Monday, 13 July 2026

Strawberry journal spread with ESC {by Riikka Kovasin}



Hello everyone, Riikka here with you today for an art journal spread process. I was inspired by warm days, memories of summers gone by and the sweet taste of strawberries. In this post I'm showing you, how I created a weathered collage background for the page to echo fleeting moments and then layered a mix of vintage and herbal focal points on top.



 
My main inspiration for this project was the beautiful strawberry set by Scrapcosy (ESC53). I wanted to use that as my focal point. I then thought about a fun technique using rubbing for the background, so I chose a stencil (PS491) to be used in that.

To be honest, I started with three Fresco Finish acrylic paints and then added a Mattint and another Fresco Finish color along the way. First, I chose a color palette that would highlight the red strawberries, but also show off the green leaves. I picked Spring (FF180), Aquamarine (FF153), and China (FF101). When creating, I wanted the background to be more vintage looking, so I added Mattint Glow (MT01) to the mix, and lastly used Gold Rush (FF204) as the last stage of my worn wallpaper technique.

Along with these PaperArtsy mediums, I used a black stamping ink, beeswax crayons, and colored pencils.



I started my art journal spread by coloring tissue paper. For that I used a gel plate and added two acrylic paint colors, Aquamarine (FF153) and Spring (FF180) on top of the plate in small dots. I then used a brayer to spread the colors and pulled a print to a piece of tissue paper.


While making the prints, I cleaned my brayer to my art journal. This added a touch of color to the spread, with the same color scheme I was then adding on top a bit later. Also, no paint was wasted this way!


After the tissue had dried, I added a pattern on top using frottage. I slipped the stencil (PS491) underneath my tissue paper print and then gently rubbed with a beeswax crayon from the top. This added the pattern of the stencil to the print.

 


I named this technique worn wallpaper, but in fact it's a couple of techniques bundled together. The end result looks like a weathered, stained, and torn wallpaper.

I started with collage. I tore the tissue paper into smaller pieces and adhered them on top of the colored spread. I used a matte medium to adhere the pieces in place. If you want to combine a couple of steps, read further for another medium option. I didn't want to cover the whole area but instead give the impression of torn wallpaper.


Next, I added the same pattern but in another way. I used the same stencil (PS491) but this time with paint and a sponge. I used Fresco Finish China (FF101) mixed with Aquamarine (FF153). I concentrated the pattern to the gaps between the tissue paper pieces.


I thought the background needed a touch of contrast. I created that with a text stamp from the set (ESC53) and black ink. As you can see from the picture below, I didn't mean the text to be readable, but instead to add visual texture.

These steps were all about building layers, like layers of different wallpapers added to the wall along the years.


While I liked how fresh the background looked, I felt that a touch of vintage was needed to convey the idea of worn wallpaper and to match the background better to the vintage photos I was planning adding on top. 

First, I added a layer of Mattint onto the page, transforming the color scheme to a warmer one. You can tweak the colors easily with a layer of this medium! If I'd realized earlier, that a vintage touch would be needed, I could have used Mattint to adhere the tissue paper pieces in the first place.


As the last step of the worn wallpaper, I used water resist to create a splodgy paint layer on top of everything already on the background. First, I took a water mister and kept it at hand. I then painted the spread speedily with Fresco Finish Gold Rush (FF204). Next, I sprayed some water on my hand and flicked droplets to the wet paint. I tried to add a generous amount of the droplets, covering the whole area. 

I then used a heat tool to dry the paint. The idea with the water droplets is that the paint underneath the water won't dry while the other parts of the layer do. I then picked up a rag and dried the droplets and removed the paint underneath them. I was left with a splodgy, weathered looking paint layer with all the previous patterns peeking through.  


I had now my mission accomplished - a weathered, torn looking wallpaper background!



