Showing posts with label 2023 Topic 2. Show all posts
Showing posts with label 2023 Topic 2. Show all posts

Tuesday, 26 December 2023

PaperArtsy Blog - 2023 Year in Review {Quarter 1, Topics 1 to 3}


Season's Greetings from PaperArtsy HQ,

We hope you are relaxing after the crazy-busy lead up to this holiday period, and perhaps now is the time you get to chill a bit. For us, it is a chance to look back at the year that was, and remind you of some of the wonderful posts our bloggers have shared over the year!

This year, we changed up the blog structure a little, we added a theme to arch over the 3 topics of each quarter. We try to offer 3 types of topics: they might be project, colour or designer focused.

Dounia has selected some posts from Topics #1: Shrines, #2: Tetradic colours, & #3: Designer Focus on Seth Apter. It's agony choosing just a couple of posts to showcase each topic; there are just so many that really are incredible creative offerings! If you want to seek the entire topic, then she has included links to the topic intro, and you can go from there to look back at each of the posts, you might even like to leave a comment.

Get ready for a bit of bling, brightness, and blooming good fun as we look back on the first 3 topics of 2023!

Leandra


As mentioned above, we added quarterly themes as a 'red thread' across the topics for an additional layer of fun! It is a new tool for us (and you) to guide the creative process and spark inspiration. We hope they may prompt you, and our bloggers to try new things.

For Quarter one the theme was 'Tracks' which can be interpreted many ways: mark-making, eg. the tracks your tools leave in your art; paths, trails or perhaps maps; in a more literal sense it could be following railroad tracks; it could also relate to travel and adventure. Let's not forget more abstract meanings: following in someone’s tracks, or creating your own, going off the beaten track… The possibilities are vast! You can discover a few more, and a lot of eye-candy in the theme intro post. Our amazing bloggers did not disappoint in coming up with their own version of tracks, here are few examples:

Claire Snowdon's set of altered cards is a great example of tracks as mark-making. They are sprinkled in all the layers of the beautiful background. Be sure to check her original blog post to learn about her process and management of colour. I love the contrast between the grungy background and the simple and sharp focal elements. Her chosen sentiments can also be interpreted as building a path for yourself and reminding yourself to keep on track!


Jenny Maples took 'following a track' literally with a journal illustrating the buildings and birds seen along a walk in her town. She also added some mark making for good measure! These elements really help bring interest to the quiet areas of her pages to balance the focals. I love the contrasting mix of textured background, sharp buildings and whimsical birds. She makes it all work together! All the other beautiful pages are also shown in her original blog post


Renata Peley chose to go with 'tracking'. It could be an animal, a celebrity or your progress but in her case, it is fairies! She made a beautiful fairy tracker kit with all you might need in your search for the elusive magical creatures: reference portraits, instructions and even a vial of fairy dust! The creativity and attention to detail in her project is amazing! Discover all the elements of this intricate project in her original blog post.




Celebrating the new year, the first topic of 2023 was SHRINES here on the PaperArtsy Blog! Shrines are present in most cultures and religions, in an incredible range of size, styles and uses to honour gods, saints, ancestors. From pagan offering boxes crafted from natural materials to the intricate and bejewelled or metal embossed catholic reliquaries, everything is possible. 

Nowadays, personal shrines are popular among makers, a way to honour, preserve and display crucial pieces of our life. This topic was an opportunity to explore what we deem sacred or significant enough to be worthy of a special artistic display. For more artistic and crafty inspiration, check the Topic intro post!

Let's start with this modern and funky triptych by Etsuko Noguchi, inspired by Japanese spirit shrines and her history with PaperArtsy. That substrate certainly immediately brings 'shrine' to mind. Perfect for bird royalty! And how fun and fresh is this colour palette, playing on the complementary purple and yellow to make the birds pop! This shrine is intricately embellished on both sides so be sure to visit her original post to see al the details.


Perhaps you missed this series of matchbox mini shrines by Riikka Kovasin? A very personal piece inspired by Finnish mythology while also celebrating the members of her family. I love how she experimented with polymer clay to create these amazing half-erased stone icons partially hidden by greenery. So evocative! Her original blog post is certainly worth a read as the Finnish folklore tale is fascinating, plus a chance to peek inside the shrines - quite a surprise!


Let's not forget this beautiful fabric shrine by Victoria Wildings. She was inspired by Catholic pocket shrines to make to remember her mum with a deeply personal project, using mainly upcycled materials. To decorate it, she beautifully translated JoFY stamps into embroidered flowers contrasting nicely with the denim. It is such a labour of love so be sure to check her original blog post to see all her work.



