Showing posts with label LPC079. Show all posts
Showing posts with label LPC079. Show all posts

Friday, 19 June 2026

Rosy bookmark cards with LPC {by Riikka Kovasin}



Moikka everyone! It's Riikka here with you today. Summertime means parties, graduations and get-togethers, at least here in Finland. Sometimes you might not be able to attend, but still like to send a little something with your congratulations. So, to tackle the problem, I created a bookmark card - a little gift and a note wrapped in one. I also used a fun and handy resist technique in the process, if you want to color outside the lines.




 
I chose the stunning art deco styled Lynne Perrella set (LPC079) from the January release to be used as my focal point. I combined two of the three stamps in my make. As I was inspired by the roses in the set, I picked a rosy, warm color palette. I chose three Fresco Finish acrylic paint colors that went nicely together - Persimmon (FF209), Scottish Salmon (FF158) and Lily the Pink (FF218). For the resist technique I also picked an acrylic color, a warm neutral Fresco Finish Heavy Cream (FF203). 

To make the cards and bookmarks extra rosy, I also used Lynne Perrella stencil (PS494). In addition, I used a black and a pink stamping ink, an embossing ink as well as a black embossing powder.



I started the project by making an A4 sized masterboard. As the first layer, I added the three acrylic colors to the cardstock in haphazard segments. I let the colors mix in places and kept them pure in others. I used a big flat brush to apply the colors.


I then used the same colors but this time applied them through the rosy stencil (PS494) with a sponge. I tried to add darker (FF158) roses on top of light surfaces and light roses (FF218) on top of darker areas. In places I also added some of the Persimmon (FF209) into the mix.

By keeping the color palette coordinated, I was able to keep the overall appearance quite harmonious despite the vibrant colors. Please note, though, that this is my way of working, if you prefer the roses to pop, use a more contrasting color scheme.


I might have mentioned it before, but I hardly ever finish a project without splashes. They make nice visual texture and also blur the transitions between colors. So, I added some splashes to the masterboard using all three colors - Persimmon (FF209), Scottish Salmon (FF158), and Lily the Pink (FF218). A fan brush is a handy tool for splashes!

After letting the sheet dry, I then cut it into three pieces. I cut two 9 cm pieces out of the A4 breadth and was then left with a about 12 cm piece. Height of all the pieces was 21 cm, the breath of an A4.

I lifted the two 9 cm pieces aside and concentrated on the larger piece for a while.

 

I used the bigger masterboard piece to make my focal point bookmarks. I stamped the lady twice to my piece of background using an embossing ink and then covered the design using black embossing powder. I wanted to make two cards as I couldn't make up my mind, if I should do a playing card styled mirrored bookmark or just one with additional length.

For the "extra length" version I stamped the head of the lady to the top of the cardstock and then aligned the same stamp to stamp the top design underneath the letter block. While I got the alignment right, there was a little gap between the two design blocks as you can see from the photo underneath. I fixed that with a black marker.

For the "playing card" version I again stamped the head of the lady to the top of the sheet, flipped the stamp and stamped her again, so that the other head started from the letter block. In order to make that work, I heat-embossed the first stamped lady before stamping the other. That way I could remove the extra powder that got stuck on top of the letter design, even though I tried to be careful. If the explanations don't make any sense to you, please read on and see the next step or even the pictures of the ready bookmarks and cards. 


My crafty friends call me "Speedy Gonzales" as when I get to the zone, I'm quite a quick maker. I seldom treat the paper with an anti static tool when embossing, but jump straight to stamping. That's why I then often need to slow down before melting the embossing powder as there's powder stuck to places where it doesn't belong. One could then think, if a little extra time prepping might actually be faster than cleaning up afterwards! 

But anyhow, if you are like me, eager to get going, my tip for cleaning extra powder is a soft detail brush. You can gently swipe off the extra powder before heating to avoid grains in wrong places.


After melting the powder and letting it cool, I then colored outside the lines! While acrylic paint will stick even to glass and plastic, on top of these sleek, non-porous surfaces it's not very durable. You can use that to your advantage and use a broader brush when coloring. 

As you can see, I applied Heavy Cream (FF203) on top of the faces of the ladies in order to create a blank canvas to add hair color and make up. While I could have used white cardstock to start with, I wanted the background of the card and the bookmark echo the same design and colors. The easiest way in my book was to use a masterboard and cut the bookmarks from the same sheet.


