Showing posts with label Wax. Show all posts
Showing posts with label Wax. Show all posts

Sunday, 14 February 2016

2016 #3 Impressions of Poppies {by Darcy Wilkinson}

2016 Topic 3: Wax

Hi Darcy here with a little play with all things waxy. I wanted to use my new poppy stamp, and felt inspired by the impressionistic paintings of the past. I am always amazed as how blobs and swirls of paint can transform into identifiable images even without much detail. I wondered if I could recreate that style of painting with just some wax. 

The problem with wax is that it remelts everytime you heat it, so each successive layer will move along with the one below. But nothing ventured, nothing gained, so I set off to see what could be done. 

It is definitely no Monet, but turned out to be an enormous amount of experimental fun....maybe thats just me though, I do like melting things. 


I began by gathering my waxy supplies, Beeswax in pellets and a block, Portfolio pastels, Neocolor II crayons, regular kids wax crayons, a candle, sealing waxes and cheese! yes cheese.. well ok not the actual cheese, just the waxy shell. I may end up having nightmares given how many mini cheeses I had to eat to get the wax!


I started with an 8x8 white/greyboard. I prepped this by adding a layer of melted beeswax. Wax will stick to most surfaces that are porous, but it does help to prep them first. I found that beeswax worked fine, but you can buy encaustic medium. Onto my first layer of wax I added some stamped tissue paper. I knew not a lot would show by the end, but I do like to start with something in the background, you never know what little areas will show through. I used a mix of Sara Naumann stamps on regular white tissue paper. 


The next layer was Neocolor II crayons, they are a waxy crayon but water soluble. Generally I would say these have a lot of pigment and turn out quite bright. Even though I chose very bright shades they became very muted under the next later of wax. 

I also shaved off some little bits of the crayons and melted those in place. This needed to be done by heating from underneath, otherwise they would have blown away. 


Now onto the kids wax crayons. I held blue and purple ones at the top of the board and heated them allowing them to dribble down. I then cut up some crayon and popped the bits into a dish and melted them , once fluid I dripped various shades in pools along the bottom, once reheated I was able to angle the board so that they merged and blended. 


To add a little interest and shimmer I added some pearlex powders to the bottom, once heated the crayon beneath grabbed the powders and held them in place. 


Now to try the Portfolio crayons. I rubbed them with a finger onto the edges and in the middle sections, then heated them lightly. These stayed much brighter than the Neocolors. 


I added more portfolio crayons, in red and orange to card. This card has a hammered texture, so the crayons skim the surface and leave gaps. I like the mottled effect but know that this would disappear with the next step. I heat fixed the crayons then stamped my poppy stamp using black Stazon. 



I cut out each poppy and added them to the board. I also stamped the leafy stems, but later on changed my mind about those. 

Cheese time. I melted the wax shells in a small dish. Once fully liquid I poured the cheesy wax onto each of the poppies, filling them like little bowls. 


 
Each poppy was then heated again and the red wax allowed to run all across the centre section. The idea was to make it look like there was a host of poppies behind the focal ones. Not at all sure this worked, but it was fun to play with. 

I also flicked on some melted white crayon, and then added some gold in the same way. This gold stick is sealing wax. 


I wasn't keen on the leafy stems in this case as they seemed too stuctured, so I rubbed at them lightly with a cloth and they came right off. I replaced them with lines of Little Black Dress, applied with a credit card. I like these more abstract lines. 



I think this bottom section is my favourite part, as the many layers are more visible here. This was a tricky project to do, it certainly seemed impossible to do neatly as each time I used heat too much wax melted and moved. 

However, as an experimental piece it was fun and I learned that pearl ex powders look lovely in wax and that cheese wax works great too.. I also found that the whole thing could be buffed to a nice sheen with an old(clean) sock.. who knew!

Wax play doesn't need to be expensive at all, a lot can be achieved with just cheap wax crayons, so have a go. 

