PaperArtsy: London Bus

Showing posts with label London Bus. Show all posts

Friday, 17 April 2026

Cards and Tags with EGL {by Liesbeth Fidder-de Vos}

Hello everyone, Liesbeth here with you today.

As soon as I saw this lovely stamp set, I knew I wanted to make some cards this time. The small squares are little paintings in themselves, and they look so beautiful in the grid, without adding much extras. Sleek and clean, perfect!

I used two of the wonderful PaperArtsy Eclectica stamps by Gwen Lafleur: EGL24 and EGL16 .(A great font in a perfect size..and more!) For my techniques I searched for a series of bright colours and I ended up with PaperArtsy Fresco acrylic paints London Bus, Banana, Slimed, Caribbean Sea, Glass Blue, Berry Nice and Lily the Pink. As a surface I chose the PaperArtsy Smooth card, heavyweight. I love the thickness of it, for my tiny squares

Using the thick smooth cardstock and the paints, I made several backgrounds in different ways. I just played, it was so much fun and later on I decided how exactly I was going to use them

It creates a wonderful effect when you use a natural sponge for dabbing the paint

I did this sponge technique with all seven chosen colours paints and created a very colourful marble-like background

I also created some background papers using Leandra's amazing brayer technique. See HERE everything about how she does it

And another one: with a small round applicator I ,turned' three colours of Fresco paint onto the surface

The final one was just painting a kind of rainbow, small stripes applied with a paintbrush

I stamped some of them, and a white paper, with the squares and ticket from stamp set EGL24 wth black waterproof ink. I used Tsukineko StazOn-Jet Black.. At this stage I still don't know exactly how I'm going to use them, but it really inspires me already!

To create a bit more interest I heat-embossed some of the small squares with golden embossing powder. I used the three bigger square stamps for it. (EGL24)

After that I cut out every little square :-)

Time to create some cards. As you can see I used the grid stamp just the way it is...I think it's nice to let the tiny square ,paintings' be the focal point and let them shine. So I just glued them onto the stamped grid

I finished this card with layers of white, purple and brayered cardstock. I stamped the beautiful circle from EGL16 onto the brayered paper with yellow ink (Versafine Clair)

Another card: Here I use the painted purple/pink circle background, again with some gold embossed squares. This time I stamped the grid stamp onto one of my brayered backgrounds instead of white

This applies to every card: I sponge all the sides of the small squares with black ink, so that no white is visible anymore at the cutting edges

Here I used the rainbow-painted cardsstock, the small grid stamp and the three bigger squares from PaperArtsy EGL24. I stamped the grid three times onto a white card

The size of the letters from stamp set EGL16 is really perfect for the squares of the 3-compartment grid stamp! I stamped the word ART with three matching colours of Versafine Clair and decorated the cut out squares with a golden gel pen

This card was a bit to clean so I decided to decorate the letters and the grid with the golden gel pen.

These were the techniques I used for all of the cards, I'd love to show you the finished cards and some extra ideas here down below

25 tiny miniature paintings!

And again! I also love the fact that the small squares are not completely equal and straight. A very natural look

I love the effect of the rainbow striped card, how the colours blend

A detail of the rainbow card

Some small tags, a mix of the backgrounds and the techniques I did. For the ,Hug-tag' I used black ink and a white gel pen.

Who knows more nice three-letter words?? :-) Someones name will be nice too....Tom, Liz...

For this card I just mixed up the rainbow strips and added three times the nice ticket stamp. I cut it a bit smaller to let it fit perfectly. The letter background of this card is made with one of my brayered backgrounds. I stamped it randomly with some of the letters from EGL16 and yellow and red ink

A closer look

The Art Card

Some other details to show you how nice and detailed this beautiful stamps are

PaperArtsy EGL16 and EGL24 are great to create all kinds of backgrounds of course, but for this cards I tried to show them just the way they are.

I loved to create this blogpost and I hope I inspired you, have fun!

Have a wonderful day,

LiesbethXX

Blog: Liesbeths Arts & Crafts

Facebook: Liesbeth Fidder-de Vos

Instagram: Liesbeth_Fidder

Friday, 5 July 2024

2024 Topic 5: Ink Pads {by Claudia Neubacher} on the PaperArtsy Blog

Servus, dear creative friends!

It's Claudia here with you today to share an easy to do birthday card with a hidden surprise!