In 2023, we are continuing our exploration of the colour wheel and all the possibilities it offers. As a reminder, in 2022, we had already covered:


Source: Alex Guzman


After exploring 2-colour and 3-colour schemes last year, it was time to discover 4 colour combinations within the realm of Tetrads. These are composed of two pairs of complementary (opposite) colours. You can see below this creates 3 different types of schemes, with varying levels of contrast and harmony: 

Source: Alex Guzman

This allows for endless possibilities, especially when using a non traditional colour wheel. However tetrads can be a bit troublesome to balance than with 4 colours to juggle, so be sure to check the Topic intro post for a lot of tips and tricks and some picture inspiration.

Ellie Knol chose rather classic starting colours: Yellow Submarine, Blueberry and Claret for her red. She then selected a 'skinny rectangle' scheme. In a skinny rectangle, there are the 2 pairs of complementary, and therefore contrasting colours, but they are right next to one another, allowing for subtle variations. The contrast is then between the warm and cool groups, rather than between the individual colours.


Ellie kicked off her project with a gel printing session. Be sure to check her process in her original blog post! The resulting prints were elevated in these notebooks covers. The colour contrast between the mainly warm warm print and the cool background is quite characteristic of tetradic colours in general and the skinny rectangle in particular. I love how she used the blue of her palette to create shadow and depth in her print and focal images.


Liesbeth Fidder-de Vos extracted a classic rectangle scheme from her wheel, made unique by her choice of muted non-primary starting colours: Key Lime (greenish yellow), Wisteria (purple) and Butternut (orange). The whole wheel is full of subtle, original tones! The rectangle is the most classic (and easy to use) tetrad; the four colours are quite distinct and contrasting but will still harmonise well.


Liesbeth used her colours to bring to life this very dimensional tunnel card. Each layer is mainly one of her chosen colours. This separation by layers is a good way to avoid clashing colours.  Her use of little touches of additional colour then brings everything together. The more you look at it, the more you notice all the textures and subtle details! Pictures of all the layers and, technical details and more are in her original blog post, so give it a read!


Martha Ponsanesi went a step further in wheel-customisation and chose a neutral, Nougat, as one of her starting colours, adding Berry Nice (purple) and Coral. Look at that wheel! She then chose a balanced square scheme full of soft and delicate colours! Among the tetrads, the square has the most colour contrast, with two spaces between all the colours. It creates palettes with a lot of 'pep', softened here by the creamy opaque Frescos that the Nougat creates.


With this beautiful palette, Martha built pages for a mini photo album. She went full production chain so be sure to check be sure her original blog post to see all the elements and pages! I love how she played with the different colour combinations inside her square scheme. She used one main colour per page with the others as accents. It is another great way to balance tetradic colours without your project looking gaudy or too busy.




Another new development on the blog for 2023 was to shine a spotlight on our amazing designers and their unique and varied styles. It was a chance to share with you more about their backgrounds, discuss their crafting philosophies and discover their design process. We invited our bloggers to explore the designers, and asked them to put their twist on the collection.

Already a confirmed artist, Seth Apter entered the PaperArtsy designing family in August 2016 and now has more than 35 A5 stamp sets, 30 minis and 30 paint colours, with 4 more coming early 2024. His grungy style is loaded with abstract elements, inspirational quotes and versatile textures - instantly recognisable. Learn all about his artistic start, his inspiration, and his creative process in the topic intro post as well as his live interview with Mrs PaperArtsy. Now let's see our bloggers' interpretation of his products!

We love this assemblage by Renata Peley. It was a project outside of her comfort zone, exciting to see our bloggers try a new groove! The 3D aspect caused her quite a bit of trouble but she prevailed! I love the attention to detail: every element is beautifully planned and finished. Go check her original post for a better look at all the amazing layers!


Going in a different direction, and proving Seth's products can be colourful and very feminine, what about this scrapbook layout by Asia Marquet? She certainly shares Seth's love of circles! I love how she manages to combine soft colours with bold designs and grungy elements with glitter. Keeping white space helps the striking portrait integrate with the rest of layout. Be sure to learn all of Asia's composition tricks in her original post.


Finally, I hope you did not miss Keren's sewing experminets: dyeing and paper-casting. what an eye opener to the possibilities! I know she was not a fan of the final colour of her dyed fabric but I personally love this colour palette with its soft contrasts and pops of colour. Each of her tags is a mini project with its own journey and techniques making her original blog post well worth a read!


Well, wasn't that a fabulous array of wonderful creativity!? We are so spoiled by our blogging team and the lengths they go to creating their projects. I hope you can appreciate the time they put into each piece, but more importantly, how much they enjoy what they do while creating.

We'll be back in a few days with more highlights from the PaperArtsy Blog, hope to see you again!

Thursday, 16 February 2023

2023 Topic 02: Tetradic Colours {by Martha Ponsanesi} with Emma Godfrey Stamps

 
Hi everyone, it's Martha (@CraftingMartha) here with you today, and I'm so excited to share what this topic 'Tetradic Colours' inspired me, when it comes to colours I certainly don't shy away :)

I must admit that I was a little hesitant at first, this new 'chapter' in colour theory seemed complicated to me, but then I took a few minutes to look at the very interesting introductory post that you can find here and immediately had no more doubts and felt like playing with colours.