We would love to see how you interpret this Wax  topic by linking what you make to our 2016 Challenge #3: Wax, on this page HERE.
All of our bloggers love to see your twist on their ideas,  particularly if you were inspired directly by their post. 
All links go in the draw to win a £50 voucher to spend on products of your choice from the PaperArtsy online store. The 'Wax' link will close 17:00 (London Time) Sunday, February 21st. The winner will be announced 2 hours later at 19:00.

Saturday, 13 February 2016

2016 #3 Indian Adventures {by Alison Hall}

 2016 Topic 3: Wax
Hi everyone Alison (Craftytrog) here.
Tonight I'd like to share with you a post about using Portfolio Oil Pastels on a mixed media journal cover.
I've just been on a wonderful holiday to India, and I wanted to make an arty journal to take with me. I used a fabulous set of PaperArtsy Ink and The Dog stamps, Asian Plate 2, which have an Indian theme. There are some beautiful intense colours in the Portfolio Oil Pastel set, and I chose some hot colours to go with my theme.


Step One: I started with an A5 plain black year planner. Very boring, don't you think?!


Step Two: I covered the front and back with torn book pages, then added my new favourite collage material, teabag papers. Very apt for the Indian theme I thought! I adhered everything with Golden Regular Matte Gel Medium. Some of the bags still had a little tea in them, which adds to the texture!


Step Three: After painting the cover with Golden White Gesso, I stamped the flourish image from Asian Plate 2 around the edges with Jet Black Archival Ink. I did this on the back cover too. Then I stamped some more images from Asian Plate 2 onto White Smoothy Card, cut them out, and arranged them on my cover till I had a layout that worked. I took a quick photo with my phone that I could refer back to.


Asian Plate 2 

Step Four: Referring back to my layout photo, I used PaperArtsy Stencil 021 to add more texture with some Grunge Paste, then I stamped 'India' a few times too.



Step Five: Time to add some colour! I scribbled with orange, pink and red Portfolio crayons at the top of the cover, front and back, blended them water and a paintbrush, then spritzed with water. I held the journal up to allow the colour to drip down. Unusually for me, I left some white space! I did go back in with some more red on the top left though afterwards. 


Step Six: Next, I scribbled with the crayons on my craft mat, spritzed with water, then used a paintbrush to add watercolour to my images. I also added a little extra colour here and there, by using the crayons directly on the images and blending with a paintbrush and water. I accentuated the edges of the images by sponging them with some Black Archival Ink.


Step Seven: I used Glossy Accents to glue my images to the cover, then decided it needed some metallic texture. I mixed a little Golden Fluid Acrylic Iridescent Bronze (fine) into some Golden Glass Bead Gel, then used a palette knife to add it in the corners, on the edges, and to the 'flower' centre. Once this was thoroughly dry, I gave the whole journal cover a coat of Fresco Finish Matte Glaze to seal everything. I glued some of the pages in the planner together, then painted them with gesso, to give them a base for my holiday journalling.




I hope I have inspired you to give the Portfolio Oil Pastels a try. They blend so beautifully with water, and I love the waxy intense effect of them around the stencilled numbers at the top. They're great to take with you when you travel too, to add colour to your sketches. Don't forget to take a waterbrush!

Alison x

Facebook: Alison Hall
Twitter: @craftytrog

Oh this is gorgeous Alison, I hope your holiday was magical and that your journal is now full of wonderful memories.These Asian images have totally transformed your cover. Thanks ~Darcy 

We would love to see how you interpret this Wax  topic by linking what you make to our 2016 Challenge #3: Wax, on this page HERE.
All of our bloggers love to see your twist on their ideas,  particularly if you were inspired directly by their post. 
All links go in the draw to win a £50 voucher to spend on products of your choice from the PaperArtsy online store. The 'Wax' link will close 17:00 (London Time) Sunday, February 21st. The winner will be announced 2 hours later at 19:00.

