Showing posts with label HP2501. Show all posts
Showing posts with label HP2501. Show all posts

Monday, 31 March 2025

Art journal spread with NEW Hot Picks {by Riikka Kovasin}


Moikka moi! It's Riikka from Paperiliitin here with you today. I'm sharing my project with some of the new Hot Pick items just released. I was especially inspired by the lady in one of the new stamp sets, but mixed her with the geometrical patterns and threw some color in to the vintage palette by creating my own postal stamps.

I often made my art journals with separate pieces of paper mounted onto the journal. But that changed, when I started this new journal as it's stitch bound and I'm hesitant to add bulk to it so I can use at least some of the spreads. I tended to work on spiral bound versions, as they handle the dimensionality I layer on the pages, but as I was craving to try this elongated format, I had to change my way of creating a little bit.


What I really enjoy about the spread is the orientation, the layout but also the tea tones. I'm especially happy how the cabinet card inspired element turned out! If you want to see, how I did that and the "wax seal" on it, please read on!



My main inspiration for this spread was the new Hot Picks set (HP2501). Like I said in the opening paragraph, I also included some geometrics in the mix. For that I used another new Hot Picks stamp set (HP2503) along with a new Hot Picks stencil (PS456).

For the colorants I chose some stamping inks - black and three different colors that made me think of old Finnish stamps: red, olive green and dusty blue. On top of those, I used Infusions Just Walnut (CS25) and two Fresco Finish acrylic paint colors: Chocolate Pudding (FF42) and Little Black Dress (FF19). Quite a limited color scheme!


I started by making the first layer to my background. That seems quite a natural thing to do, but I had another reason for starting with that - drying time!

I wanted to create a look of an old, crumbled paper to the background and chose to use Infusions Just Walnut (CS25) for that. I knew that in order to have "creases" to the surface, I would need to add plastic on top and that way the layer would need quite some time to dry. So, I set to make the layer and then concentrated on the other elements while the background kept drying.


To create the desired look I sprinkled some Just Walnut (CS25) crystals to a small dish and added water on top thus making a watercolor. I painted the colorant to my journal with a large brush and then sprinkled some rock salt crystals to the page before adding a crumbled plastic bag on top. The salt added these tiny dots and speckles to the page while the plastic created the crease-looking texture.


While the background was drying, I then turned my attention to the elements coming on top. I started with the cabinet card inspired focal point. I inked the lady stamp from the Hot Picks stamp set (HP2501) and stamped her on top of semi-thick cardboard. I first thought of using Grey Board, but feared that the pieces I had were too thick to be used in my journal. If I had worked on a canvas or another kind of project, I would have used Grey Board.


Next I then cut the stamped piece loose, rounded the corners and carefully painted a frame for the "photo". My goal was to imitate the look of the cabinet cards I have in my stash. They have narrower borders on the sides and thicker at the top and bottom. I used Fresco Finish Little Black Dress (FF19) to color the frame. The frame not only made the card look more like its inspiration but I was also able to hide parts of the design with the paint layer that did not seem a good fit for this element.


The next step was the most taxing one, where it all could have gone wrong. But, as I set to do it, I thought that I could always just stamp another lady and try again! I'm talking about the coloring part. For the coloring I used also Infusions Just Walnut (CS25). I altered the concentration of the colorant to imitate the broad scale of a vintage photo. I first added a layer to the background, then added the shadows to the lady with a much more diluted color and then went back to make the background even darker. I also sprinkled a couple of crystals of the Just Walnut (CS25) to the background to make a bit of visual texture there.


While the background was drying, I also stamped other little elements to be used when making the composition to my journal. You can see all of them gathered in the photo below. Let me guide you through them.

On top, there's the postage stamps stamped, but not cut yet. For the stamps I chose the Tour d'Eiffel stamp from the Hot Picks set (HP2501) and used ink colors that reminded me of the ones they used in old Finnish stamps. I left quite a gap between each stamp so I could then cut them loose and turn into stamps. More about that a bit further down the post.

Next on the photo, to the right is a teeny tiny wax seal. For that I used the same Hot Picks stamp set (HP2501), but this time I played with embossing powder. I first stamped the image to a piece of cardstock and then carefully cut the shape loose. I then added three coats of embossing powder on top producing a thick layer. I then re-heated the powder and pushed the stamp to the molten powder thus creating the impression of the seal to it. The effect is subtle, but you still can see the heart in the middle.


