Specimen slides Tag with Sara Naumann & Lin Brown stamps {by Etsuko Noguchi}

Hi everyone, nice to be back with you again

Etsuko here with you today.

This year on the blog, we have free reign to do a deep dive into a PaperArtsy product ranges of our choosing. For this post I have been exploring Lin Brown's and Sara Naumann's products. 

Today theme is two designers products mashup, so I decided to use their products to create a specimen slide folder. While I was making it, I came up with the idea for the tags so I added them.

Recently I've been into making specimen slides and having fun putting things inside them.

And the ever-handy blank tissues and PaperArtsy Mattints are always a big help to produce.

I figured I would mashup Lin's stamps and stencil into a folder and Sara's stamps into a specimen slider. For the base of the folder, I decided on the simple matte blue PaperArtsy Fresco Finish Chalk Acrylic - mixed Pool and Smurf so that I could add other specimen sliders later. For the folder layer, I stamped Lin Brown stamp set 01,30 (ELB01, ELB30) in Snowflake and used Grunge Paste for the PaperArtsy stencils by Lin Brown (PS001, PS024). The surface of the folder is simple, so I used Grunge Paste to make it uneven and change it up a bit. For the specimen sliders, I used Sarah's insect stamp set 21,62 (ESN21, ESN62). For coloring, I used PaperArtsy Mattints (Color numbers and names will be described below.) for a fresh look.

First, I made a large tag-like shape, 13" (33cm) long by 5" (12.7cm) wide, out of thick white paper, then I added a little white to Pool and Smurf and painted it with a brush.

I used with Snowflake for the ELB01 and bubbles stencil PS001 and used Grunge Paste for the leaf stencil PS024. And I stamped ELB31 in various places Vintage Lace to blend in with the color of the frame to be made later.

Snowflake is an opaque color, but a bit weaker than grunge paste, so I used a gel pen.

Sara's quote ESN66 was embossed with black powder on Hot Picks blank tissue paper to ensure accurate placement at the top of the folder.

Then, I placed Lynn's words ELB28 at the bottom in the same way. Details of the frames are described below, together with the specimen slider.

I am going to make the insect specimen. I will use beautiful and fun Mattints for the background. PaperArtsy Mattint from left Greenstone, Mojito, Acid, Glow, High Viz, The Pink, Dragonfly. The unlinked colours are not yet available at the online PaperArtsy Store but are already on the shelves at your nearest shop. Lovely insect stamps are ESN21, ESN62, they embossed with black embossing powder. I then cut into card shapes as shown in the picture below.

The next step is to make a handmade specimen slider. The total length is 6" (15.24cm) wide by 3 1/4" (8.2cm) long. The 6" long section is folded in half to make a window at the top like that.

The book page is collaged in the window area. I also collaged book pages in the same way in the folder frames.

When the collage glue is dry, apply a slightly watered-down coat of Vintage Lace so that the collage underneath is visible.

Next ESN21 were stamped using the Pool and Smurf on the specimen slider.

Distressed around with Ranger Industries - Distress Ink Vintage Photo and decorated with small labels from stock.

Finished with tabs at the top and dangled small labels to the eyelets and make four square cuts in four places to make it look like a specimen slider.

I thought it would be decorative to install some eyelets in the top right and bottom left of the folder, but it seems a little overdone.

This is the finished product and I made it to hang on the wall. It would be nice to make various specimen sliders and enjoy replacing them.

When I was making specimen folders for my projects, I thought it would be fun to make tags , so I made two using my favorite Lin's fern stencil PS006.

Now I used a gel plate. I used a Turquoise on Lin's PS006 fern stencil and wiped off ferns areas underneath with a baby wipe to create a background.

Two backgrounds, one positive and one negative, were created from the gel-printing and from the stencil with paint on it.

Here I took the positive background and placed PS006 stencil in the shape of a fern and lightly sponged these Mattints over it. The other one tag I used Lin's stencils with paints to the background then Sara's dragonfly, owl and words image embossed in black powder with embossed on blank tissue paper they glued over the background with satin glaze.

This time it was a bit simpler, but I really enjoyed making it. If you would like to try making this specimen slider folder, why don't you? Next time I would like to try a slightly more complex layer. Thank you very much for watching.