Friday, 12 February 2016

2016 #3 Simple Scene {by Ruth Mescall}

 2016 Topic 3: Wax
Hi everyone Ruth here. Tonight I'd like to share with you a post about encaustic art.
I've been fascinated by encaustic art for a while now, to me the layering of images or objects within wax produces something quite magical. I've used beeswax in the past to create some small pieces but recently invested in some encaustic medium as it gives the finished pieces more durability. I started my exploration into encaustic using relatively inexpensive items and tools, the basics you need are a heat source, a wide natural hair brush such as a hake brush, wax and a heat absorbent substrate and then you can play. Oh and  a clean pop sock or knee high will come in handy at the end!   
With such a beautiful detailed main image I decided to create a simple plaque using just a few colours and a couple of techniques. I also thought of it in layers:- the background, first layer of wax, the middle ground, another layer of wax and then finishing the piece with any additions.



Step One: I started with an A5 sized piece of encausticbord which is very similar to stampboard (an alternative would be to coat a piece of wood or hardboard with encaustic gesso). I wanted some pops of red and thought of stencilling some lines using masking tape. I decided to use alcohol inks and had a happy accident as they bled under the masking tape and created fuzzy lines. 


Step Two: Using the  LPC012 plate I stamped the postmark in Black Cherry Stazon. I then warmed the board in preparation for the first layer of wax.


LPC012 


Step Three: I applied a thin layer of wax in stripes until it was evenly coated. It sets quickly. Before applying another layer I needed to 'fuse' the wax. This is reheating the surface of the wax with a heat tool until it shines and then move on, the idea is not to re melt it but 'chase the shine' and achieve a smooth surface. Once fused the wax was warm enough to apply the main image which had been stamped in black archival on to tissue paper. I then burnished the tissue to the wax to create a good seal. I used a piece of cotton wrapped around my finger but you could use the back of a spoon.




Step Four: I applied another layer of wax and as you can see it can look quite dull at this stage. Time for the finishing top layers. I applied another thin layer of wax to the bottom 2 cm and then pressed lace into the wax and added more wax on top, on removal it left a textured surface.




Step Five: I created a wavy border using a piece of masking tape torn in half. I applied and burnished perfect pearls in heirloom gold onto this area. Anything shiny has to be on the top layer as wax would dull the finish. To add some more interest I stamped part of the curly script across the top in red stazon. I love the layers of red and the depth that's created. 



Step Six: To finish, I highlighted the lace texture with Treasure Gold in Pewter and Renaissance. Once completed I buffed the wax, this can be done with silk or a pop sock on your hand, it really does bring everything to life.


One of my favourite parts is the stripe of red behind the man in the doorway just showing him off. 


If you have some beeswax and a way of keeping it melted such as a melt pot then I hope you might be tempted to try this out. Keeping it simple and planning your layers can produce very rewarding results. On a final note I should say please remember to work in a well ventilated room. 
Ruth x 
Blog: A Love To Create
Pinterest: Ruth Mescall
Twitter: Ruth Mescall

This is wonderful ruth, so dreamy, but punchy too with those pops of red. How brillliant that the man in the doorway ended up on a red patch. Thanks ~Darcy 

We would love to see how you interpret this Wax topic by linking what you make to our 2016 Challenge #3: Wax, on this page HERE.
All of our bloggers love to see your twist on their ideas,  particularly if you were inspired directly by their post. 
All links go in the draw to win a £50 voucher to spend on products of your choice from the PaperArtsy online store. The 'Wax' link will close 17:00 (London Time) Sunday, February 21st. The winner will be announced 2 hours later at 19:00.

