Friday, 2 January 2026

2025 Year in review: Scrapcosy

Hi everyone, Raquel here from Scrapcosy, wishing you a happy New Year full of health, happiness, creativity and great moments to remember! My New Year resolution is to spend more time in my craft room, creating things, playing with my stamps and stencils and sharing more projects with you in my YouTube channel. 

I'm here today to share with you what 2025 has meant for me crafty-wise. I've reached what I feel is an unbelievable milestone: I went beyond stamp set number 50! I'm in love with all the designs I came up with this 2025. After all the hard work, having them turned into stamps and stencils to play with is an amazing feeling! I feel so lucky to design for PaperArtsy! 

April Release: Garden Flowers
ESC50, ESC51 & ESC52
PS468, PS469 & PS470 (Large)


To celebrate the 50th stamp set I went for a favourite thing of mine: patchwork fabric with roses. I'm a patchwork fabric lover, I can't help it, when I see a beautiful rose-pattern fabric I just buy it, touch it, look at it, keep it... my Preciousss... So with design number 50 I wanted to be able to create a fabric-like pattern with roses, so I drew my own flower bouquet inspired in a couple of those fabrics I own and I got it in two different sizes and with extra little flowers to decorate. I was so happy with this design! And I created this sample to show you the type of fabric I love!


With ESC51 I was inspired to handwrite a poem about a day in a wild garden. With the help of Leandra and Alison Bomber, I polished it a little bit and all the writing was ready to create texture in different shapes. The daisies bouquet I saw in an embroidery vintage book inspired the flowers in this stamp set, so I decided to create a book mark showing part of the poem and the beautiful flowers. I created other samples on each side of the book mark with the little elements that allow the creation of repetitive patterns, which is another thing I love. 


I chose this sample from the release since this is the one I did a live demo on. I love the background I created with PS470, grunge paste and infusions and I love how the magnolia flower from ESC52 (inspired by a heritage wooden box I have) stands out on top of it. This is my favourite sample on the release! 


Meanwhile, over on the PaperArtsy Blog, Ann Barnes made this gorgeous shadowbox with my new stamps..


As you can see, some gorgeous shading on the flowers...


And beautiful paint details from stencilling various layers on the frame and the background.



November Release: Strawberries & Mushrooms
ESC53, ESC54 & ESC55
PS491, PS492 & PS493 (Large)


Inspired in the arts and crafts movement started by William Morris and the vintage perfume labels, ESC53 and ESC54 were born. I love strawberries so those and their plants in different shapes were the stars of these 2 stamp sets. I wanted to create a modernist label so I could use it not only for preserve jars but also for being the focal point of a sample, like this one, where PS491 stencil also stands out in the background.


ESC54 has also a countryside vibe, so that's what I wanted to convey with this sample, where I used the strawberry plant as a focal and the 2 tartan stripes to create a beautiful squared fabric-like pattern in the background. This stamp set is really versatile and those 2 stripes will let you create many different patterns.


This was my favourite sample on the release. I love mushrooms, so it was time to get a new mushroom stamp set with ESC55. I didn't want to just add new specimens to my previous mushroom sets, I wanted to create beautiful mushroom bouquets or groups of them that could be used as a focal and would be beautiful as stand alone images. I'm so happy with both collages and also with the fact that the extra images will let you add dimension and background patterns.


The image for this other sample is meant to be used in borders of cards and art journal pages, however it looks so stunning on its own that it deserved to be in the centre of the card. Multiple stamped and cut images allow that 3D effect on the card that pops the mushrooms out of the paper. It's like they are truly alive!


And this final sample was the one I made for the other demo I gave here on the PaperArtsy people facebook group. It comes out of the PS493 stencil, which is a multiple layer stencil, allowing you to add different colours for each layer. With the help of a white pen for the highlights and black pen for the shadows the stencilled image gets completely transformed into a hand drawn look like image, with far more details than a simple stencilled image. 

Meanwhile, over on the bog Tracy Hickman created this stunning journal page with my November release, you can see all the details here


The new Postcards Printed Tissue made such a great backdrop to kick off her page


She also created 2 tags that make this spread interactive and allowed her to use the stamps to their full potential

End of Year Project: Xmas Baubles (by Raquel Burillo)


Although Christmas season is almost over (in Spain it lasts until 6th of January, with the celebration of the 3 wise men) this is a project that I wanted to share with you, since it can be applied to any other object, not just plastic Christmas tree baubles, but also jars, vases, coasters, wooden boxes, etc. I'll show you my way of working with PaperArtsy blank tissue paper and the stamps of your choice. Many of the designs of my 2025 releases can be used for this technique and if you keep your colour palette unified, when applied to Christmas trees baubles, you can create your own baubles collection for next year and combine these with plain and same colour baubles for a more textured Christmas tree.