Etsuko xxx

Facebook: Etsuko Noguchi

Instagram: Pixienest

Pinterest: Etsuko N

Storybook characters in a hand-stitched book with Alison Bomber & France Papillon stamps {by Alison Bomber}

Hello all, Alison here from Words and Pictures, and I can't wait to share today's storybook with you! It's definitely a labour of love, bringing together scraps and mop-ups with collaged panels, fragments of book pages, multiple stamp sets - both my own and France Papillon's - plus oodles of ephemera, all to create a celebration of storytelling through pictures and words.

I was inspired by those wonderful editions of classic novels where, as you read the dense text, suddenly every once in a while you would turn the page to find a small illustration - usually a fabulously detailed black and white drawing. I loved discovering those visual bits of storytelling illuminating the words. I'm sure that's why I was so drawn to the trio of France Papillon stamp sets I've used here. But I always wished there could be more pictures, and so this hand-stitched book is my way of fulfilling that wish... with more pictures than words!

Given my recent springtime release was also very much inspired by old book pages, adding those botanicals and text textures to France's book illustration stamps seemed like the perfect combination.

Come and turn the pages with me to find out how I've used colours and ephemera (drawn from all my other stamp sets too) to bring the pages and elements together in a harmonious way, and discover the characters lurking within the storybook...

You may have noticed that I'm slightly hooked on the Mattints at the moment, and they play a major role in these book pages. Their transparency brings that gorgeous glow, as well as making it so easy to tint a stamped image with subtlety. And I just loved finding ways to combine my stamps with the vintage delights to be found in the France Papillon trio. 

As you can see, I've used a LOT of stamp sets... FP010, FP011, FP012 are the France Papillon ones. The botanical stamping comes mainly from my new springtime sets, EAB45 Crocus Edition, EAB46 Apple Blossom Edition and EAB47 Lavender Edition; with EAB40 Pressed Grasses, EAB41 Pressed Umbels and EAB42 Winter Grasses also in play.  

But I've also used ephemera from lots of my other sets - more about that to come down below... and of course all the products are available from PaperArtsy stockists worldwide.

I used a pack of pre-folded cards as the main substrate for my pages, and used Distress Inks to add the splotches and discolouring of aged paper.

I painted some Smoothy Stamping Card with layers of Mattints. I'm slightly obsessed by the new Mojito colour, especially combined with Dragonfly. Together they create gloriously sunlit turquoises, duck egg, tropical ocean tones, with some occasional River Deep thrown in for a deeper shade.

I used that painted card to stamp ephemera drawn from almost all my botanical stamps, from the first of the sets including imagery, EAB24, all the way up to the most recent, EAB47. (The 23 earlier ones were all quote collections, so no ephemera involved!) Thanks to the tonal variations across the pieces of card, each individual piece of ephemera is a slightly different colour, and yet they all harmonise together.

I smooshed some scraps of my Printed Tissue PT08 which were around on the craft table into the same colours.  Since the Mattints also work as a glue, while the colour was wet I was able to stick the tissue straight onto the pages as a first layer.  And (of course) I spattered some of the leftover Mattint onto the pages for extra colour and detail.

That Mattint glow on both the ephemera and the tissue is going to be crucial in bringing the storybook together as we progress...

 

The next steps were partly done page by page, and partly with an eye on the whole book. I wanted to make sure that the literary characters from France Papillon's sets would appear at fairly regular intervals, not all in a rush, so I had to watch the spacing from signature to signature.

When I say "signature", it's really only one card (not several sheets as you might usually expect a signature to be made up of), but that is four sides of decorative storytelling, so I needed to keep track of which order the pages would appear in. So although the horses above appear to be right next to the maid, this is the outside of the signature, so in fact they will end up several pages apart.

I used mostly Mattints to tint the images. Since they are completely transparent, you never lose the detail of the stamped image, no matter how many layers you put on. I did use occasional touches of Fresco Finish Chalk Acrylic when I wanted a particular colour but I either used translucent paints like Hey Pesto, or worked with washes (mixed either with water or with Mattints) so as not to obscure the stamping.

Earlier, I had created a series of collaged panels on Tim Holtz Wallflower papers, using my Mattint-ed ephemera as well as Photobooth, Snapshots and Paper Dolls. (You can see that whole process - including the full Mattint ephemera-making - here on my YouTube channel.)

