2022 Topic 15 : Paper, Seeds and Twigs {by Victoria Wilding} with Alison Bomber stamps

Hi everyone, it's Victoria Wilding with you today, and I'm here to share with you a gift wrapping project using the latest collection of stamps designed by Alison Bomber. 

As the gift giving season approaches, there's something very special about sharing with friends and family, the time, thought and energy that goes into something handmade. Handmade gifts have long been something that I have shared with my loved ones and what better way to celebrate the festive season than with a gift on a gift. 

As a paper crafter there's always been something exciting about choosing the paper wrappings for presents, so I wanted to use the Paper, Seeds and Twigs topic to get a head start on the seasons preparations. I've also been meaning to have a try at making my own paper for some time and thought this would be the perfect opportunity to create something special for my gifts this year. My idea started with making some paper and I considered making handmade paper packages to give as gifts, however I wasn't sure that they'd be used so I considered how else I might use some handmade paper and I hit upon the idea of incorporating it as a two in one layer and gift, a part of my packaging that could be reused. Something that would look lovely and add something really unique to my presents whilst also not ending up in the recycling bin. And this is where my idea ended up, as a handmade art piece which will look lovely framed and on the wall long after the presents have been opened and enjoyed.

Handmade papers have long been a lovely pairing with my other favourite art supply; watercolours. My handmade paper started with preparing a watery paper pulp by soaking paper scraps. I wanted to create a white paper finish, so I dug into my white paper scraps. For those also trying this for the first time, dyes used in printed papers can affect the final colour of the paper you produce, so I was definitely playing it safe. The process started by cutting my scraps into small scraps that would in theory soften in the water more easily.

Once I had a good amount cut up in the bowl, I filled it with cold water and left the bowl of paper to soak for 24 hours. 

I expected at this stage to have a paper mache type consistency to the paper and water, however as you can see from the photo below, the paper had pretty much held its form. I think this was due to the paper type I was using, mostly heavy weight white card stock. So there was only one thing for it and this was to blend the mixture into a pulp. 

 

I then poured the pulp mixture through a paper making frame. If you don't have a frame (this wasn't expensive, I bought tit from Amazon for about £7.99) you could use any fine mesh you have lying around you may just end up with slightly less defined edges to your finished paper. 

I poured enough of the mixture to give me an even covering across the mesh and patted this firmly down with a tea-towel to remove some of the excess moisture and encourage the pulp to form together.

 

I then turned the paper out onto a silicone baking sheet and repeated the process until all the pulp had been used, which in this case created 6 sheets, 6x4 inches in size. I love handmade papers which have petals, seeds and threads incorporated and originally wanted to include these too, however, after placing dried petals on one of the sheets, the colour started to bleed and I wasn't sure how this would dry, so I decided to leave the remaining sheets plain.

The drying of the paper was another big learning curve. I'd expected it to dry in a day or so, but it actually took almost five days for the papers to completely dry. This probably wasn't helped by the British weather turning cool and damp, but the climate you live in is definitely worth considering if you were making your paper with specific completion dates in mind.

The final papers has a very rough finish and were a little thicker than I had expected, probably on account of having used the card stock, however this did give them a very obvious handmade quality which actually adds to the finished project. With the papers complete I selected the new stamp sets by Alison Bomber, EAB28 the Juniper Edition and EAB29 the Mistletoe Edition, to create the artwork as I knew these would give the delicate vintage floral finish that I love.

 

I knew that the rough texture of the handmade paper was going to prove challenging to stamp on and that I would probably need to re-stamp the images several times, so using a stamping platform was an essential. I also thought that a more opaque medium would help the imagery show up better, so I decided to stamp using PaperArtsy Fresco Finish Chalk Acrylic - Sage (FF66). I selected the large mistletoe stamp from set EAB20 and after several stampings the image was still a little patchy, but visible enough to guide the application of the watercolour I wanted to use to colour the image. 

