Wings Spool Journal with Hot Picks {by Etsuko Noguchi}

 

Hello everyone Etsuko (@pixienes ) here with you today and I'd like to share a little spool journal I’ve made using Hot Picks stamps.

I’ve been wanting to try making a journal using small spools of thread for quite some time now. The theme I was given this time was the Hot Picks stamp set. I believe this was PaperArtsy’s very first original A5-sized set, and I always find the number of stamps, the variety on offer and their versatility extremely useful. Today, I focused on the butterfly from the Hot Picks stamp set 1506EZ (HP1506EZ), whilst also adding two moth designs Hot Picks stamp set 1109EZ and  1104EZ (HP1109EZ and HP1004EZ) to my selection.

For the paint used to colour the butterflies, I chose five vibrant colours, from the left of the page: PaperArtsy Fresco Finish Chalk Acrylic – Green Patina, Southern Skies, London Bus, Persimmon and Banana; and for the background of the journal, three more subdued colours: PaperArtsy Fresco Finish Chalk Acrylic – Wisteria, Blue Oyster and Lemon Meringue. I’ve started working with these lovely PaperArtsy Fresco Finish Chalk Acrylics.

I created some layered material to add to the background of the journal. I applied PaperArtsy Mattint—Bellflower, Dragonfly, Glow and Shadow—or watercolours onto PaperArtsy Printed Tissue Hot Picks – Blank (PT10), and placed a sheet of copy paper underneath to prevent the glaze from bleeding through. This resulted in a pattern as shown in the illustration below, so I used that as a layer too. 

Blank Tissue is an essential item for me; I simply cannot do without it when I’m working. For example, I can use it to apply a sheer layer of colour to alter the look of the background, or stamp an image and colour it from the reverse to create a focal point, or even use it to position the stamps I’m using. It can also be crumpled to create surface texture, and there seems to be many more uses for it yet.

I applied Mattints and watercolours to a sheet of tissue paper using a flat brush.

These are the sheets of copy paper that collected colour as underlays.

For the journal’s band, I glued together three 2-inch-wide strips of Smoothy (Heavyweight) A4 white stamping card, cut to the width of the spool. I then applied Fresco Finish Chalk Acrylic – Wisteria, Blue Oyster and Lemon Meringue – using PaperArtsy Brayer as the colours were a little pale, I added some Persimmon to create the base for the background.

To finish off the background, I arranged torn-up sheets of copy paper and the tissue paper cut into circles as shown in the diagram below.

Now let’s create the butterflies and labels, which are the main features. To ensure the butterflies—the focal point—stand out, I coloured each one in a vivid shade. The colour scheme for the butterflies on this screen uses, from left to right, Banana, Persimmon and Green Patina; I blended the colours so that the boundary between Banana and Persimmon forms a gradient. Initially, I cut them out right along the edge of the stamp to blend them into the background, but after checking the contrast with the surrounding area, I left a small white border around them.

As well as the HP1506EZ, the ‘Hot Picks’ section featured a butterfly from the HP1109EZ and moths from the HP1004EZ and HP1009EZ, so I’ve included them here and coloured them using Wisteria and Southern Skies in addition to the three colours mentioned above.

To make the labels, I combined all four ‘Mattints’ colours with an additional shade, ‘Mattint- High Viz’, and applied them to Smoothy (Heavyweight) A4 white stamping card to create the base. I then used the HP2402 and HP2602 stamps to produce the labels.

As I wanted some slightly thicker embellishments, I dyed several types of fabric using some powder pigments.

I stamped an HP2602 butterfly hair clip onto a piece of paper, coloured it, attached it to an O-ring, and applied a thick layer of resin to create a decorative element for the end of the string used to bind the journal.

Now that the base and components for the journal are complete, I’d like to share the details with you. Please do have a look. It’s a bit long, so it’s a shame I can’t show the whole thing on one screen, but I’ll go through it frame by frame.

The first frame.

The second frame.

the third frame.

the fourth frame.

the fifth frame.

the sixth frame

the final frame.

Finally, I’d like to show you the finished piece, featuring the embellishments I made from resin and the coiled design.

 

Place the dyed fabric beneath the label so that it takes on a slightly three-dimensional shape, and stitch it in place to help it adhere to the background.

I tore the coloured tissue paper into circles and stuck them here and there.

I layered some fabric and secured it with eyelets to make some embellishments.

Labels, stamps and small round labels, made in the same way as the first ones.

As I kept unravelling and rewinding the paper time and again for the photo shoot, the stiff paper became creased and wrinkled; the tips of the butterflies started to peel away, and after gluing them back on repeatedly, they were on the verge of breaking—it was a close call, and I nearly ended up with a half-baked vintage journal. However, I’m delighted that I managed to pull it together and was able to show it to you all. I’d like to thank you for stopping by today.

Etsuko xxx

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3 Things - A trio of cards {by Helen Ranger}

Hi everyone, it's Helen Ranger from butterflywings_beautifulthings with you today for a 'With 3 Things' challenge post.

For this challenge, PaperArtsy sends the same three items to 3 people from our blogging team. It is really interesting to see how each maker comes up with different ideas and techniques with the same 3 items.  Typically we will receive a stamp, a stencil and a colour product. We have no clue what PaperArtsy HQ is going to send, the whole idea is to do something crafty in our personal style restricted to these 3 items.