After the paint had dried, I then grabbed a baby wipe, and revealed the embossed design underneath the paint. As you can spot from the photo below, the rubbing removed some of the paint from the face, too, letting the background ghost through. 

If you want a more solid color layer, rub more carefully. It's also handy to use a clean baby wipe to finish rubbing the paint off. At least with this opaque white, the black easily looked misty as a tiny veil of the paint was left on top using a paint saturated wipe.


Now that I had a nice neutral surface to work on, I could color the character using colored pencils and markers. 

A couple of tips, when choosing the coloring tools. If you want the characters to pop, use a contrasting color. For a calmer effect, stick to the color scheme you already have going in the background. I went with the latter option and colored my ladies to red heads. 

Another tip is to use mediums that are meant for non-porous surfaces. You're working on top of acrylics, so take that into consideration when picking you coloring mediums. While the chalk-like surface of the Fresco Finish paints might even allow you to use watercolors, that perhaps is not be the best option for a bookmark done on top of acrylic paints. I mean you don't want the mark to stain the book, if the weather is humid.



Now that my ladies were stamped and colored, I turned them into bookmarks. I adhered the stamped piece on top of red cardstock using double sided adhesive sheet and then cut the ladies loose from the background.

I then set these bookmarks aside as I begun working with the 9 cm background pieces.
 

The first thing I did to the 9 cm pieces was to trim 1,5 cm of their length. The pieces now were 9 x 19,5 cm. I then added a rosy border to them. I used a black ink and the lady with stunning art deco -styled roses on her hair. I inked the stamp and pushed just the top to my card pieces.


More roses! When thinking about the project, I saw the bookmark on top of the background, hold in place with a rose wreath. I had hoped to get the roses from the same masterboard, but as I couldn't decide about the bookmark design, I needed an extra piece for the roses. In the end I think this might have been even a better solution than to use the same masterboard. Using the same colors kept the project cohesive, but there's still some variation highlighting the rose wreath. 

I first painted a piece of cardstock pink using Lily the Pink (FF218) and then added red roses on top using the stencil (PS494) and Scotting Salmon (FF158).


After letting the piece dry, I used the same rose-crowned lady to stamp several roses on top. I used black stamping ink as a means to tie everything together. 

I then cut the roses loose. I left two of the wreaths whole, but cut the third into smaller bits. These I used to add some dimensionality to the design - like a 3D picture.


Next up was 'inking the edges' -time! I went through all the elements with the same pink ink using an ink blending tool. By elements I mean the bookmarks, card bases as well as the wreaths of roses.


Lastly only the finishing touches and assembly were left to do. I first backed the card bases with black cardstock. I cut that black piece 0,5 cm bigger than the self-made background piece, so it added a nice, crisp edge around the focal area. 

I then measured the right place for the rose wreath. I called it 'measured', but I just used my eye, not a ruler. In order to add some extra texture and a little detail to the card, instead of just adhering the wreath from the ends, I used a couple of stitches. I made sure there was enough room to slide the bookmark underneath, though. I then added the smaller rose segments on top using foam tape. Just make sure the tape sticks only to roses, not to the card base! Otherwise you might have trouble threading the bookmark underneath the wreath.

To match the white linen thread I used, I also added some white splashes in the mix. These were done using Heavy Cream (FF209) and a fan brush.

As the last step I then mounted the focal area on top of a white card base and then slipped the bookmark in place.




Here they are - bookmark cards ready to be sent out to congratulate or cheer! 

The wreath of roses keeps the bookmark snuggly in place, but it's still easy to pull loose to use. The colors are vibrant and echo that of the roses. On top you can see the playing card version of the bookmark, which actually became my favorite. To see the other one, please scroll down a bit more.


I really like the grungy detail the stitches add to the card! It's such a small thing, but adds quite a lot of impact, partly because of the stark contrast by the white thread. If you wish a more subtle solution, either use a thread that matches your color palette better or use glue instead. Just make sure, the bookmark has enough room to be slipped in place and out again!


Another thing I really like about these cards, is the matching color palette throughout. The bookmark blends in to the card base nicely as it's done on top of the same masterboard. If you'd wish the card to be more presentable after the bookmark is taken into use, you could always stamp the lady also to the background.


Here are the two cards once more - the red head mirrored one and the pink-haired with a long dress. Which one of the two is your favorite?

Thank you for stopping by today! I wish you found this project inspiring!

