Showing posts with label Bellflower. Show all posts
Showing posts with label Bellflower. Show all posts

Wednesday, 14 October 2026

Wings Spool Journal with Hot Picks {by Etsuko Noguchi}

 
Hello everyone Etsuko (@pixienes ) here with you today and I'd like to share a little spool journal I’ve made using Hot Picks stamps.




I’ve been wanting to try making a journal using small spools of thread for quite some time now. The theme I was given this time was the Hot Picks stamp set. I believe this was PaperArtsy’s very first original A5-sized set, and I always find the number of stamps, the variety on offer and their versatility extremely useful. Today, I focused on the butterfly from the Hot Picks stamp set 1506EZ (HP1506EZ), whilst also adding two moth designs Hot Picks stamp set 1109EZ and  1104EZ (HP1109EZ and HP1004EZ) to my selection.


For the paint used to colour the butterflies, I chose five vibrant colours, from the left of the page: PaperArtsy Fresco Finish Chalk Acrylic – Green Patina, Southern Skies, London Bus, Persimmon and Banana; and for the background of the journal, three more subdued colours: PaperArtsy Fresco Finish Chalk Acrylic – Wisteria, Blue Oyster and Lemon Meringue. I’ve started working with these lovely PaperArtsy Fresco Finish Chalk Acrylics.




I created some layered material to add to the background of the journal. I applied PaperArtsy Mattint—Bellflower, Dragonfly, Glow and Shadow—or watercolours onto PaperArtsy Printed Tissue Hot Picks – Blank (PT10), and placed a sheet of copy paper underneath to prevent the glaze from bleeding through. This resulted in a pattern as shown in the illustration below, so I used that as a layer too. 
Blank Tissue is an essential item for me; I simply cannot do without it when I’m working. For example, I can use it to apply a sheer layer of colour to alter the look of the background, or stamp an image and colour it from the reverse to create a focal point, or even use it to position the stamps I’m using. It can also be crumpled to create surface texture, and there seems to be many more uses for it yet.


I applied Mattints and watercolours to a sheet of tissue paper using a flat brush.


These are the sheets of copy paper that collected colour as underlays.


For the journal’s band, I glued together three 2-inch-wide strips of Smoothy (Heavyweight) A4 white stamping card, cut to the width of the spool. I then applied Fresco Finish Chalk Acrylic – Wisteria, Blue Oyster and Lemon Meringue – using PaperArtsy Brayer as the colours were a little pale, I added some Persimmon to create the base for the background.


To finish off the background, I arranged torn-up sheets of copy paper and the tissue paper cut into circles as shown in the diagram below.





Now let’s create the butterflies and labels, which are the main features. To ensure the butterflies—the focal point—stand out, I coloured each one in a vivid shade. The colour scheme for the butterflies on this screen uses, from left to right, Banana, Persimmon and Green Patina; I blended the colours so that the boundary between Banana and Persimmon forms a gradient. Initially, I cut them out right along the edge of the stamp to blend them into the background, but after checking the contrast with the surrounding area, I left a small white border around them.



As well as the HP1506EZ, the ‘Hot Picks’ section featured a butterfly from the HP1109EZ and moths from the HP1004EZ and HP1009EZ, so I’ve included them here and coloured them using Wisteria and Southern Skies in addition to the three colours mentioned above.



To make the labels, I combined all four ‘Mattints’ colours with an additional shade, ‘Mattint- High Viz’, and applied them to Smoothy (Heavyweight) A4 white stamping card to create the base. I then used the HP2402 and HP2602 stamps to produce the labels.


As I wanted some slightly thicker embellishments, I dyed several types of fabric using some powder pigments.



I stamped an HP2602 butterfly hair clip onto a piece of paper, coloured it, attached it to an O-ring, and applied a thick layer of resin to create a decorative element for the end of the string used to bind the journal.




Now that the base and components for the journal are complete, I’d like to share the details with you. Please do have a look. It’s a bit long, so it’s a shame I can’t show the whole thing on one screen, but I’ll go through it frame by frame.


The first frame.


The second frame.


the third frame.


the fourth frame.


the fifth frame.


the sixth frame


the final frame.




Finally, I’d like to show you the finished piece, featuring the embellishments I made from resin and the coiled design.
 



Place the dyed fabric beneath the label so that it takes on a slightly three-dimensional shape, and stitch it in place to help it adhere to the background.