The third element in the photo are the little keys. For those, I painted a piece of cardstock using Fresco Finish Chocolate Pudding (FF42). This was to create a base, a shadow color. On top I then stamped the keys from the Hot Picks stamp set (HP2501) and embossed those using golden embossing powder. The end result was the keys having a darker base color and gleaming little details.

I'm happy how the elements turned out and especially love how the different concentrations of Just Walnut (CS25) work on the cabinet card. What could have been a bit lighter, though, was the background. I was after an old paper look and the result was more like leather. On the other hand, the visual texture shows up more as there's more contrast between the lighter and darker areas. Also - the Just Walnut (CS25) wash was just the first layer on the background - there was more to come!
 

By now the background had finally dried and I was able to start layering on top of it. I first added a geometrical pattern there using a new Hot Picks stencil (PS456) and a brown ink. I wanted to keep the color palette quite limited, still drawing inspiration from the old paper I had thought about when starting.

I used the same ink also to stamp another geometrical pattern to the background. The square stamp I used was from another new Hot Picks stamp set (HP2503). To add some contrast, I also used black ink and a sentiment stamp on the vintage Hot Picks set (HP2501). I stamped the saying repeatedly both the right way up and upside down so it wasn't about the text anymore but more about visual texture. I clustered the text areas near the places where I was thinking of adding the focal points to draw the eye in.


To emphasize the old paper feel - or more over, a fountain pen written letter feel, I added some splashes of black to the background. I used Fresco Finish acrylic paint Little Black Dress (FF19) for those, just diluted the paint with water so I was able to squeeze the droplets out of a watercolor brush.

After drying the droplets and also trying to heat set the black ink and the stenciled brown ink, I then added some white touches to the background as it really needed some light back. For that I used white embossing powder. Even though I tried to dry all the previous layers, the powder still stuck partially to the stamped text. I brushed most of it off, but still there was some odd speckles here and there, when I then heated the powder. The motifs I used for the white flourishes are also from Hot Picks set (HP2501).

Oh, by the way, if you are wondering about the yellowish or orange hues on the left page, they are bleeding though the previous page. This journal I'm using has quite thick pages, so I didn't think the ink would go all the way through, but obviously I was wrong!


I was going for a linear, horizontal element with the added white ornaments. I then emphasized that with some handwritten text running from page to page. The scribbles are actual words as I feel that the rhythm of actual sentences work better than just undulating lines.

Another element I added to highlight the horizontal tension between the two pages, was the little postage stamps I had made. I cut the Eiffel towers loose using decorative scissors, that made the edge look like a postage stamp. I then used a collage medium (a fluid gel medium) to adhere the stamps in place, scattered from one page to the other.

What you also can see in the picture below, is the starting of the main composition. I added the little wax seal I had made to the cabinet card and added a piece of twine underneath it. To add something underneath the card, to further tell the story of the two lovers writing letters to each other I now had on my head, I added a piece of old paper underneath the card. It had this beautiful old writing on it but as the paper actually was a receipt, not a love letter, I hid most of the words, just showing a tiny bit of the script.


Next up was adding the keys and making yet another little element to the cluster. I cut the keys loose from the background and inked the edges. The keys between the letter layers seemed nice and I added another for balance to the other side, but now the white flourish was being almost totally covered. I also had this idea of adding some lace to the project, but none of the pieces I had in my stash felt quite right. So, I made some lace of my own! For that I stamped the flourish from Hot Picks set (HP2501) to a piece of vellum and embossed the pattern again with white embossing powder. I then cut the element loose and used it to add a touch of lace to the cluster.

As you can see from the finished project or the detail photos a bit further down, I also made another cluster to the left side page. I used a piece of the letter there together with a lace element and a key and postage stamp.


To finish the project, I added a strip of journaling in. It's actually the same phrase that the stamp set had, but the composition of the stamp didn't fit the linear composition of the project. So, instead I used my old type writer, crumbled the paper a bit and then adhered it in place using a collage medium.



So, do you like this vintage inspired spread? The background could have been a touch lighter, I admit, but on the other hand, the letter now shows up more, tucked behind the photo as the background is darker.

I'm especially happy about that tiny faux was seal as I think it adds a great little detail to the cabinet card inspired piece. I'm also pleased how I incorporated a story to the project, thinking about two love birds maybe even an ocean apart, sending letters and their cabinet cards across the sea.