My main supplies were stamp sets ESC50 and ESC53 (available from a PaperArtsy Stockist), which I stamped onto Blank Printed Tissue Paper (PT10) with some black Archival ink, which then I glued to my plastic baubles with Fresco Finish Satin Glaze and added colour with some Mattints, Infusions and Gold Fresco Finish Paint. I gave a vintage look with some Vintage Photo Distress Ink at the end.

 
Here you can probably see the supplies a bit better.



The very first layer is just adding Fresco Finish Chalk Paint to cover the plastic bauble. Here I'm dabbing the brush to add some texture. 


I created 3 different bases for each of the baubles, a dabbing one, then long and full brushstrokes and finally a roughly brushed one, where the bottom of the bauble is still golden colour. If instead of Chalk colour you add a different one, then that will be the base colour of the finished project. These may look also gorgeous in light green or like blue, using Aqua Duck Egg or Niagara Falls, for example.
 

In a nutshell, after adding the base colour, we need to glue the stamped images to the baubles and add the different colour layers. Let's see the details for each step.


First, stamp all the images on a piece of Blank PaperArtsy Printed Tissue Paper (PT10). I used Archival Ink, which dries much, much faster than Versafine ink. Just be careful when you stamp because the ink goes through the tissue and will stain your surface. Consider placing a piece of copy paper underneath the tissue, so it absorbs the ink or clean the ink from your surface after each stamped image, otherwise if you move the tissue to stamp on the same spot of your crafty table, the tissue will absorb that leftover ink and you'll be disappointed.


Once everything is stamped you want to trim each image so you can glue it to the baubles. Don't use scissors please! Use a brush dipped in water to trace around the image, then tear it so you can see the paper fibers on all edges, that will ensure the edge disappears when you glue it to your surface. If the paper doesn't easily tear, your brush needs more water. Just make sure the water stays away from the image and tear the tissue paper carefully.

Here are the 3 designs I made, combining different elements of both stamp sets. The way to glue the tissue paper is by first applying a layer of glaze onto all the surface of the bauble that each piece of tissue paper will touch. I used Fresco Finish Satin Glaze but you can use a Fresco Finish Gloss Glaze for a shiny finish or Fresco Finish Matte Glaze for a completely matte finish instead of a satin finish. Then you lay one trimmed image into that wet surface and then you apply another layer of Glaze on top of the tissue paper. You are doing it right when the tissue paper becomes transparent and you can see your image on top of the painted background, as if the tissue paper just disappeared.


Now it's time to add colour. I used Ladybug Mattint (available from PaperArtsy stockists) for the red, Glow Mattint for the yellows, Olive Tree Infusions Dye Stain mixed with Fresco Finish Satin glaze for the greens and then I added some touches/dots of Fresco Finish Gold for a more magical and Christmassy touch.


And for a final vintage touch I added some Vintage Photo Distress Ink, which will highlight the paper creases and will add some depth and texture to your project.


This is how they turned out. They look gorgeous in my Christmas tree!


The big roses combined with tiny ones and the small flower branches create a busy pattern that I love. By adding the gold spots here and there I fill the blank spaces with some magic and shine.


This design is much simpler, just 6 copies of that flower evenly spaced (or as much as I could) leave some gaps which again I filled with gold dots. These combine really well with the bottom of the bauble which I left without paint so it's also golden colour.


This same technique can be applied to other things. Imagine creating a set of coasters with the same images or a wooden tray with a repeated pattern. There are some many home decor elements you can upgrade to have that same look: pencil pots, kitchen clocks, inside of drawers, the top of a side table, wooden boxes and more.

I'm editing the YouTube video that has all the steps to create this baubles. I will add the link here once the video is published, or check my YT link below.


YouTube - learn many techniques from me in my scrapcosy YouTube channel
Instagram - follow me and contact me at instagram @scrapcosy
Scrapcosy.com - My blog

Friday, 26 December 2025

2025 Year in review: Kate Crane


What a year of delights we have seen from Kate in 2025. Her quirky characters are just the right amount of adorable and funny, and those marks and layers she brings to life for us all are so interesting to watch her bring to life when she shares the process in her Facebook lives over in our PaperArtsy People community. I hope you find some time over the restful period between Christmas and the New Year to get caught up on her ideas, and perhaps have a go yourself!  Here's to another interesting year ahead with Kate - we have some exciting plans coming your way!
~ Leandra

2025 - what a year! And as usual it just seems to have flown by, and we're already thinking about a whole host of new designs for next year. This year has been an eclectic mix of animals, creatures, florals, Christmas, and even a few more minis. All with a touch of whimsy, of course!