I love PaperArtsy's actual "hidden" theme and combined with the new "Ink Pads" topic, it made me think of two birthday cards to make for my wonderful son and for my evenly wonderful niece. I had two amazing nature themed PaperArtsy Hot Picks stamp sets in mind that have stamps on them that can easily be transformed into "moving images" that reveal another - hidden - image...a kind of birthday (card) surprise, if you want.

My idea was to use these alongside with some heavy water colouring - so the choice when it comes to stamping ink that shows every tiny detail of the stamped image AND withstands loads of water being added by a brush was an easy one - a Tsukineko VersaFine Clair (Nocturne) ink pad!

To create soft water colour-y effects with the PaperArtsy Fresco Finish Chalk Acrylic paints I needed to go with tones that either read "translucent" or "semi-opaque" on their labels. I went for three basic colours (red, blue and yellow) and one particular orange tone that I knew I could not mix with the basic colour tones.

But first things first - the finished project (and the PaperArtsy products I used):

The two birthday cards look as simple as they are in the making - I promise! And all I needed were the two stamp sets, four PaperArtsy Fresco Finish paints and one PaperArtsy stencil.

But this picture does not reveal the hidden surprise...a hint: its making involves a tiny bit of paper mechanics (of course I will show you how to do it a bit later in this post).

Here - once again - the supplies I needed to create my cards. The stencil I used to create the quote is not shown as that was a spontaneous idea. You'll find info on it later in the post.

The card stock shown in the picture is PaperArtsy Smoothy Heavyweight A4 White Stamping Card (SCA4H), but you can as well use heavyweight smooth printer paper if you are not sure about your stamping skills.

The Tsukineko VersaFine Clair ink pads are my go-to ink pads when it comes to very fine detail stamps or techniques like heat embossing or colouring in stamped images with water colours. They are quick drying, light fast and fade resistant and absolutely waterproof (as they are oil based pigment inks). And they are also perfect for the technique I want to show you in a sec! ;)

You can see how the image details are still crisp though I have really given this stamped image a heavy dose of water colouring. No smearing at all (though I always heat dry the stamped images to make sure they have really dried...the Tsukineko - VersaFine - Clair inks really do dry quick, but I like to play it absolutely safe).

And this squid buddy's background image withstood the same treatment with heavily diluted PaperArtsy Fresco Finish - Glass Blue (FF102) just as safely. This paint is translucent - so it is perfect for letting the details of the stamped images show through.

But what is wrong with this image? Why does it show mirrored and how could that happen"?

Of course this was no accident! I needed this particular image to be mirrored, because I wanted my "hidden surprise" to swim to the left and needed the space to its right to hide it (the top banner picture already showed the little trio of fish that can be pulled out of the nautilus). Mirroring stamps is quite easy to do, but it takes a bit of practice (so if you do not want to mess up on the heavyweight PaperArtsy card you should try it several times on cheap smooth heavyweight printer paper).

What you need for this "trick" is a brayer - most preferably an orange or light grey one where you can see the inked image you are taking from the stamp. The Tsukineko - VersaFine - Clair ink pads provide a really deep and strong pigment (you can see that by how "wet with pigment" the inked stamps are) - so they also help you as you do not need to hurry during the process.

You thoroughly ink the stamp (just like you always do) - I have "fixed" mine to my non-stick craft sheet for that purpose - and then you carefully roll the brayer across the inked stamp without changing the direction. Pay attention to not smudge any detail. Rather work with no pressure than too much - that helps avoiding sliding off with the brayer. The most tricky parts are the start and the end of this rolling process as these are the moments when you slip and smudge most easily.

Then roll the reverse image from the brayer onto the substrate where you want the image to appear on your project. I prefer to use a silicone mat for this as it helps with not losing any detail while rolling the brayer across the paper or card.

For the "hidden surprise" repeat this process on a scrap of left over smooth card so you have a second reverse image of the nautilus.

This technique definitely needs a bit of practice. Not smudging the image when taking it onto your brayer is the hardest part, but you will quickly get the hang of it! Of course this technique only works with "narrow" designs, as the brayer's circumference defines the size limit of the image's width.

It's a technique that comes in especially handy when you need symmetrical designs (like for example two hands pointing towards some focal image in the centre of your project from the left and the right). In my case I just needed the nautilus to look to the other side (and I can live with the reverse text as it still adds lovely texture to the background).

Time to get into the "paper mechanics" zone!

That sounds more tricky than it actually is. What's important is that you use images that work together - one with a possible "opening" for the other to appear in it.

