Showing posts with label ZN51. Show all posts
Showing posts with label ZN51. Show all posts

Thursday, 8 February 2024

2024 Topic 1: Miniature {by Renata Peley} on the PaperArtsy Blog

Hi everyone! It is Peley Renata here with you today and the first thing that I must say is that the topic “miniature” is really something that draws my attention. I always enjoyed tiny things and admired the artists who have that amazing hand control and can work within small formats. Sadly, I find my skill somewhat lacking, but that is not the only problem. The bigger issue for me is the shortage of patience that I generally suffer from. But I found a little workaround for my issue. What if I work within the usual size that I am comfortable with and then shrink my project? I bet a lot of you already know where I am going with this.


If you thought of shrink plastic, you guessed well. A couple of years ago I decided to give it a try as I thought: how hard could it be? But apparently it was a bit trickier than I thought as my first attempt wasn’t all that great. So now with this PaperArtsy topic, I decided to give the shrink film another chance, but this time I would approach the whole project with a little bit more care. So let me share with you what I learned so you can avoid some common mistakes and annoyances.


Ok, so the obvious necessary product for this project is the shrink film. Some of you might be more familiar with the name Shrinky Dink, but regardless of how you call it, it is a type of thermoplastic called polystyrene. It can be purchased as colored, white, clear, printed, frosted and sanded. For my project, I managed to acquire three types: clear, sanded and white. I will use all three just for the purpose of demonstration and testing, but honestly the differences weren’t all that big.

You can print on your shrink plastic, but then be sure to use only inkjet printer. I decided to go a bit more manual and do some stamping instead. All the stamps that I have chosen to work with are from PaperArtsy and designed by Elena Zinski (ZinskiArt). Here is the list of all the stamps that I have used: ZA37, ZN49, ZN51, ZN25, ZN07, ZN11 and ZN40.

When you look at my choice of the stamps, you can notice that I went for more quirky and cheerful designs as I thought to involve my kids in the making of this project. And honestly, I do recommend that you do this type of project with your kids or grandkids as I can tell you that my kids were overjoyed to make little charms colored with their own little hands.


Let’s start with the obvious: the ink pad. The best type of inks to use are pigment inks and permanent inks such as Stazon, however, be aware that not all inks perform the same on all brands of shrink plastic. Some of the problems that may occur are the ink not setting in, even after shrinking, ink smudging or sliding over the surface of the shrink film. In this case, I will be using Stazon ink in Jet Black color. But first, let me give you one extra tip. Depending on the medium that you planned to use for coloring, it can be really helpful to sand your shrink film before you start working on it. This step is not necessary if you buy sanded or frosted shrink plastic. The sandpaper that you use should be neither too fine nor too rough. Also be sure to go in all directions when sanding. This will help with both the ink not sliding and getting more crisp image, but also with certain coloring mediums, but I will mention that in a minute. First, I would like to show you on the following image how my clear shrink film looks when one half of it has been sanded while the other one hasn’t.


There is one more recommended step before you proceed with stamping or coloring and it is to clean your shrink film using rubbing alcohol, to remove any oils and dirt. Once the surface is dry, start stamping! And as you can see, I stamped a lot of images on all three types of shrink plastic (pre-sanded one, the clear one that I sanded and the white).




 

Of course, stamping or printing isn’t the only option that you have. You can also draw and make your own designs of charms. I mostly used stamps, but I did draw a couple of hearts and stars. If you wonder what I used for drawing - those are the same mediums that you can use for coloring. But let me elaborate on that.

First, I would like to mention mediums that are not giving the best results when working on shrink film, such as crayons, water and oil-based markers and tempera. A little disclaimer here – I have not tested any of these, and this info is based on the research that I did previous to attempting this project.

The mediums that I did test are Posca markers, alcohol markers (Spectrum Noir), soft pastels (Sennelier) and Prismacolor colored pencils. Keep in mind that regardless of which color or medium you choose, the color will intensify once shrank. Also, while working with Posca’s or alcohol markers doesn’t require sanding the plastic film, if you want to work with soft pastels or colored pencils, sanding is a must. Still, I must say my favorite was coloring with colored pencils. Why? Because most of the stamps that I chose have tiny details, so coloring with pencils is easy in this case, also because once shrank, the image is opaque enough, the strokes of coloring can’t be seen and besides, I simply enjoy coloring with pencils the most. On the image below, you can see how the houses look on the shrink plastic, colored with pencils before the shrinking.

For a comparison, I will show you an image where I used four different mediums. The houses were colored with Prismacolor pencils, the bat-cat with alcohol markers, the chef chicken with soft pastels and the crazy looking rabbit with posca markers.

And yes, I did tell you I enjoyed working with the colored pencils the most, but to be honest, all four mediums have their own advantages. Probably I would have used more Posca markers, but I own only a couple of them so that wasn’t the best choice even though the coloring that way was way faster compared to colored pencils. Also, I very much enjoyed working with the soft pastels. It is super-fast and gives those wonderful, smooth color transitions. But it is not great for coloring images with tiny details.