I tore the coloured tissue paper into circles and stuck them here and there.


I layered some fabric and secured it with eyelets to make some embellishments.


Labels, stamps and small round labels, made in the same way as the first ones.


As I kept unravelling and rewinding the paper time and again for the photo shoot, the stiff paper became creased and wrinkled; the tips of the butterflies started to peel away, and after gluing them back on repeatedly, they were on the verge of breaking—it was a close call, and I nearly ended up with a half-baked vintage journal. However, I’m delighted that I managed to pull it together and was able to show it to you all. I’d like to thank you for stopping by today.

Etsuko xxx


Wednesday, 29 July 2026

Summer Party Pennants with ESC {by Jenny Marples}



Hello everyone, Jenny here with you today to share my ideas for creating fabric pennants, perfect for decorating your garden at a Summer party. Fabrics are such forgiving surfaces to work on so it's actually easier than you might think to get great results! 

The new collection of stamps and stencils from Raquel Burillo (Scrapcosy) are just perfect for this purpose, with beautiful floral images, lovely words and clever accent pieces.

Here's a peek at what's coming up...




The stamp sets used all come from the latest release and include ESC56, ESC57 and ESC58, combined with stencils PS528 and PS529. These are all available from your local stockists now.

The pastel palette of colours used for these pennants include PaperArtsy Fresco Finish Acrylic Paints (Cloud 9, Sand, Lemon Meringue, Guacamole, Spring, Cloudy, Mauve and Dolly Mix) which combine so well with Mattints (Acid, Fern, Bellflower and Foxglove).




To get started on these pennants you need to raid your fabric stash, ideally looking for non-patterned pieces in complimentary shades. I chose a neutral, vintage selection, dying some scraps with diluted Just Walnut and Lemoncello Infusions, though you may decide on a different colour scheme to suit your party theme.


Now grab those stencils and get to work, repeating patterns if needed to fill space. The fabric may absorb more paint than you are used to with paper so lift the corner of your stencils to check before you remove them completely.

I find ironing my fabrics before stencilling really helps to achieve that crisp finish. You can also re-iron them once the paint is fully dry. I know, ironing, but it's the fun sort!


Tear apart your stencilled fabrics into smaller pieces and begin to assemble them into rectangular pennants, adding in other scraps as required. A piece of muslin and a damaged lace tablecloth did the trick for me.

Make sure to overlap your pieces and I highly recommend temporarily attaching them together with a fabric glue pen.


A quick running stitch along the edges helps to make those joins secure and you can add extra translucent layers over the top to break up some of the larger areas.


Now it's time to add some colour with those floral images.
 


I felt nervous about stamping directly onto the fabric pennants so decided to make use of PaperArtsy's Blank Printed Tissue (PT10) using grey permanent ink to transfer the images onto one side.


It's a lot simpler to paint in blocks of colour on the reverse of your stamped images - the tissue allows for the colour to show through.


On the right side add a touch of shading with your Mattints.


Try adding a coat of Acid Mattint to the centre of your unpainted glass to make it look like it's been filled with an enticing beverage!


The Acid Mattint with also add that pop of yellow when painted over Cloud 9 paint.


You end up with a much larger range of colours to play with by adding Mattints over your painted images and it's worth experimenting on a scrap of tissue if you are unsure about any of the combinations.


With coloured images at the ready it's time to add them to your fabric pennants.



Use a matte medium like PaperArtsy Fresco Finish Matte Glaze to stick your tissue images to the pennants. Be generous with your application because the fabric will absorb more than paper. And notice how the colour becomes slightly stronger with the glaze applied.

Your tissue images will take longer to become fixed in place so allow for drying time. The upside to this is that you have a small amount of 'wiggle room' to reposition your images needed.
 

The ticket image from set ESC56 is perfect for letting you add some lovely sentiments. I added some extra pieces of lace trim to the pennants and repeat stamped the Greek key motif from set ESC56 on grosgrain ribbon to join them together. You can disguise the joins with little flowers for a seamless look!


And with that these Summer Party Pennants are complete.



Let's give you a closer look at my finished examples;








You can divide your images up to extend across several pennants - I did this with one of the butterflies, some tickets and the mixed flower clusters. 




I'm now thinking this could look good with a warm colour palette, possibly even more vibrant! Which colours would you choose?



Thank you for joining me today.

Jenny

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