Xoxo, Riikka




Instagram: Paperiliitin

Monday, 19 January 2026

NEW PaperArtsy Products: Lynne Perrella {Jan 2026}



A note from Leandra

We have 3 new stamps and 3 new stencils coming your way from Lynne, with a touch of inspiration from Charles Rennie Mackintosh, I'm sure you'll recognise a distinctive Rennie-inspired rose popping up across these designs with regularity.

I also leaned into a Rennie-inspired colour palette of purples, bright blues and red-pinks even a smidge of apricot. Not colours I might automatically go to, but it's good to step out of your comfort zone to explore striking combinations, and when I see them together they certainly amp up the intensity and impact of these beautiful stamp designs by Lynne.

Lynne has put together an interesting commentary for you below, so take your time, it really is a pleasure to read her thoughts and what makes her tick creatively!
 
I will be along to share with you LIVE these new products and ideas over in our Facebook Group, 'PaperArtsy People' shortly after this post publishes, with any luck, if i conquer the tech challenge, i will be live on the PaperArtsy YouTube as well!
 
These stamps are available now EXCLUSIVELY from our approved stockists. Please check the list at the foot of this post to find a retailer online or geographically near you. Our retailers endeavour to join the designer's live to share their direct shopping links - this makes it super easy for you to find a store with product in stock immediately.
 

Design Notes – Winter Rose Stamps and Stencils
by Lynne Perrella


Art Friends,

My longtime fascinations always end up in my designs for PaperArtsy, and this latest collection (titled “Winter Rose”) is no exception.  
Inspired by Scottish artist Charles Rennie Mackintosh (1868 – 1928) these drawings illuminate many of the creative cross-currents of his work.  Structure and romance.  Simplicity and intricacy.  Softness and serenity.  After the encompassing undulating vines of the Art Nouveau era, Mackintosh innovated with designs that were stylized, lyrical, and romantic…..often inspired by floral motifs, grid patterns, and luscious colors.


I’ve been exploring Mackintosh for years, starting with a series of mixed-media collages, see the blue portrait, below. Following my research, I set aside my files and created a series of work prompted-but-not-limited to the well-established grace notes of this respected artist.  

Several motifs carried through this series – grids and lattices, as well as his punctuating “squares”, and floral elements.  A part of almost every Mackintosh design:  a signature, stylized ROSE.  He included it in his textiles, furnishings, stained glass windows, woodwork, and more.


Another of my Mackintosh-inspired collages (red grouping, image top of this section) shows a dramatic row of female characters in a procession or tableau.  The costume details are intricate-yet-poster-like, and I knew that a series of stamps based on this collage would give the user endless opportunities to either combine the figures, or use singly.


When I complete the artwork for my designs, I often make table top tableaus of the images; using whatever is in the studio.  In this case, it was fun to hand-color the details of the gowns, using markers and gel pens.  It would be fun to cover a journal page with row-upon-row of a sisterhood of the figures, stamped in different colors, juxtapositions, etc.  Or use just one of the ladies on a beautiful tag, tied with frothy tulle.
 
The lettering and typography of that era influenced me to design a “message” stamp.  Borrowing from a well-known quote, “a rose is a rose is a rose is a rose”, I hand-drew the letters, for a softer look, and married the message with an image that reflected the feminine vibe of the words.  A handful of tags became a cascading necklace….a wearable poem.


Mackintosh became known for the elegant Willow Tea Rooms he created, and each environment included his designs for stained glass windows, furniture, dinnerware, silverware, dividers, paneled doors, and carpeting.
Imagining the ladies who might scurry into such a place to find refuge on a cold windy day, I designed a stamp showing a serene beauty wearing a hat with Mackintosh roses, and a soft scarf.   I hand-colored the image and realized how the colors matched a floral painting on the cover of one of my Mackintosh reference books.  Voila!


Stylized roses plus a classic portrait/face – simply perfect.  I can imagine this stamp used in endless ways.  As a decorative embellishment on the front of a journal, stamped on fabric, the centerpiece for a journal page combined with a favorite quote, and more.


I couldn’t imagine a stamp collection inspired by Mackintosh without including a rose stencil.  The tight swirls of the rose petals are somewhat abstract, and two sizes are included for layering.  

When I stencil, I use acrylic paints and a make-up sponge (wedge) and work extremely dry.  This creates a crisp, well-defined image without any blobbing or distortion.  And I’ve also included the customary small squares that appeared in Mackintosh’s work.

