn't tell that from the finished story. At least I hope so! You can read the story a bit further along the post.

An air of days gone by topped with sweet strawberries! Above you can see the finished art journal spread. I really like using the long journal format, but it's a bit tricky, when taking pictures.

The main points in this spread are the layered, worn wallpaper looking background and the clusters on top. Notice, how I used the strawberry design repeatedly, like there's a shadow underneath the colored plants? You can just see sneaks of the bookpaper stamped flora, but it still creates a nice backdrop to the colored clusters.

Here's a closer detail on the cluster and the background. There's repetition in the pattern - first in the background using the same stencil and then in the cluster using the strawberry stamp. I hope here you can see the bookpaper version better, peeking underneath the colored plants.

In case you are wondering, what kind of a story I whipped up with the Halloween stickers, you can read it here. "Beautiful memories held her spellbound. Then, suddenly, a strange thing happened. A beautiful garden." Naturally, instead of stickers, you could use actual clippings from old books.

Thank you for stopping by today! Wishing you a lovely summer day!

Xoxo Riikka

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