I often use similar composition in my art journal spread projects. There's a bigger cluster, the main focal point on the other page and then a balancing little one on the opposite page. As you can see, I used that in this project as well. Why I placed the card on the right side, you might ask. Because of the lady's gaze. I wanted to add more air, more room for the gaze and thus placed the card on the right. Another reason might be me being right-handed as I often favor the right page over the left one for the main composition.

Both of the clusters have similar elements, so they echo each other. Like in this particular project adding that tiny piece of twine made a big impact. It emphasizes the horizontal line and adds some contrast to the cluster. It also hooks the two clusters together better than the other items.


If you are not into journals, you can use the same elements in cardmaking as well! Or maybe you are an ATC kind of crafter? How about doing a set of ATC-sized faux cabinet cards? The main composition could be turned into a small canvas as well, should that be your favorite type of project to do. I mean, the possibilities are endless and stretch as far as your imagination!

Oh, and if you are not a tea kind of person and crave for more color, just use another Infusions to make the first layer or even a mix of couple colors. That alone will change the project more colorful!

Thank you for stopping by today! Wishing you a fabulous day!



Instagram: Paperiliitin

Monday, 24 March 2025

New PaperArtsy Release: Hot Picks {March 2025}



Red Rubber Stamps (A5 set)
Price: RRP €23.00 +VAT    
Size:5" x 6" (13 x16.5cm)
All stamps are individually trimmed onto cling foam, with a laminated storage/index sheet.

These 3 new Hot Picks mark the beginning of our 15th year designing this series of stamps. They were created first in 2010 to be 'timeless' and not too 'girlie'. That was the brief! Mark and I tend to create these together, so they often will have a masculine edge to them with the frequent use of old found ephemera and images of a bygone era.
We have always been conscious that craft products are generally geared towards pretty, frilly, feminine style (or colours), and that is just not us.

Within each stamp set, we try to offer a mix of elements that offer versatility across a range of creative styles, so you will usually find on most Hot Picks plates, a mix of background designs, focal images, and perhaps little 'tidbits' that fill gaps, or new ways to add more interest for your creative layering and composition.

Hot Pick 2501 by PaperArtsy (HP2501)

This stamp set is oozing a Victorian vibe, a bold, determined 'woman of substance' is the focal image. I wonder, what is she thinking, what was her life like? Maybe she was fighting for the right to vote, maybe she was trying to have a wider purpose than was permitted for woman of her era, maybe she wants to challenge opinion and the norms of her world. Whatever it was, she now seems to have an inner determination about her that I can relate to! The lock and key suggests that she has an inner softness too. Perhaps there is a supportive, open minded partner or friend who she is able to be her true self around?

MY HEART
This could be a journal spread, but it was created on a piece of A4 card. It is nice to build up the layers of paint, softer at the edges, darker in the centre. A mix of brayering and using a rough scruffy brush to massage the tiniest bit of paint into the card seems to gradually soften the colour intensity. 

Stencilled texture was added with grunge paste, and then that too was coloured to distress it more with yellows, a nice contrast with purple. You may be able to see the vintage keys stamped in blue softly in the background.
 
 
The focal (in pink) is a nice highlight, and the scroll stamp became a nod to wings. I love adding torn vintage papers and lace along the bottom of a piece to 'ground a collage'.
 
 
WELL INTENTIONED

A card with plenty of layers of grungy paint. Loving the mix of old and new graphic elements for this stamp set. Tinted grunge paste was placed through the delicate stencil, and the left over drying painty-lumpy bits were scraped along the card edges with a palette knife, colour and texture in one!


The image is coloured with watery paint, to create a watercolour old faded impression. The stencilled texture lays behind the 'photo' with metallic accents. 


Lace is wrapped around the card, and here you can see the layers of paint scrapings, and how the colour deepens at the edges.


Hot Pick 2502 by PaperArtsy (HP2502)

I adore a 'collage style stamp'. They are just fun, create a background with paints or inks, over stamp and boom, instant art. The focal image of this set obviously can be used as a 'whole', but check out some of those 'parts'. Arrows, tickets, film strip ...you can stamp and cut them apart for embellishments, or have you noticed how easy it is to remove ink from a stamp when it is Versafine Clair ink? This set is a nod to the era of black and white movies, but look again, and words, elements can certainly be used for other purposes with ease too. 