Sunday, 7 February 2016

2016 Topic 3: Wax {Challenge}

 2016 Topic 3: Wax

(Pic credit: Nancy Crawford)


Well hello everyone, Leandra here



I have always loved wax as a medium, it encompases such a wide range of ideas to explore in a crafty sense: decorated candles, wax dipped collages, encaustic art, and the use of pigment crayons within these waxy compositions to add colour, such as Neocolours, Portfolios, Gelatos, and the Crayola Slick Stix I recently learned about. 

This topic might be new to many of you, but i think the skills you already have lend themselves to working with beeswax in ways you might not have thought of before. Tissue paper is key, but so are any vintage papers very useful or even your own painted creations!


Before we start, let's see who won the Topic 2: Hearts...

Hi, Darcy here. wow so many fabulous entries. This challenge really fired you up, I guess love is in the air. It is amazing to see how hearts can be made to all look so different, stamps, cut outs, die cuts, boxes,art dolls, journals and wall hangings. The range of colours was brilliant too, from traditional pinks and reds through to very muted shades. For us designers it is great to see you using so many of the stamp collections too. 

The winner of the 'Hearts' Challenge is: Magia  from Magia Crafts




Email Darcy to claim your prize. Darcydotneedles@hotmail.com

Leandra back with you... 

SO lets jump in and show you some waxy ideas. This encuaustic process doesn't have to be complicated ...sometimes maybe less is more!


Lets talk about encaustic art. From my very limited understanding it seems that you need a base layer (wax medium), and then you build on that with thin layers of wax, fusing layers together with a soft zap. Into these layers you can gouge, scratch and make marks, use pencils, inks, oil colours or liquid-wax pigments all to create so many different effects. You can apply mica powders for shine, and transparent printed layers (tissue) can be invisibly trapped just revealing the words or patterns on the tissue. It must be possible to use stencils too, I am convinced that much of what we do on paper can translate easily.

Here is a fairly basic video showing colour mixing on layers, and the traditional hot palette set up, but I have short cuts for this type of thing (melt pot/ gelatos/ portfolios etc), I certainly don't think you need to go the whole hog, but at least grasp the principle of layering and using colour with Hot Cakes, a wax that is heavily pigmented and you use to 'paint' with. 


It's the textures that fascinate me, and I think you need to look at some wax art pieces to get an idea of composition. For example this Laly Mille did this example below after just  a couple of weeks of experimenting, do go and read her blog post here! She started with abstract watercolour drawings, then added layers of wax!



So check our Laly Mille, she uses a really minimalist colour palette, black white and ochre, to build simple collages on MDF and scratches back into layers in a mark making manner, This style and colour palette I LOVE! here is the whole piece (8x8") . Here is her Pinterest Board too.



If this concept floats your boat, then these articles may be helpful on getting started in encaustic from Mixed media Art website:




Lets run through some other encaustic works that you may find inspirational...

A collage of found elements, including a zip

Pamela Wallace at John Davis Gallery

Judith Kindler seems to work with photos, resin, encuastic and more...
this one caught my eye

I'm not sure if this is a photo transfer, or a printed photo

cannot source the origin of this but it looks like shaved layers to me!

Donna Downey got into encaustic art early last year too, you can read her post here...

And another

Oh go on, one more from Donna!

Closer to home, here is one from Sanda Reynolds
I think she may teach in London, or online anyway...

So lets move onto crayons, the water soluble kind. On the market now are...

Gelatos (Faber Castell) pk 12 about £17
Lipstick like delivery

Portfolio Oil Pastels (Crayola), Pk 24 about £14
Traditional paper-wrapped crayon style

Slick Stix (child friendly, crayola)
Twistable pen with cap Pk 12 about £10

Neocolours (caran D'ache) Pk15 about £18
traditional paper-wrapped crayon style
Distress Crayons (Ranger Industries)
Twistable Pen with cap. Pkt 6 about £13


All these products are watersoluble crayons, they can be melted into paper with a heat tool to make them more permanent once they melt into the sucky surface...