And of course, as you can see on the picture, I fussy cut my images with leaving a bit of a frame and I also pierced a hole with a Crop-a-Dile so I can hang my future charms. Oh, and I also colored on the white shrink plastic. That had a very funny and unexpected twist, but I will talk more about that soon. 

Once again, here are my images, stamped on three different types of shrink plastic, colored with four different types of mediums, cut out and ready for baking.

Most of the shrink plastics have an instruction on how to bake them, and so did the ones that I had from Stamperia. However, the third type (the sanded one) that I had, came without any packaging so I went with the same temperatures for all of them. But one thing is important, and that is to use preheated oven. On the packaging, it was written to heat the oven to 140°C and bake it for 3 minutes. But in general, you don’t need a stopwatch. It is enough if you look inside your oven and when the pieces are lying flat, they are ready to be taken out. So, I followed these instructions and here are the results.

{Edit: If you are using your household oven for this process, please check carefully the product instructions that the plastic is safe to use in your oven. Some people use dedicated small ovens for crafting (clay/ shrink etc) in a well ventilated space. 

If the instructions do not specifically state that the product is safe for oven use, then assume not, and you can use a heat tool. The ranger heat tool is more gentle than an embossing heat tool, and allows more control during the shrink if you keep the heat tool moving, and flip the item over if it starts to curl. A wooden skewer is useful to hold across the piece of plastic to stop it blowing away, and to stop it folding over on itself. Tweezers also can be helpful to flip over and shrink from both sides. When the item has shrunk, immediately place a wood block on top and press for 5 seconds, this helps ensure it cools flat. This process generally takes about 40-60 seconds depending on how large your item is}


So, yeah a bit funny. All the charms turned out gorgeous except the mama elephant. Now, what happened there is that the image is a bit longer, so when it started baking, curling and shrinking, the two ends touched and stuck together. A work-around that is to put a baking paper over your charm so the longer ends won’t touch directly. Also, some other conclusions are that the images colored with Posca markers and Prismacolor pencils turned out more vivid in color and the most opaque. The one colored with soft pastels was pretty too, but what I didn’t like about the bat-cat which was colored with alcohol markers is that you can see the marker strokes.

If translucency is your issue, you can always choose to use white shrink plastic or go over the colored side with a white acrylic paint. I didn’t do that but don’t forget it as a good option.

Anyway, as it was expected, I got warmed up and I wasn’t going to let this be my only batch of charms, so I went onto coloring some more. A little fun trick: if you wish to add more dimension to your charms, you can add a bit of color on the other side of the shrink film. That is what I did with the little blue elephant here. I colored it on one side completely and then flipped it over and colored only that heart so once it is baked, that detail looks more dimensional and it stands out. As the other side wasn’t sanded, I used Posca on it, while the rest of the elephant was colored with pencils. Sadly, this tiny detail is really hard to catch on camera but it is really fun in live.

On the white shrink plastic, I used only colored pencils. I did like how the colors were vivid on it, but it’s as if it bakes a bit differently…I am not really sure. With it, I got uneven charms more often than with clear film. Also, once it is shrunk, it is a bit thicker than transparent foil. Perhaps I am not objective, but personally I enjoyed working on clear plastic more.

Anyway, I didn’t forget to involve my kids. They were very excited to help me with my craft project but also to make some charms for themselves. And here you can see my two craft assistants.

For the charms to be more durable, I do recommend to seal the colored surface. There are many ways, such as using sealer spray, embossing powder, Mod-Podge seal, glass resin and of course glaze. I went with the PaperArtsy glaze. Sadly, I own only two of them and that is something I have to correct as soon as possible. The ones I have and that I used are PaperArtsy Fresco Finish Acrylic Glaze Matte (FF52) and Metallic (FF24). On the image below, I tried to catch for you the shimmer of the metallic glaze that I used.


 

Once the glaze was dry, the charms were ready to be put for use.

There are just so many ways to use these charms, and I have only scratched the surface with the examples that I will show you.
First, I went and created some jewellery and keychain decorations.


But mostly I was inspired to create some charms that I can use to decorate my journals, zippers, or just hang on my wallet or bag.


And let’s not forget using all those pretty threads that I am sure most of us have in our craft closets.


This was so much fun both for me and my kids. They are already making me promise to do this again next weekend. And there are so many ways you can use these charms. Next time I will make some charm bracelets for my daughter. My son wishes to make pins for his backpack. Also, I will try to seal the color with embossing powder, just to see how it looks. Probably the overall look is even more professional looking with glass resign, but I had a little accident with it that left me a bit traumatized, though I will leave this story for some other blog topic. 😊

Renata 💜


For those of you who are more visual, I have prepared a YouTube video as well.

Thursday, 9 February 2023

2023 Topic 02: Tetradic Colours {by Autumn Clark} with Zinski Art Stamps

 

Hi everyone it's Autumn Clark from SewPaperPaint here with you today.  I've had a lovely time playing with paints lately. This Tetrads topic was a new concept to me and I had to Google it, which led to some fascinating discoveries. I would urge you to do the same and take a second look at the Introduction Post HERE, which shares such a wealth of information.  I decided to break out my new collection of Zinis, Elena Zinski's darling house stamps, and I am looking forward to sharing with you how I combined the two.