SILENT MOVIE

Silent movies might have been an era of black and white on our screen, so of course I went in the opposite direction away from sepia and towards colour! Just because you are using vintage imagery doesn't mean you have to conform to using browns! The rebel in me has always loved the juxtaposition of bold and bright colours with vintage imagery - why not!? Do the unexpected colour combinations and you might find a new colourway to adore!
 
 
My go to paints were Toffee Apple, Rusty, Kiwi Gold, Turquoise, Green Patina (all Seth Apter colours - who'd have thought his sludgy palette could become so vibrant?!) with Haystack and a pinch of Cloud 9 and the obligatory white paint pen.
 
 
Archival Ink Pads (from Ranger Industries) are the ideal inks for background elements, I used a few colours like Sepia, Plum and Potting Soil. But I love for a juicy black, Versafine Clair for my focal images.
 

Hot Pick 2503 by PaperArtsy (HP2503)


Initially we were looking for a nice size swatch for stamping that was a bit grungy. Tick .... but, as often happens, other avenues come to light once you start exploring. The idea with the shapes at the top was you could perhaps also stamp the same ink. colour over the swatch for a different depth, but we knew those elements would be useful in their own right for backgrounds and much more!

SWATCHED

The Mattints are used to both colour the square, then colour a small piece of printed tissue which is then glued over, showing how wonderfully Mattints deepen in colour when the soak into tissue paper. So yes, the large stamp is a great swatching tool! be in inks, watercolours, pencils or markers, the squares are a nice size to get blends or washes dark to light.

HAT MAN

My colour palette continued, and stars used as accents. All the details are from the PaperArtsy 'backgrounds' Printed Tissue paper including the Mr PaperArtsy avatar himself .


 

 Nr 732815
 
In this sample I stuck with the blues and Rusty-yellows of the aforementioned colourway, and only inked some of the big square stamp, applying it bottom left and top right of the page, with the border falling off the page. I LOVE it! And I also love how stamping the diagonal in different directions in some of the square was super-fun too!!
 

Now on a roll with 'partially stamping an image, I realised there was a space left for the woman's face and torso (HP2501), and then the word stamp and little number line just fell into place organically. I took some time to lighten off her face so she popped off the background more readily, watery 'Butter' followed by Nutty and The Pink Mattints to breathe colour into her jaundiced appearance.
 


PaperArtsy Stencils {Regular}
Price: RRP €5.64 + VAT
Regular Size: 6.5" x 7" (16 x 18cm) 
Robust 250 micron mylar designed to offer longevity, deep texture and easy clean up

PaperArtsy Stencil 456 (PS456)


LIKE DIAMONDS IN THE SKY

The background always is created first for me, and so this was a mix of paint, turned into an ombre with shades of paints, blends of paints and also using stamps to bridge the gaps, like the repeat-stamped words. 


Once happy with the background layers, Grunge Paste was tinted a little to be less white, and roughly scraped through the stencil for some organic texture. I knew I would have fun adding more paints over the top of the Grunge Paste so the impact was more distressed and worn.


PaperArtsy Stencil 457 (PS457)


FANGIRL

I have always loved Raquel's (Scrapcosy) bumped Grunge Paste technique. She puts a dark colour of paint through the stencil, then 'bumps' the stencil a little, say down and to the right, then applies Grunge Paste through the stencil. I gives a great 'shadow' effect and soft outline. (you may need to practise to realise the bump does not need to be very big)
 

As I was on a do-everything-partially kick, I also did not fully cover the design with Grunge Paste. And this created more interest in how the paste fades in and out. It automatically aged the style of the background to be less pristine and perfect. You can see Printed Tissue is underneath, so I used paints carefully on top so as not to eliminate the Printed Tissue background. Again, I LOVE it!!
 

 VINTAGE WALLPAPER

Well and truly walking down distressed alley by now, I decide to explore the 'distressed' effects you can get with paint. French Roast Fresco Chalk Paint was added to the blues and Rusty paints, plus Haystack, my indispensable most favourite yellow (because it is opaque, and muted), but the trick here was to sand back the stencilled image after applying it to the background. Taadaa, instant aged wallpaper effect.