February Release: The Funky Critters Collection
KC009, KC010 & KC011
PS453, PS454 & PS455 (Regular)

February saw some funky birds, scribbly florals, and even some slightly silly fish, all of which work well together in combination. Alongside stencils with plenty of familiar marks, vines and circles to add to the creative process.



Birds and florals are an easy combination and happily play side-by-side, as you can see here with the florals framing a rather silly chicken.


Owls can be a hoot (!) and a leg sticking out to the side is just asking for something to balance on it, in this case a lovely single flower.


What is better than one angler fish? A floral angler fish of course! Or several, all peacefully swimming together. This particular stamp set, including birds and fish, was designed with florals in mind so feathers and gills and tails became petals.


I do love a large and busy group of florals (or anything!) but sometimes a single image can be quite powerful. And here you see a single slight droopy looking echinacea placed over a gel plate printed background using alcohol ink; one of my favourite go-to techniques.


A close-up of a background created using alcohol inks on the gel plate, and a stencil with very simple but oh-so-useful all over marks.


You can check out a video in the PaperArtsy People group sharing this technique *here*

May Release: The Witching Hour Collection
KC012, KC013 & KC014
PS465, PS466 & PS467 (Regular)

I so enjoyed playing with this collection! A combination of some spirituals gals, a few potions, alongside fairytale toadstools, and fluttery butterflies made for an easy combination yet again happily playing side-by -side. 

I stamped the toadstools here on matte film before placing them over a colourful background. Their semi-transparent nature gives them an ethereal glow.


One of the things I really enjoyed about this set was the slightly taller figures - it was fun to play with something a little taller. Here I think she looks very at home surrounded by fairytale toadstools.


Katy Norgate, a talented and familiar PaperArtsy blogger, has a magical way with colour, and created this very striking and bold colourful piece. Somehow it reminds me of a magical sweet shop!


August Release: The Holidays Collection
KC015, KC016 & KC017
PS483, PS484 & PS485 (Regular)

Christmas in August?! Why, yes, we all need plenty of time to get ready for the big day! But this release wasn't all about Christmas. I included some quirky little rather rotund people which grew out of on-the-go sketching in my little journal. These are really just every day stamps, but I always say you can make any stamp work for Christmas.


This fairly was just crying out to be added to a strip of acetate so she could freely fly over a colourful printed background, and a row of mini Christmas trees which actually work just as well as toadstools.


Lots of stamping in this Christmas mobile but so fun and satisfying to create. After getting in a rather large and annoying knot using invisible twine to hang the images, I settled on acetate strips which was a very effective solution.


Building transparent layers with films and acetates is one of my favourite things. Stamping Gold Fresco onto matte film through the simple but effective marks stencil added so much depth to this background.


And yay! for grumpy gnomes! And punny quotes!


November Release: The Quirky Characters Collection
KCM017 to 024

A final release for the year ... 8 little minis with something of an insect theme. Lots of wings, spots, antennae ... as well as Deely Boppers, and extra legs! A bit of quirky fun for any occasion. These little credit card sized treasures work brilliantly as stand-alone on small projects, but just repeat them or use them in groups for larger projects. Very versatile.

Here's another beautiful Katy Norgate sample ... with her trademark pop of colour.


An incredibly useful frame is included in this collection. It's brilliant for just adding over an image like this one below to highlight the main focal area. 


But to make such a small image work on a larger project such as an art journal page, repetition  or grouping can be a very useful tool.


Katy had the same idea here, when she repeated this image (and gave us all an ear worm too).



Unusually Katy used more neutral colours here but it just works! 


Stamptember Feature (with SSS)


In September I was a featured partner with Simon Says Stamp, a USA based craft retailer. SSS features a different partner brand every day of the month throughout September, from Tim Holtz to Gina K and a lot of clear stamp and die brands, including their own in house products.

PaperArtsy has been supplying SSS since 2005 when they first exhibited at a USA based trade show, and Heidi was one of the first USA customers who visited their booth as a new business herself. Back then exclusively online retailing was just beginning to gather momentum, but it was pretty rare for craft suppliers to be online only. Both SSS and PaperArtsy were exclusively selling online at that time.