I started to paint in the detail of the image using watercolours in a natural colour palette and the paper absorbed the water and pigment beautifully! Honestly, it was so much better than I had expected, as by this point I had started to worry it was going to look like a complete mess, but as I coloured the image, it really started to pull together, looking less patchy and quite pleasingly, like a hand drawn illustration.

 

Once I had painted the initial stamped image, I added some charcoal pencil to give a little more definition to the outlines. At this point I decided that I wanted to extend the sprig of mistletoe using the smaller stamp in the set. Curiosity at this point had me turning to a Distress Ink pad  (Peeled Paint) to stamp the second part of the image to see if this would work any better of the rough paper surface and I was surprised by how well this worked. Once coloured you can't see much difference in the two parts of the image, so I suppose it just depends on your preference and confidence in the water-colouring.

 

With the floral image complete, there was still a lot of white paper on display, so I turned to EAB28 for some text detailing for the background and used Distress Ink (Speckled Egg) as I knew at this point that it would give me a slightly crisper stamped image. 

Once the handmade paper art is complete the rest of the project pulls together quite quickly. I added some border stitching in gold thread along one corner and edge of the handmade paper  art to give one final detail. I also cut a Kraft gift tag and white embossed one of the text stamps from EAB29. To help the art to stand out as a feature in the wrapping, I placed this against a kraft paper wrapped package and chose some luxurious velvet green ribbon to literally tie the elements together.

I love the final look of this gift wrapping and there's something extra special about having part of the gift you are giving on display, but with an element of surprise until you actually get to the unwrapping. 

 

I'm so pleased with how this present looks, that I might actually struggle to let go of my gifts this year! Only joking, I'll just have to send a gift to myself so that I get to keep one, haha. I'll definitely try the paper making again too, although I might try doing it with a lighter weight paper scrap to see what difference that makes to the finished paper surface. 

I hope I've inspired you to make a start on your festive preparations. I'd love to see what projects you're making so don't forget to tag me on socials. 

Wishing you a happy, creative week.

Victoria

Blog: www.victoriawildingcreates.com

Facebook: www.facebook.com/vlwilding

Instagram: www.instagram.com/victoriawildingcreates

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2021 Topic 12 : Sustainable Crafting with EKC {by Autumn Clark}

   2021 Topic 12: Sustainable Crafting

Creating your own paper might seem a step too far, but Autumn brings an achievable project that seems simple but results in something beautiful. Granted, you might need to carve out a little time, but isn't creating about the cathartic process as well as the end result? 
~ Keren.

Hi everyone, it's Autumn Clark from SewPaperPaint with you today, and I'm here to share with you my upcycled project making handmade paper.  As a stamper, my primary need is for paper!  For this topic I thought back to last year's lockdown when I ran out of white card and ended up taking old scrapbook paper and using the backs for gel printing.  I thought of taking a step further now and making my own paper using shredded paper from the endless supply at my work.  I was very pleased with my paper and have made a journal and several cards from the stash.

I chose this process because I could enjoy a day on my patio soaking in the sun, as a break from creating indoors.  I have been wanting to try paper making for months, after seeing a video by Sharmane Coquilla and her lovely Instagram reels.  She made it look so easy and satisfying and it truly is!  I hope you will be tempted as well... 

I often start a project with a sketch and am always pleasantly surprised when my finished work resembles my starter idea.  My hope was to fill a small journal with my handmade papers with its jaggedy edges showing, coordinating with very textural cover art.  

I have recently developed a love for fountain ink pens, feather pens and glass dipping pens.  I cannot wait to try out my new collection on these rough pages in my new journal.  I always enjoy experimenting with bookbinding and this version was new to me.  I thought it would be neat to have an exposed signature binding to show off the textured pages.  

 

 

A while back our leather sofa broke beyond repair (think four kids bouncing on it).  I cut all of the leather portions away and have saved them.  I firmly believe reusing & repurposing is one of the most sustainable concepts.  For my book, I picked the most worn leather and cut two strips from it to bind my journal.  I folded in half each of the five sheets of handmade paper and made a guide to poke my holes with an awl and stitched the journal as shown.  