...they can be mixed with glazes to make them more permanent glaze, great for backgrounds like in this tag where they were washed over washi, and used on the tissue paper to colour the Lynne Perrella Stamp.

...you can easily colour images AFTER stamping and heat setting the image, and blend them by smudging together, or wetting with a damp brush to blend and layer...

I find having a white one quite handy as you can use that to soften any other colours, such as softening the yellow area below. Most of these images are from show demos we were doing early 2012 with the portfolios, often with Lynne Perrella stamps as it was she who in 2011 taught us all about them at an ArtsyCrafts event. She particularly liked the portfolios for their great value compared to other brands, and the vivid colours. I had only used Neocolous up until that point.

Of course they are lots of fun through stencils too as you create backgrounds, and if you blend/ smudge them with a glaze instead of water (thanks to Jean, @MusicScrp on twitter for this awesome tip!), you then automatically make them permanent as you work which is so useful if you want them to stay put as you add more layers to your work.

This is a sample of white Portfolio through a stencil, the cool thing I worked out was when you lift the stencil, the white can look a bit meh. But if you zap it with a heat tool  the crayon seems to plump up, and you get an embossed effect, which is very cool...I don;t know if all crayons do that or not!

You can see the effect on the blue stencilling at the bottom of this sample...

There is a really informative blog post I did here on Portfolios from January 2012, check it out as I have explained the steps pretty thoroughly. (Funnily enough I had forgotten I used glazes back then to seal the work!)

Lastly I leave you with this gorgeous video from Nancy Crawford. It's a beautiful story, but it also shows a myriad of techniques within encaustic. We are familiar with so many of the techniques she uses, with encaustic wax as the medium that she embeds into. I would love to learn more about this medium, but the basic principles can probably be adapted with tools we have already around us already. For example a melt pot is a great start!


Summary....  Have fun!

Don't forget to follow my Pinterest page if this topic pushes your buttons, you will see plenty more examples to whet your appetite there! 

I am really looking forward to seeing what you create over the next 2 weeks! I hope some of you already have encaustic skills to share with us, or are keen to give it a go!


Leandra


2016 Topic 3: Wax PaperArtsy Blog Challenge



We'd love you to share your ideas and link up your creative response to our current blog topic. Take a minute to read the challenge guidelines below.

All links go in the draw to win a voucher to spend on products of your choice from the PaperArtsy online store. The WAX link will close 17:00 (London Time) Sunday, Feb 21st, winner will be announced 2 hours later at 19:00.

1. The challenge is a for you to show how you are inspired by the current blog topic.

Your entry should contain:
- a mention of which post inspired you and why, and 
- a link in your blog post to that original post on the PA blog.

The whole concept of this challenge is 'play along with us'. You are encouraged to put your own twist on ideas you see on our blog, do your own thing - whatever grabs you!

2. The link you put on our linky page must lead directly to the specific post on your blog where you have explored the technique/ idea mentioned in point 1 above. Don't link to the home page of your blog.

3. We prefer your challenge blog post is created exclusive to our challenge, but if our topic fits perfectly with another challenge, then you may link to both if appropriate.

4. You are most welcome to use stamps/ products/ substrates you have to hand from a variety of companies, we do not expect you to exclusively use PA products - it's lovely when you do though!

6. You can enter as many times as you like. We don't want to restrict your creativity! 
NB. Link closes at 17:00 Sunday Feb 21st, London Time.

7. The winner of the random draw will receive a £50 credit voucher to be redeemed on the PaperArtsy Website. The credit voucher includes VAT and postage. We request that one of your purchases is an A5 rubber stamp. You can add any other items to your basket, but the final total should not exceed £50.

8. Each fortnight on Sunday, the winner will be announced at 19:00 (London time). In the same post, the link for the next fortnight will be posted. 

9. It's your responsibility to claim your prize coupon from Darcy. 
email: darcydotneedles@hotmail.com

Good Luck! If you have any questions, don't hesitate to ask!