I created a set of stamps designed to be versatile for a range of projects within the one set. You can see below the designs featured for my day of Stamptember. We also created a coordinating stencil and both products were available individually or as a set.


These items were only available directly from SSS on their website at the time of the promotion. Heidi pre-orders from PaperArtsy a quantity a significant period of time ahead, and once they are gone there is no more stock. Imagine juggling this event for 30 + brands in just one month, a massive undertaking!


Not only is this opportunity good exposure for my design style, but also for the PaperArtsy brand. PaperArtsy engages with this event because it exposes their brand to a wider group of crafters, particularly in the USA, and that exposure helps drive interest and engagement to stockists globally which is incrediblly important and even more so in the current climate.


Next year, if they are invited to participate again, it will likely be a different designer who is the focus. For example, in 2024 JoFY was the featured designer.

Leandra and I approached a number of crafters in our orbit to make samples for this promotion with these designs, and when our day came up we shared all the makes as reels on the @PaperArtsy Instagram account. We know this is a time sensitive offer with the short 24 hour cycle, so we did our all to share the products in the hope that people would jump on the offer before it sold out. It was an absolute joy and a privilege to work alongside crafters from within our community on this event, and they all really did us proud.

If you managed to procure these designs, here is some fabulous inspiration from our supportive Stamptember creative team.

 By Sarah Downes

By Mags Woodcock

By Lindsey Bowe

By Helen Ranger

By Colleen Melody

By Claire Stead

By Nikki Acton

By Katy Norgate

End of Year Project: Let's do it all again! by Kate Crane


I created this double page spread in my kraft art journal to represent my creativity throughout 2025. It's such a fun way to look back at the year and to keep track, but also a great way to use up scraps of gel prints and backgrounds And if you have been joining in with the Paper Artsy play-alongs or the technique lives over in the Facebook group this year, you'll have plenty of those!





You only need a few supplies for this project because you'll be mainly using up scraps and bits that you already have. I also used Frescos in Snowflake, Gold FF20, Watermelon FF236, Kiwi Gold FF230, Cherry Red FF86, and Script tissue PT12, alongside a few more general supplies such as gesso and gel medium. I added a little background stamping with the mini KCM021



I began by drawing squares with a black fine liner, approximately 5x5cm across a double page spread with a plan to create a mini collage in each square. I finger painted a little gesso in each square being deliberately loose, and then used gel medium to attach torn scraps of Paper Artsy Printed Tissue tissue  PT12 - Scripts. 


I added more loose finger painting using Paper Artsy Frescos in Watermelon, Cherry Red, Kiwi Gold,  and Snowflake, deliberately keeping it light and leaving a little white space.


A few splats with a fine brush and the white paint (you can add a little water if necessary) , as well as 'drawing' a few scribbles with the wrong end of a paintbrush adds nice light touches of light. 


A few inky black splats helps to balance things out a little, and then a bit of carefree scribble with any kind of crayon. It's so liberating because most of it won't really show but it really adds to the depth of layers in the project. 


I used the teeny tiny texture stamps from KCM021 as well as KC015 to stamp inside the squares but also allowing a little outside of the squares so it didn't start to look too confined. 
And finally, some stamped metallic gold using old lids and plastic cards.



Now it's time to dig out elements for those top layers. I always seem to have a stash of stamped and coloured images and in this case some were coloured with water colours, and some were paper pieced in a super-easy but very effective technique I shared in the Paper Artsy People Facebook group earlier this year. All of the images I used were from collections released in 2025, so this really is a retrospective look back over the year!


I've got a stash of backgrounds too, and here you can see a gel print I created using stencil PS455 and some alcohol ink. 


I love using a simple tool like a circle punch, not just to create a circle though - I love the negative 'window' it leaves behind. I used these along with scraps of neutral ledger, scraps of silk ribbon, mini squares cut from previous prints, and then finally stamped and coloured images. Building up mini collages in this way is so fun! 


The images are mostly too big for a 5x5cm square so I made them fit! no problem! I used some head and shoulders, and some I cut vertically. I also kept one or two of the images full size and allowed them to overlap the squares. This helps to prevent everything looking too neat and confined. 


I didn't add any actual stitching this time which is unusual for me, but I did add scrunched up lengths of regular sewing cotton to add a 'stitchy' kind of feel. And I snuck in a few staples too.


This kind of page with so many elements is colourful, fun and busy, but by keeping the collages limited to the squares, allowing just the occasional overlap, stops things from appearing too chaotic.





2025 - a year in art:


Let's do it all again!