Now that the background was done, I concentrated my attention to the focal points. That is the strawberries. I stamped a multitude of them to two surfaces - the more geometrical design from the set (ESC53) on top of white cardstock, to be colored, and the more loose design on top of old book pages. I used the same black ink for both.


I cut the strawberries stamped on top of the book paper loose, and collaged those onto my background. I let the design partly overlap and created a cluster of plants on both pages.


Then it was coloring time! I used colored pencils to add color to the geometrical strawberry designs. I wanted the berries vibrant red and the leaves luscious green. I also stamped a couple of additional strawberries and colored them, too.


After coloring the images, I cut the strawberry plants loose. I also cut some of the berries loose, to be used individually here and there.

I chose a couple of old photos of girls to be standing among the strawberries. I layered the strawberries and girls and adhered them to the page using double sided tape. As I was working on a bound journal, I didn't dare to use foam tape, which I usually prefer to create an illusion of perspective.


As a finishing touch, I added a little journaling to my spread. First, I stamped the "beautiful memories" from the stamp set (ESC53) onto a piece of old book paper. I then searched text stickers that would make up a story, when combined. The stickers were actually from a Halloween themed pad, but I bet you couldn't tell that from the finished story. At least I hope so! You can read the story a bit further along the post.





An air of days gone by topped with sweet strawberries! Above you can see the finished art journal spread. I really like using the long journal format, but it's a bit tricky, when taking pictures.

The main points in this spread are the layered, worn wallpaper looking background and the clusters on top. Notice, how I used the strawberry design repeatedly, like there's a shadow underneath the colored plants? You can just see sneaks of the bookpaper stamped flora, but it still creates a nice backdrop to the colored clusters.


Here's a closer detail on the cluster and the background. There's repetition in the pattern - first in the background using the same stencil and then in the cluster using the strawberry stamp. I hope here you can see the bookpaper version better, peeking underneath the colored plants.


In case you are wondering, what kind of a story I whipped up with the Halloween stickers, you can read it here. "Beautiful memories held her spellbound. Then, suddenly, a strange thing happened. A beautiful garden." Naturally, instead of stickers, you could use actual clippings from old books.


Thank you for stopping by today! Wishing you a lovely summer day!

Xoxo Riikka



Instagram: Paperiliitin

Friday, 10 July 2026

3 Things - The Mandala Girl {by Amanda Pink}



Hi everyone, it's Amanda from p1nkart with you today for a 'With 3 Things' challenge post. 

This feature on the PaperArtsy Blog is where 3 identical items are sent to 3 members of the PaperArtsy Blogging team. Typically we will receive a stamp, a stencil and a colour product but this time instead of the stencil we received a mini stamp. 

We have no clue what PaperArtsy HQ is going to send, the whole idea of this challenge is to do something crafty in our personal style with these 3 items. 
We can incorporate other PA products into the mix if we feel it is necessary.

So let's take a look at what I received from PA HQ ...



As you can see a lovely trio of goodies! Tracy Scott's A5 stamp set 055 (TS055), her mini stamp 19 (TSM19) and one of Tracy's Fresco Chalk Acrylic colours too, Ochre (FF195). 

In the main, my creative style generally errs to the grungy but I also have a soft spot for bold, bright colours (like Ochre) especially when set against / accented with black. I love an intricate mandala too and a strong focal so I've brought all these together to create an art panel/ journal page that I'm sharing today! 


Lets take a closer look at what I made ....


I stamped the mandala from TS055 several times in VersaFine Clair (Nocturne) on panels of PaperArtsy Smoothy (SCA4).


I wanted to stamp all the mandalas in one session before colouring them. I knew that would mean removing each of them from the stamping platform in order to stamp the next but was mindful I may need to restamp the mandalas after painting. So to enable me to achieve perfect alignment and precision if restamping was required I ensured each of the smoothy panels were positioned flush against the top left corner of the platform, drew a arrow on the panels to indicate their orientation and left the mandala stamp in situ on the platform lid.


