Showing posts with label Olive Tree Infusions. Show all posts
Showing posts with label Olive Tree Infusions. Show all posts

Monday, 2 November 2026

With 3 Things - Feathers and Flowers {by Jenny Marples}


Hi everyone @jennymarples here with you today with a 3 Things post.

For this challenge, PaperArtsy sends the same three items to 3 people from our blogging team. We have no clue what PaperArtsy HQ is going to send, the whole idea is to do something crafty in our personal style with these 3 things!

So let's take a look at what I received from PA HQ...



Included in the package from PaperArtsy this time were Printed Tissue 'Birds' PT11, an Eclectica Kay Carley stamp set EKC45 and a bottle of 'Olive Tree' Infusions.

Feeling inspired by the nature theme I set about playing with different ways to use Infusions to add colour, combining it with the stamps and Printed Tissue to make three panels that could be used on cards, as journal pages or even on the front of a diary/notebook.



Bear with me, the colour is on it's way but first I needed a base on which to add it. So for this try applying pieces of the Printed Tissue onto tea stained paper with PaperArtsy Matte Glaze. I suggest chopping the paper into more manageable sized pieces for the next step.


Sprinkle some of the 'Olive Tree' Infusions onto a craft mat, spray with a mist of water (less is more) and dip your paper into the droplets. The magic of Infusions unfolds as you pick up these spots of colour, revealing the mix of olive greens, blues and walnut brown colours.


Dry and dip again, repeating as many times as you like until your background gets that beautiful aged look.


And here's another way to unlock the magic of that Infusions colour - add a little to some hot water, soak cotton or linen lace/fabric in this 'bath' for a few hours and rinse away any excess. Once dry you will be left with trimmings that coordinate perfectly with your project.



I have always adored the delicacy of Kay Carley's nature stamps and wanted to make full use of the large floral stems to enhance each panel. Start by stamping the images onto watercolour paper with permanent ink. Then begin loosely painting the stems and leaves with some of the 'Olive Tree' Infusions diluted with water.


We are given permission to add other PaperArtsy products into the mix if needed and I really wanted to include an extra few pops of colour. Sticking with Infusions try using dilute 'Royal Blood' to paint some blue flowers. As with regular water colouring, allow your first application to dry before creating depth in some areas with a second coat.


Dilute 'Raspberry' Infusions is a strong colour so take it steady when adding it to your flowers. If you are unsure try patch testing on a spare piece of the paper, watering down the mix if needed.


With three distinct stems included in this stamp set I really wanted another colour but felt reluctant to reach for yet another bottle. Instead I painted over the Raspberry flowers in the centre with some of the Royal Blood colour to create a purple version.


Happy that this experiment had worked, and to make painting the remaining flowers easier, I mixed what remained of the dilute Royal Blood and Raspberry Infusions into a single pan, adding this colour as described previously.



So now we have our background and colourful flower stems it's time to decide how to include the Printed Tissue 'Birds' so that they become the focal point of each panel.


Again I reached for the 'Olive Tree' Infusions, this time mixing it with 'Snowflake' Fresco Finish Paint. Make sure to mix it well because it takes a few moments for the die and walnut crystals to release their colourful magic into the paint.


I wanted my birds to be more brown than green - thinking back to Leandra's colour wheel tutorials (links to these can be found in the blog sidebar) it occurred to me that adding the tiniest amount of dilute 'Raspberry' Infusions would help to alter the colour in this way.


This opaque paint mix is ideal for adding colour to the reverse of the Printed Tissue, after which you can stick the birds onto white card and trim away any excess.


Finally you are left with all of your elements ready to be layered together, starting with the lace, then adding the floral stems and lastly your painted birds. Try using a white gel pen to emphasise some of the details in their plumage. I also found adding foam tape raised the birds enough to keep them flat, following the base layer to work out where to position them.



Let's take a look at the three finished panels;




I'm really happy with the way these turned out. It was particularly satisfying to have been able to use the Infusions in a number of different ways to add the colour to them.


I love how the different colours revealed in the 'Olive Tree' drips over the background harmonise with the colours of the painted stems.


Emphasising some of those details in the bird's feathers make it stand out even more - if the white is too harsh you can 'knock it back' with delicate dabs of brown ink.


A little machine stitching around the edge of each panel helps to create a border for the design. Mount your finished panels onto kraft card for a more professional finish.


There are lots of different sizes of birds included on the Printed Tissue so these panels can be made to fit on the front of a book or inside your journals.


Thank you for joining me today.

Jenny

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Wednesday, 15 April 2026

ATC's in Series with Seth Apter stamps {by Floss Nicholls}



Hello everyone, Floss here with you today...

Would you believe, of all the years that I have been creating mixed media...or art in general even, that I have never made a batch of ATC's?! Today I changed that and made some in a series using Seth Apter rubber stamps.






The first thing I did was mark out my paper and added washi tape to give me a grid which left me with a clean white 3mm border all round the ATC card. I used a standard playing card size. I then used a palette knife to add PaperArtsy Seaglass acrylic to areas of the grid.


Closely followed by gesso onto some areas over and clear of the Seagrass and let that dry before sprinkling infusions onto newly wetted areas...


I worked it with a large watercolour brush to spread the colour...and leave puddles.


 

I used one of the stamps from the Seth Apter set ESA49 to stamp text to cover more than one ATC card so that only parts of the stamp were visible on a few of the cards. 


I did the same kind of positioning with the circles stamp from the Seth Apter set ESA50, but instead of using ink, I painted the stamp with PaperArtsy's Blood Orange Acrylic to bring some contrast colour in.  



And again using the feather leaf shape stamp using ESA49 and Pine Grove Fresco Finish Acrylic.
 

The long thin shape worked beautifully across two cards as well as the length of one card...it really did not matter that it went over the taped borders as I would be peeling them off at the end.



I used opaque vanilla WOW embossing powder for extra details.  I used parts of the rubber stamp cross as well as whole crosses from the Seth Apter set ESA49 on the cards.  I heat set the powder making sure all the powder had melted.
 

I felt like some of the embossed words needed something more... 


and so I decided to use my palette knife to smear PaperArtsy Fresco Finish Squid Ink Acrylic over them...
 

I thought this made the words 'pop' a little more.



Once all the embossing and stamping was completed I was able to remove the washi tape...some of which I would keep for another project as it had some great textures on it!


I really liked how using the tape separated and spaced the design elements leaving a crisp edge which is very unlike me.  I usually favour ripped or overspill edges! 


Rather than using a guillotine or paper strimmer I decided to rip the borders against a metal rule.  I tested which way to rip first so that I had the 'cleaner rip edge' I found that pulling the card image part worked best for my preferred outcome.




After I had separated the cards, I rounded the corners, edged finished them and finally added some of the 'squiggly lines' from stamp set ESA49 and embossed them using Opaque vanilla Wow embossing powder.





Well that's it for now...

Much love,
Floss x x x

If you are in the UK somewhere near East Sussex then you'll find me in my workshop as I have a few mixed media classes coming up.