So let's take a look at what I received from PA HQ ...

I was absolutely delighted with the products selected for me to explore. The wisteria paint is such a pretty colour and it will be very interesting to use it for Christmas. The stamps are a lovely vintage style very much what I enjoy creating with and the stencil is super versatile, I know that I will be using this a lot in the future.

Lets take a closer look.

After a little deliberation considering creating a large tag on a chipboard substrate or maybe a

set of postcards I decided on something more practical. A trio of Christmas cards.

I love mixed media so these cards have lots of different elements to them. I am a 'more is more' creator, but if you are not, there are several steps you can bypass and still have a nice result at the end. 

I have not given you specific measurements for the background and matt layers as your card sizes may be different to mine. I used 5 x 7" 5 x 5" and  6 x 6" card bases in different colours to vary the look. So lets begin.

Above I have stamped some of the stamps using archival ink onto cotton fabric and heat set with my iron. You can only see tiny fragments in the finished cards so if you don't feel confident to do this you can leave this step out and use cheesecloth or patterned/coloured fabric scraps.

Above I stamped the leaves with a sticky ink pad onto Dura-lar film and used 'silver pearl' embossing powder to melt it. I love doing this technique on vellum and even tracing paper, and then I saw Katy Norgate using 'Dura-lar' film on one of her makes. Now I am hooked, a key feature that it is heat resistant, so it does not buckle when you use a heat tool.

Below I stamped with a variety of inks onto cardstock. As it happens, I didn't end up using all the different colours, so I now have spares for other projects. 

Next I set about fussy cutting the leaves, leaving a small white border around them. Yes I do my fussy cutting by hand, (I was recently asked this on the PaperArtsy people Facebook page.) I added rock candy glitter to the leaves for added sparkle.

I heat embossed the stars from the stamp set multiple times across my background cardstock.

This gives a lovely raised shiny finish for the background of our cards. We will be finishing the background off later on with the stencil.

A close up of the finished leaves fussy cut and showing the icy finish of the Rock candy glitter.  Alternatively you could add stickles, glossy accents or if that is not your thing just leave this step out.

I cut out the focal image with an oval die and heat embossed some of the stars onto it. 

I also coloured the leaves a little with coloured pencil and added a shadow around the stamp

and postage mark area. You can see this detail in the finished cards.

I love using different textures in my mixed media art so I knew straight away that I wanted to use my favourite background technique with the stencil; tinted grunge paste!

Above I mixed PaperArtsy Grunge paste with my Wisteria fresco paint. Grunge paste can dry fast, so I tend to quickly apply the paint/grunge paste mix through my stencil - a bonus that you don't have to wait too long for it to dry! Did you know Grunge Paste is an uncoloured product? You do not need to use too much paint to add a tint: opaque paint colours are best for this technique.

On two of the card bases I chose to cover the whole area, on another I used different parts of the stencil, I prefer the ones with full coverage using the entire stencil.

Wash everything as soon as you have finished with plenty of water.

This is what it looks like when the Grunge paste/paint mix has dried; I love the subtle shade it gives a fabulous raised textural finish.

Here is a close up of the texture and colour that you achieve, pretty isn't it? I love using this technique in my mixed media art.

I wanted the matting layers for the cards to coordinate with the background layer, to achieve this I used the Wisteria paint on the edges.

Here I am adding the Wisteria Fresco paint by dry brushing onto the card. I only add it to the edges where it will be seen. It looks a little bit scruffy here but in the end it will come together. The dry brushing gives a nice visual texture, if you don't like this then you can do a full coverage of the Wisteria paint to give a solid matt layer.

The finished matting layers for the three cards - I have machine-sewn around the edges. I enjoy crazy wonky stitches rather than neat straight lines, but you do what you prefer. If you do not want to sew you could draw lines around the edges instead with a fine tip pigment pen or a gel pen.

I chose to add some double sided foam pads between the layers for added dimension. You can see in the image below that the texture created with the dry brushing looks appealing with the background layer added on top.

I like some loose threads to be seen if you do not trim them off, pull the last stitch to the reverse of the matting layer and tie a small knot before adhering the background layer. If you are using a double sided tape or liquid glue you do not need to tie off the threads. The glue will hold it in place.

Now to bring all the elements together and finish the cards. Let's add some fabric scraps.

I have used vintage lace, stamped cotton and I found these wooded snowflakes and small buttons in my stash. Play with the layers until it is right for you; once you are happy glue it all into place.

Here are the finished Christmas cards, each one is unique which makes them an extra special gift to give.

I do hope that you enjoyed reading about the process making these cards. I don't usually create Christmas cards until later in the year but I found this to be great fun and now I have made them I feel happy that I might be more prepared than usual. It was so nice creating these without the usual pressure of having lots of other festive jobs to do at the same time.

The above has sisal fibres behind the focal element and I have layered the stamp and postmark area to give interest. You can also see the slight shading that I created using coloured pencils.

You can see tiny fragments of the lace and fabric scraps peeping out from behind the icy elements.

I am looking forward to creating a few more cards for Christmas with these products, I might try a few different colour ways and use up some of my left over stamped images. You could also make co-ordinating tags for your parcels or use the leaves for table setting place markers.

If you enjoy my style and want to see more of my creations you can find me here...

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