My tip:  if you think you are finished with a page, add more!  For instance, a series of these small squares placed throughout your artwork would be a great way to keep going, adding finishing touches.  Notice how the squares add something “extra” to the blue collage at the top.  They add detail to the grid border, and are a great counterpoint to the softness of the rose motif.

This was a welcome opportunity to immerse myself in an artistic era that continues to inspire and inform the design world.   The many flashpoints I observed by studying Mackintosh fueled my own original illustrations for this collection.  As always, I love the challenge of designing stamps that are elegant, intricate, inspirational and graphic.  And the best part of designing stamps is seeing what the artists DO with them!



Red Rubber Stamps (A5 set)
Price: RRP €23.00 +VAT    
Size:5" x 6" (13 x16.5cm)
All stamps are individually trimmed onto cling foam, with a laminated storage/index sheet.

Lynne Perrella Collection Set 079 (LPC079)

HEARTY ROSES


This could be a bookmark as it is the perfect proportion, possibly a little bulky with the fibres. Look closely and you will see this stamp is in 3 parts, so you can ink up all or part.
 
 
It all started with a brayered underlayer. The image was stamped onto a painted background, then embossed with clear powder- I just find that makes it easier to add more paint in the non-embossed areas.  
 

I used the bottom of the stamp to make a blue-inked border, and added watery paint to make the edge boxes darker, it feels like a more solid frame now.


 MACKINTOSH FRAMED


Later in the week, Tracy Scott also has a release, and this stencil used in the background is one of her new products. To me it screamed Rennie Mackintosh, so it was layered with infusion powders, spritzed with water liberally, and then prints taken.
 
 
I adore this face with her rose halo. She was given a new vintage dress 'Taille Unique' serendipitously reflects the bespoke fitting she was given allowing the shoulder area to melt into the new dress, which is actually a vintage receipt from a French tailor! Oh la la!
 

 
Lynne Perrella Collection Set 080 (LPC080)

NINE UP
 

This was fun. Boxes were roughly sketched onto a blank piece of card with a pigment pen, and as luck would have it, across the 3 stamp plates there are nine faces! You can see where this is heading! 

 
Before I stamped the images, each box was very lightly sprinkled with Infusions which were activated with a liberal amount of water. (In The Navy, Sleight Blue, Frankly Scarlet and Raspberry). In hindsight, I should have not put the infusions in the centre of each square but to the edges, because a dark blue face is not always what you want to see!
 

Touches of painted colour was added to each of the ladies, sticking to the pre-selected colour palette (Southern Skies, Purple Majesty, Peachy Keen, Flamingo, Cerise and Cherry Red). Sometimes the face was 'made up' other times the emphasis was on the roses or the clothing.


I like how the white space works on this sheet, allowing each focal element to stand out. The 3 girls from LPC80 are all a bit Japanese in their style, they make a great trio. I'm sure they must be the best of friends!



Lynne Perrella Collection Set 081 (LPC081)

THE REGAL ONE
 

With her Mackintosh 'Halo' from the centre of Tracy's stencil mentioned previously, she crtainly looks regal with her ivy-dripping headdress. Again this stamp can be used in whole or part, the lower section offers a more abstract, postal layer, and the bold patterns are a nice 'ground' for this composition.


You can see popping through from the lower layer,  I selectively inked up the words 'A rose is a rose' which Lynne beautifully reflects a Mackintosh style font in her own hand script. 



PURPLE RAIN


I'm sure this beauty would rather it did not rain, her silk roses on her hat would surely not like that! The base layer of the card is done in three parts; paint in Southern Skies and Purple Majesty, that is over stamped with the rose-halo from the stamp LPC079, in Chantilly Fresco Paint, and finally, the texture from the lower part of the stamp used in the sample above is randomly applied to the card to bring in a bit of structure to lay the focal image on top.


I did intent to dress her up too by cutting away the frame and adding some clothes, but in the end, this is as far as I got because I quite liked the white panel too much to cut away the abstract sections.  I love how the soft brayered colour automatically brightens her face in an abstract way. A little blush reflects the colour of her scarf, which was chosen because of the roses, of course!



MORE NINE UP FACES


A few close ups from the nine-up panel. If I had embossed the black design, then the images would pop, but having missed that boat, i should just need to go over the facial lines with a black pigment pen to bring back a bit more consistency.
 
 
Again, just the top half of the Regal One here, she too could have a new hybrid dress should she choose!
 