To make the handmade paper I simply added one very large handful of shredded paper to my food processor, then covered it with water and blended, adding more water half way and blending more than you would think necessary.  Next, I dumped the pulp into a plastic container of water, larger than my paper screen.  (You can make your own screen following numerous tutorials, but I purchased a very cheap one because I don't have the wood working tools to make one.)  I submerged my screen and lifted the pulp in an even layer.  Then I transferred it to a towel covered with an old cotton pillowcase.  Then I pressed the back with a dry rag to remove as much water as possible and lifted the screen gently.  My mistake was not considering my table surface.  My dried paper had embossed into the pattern of my trellis topped iron table!  Yikes!  To remedy this, I misted the dried paper with water and pressed it with a hot iron.  Next time I will pick a flat surface and also iron my cotton drying surface to avoid creases.  But honestly, handmade paper is supposed to look handmade, so I have no qualms over my first work.  From one batch of pulp you can get maybe 4 sheets of paper, then you repeat the process.  Nearer to the end my paper got thinner (and very easily torn), so I learned to keep adding pulp faster.  

For my covers, I slathered two thick chipboard panels, which were upcycled from the backs of watercolor paper pads (always save those!), with PaperArtsy Grunge Paste.  Because Grunge Paste is so thick, I was able to make impressions into it with stamps.  I picked PaperArtsy Eclectica³ {Scrapcosy} Collection (ESC25) because I thought the ornate leaf stamp would make an incredible repeat pattern and work beautifully behind my chosen flower stamps.  Tip: when you apply moisture to the front of chipboard, try to apply moisture to the back to keep it from warping (Grunge Paste front/gesso back).  

 

I gessoed the backs and let these panels dry for a day, then left them under a stack of books for a day to flatten.  I built layers of color overtop by mixing one dollop of each color of PaperArtsy Fresco Finish Chalk Acrylics with an equally sized dollop of Matte Glaze and sponging with cut and dry foam.  I started with French Roast, then Claret, then Amethyst.  Finally I sprinkled Black Current Infusions onto the damp panels and sponged Matte Glaze on top.  You can see how much difference the Infusions make!  

I used my stamp platform to stamp, then paint, then restamp the flowers from PaperArtsy Eclectica³ {Kay Carley} Collection (EKC48).  I used the above mentioned PaperArtsy Fresco Chalk Acrylics with the addition of Nougat and Toffee.  I chose a sentiment from PaperArtsy Eclectica³ {Alison Bomber} Collection (EAB21): The Nature Edition.  

Leandra always encourages us bloggers to share our fails, so let me say that I made an attempt at dyeing my first lot of paper by adding a half of a bottle of Violet Storms Infusions to my vat of water, but it did not turn out well (it was more grey than violet).  I've since read about dying handmade paper and it seems that paint is a better alternative.  I can't wait to dump a bottle of PaperArtsy Fresco Finish Chalk Acrylics into my next vat!  Nevertheless, I ended up using the stained paper as a mat for a batch of cards. 

 

 

See how nicely they layer together!  I used some of my handmade paper scraps to test how watercolor and paints worked.  Watercolor was a no-go due to the density and irregularity of the paper, so I used PaperArtsy Smoothy card for my focal stamping and watercolor.  But paint was a total win!  I chose PaperArtsy {Tracy Scott} Stencil (PS210) and sponged Taro Milk Tea Fresco Chalk Acrylic onto my panels.  I chose purple cardstock for the bases that I've had for decades as one final sustainable push.  Purple is usually the last color I use, so it was fun to nudge myself out of my comfort zone for a change.  

 

 

These projects are quite different, but I hope they've shown you just how versatile Kay's stamps can be.  I think they play just as well whether earthy or vibrant, for cards or mixed media...

 

I hope you've thought up a few items you've been saving or have in excess that you can put to work in your own art.  Sometimes you will find the most creative freedom when working with "junk" because it's not so intimidating, being something it won't hurt to mess up.  

It's been a pleasure to share with you today!  xx, Autumn

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