With the theme of the quarter 'Tracks', I thought of a road map and using PaperArtsy Fresco Finish Chalk Acrylic together with a Gel Plate, to make the image transfer of a road atlas. So here was born the idea of creating a travel journal from scratch.


The initial fun part was to create my own colour wheel by choosing alternative colours so I chose PaperArtsy Fresco Finish Chalk Acrylic - Coral (FF122) instead of red, PaperArtsy Fresco Finish Chalk Acrylic - Nougat (FF39) instead of yellow and PaperArtsy Fresco Finish Chalk Acrylic - Berry Nice (FF216) instead of blue.




To help me choose the right colour combo I made another wheel with 'windows' recreating the 'square scheme' ( by the way, did you recognize the wheel? It is from an old stamp set EEA03). 



After my colour wheel was created I realized that two of the three new-born colours, already exist in the wide range of PaperArtsy Fresco Finish Chalk Acrylic (maybe also the third, but I don't have it....yet :) )
So I'll use PaperArtsy Fresco Finish Chalk Acrylic - Peachy Keen (FF157) and PaperArtsy Fresco Finish Chalk Acrylic - Globe Thistle (FF174).



The third of my new colours was created mixing two parts of PaperArtsy Fresco Finish Chalk Acrylic - Berry Nice (FF216) and one of PaperArtsy Fresco Finish Chalk Acrylic - Coral (FF122)



I have to admit that this early stage in mixing, creating and choosing colours was very fun and inspiring. Of course this was not the only wheel I made, because once you start playing and experimenting it's hard to stop, but in the end I chose this one, a little bit out of my comfort zone.


Now with my colours ready, it's time to make some gel printing. I decided to use 220gr white cardstock and pull a bunch of prints from my gel plate using different techniques.
The first one is the image transfer, for which, instead of magazine pages, I used road atlas pages.


If you are not very confident with image transfers I suggest you to try with glossy atlas pages, it gave me great results the very first time and using PaperArtsy Fresco Finish Chalk Acrylic - Little Black Dress (FF19) success is guaranteed - don't mind the yellow area, my gel plate has lived a good life and is stained by Alcohol Ink, but it still works :) 
At the end of the post if you are curious you will find a short video on how I did this image transfer.


 
I find that using a stencil on gel plate is one of the easiest ways to achieve great prints and this one PS017 by Emma Godfrey is perfect for the theme 'Tracks' with all these triangles as harrow to follow and zig-zag paths.
 
 
 
The last way I used the Gel Plate is with stamps directly on the plate while the paint is still wet, being careful to clean them immediately, to prevent the paint colour from drying on it.


 
Now I'm quite happy :) I have lots of gel printed paper to play with to create my own travel journal.
 

I have decided on the size of my pages which will be 11 x 18.5 cm, I cut out plenty of them so that I have more options.

 
For all intents and purposes, they will be the dividing inserts in my journal, so to make them sturdier I glued on the back strips from the scraps.
 

I cut out 120g white sheets and two slightly wider (12.3 x 18.5 cm) white cardboard covers and then perforated them with the Bind-it-All.



Decoration time has come, and the stamp sets by Emma Godfrey seemed perfect for my project, I have selected two of them EEG01 and EEG03




I stamped on the scraps of paper I had left over,


and fussy-cut lots of elements to have my own embellishments matching the pages.
 

Among all the stamps I have a crush on this little photo camera that I find easy to cut for paper piecing.


And so yes, I made too many, but it was so much fun (I have to find another way to use them later).


After creating the pages, or rather the colours first and then also the embellishments, finally the fun part, that of using everything and creating combinations by alternating shapes and colours.





On the back I decided not to use embellishments but only stamps (EEG01 EEG03) and stencil (PS017) perfectly matching. Some words from both the stamp sets have created an interesting pattern.



I'm very satisfied with my pages, front and back, I like the cohesive look I achieved.

With all my elements I'm ready now to assemble my travel journal with the Bind-it-All and black spirals.


On the inside covers I created two pockets, to fill with more ephemera.






This was a project that I loved to build step by step, starting from the chose of colours, than made my colour wheel, making my own papers and embellishments.
Normally I use lots of bright colours, but following this topic I discovered a kind of new sensation. At first I thought I was limited to using only those 4 colours, but then as I went on with the creation, I appreciated having this guideline and actually not having to think further about which colours to add, gave me more freedom to play with the elements I had.
I hope you will give a try playing with colours, Gel Plate and assemble your personal journal, that can be a travel journal o every kind do you prefer.

Have fun
Martha


As mentioned earlier in the post, here is a short video about my image transfer.