That matching ephemera (which I loved so much that it inspired me to use the same ones for this project) suddenly made me wonder whether those panels maybe had a part to play in this storybook - with stories of their own to tell.

I wasn't sure whether the vintage photos would work alongside the book illustration characters - but as soon as I tinted the stamped images, I loved how they looked alongside the collaged panels.

On each page with a tinted image, I started to build clusters of ephemera that echoed the ones on the panels.

And see what a difference the tinting makes, bringing the illustrations to life... Here's that maid with her newly tinted dress (River Deep and Shark, for the most part). It was at this point that I began wondering what she's holding in her hands that she is gazing at so intently - and that's how the stories start to emerge... they start to tell me things.  (More about that further on...)

So then it was a question of mixing and matching ephemera pieces (both hand-stamped and pre-made) across the pages - either alongside the tinted France Papillon illustrations, or added to the collaged panels. That intensifies the sense of them all being part of one cohesive whole... to allow them to "speak to" one another. (How perfect are those horses from FP011 - one "Mattinted" in Nutty and one in Ash?!)

Bits of ephemera were already sticking out over the edge of some of the panels, and I was able to reposition some of the ephemera to help embed them even further into the pages. Sometimes I cut a piece of ephemera in half and used one half with a photo panel and one half with a book illustration, so again the two are drawn together.

So by now, I had four "signatures" - that's to say four folded cards directed front and back on all sides...

... and it was time to take a deep breath and do some stitching to bind the whole thing together!  (These two photos show you all the outside pages... you'll have to carry on to see the inside spreads, and how these pair up together.)

I'd known from the start that I wanted to stitch my signatures eventually, so you'll notice (even way back in those early process photos at the start of this section) that I glued torn book page fragments to reinforce the spine of each card. Not only does that increase the sturdiness of the card where I needed to stitch, but it adds to the old book page theme of the whole project... good, eh?!

I found a number of videos on YouTube demonstrating the "kettle stitch" book binding technique, and followed those, using the book binding thread and needles which I have tucked in my stash. 

I'm very happy with how it came together... there are imperfections in the binding - a bit of wobbliness here and there, but you know me... I'm not that interested in perfection!! 

I'm absolutely thrilled with how this book has all come together. There are some of my stamps and some of France's on every single page... even on the cover. I had plenty of my ephemera there already, of course, and the EAB42 Winter Grasses, as well as the tissue paper in the background. So then, instead of picking one of the (many) large words on my sets, I decided the word Memories, from FP010 was actually a much more appropriate title for the book.

Using the Mattint-ed ephemera pieces as a recurring motif has allowed me to bring together quite different kinds of characters - from photos, from illustrations, from different time periods, and bind them into a harmonious whole.  

This post is already quite long enough, so rather than share all the stories from the book now, I'm creating a full length storytelling flip-through video which should go live on my YouTube channel at the same time as this post goes live.

What I will do now is give you a quick glimpse at each spread you find as you turn the pages.  There will be close-ups to come over on my Instagram grid over the next days and weeks, so keep an eye out there too.

This was such fun to make... a gradual process over several days, adding in bits and bobs that were around on the craft table, as well as creating bespoke elements to bring the pages together.

You don't have to follow my springtime colours, of course... but using something like the Mattint-ed ephemera, in whatever colours you love, allows you to bring a complex project together by having that repeated element involved.

And combining imagery by different designers will always give you a fresh perspective on all the stamps involved, so take a look in your collections to see what you could pair up. You might surprise yourself with how the combinations start to tell you stories!

I hope you've enjoyed this journey through the process, and I hope you'll join me over on YouTube to hear the stories which emerged from each page as I was creating this book inspired by my memories of the illustrated books I grew up with.

I suppose my love of those books, with their dense text and occasional illustrations, is just another example of why "Words and Pictures" is the perfect name for my creative presence online... how the storytelling passes from the words to the pictures and back again. I hope this book brings you as much joy as it does me.

Thank you so much for your company today, and happy crafting, all!

Alison xx

Add clickable links to your blog and social media hangouts, delete what you don't need

YouTube: Words and Pictures 
Instagram: @w0rdsandp1ctures and @b0hem1anh0me

Website: Words and Pictures

Blog: Words and Pictures

Pinterest: butterfly crafter

Facebook: Words and Pictures

Watch out at Stampers Grove and Country View Crafts for workshops coming your way in May 2025!