Next I moved on to some grunge paste stamping. I applied PaperArtsy Grunge Paste (GP190) to some off cuts of PaperArtsy Heavy Smoothy (SCA4H) and stamped into it several times with the small circle/flower stamp, being sure to clean the stamp thoroughly after each stamping.  I was really happy with the grungy impressions and knew once coloured they would make great embellishments for my project. 

I've shared some info/ hints and tips about stamping into/ with PaperArtsy Grunge Paste on  previous posts here and hereIt's also worth doing a search on the blog as a lot of the PaperArtsy bloggers/ designers have shared too. We all have a lot of love for Grunge Paste :). 

NB: Always clean your stamps immediately after using them with PaperArtsy Grunge Paste or Fresco Finish Acrylics. 


Using VersaFine Clair ink (Nocturne) with Tracy's mini TSM19, I stamped the young girl numerous times as I wanted to experiment with different colour combinations during painting. 


Let's take a closer look at what I did ....


I began by painting the mandalas with the colour PA HQ had sent- Fresco Chalk Acrylic, Ochre (FF195), I was really impressed with how striking the Ochre looked against the white card and black stamping and was very tempted to leave it just like that.....but I didn't.


I paired it up with Tracy's Fresco Chalk Acrylic, Deep Sea (FF198), which just happens to be a colour palette high on my list of faves! A bit of research on the PaperArtsy blog also tells me both these colours were 2 of the 4 colours Tracy released back in January 2020. 
The outer edges of the mandala leaves and petals were painted with one of Tracy's most recently released Fresco Chalk Acrylics, Zinc (FF235).


When I'd finished painting the mandalas there were a few places that did need re-inking and as I'd prepped for this earlier, I was able to pop the panels back on the stamping platform and restamp with precision.

A few white pen highlights here and there and the mandala's were ready to be fussy cut!


I also knew my finished design required slicing the mandalas in half. Ouch!


I moved on to colouring the grungy stamped circles. I cut them free of the larger grunge paste panel before painting each with Fresco Chalk Acrylic, Little Black Dress (FF19).

I wanted to catch the raised texture on the circles with Fresco Chalk Acrylic, Ochre (FF195) but because it's a translucent colour I knew it wouldn't show up well on the black background without an opaque or metallic base coat first. So I opted for Fresco Chalk Acrylic, Gold (FF20) then caught the Gold with Ochre (FF195).


I couldn't resist some touches of Fresco Finish Acrylic, Deep Sea (FF198) either for a 'patina' kind of vibe.  Love how they turned out ! 


Now to colour our lovely young girls.
I kept to the 3-colour palette used so far varying the colour combinations of their tops and hair beads. For a delicate skin tone I opted for Tracy's Fresco Chalk Acrylic, Vintage Lace (FF18). Using the paints with water allowed me to control the shading, keeping it light and soft in places, slightly richer and darker in others.


I also rustled up a quick backdrop for whichever young girl I decided to use. This was simply a piece cut from an old dictionary page dipped into Fresco Chalk Acrylic, Ochre (FF195) spritzed with water, knocked back with a gentle braying of Fresco Chalk Acrylic Snowflake (FF15).



After time spent faffing with various orientations I settled on this one for the finished design.




The young girl sits behind a black wooden plinth within a black frame. 


Black and white pen work highlight and add detail to her features and accessories.


Each corner of the frame is embellished with one of the grungy circles.



Manipulating the mandalas before positioning them added depth and dimension to the overall design.  


I hope you have enjoyed seeing/reading about my 'with 3 things' creativity and maybe something I've shared has offered you some inspiration, perhaps even tempted you to have some fun creating in your own style 'with 3 things' .....and maybe just a few more too! ;) 


Thanks for taking the time to stop by today/ tonight.  
Creative wishes
Amanda
x

Facebook: Amanda Pink
Instagram: p1nkart
Pinterest: PinkArt