With each color wheel progression, the PaperArtsy bloggers have been encouraged to experiment with different primary shades. This was a real challenge for me! My very literal brain had trouble selecting non-pure primaries, but I switched up a little with PaperArtsy Fresco Finish Chalk Acrylic - Haystack (FF02), a warm and rustic yellow, PaperArtsy Fresco Finish Chalk Acrylic - Captain Peacock (FF110), a turquoisy blue and PaperArtsy Fresco Finish Chalk Acrylic - Bougainvillea (FF93), a deep pink. I was pleasantly surprised by how these colors still made for a somewhat traditional color wheel in the end, with all the classic colours identifiable.


I knew when I first saw the Elena Zinski release post HERE that I wanted to create an exploding card box. I was waiting on the perfect opportunity to create such a box. Originally, I designed a larger box, but had to scale it down to better fit the stamps. I cut a sheet of watercolor paper to 11x9" then scored on the 11" side at 4" and 7". I scored on the 9" side at 3" and 6", then cut the corners away and the longer sections into points as shown. I cut a roof for my box at 4.5 x 3.25" and scored along the 4.5" side at 2.5". 



Here are the latest Zinis from Elena Zinski's Art, ZN 49 to 56. It's hard not to fall in love with this selection of stamps with so many quirky house designs. I love that just one house could be colored a different way and look like a totally different stamp!


I purchased a new palette, as my smaller, older palette only had 10 sections and it's easier to work through the printable color mixing wheel (which you can find HERE, in the Files section of the PaperArtsy People Facebook Group) with a 12-section palette. Next time I think I'll stick to a paper plate because I found this larger palette to be cumbersome on my small work table.


I noticed my mixed colors lent to some pinky oranges, a "perfect" purple and really lively greens.

I chose a square tetradic palette as I felt like I could go in any direction with it. I painted the three possible square combos in columns and decided on the center one because I really liked how the pure PaperArtsy Fresco Finish Chalk Acrylic - Haystack (FF02) brightened up the palette. The finished colors are represented in blocks 1, 4, 7 and 10.


I was trying to decide on the best way to use my mixed colors to decorate the many houses, so I added them to my gel printing plate, as shown, and pulled a couple of prints.


One of my prints didn't pull very well, so I took a paint brush and blended some additional color onto the paper. I decided at this point to lighten things by adding in a touch of PaperArtsy Fresco Finish Chalk Acrylic - Cloud 9 (FF149). I always try to add a touch of black and white to most projects for balance.  This gave me a stampable, precolored surface for my houses.



I painted the front of my house box, intentionally omitting the blended Bougainvillea color so that that color would really pop when the box was opened. I added some water to lighten areas during blending.


And you can see the color does really pop inside!



l incorporated the Tracks theme into my project by creating a row of stones as a path around the garden inside of my box. I sponged Cloud 9 through PaperArtsy Stencil 102 by Sara Naumann (PS102).



I stamped the tiny flowers from (Elena Zinski) Zini mini stamp 54 (ZN54) along the edge of the grass and stones.  I also stamped and cut out the trees from Zini mini stamp 52 (ZN52). I cut a small strip from my gel printed paper and rolled it into a circle with some small flaps to adhere it to the center of the garden. I added stamped shrubs around the adhered trees.


 

I ran into an unexpected complication of needing larger flowers to fill in the garden. I chose PaperArtsy stamp set by Tracy Scott (TS069). You can see here the color variation from the gel prints.




Now it was time to get my houses arranged! I used my stamping platform to repeat stamp the images onto my gel prints, for a super vibrant black outline. I used Zini mini stamp 49 (ZN49), Zini mini stamp 50 (ZN50), Zini mini stamp 51 (ZN51) and Zini mini stamp 56 (ZN56).
 

I had glued some scallops to the edge of my roof to hold the box shut. I used plain black cardstock for this and wanted to add some additional detail in the background, so I stamped PaperArtsy Mini stamp 122 (MN122) in the coordinating ink color for each side panel and in embossed white. I chose this stamp because it mimicked tile or brick and flowed with the Tracks theme.

As a final touch, I painted the house windows white to tie in with the embossing and gave the roof a splash of watery Cloud 9.


I gave the inside of the box a splash of the same and a second splash of Haystack.



I don't always use bold colors in my creations and was challenged by the vibrant colors I had mixed. I think the addition of white and black helped balance the rich color. I've seen exploding card boxes and thought the house box idea would be a unique twist. It turned out to be very simple to work out. I would have liked to have some floating or pop up elements inside the box and think next time I could use acetate to make hidden hinges or floaters. Our goal as bloggers is to encourage you to try an idea and we hope that you will take it to the next level. Mine was an experiment and yours will be a triumph! I hope both this color wheel and project idea have inspired you today and your mental "Tracks" are kickstarted.

xx, Autumn


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