One of my favourites, the image is piercing, maybe the blue eyeshadow highlights that expression, but I love the font. Actually, the stamp has a rectangular frame, I inked it up, but wiped the ink away from the frame because the stamp fitted so perfectly in this hand-drawn frame. 



PaperArtsy Stencils {Regular}
Price: RRP €5.64 + VAT
Regular Size: 6.5" x 7" (16 x 18cm) 
Robust 250 micron mylar designed to offer longevity, deep texture and easy clean up


PaperArtsy Stencil 494 by Lynne Perrella (PS494)


LAYERED ROSE
 

As you can see from the sample, the rose can be layered onto a solid round-ish shape background, allowing it to pop off the underlayers.


I tested out a bit of overlapping, and tried to build depth with an ombre effect. If you wanted to be more specific about petal colouring, you can use markers, pencils etc to be more accurate. I added detail by tracing the design a little off perfect to get that white highlight showing, adding more interest. Look closely, and you will see I also embossed a few of the roses, which adds a lot more depth of colour.


With the art added on top of the background (stamp from LPC081), it all chimes together with some vivid colour pops around the sample. The title comes from PS495, below.
 



 
PaperArtsy Stencil 495 by Lynne Perrella (PS495)


A ROSE IS A ROSE
 

Paint was applied through the stencil, first in a mix of Purple Majesty and Lipstick Red, to produce a deep plum. To make that pop more I gently put some black paint over the top, but not too heavily. Once embossed, the end impact was perfect. I've been using a chunky crystal clear EP, so that is why there is quite a lot of texture from the embossing.



PaperArtsy Stencil 496 by Lynne Perrella (PS496)


ALL THAT GLITTERS


Paint was applied in pinks and oranges, dried, then Versamark embossing ink was applied through the stencil. Onto that I applied the chunky clear EP first in random places, then small glittery pinches in bright pink and yellow-gold for some nice pazazz!
 

Next the stamped images, also clear embossed, laid on top with the colours working well with the underlayers. I could add more colour to this stamp, but as there was already some nice pops on the card, i just left her as she was once stamped.


Yes, she's got sass, and a bit of that is what we all need now and then!


PART TWO



There are 2 parts to this stencil design, and you can see the small 'rose window', among the 'rose is a rose' phrase (from stamp set LPC081), has been enlarged. This is a fabulous size to start applying paint in a more targeted manner to get some colour blends and depth going on within the pattern. Building colours makes a stencil far less flat looking, and our reds and oranges are translucent, so they do like to be applied in multiple layers, but i do love how that swoosh of Bermuda blue still can be seen.


One of the 3 girls from LPC080 is used here, with the roses at the shoulders and hem of her dress coloured to mimic the underlayers. Again everything is embossed in clear to give some gloss and subtle elegance.


That brings us to the close of what is quite a substantial release, lots to get your teeth into! 

I love how the elements all works beautifully together, both across the stamp sets, but also those stencils make layering easy, just choose your colours, and off you go into a Mackintosh inspired world of Lynne Perrella!

Thanks for joining me today, and don't forget, you can now follow Lynne Perrella on Instagram here Lynne Perrella Instagram, or at her website here

Leandra

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Our stockists are your go-to  source for all PaperArtsy products, and we suggest that you also use the PaperArtsy People Facebook group to source a retailer in your country. Many are members of our FB group and will happily share links to their online stores.

Australia
Bev's Cross Crafts, Spreyton, Tasmania bevscrosscrafts
Crafters Cupboard, Berwick, Victoria crafters cupboard
Hillbilly Scrappin, Nikenbah, QLD hillbilly scrapping
Natalie May Scrapbooking, Dover Gardens, SA natalie may
Scrapbook Superstore & More, South Penrith, NSW scrapbook superstore

Austria
Stempel Wunderwelt, Wilhering, stempel wunderwelt

Belgium
Cart N Scrap Art, Antwerp, cart n scrap art
Créatelier Caracolle, Liège, createlier caracolle

Canada
Boutique Scrapbook Tendance Inc, Quebec, Qc, scrapbook tendance
Clipper Street Scrapbook Company, Langley BC, Clipper Street Scrapbook Co
Glitter & Ink, Belleville ON Glitter & Ink
Paper Art Creations Inc, Leduc, Alberta, paper art creations
Re.defined, Kentville, NS, redefinedforyou
Scrapbook Centrale, Dollard Des Ormeaux, Quebec scrapbook centrale
Scrap Addicts, Edmonton, Alberta scrap addicts
Scrap and Bean, Edmonton, Alberta scrap and bean 
Scrap en Masse, Plantagenet, Ontario scrap en masse
Scrapbooking Fairies, Drayton Valley, Alberta scrapbooking fairies
The Paper & ink Boutique, Calgary, Alberta paper and ink boutique