The lovely images I've used come from the two marvellous PaperArtsy Hot Picks stamp sets

HP1111EZ and HP2302!

The fish from the HP1111 stamp set is just the perfect size for the opening of the nautilus from stamp set HP2302! And its giant squid and the metering rule were a perfect match too. On the rule you can circle the age of the birthday child (I did so using a red marker).

I stamped the fish three times, creating a straight line from left to right onto a strip of heavyweight smooth printer paper. I needed a sturdier paper so the paper strip would not bend when pushing the pulled out strip back into its "hiding corner".

Just look at how fine the Tsukineko - VersaFine - Clair pigment shows all the pretty detail of the stamped image!

Then I took a pencil and a ruler and drew the outlines of my paper strip plus a wider tab at the right end and cut that out. The tab is going to get folded over in the middle so it gets twice as thick (to make sure it will keep the paper strip from getting pulled out completely). Maybe you can see the dotted line in the center that I drew to mark the fold line...

Most important is that this tab at the end of your strip is at least four to five millimetres wider each at top and bottom than the incision the strip is going to be pulled through. You can eyeball that. In case you forgot to make the tab you can still glue one to the strip's end afterwards.

I used a detail knife and cutting mat to cut the opening slot of the nautilus. Then it was time to test if the strip and the opening went together well...

Just perfect! Yay! Now would be the time to adjust to opening's width, if you haven't cut it wide enough the first time.

This picture of the backside of the card shows the opening and the tab at the end of the strip that has been folded over and glued to twice its thickness this way.

As the back of the card was going to be covered by another piece of card the exact same size, I shortened the upper end of the tab that was in the way of the double sided sticky tape I was going to use later. One wider tab end is enough in this case as the strip runs close alongside the card's edge. This way it cannot be pulled out accidentally as there is no room for the strip to move sideways towards the card's edge. In any other case two tab ends would be crucial!

Now that I was sure all my paper mechanic parts were working, I could move on to paint the stamped images and finish off the cards by adding sentiments and such.

I did the background first by adding a wash of heavily diluted translucent PaperArtsy Fresco Finish Arcylic paint - Glass Blue (FF102).

To paint the nautilus I used PaperArtsy Fresco Finish Chalk Acrylic paints London Bus (FF37), Yellow Submarine (FF73) and Coral (FF122). All of these are either translucent or semi-opaque, which is important for a soft watercolour-y effect. White highlights were added using my white Sharpie pen.

Don't forget to also paint the opening of the nautilus image on the card! The other painted image will be fussy cut and glued on top of the stamped image using sticky foam pads.

Next were my "fish gang" - I only used a thin layer of Fresco Finish - Glass Blue (FF102) as a base layer, let that dry and then added a watery layer of Yellow Submarine (FF73) on top to create the green tone on their bodies.

The strip's background was painted using up the Glass Blue left over paint on my palette. As you can see I thinned that even more to create a lighter blue than with the fish heads and tails.

I found my card looked a bit empty in the top right corner, so I decided to add a quote using the cool PaperArtsy Stencil - PS297 (designed by Sara Naumann).

I painted that using Fresco Finish - Yellow Submarine (FF73) again.

Before I fixed the painted nautilus image to the card I inked the edges using a blending tool and Ranger Industries - Archival ink (Jet Black). Its pigments are less oily (and also my ink pad is quite dry already), so there is no risk of smearing on black ink when blending.

Voilá - the nautilus and a little fish peeking! The dimensional sticky foam tape adds lovely depth which also helps direct the focus towards the image with the hidden surprise.

I used my Faber-Castell PITT artist pen to add the "Alles Gute zum Geburtstag" (= German for happy birthday) quote to the fish strip. Once everything was done and in place, I used thin double sided sticky tape around the edges to glue another piece of card to the card's back to hide the mechanics (and some smudged on fingerprints as well).

As you can see I also did another birthday card using the giant squid and ruler images to create a hidden surprise that can be pulled out - using the same paper mechanics technique.

For this variation I needed to only stamp parts of the images, which can be easily done by only inking the areas you want to stamp and also wiping off any excess ink (using a baby wipe).

I painted the squid's images using PaperArtsy Fresco Finish Chalk Acrylic paints - London Bus (FF37) and Glass Blue (FF102), mixing all the tones I needed using these.

I tested the cards on hubby (without telling him that there was a hidden surprise) - to see if one gets tempted by the card's designs to pull out the fish and the squid from their shells....and it worked! :)