Denmark
Hobbyboden Scrapworld, Samso hobbyboden

Finland
Klemmarikellari, Turku Klemmarikellari
Piia Paper, Kittilä, Piia Paper

France
Emispheres Eurl Ruy Montceau, ephemeria  
Fée Du Scrap, Saint Sébastien-Sur-Loire, fee du scrap
Horizon Créatif, Ste Jalle horizon creatif
Kerudoc Creation, St Yvi kerudoc creation
Le Grenier des filles, Pierre Benite
Page de scrap, Saint Pavace, page de scrap
Passion Scrap, Vieux-Conde, Passion Scrap
Scrap by Jo, Saint-Orens-de-Gameville, 31650 Scrap by Jo
Toutencolle, Dun sur Auron toutencolle

Germany 
Papier & Feder, Owschlag, papier & feder
Stempeloase Munich, Munich stempeloase
Stempelfee Shop, Hilden stempelfee shop
Stempellaedle, Stuttgart, stempellaedle
Tue Was Di Liebst, Bayern, Tue Was du Liebst

Greece
Decoupage, Vergina

Italy
Pezze E Colori, Lissone, pezze e colori 
Piccole Passioni, Siena, piccole passioni

Japan
Tiny Dots, Funabashi-shi, Chiba tiny dots

Netherlands
De Hobbystudio, Genemuiden, de hobby studio
Doe@ding,Spijkenisse doe @ ding
Hobbycompleet de Duif, Leeuwarden hobby compleet
Hobbyshop Sandra, Wierden hobbyshop sandra
IK Journal, Boxtel, ik journal
Stamptable, Roosendaal, Stamptable

Norway
Hobbykunst, Oslo, hobbykunst

Puerto Rico
Paper Boutique, Fajardi Paper Boutique

South Africa
Kcraft imports Ltd, Centurion 0014  kcraft

South Korea
Torn Paper, Namyangju-Si, torn paper

Spain
Cien por Cien Manualidades, Barcelona,  100 x 100 manualidades
Ideas 10 Manualidades Y Scrapbook, Bilbao ideas 10 manualidades
La Sonrisa Creativa, Valencia, la sonrisa creativa
Les Coses de Raquel, Barcelona
Scrap & Papers Experiences, Barcelona, scrap papers experiences

United Kingdom
Amelia's Creative Crafts, Studley, Warwickshire Amelia's Creative Crafts
Art from the Heart, Harrogate, Yorkshire art from the heart
Crafts at The Malthouse, Herstmonceux,  East Sussex, crafts at the malthouse
Countryview Crafts, Milton Keynes, Buckinghamshire countryview crafts
Loobi Crafts, Leighton Buzzard, Bedfordshire, loobi crafts
Procraftynation Ltd, King's Lynn, Norfolk Procraftynation
Sir Stampalot, Peterborough, Cambridgeshire sir stampalot
Stampers Grove, Springbank, Lilliesleaf, Melrose,Scotland stampers grove
The Artistic Stamper Craft Store, Faversham, Kent the artistic stamper
The Forget me not Kraft Kabin, Rochford, Essex, The Forget Me Not Kraft Kabin
Twilight Crafts, Radstock, Somerset, Twilight Crafts

USA
Artistic Artifacts, Alexandria, VA artistic artifacts
Artistic Studio Creations, Fayetteville, Georgia Artistic Studio Creations
Everything Scrapbook & Stamps, Lake Worth, Florida Everything Scrapbook & Stamps
Free Heart LLC, Denver, Colarado, free heart llc
Joggles, Coventry, Rhode Island, joggles
Messy Papercrafts, Temecula CA Messy Papercrafts
PaperCraft Clubhouse, Westbrook, Connecticut, papercraft clubhouse
Scrap-A-Latte, West Babylon NY scrap a latte
Scrapbook-N-Memories, Harrisonville, Missouri Scrapbook N Memories
Simon Says Stamp, Columbus, Ohio simon says stamp
Topflight Stamps, Irmo, South Carolina topflight stamps

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