Actually, you might notice some of the paper lifted .... that was a happy accident. My painted background was still damp when I put the stencil down, and I think my stencil was also damp, because I had washed it properly after doing the Grunge Paste sample above, so with the wet stencil sucking onto the damp paint, and the pressure of me tapping and smooching my paint through the fan design, I had an 'uh-oh' moment when I tried to pull the 2 apart. Rolling with it, the white card was too bright - Glow Mattint to the rescue, and now it really looked like worn wallpaper! MAGIC! .... but also a reminder that what on earth was I thinking cleaning a stencil so thoroughly!! Sheesh!

PaperArtsy Stencil 458 (PS458)


MORE WALLPAPER

I wasn't deliberately using these new products 'in order' but one thing led to another, and these next 2 samples were variations of what happened above.

More wallpaper, this time stencil bumping was with our metallic Gold paint over the French Roast, again trying to not be perfect. This stencil is delicate in that the gaps offer fine detail, but our mylar is very robust, so you won't bend or break apart a PaperArtsy Stencil! 


You can see the bump impact here, and the deliberately imperfect approach - the trick is to not have a lot of paint on your sponge. Heavy Cream paint was dry brushed over the sample and Olive got an outing for this one too!
 
A BIT BLINGY STENCILLING
 
 
I decided to tackle this one upside down ... in that I stencilled with Grunge Paste first onto Heavy Smooth Card. After the design was properly dry (you can use a heat tool with GP, it will not be an issue) I started with paints, dark first and applying patches of colour to different areas. then blending lightly and I kept building the layers with contrasting colours. 
 

Towards the end I added more gold onto the texture and it looked magical. I am not sure what I will do with this next, but it has a very opulent feel to it. To make the metallic pop nicely and add a bit of distressed ageing, I added some watery French Roast paint to the texture, and with some additional spritzing, it fell into the dips, and then dried nicely.

There you have it, the first Hot Picks release of 2025. I'm so happy to share these designs with you, and wish you many hours of creative enjoyment with them

We have Jo Firth-young here tomorrow, and Tracy Scott on Wednesday.

All 3 of us will be going live at 20:30 Paris time over in our facebook community PaperArtsy People

Remember, to buy these stamps now, you will need to find them from a stockist, ideally one in your part of the world, there is an updated list below, but do check the shopping links that retailers will share during my live.

Thanks for joining me today

Leandra

 PaperArtsy Stockist List

Our stockists are your go-to  source for all PaperArtsy products, and we suggest that you also use the PaperArtsy People Facebook group to source a retailer in your country. Many are members of our FB group and will happily share links to their online stores.

Australia
Bev's Cross Crafts, Spreyton, Tasmania bevscrosscrafts
Crafters Cupboard, Berwick, Victoria crafters cupboard
Hillbilly Scrappin, Nikenbah, QLD hillbilly scrapping
Memories on the Murray, Murray Bridge, SA  memories on the murray
Natalie May Scrapbooking, Dover Gardens, SA natalie may
Scrapbook Superstore & More, South Penrith, NSW scrapbook superstore

Austria
Stempel Wunderwelt, Wilhering, stempel wunderwelt

Belgium
Cart N Scrap Art, Antwerp, cart n scrap art
Créatelier Caracolle, Liège, createlier caracolle

Canada
Boutique Scrapbook Tendance Inc, Quebec, Qc, scrapbook tendance
Clipper Street Scrapbook Company, Langley BC, Clipper Street Scrapbook Co
Glitter & Ink, Belleville ON Glitter & Ink
Paper Art Creations Inc, Leduc, Alberta, paper art creations
Re.defined, Kentville, NS, redefinedforyou
Scrapbook Centrale, Dollard Des Ormeaux, Quebec scrapbook centrale
Scrap Addicts, Edmonton, Alberta scrap addicts
Scrap and Bean, Edmonton, Alberta scrap and bean 
Scrapbooking Fairies, Drayton Valley, Alberta scrapbooking fairies
The Paper & ink Boutique, Calgary, Alberta paper and ink boutique

Denmark
Hobbyboden Scrapworld, Samso hobbyboden

Finland
Korttipaja, Istunmaki Heidin Korttipaja 
Klemmarikellari, Turku Klemmarikellari
Piia PaperKittilä, Piia Paper

France
Emispheres Eurl Ruy Montceau,38300   
Fée Du Scrap, Saint Sébastien-Sur-Loire, fee du scrap
Horizon Créatif, Ste Jalle horizon creatif
Katzelkraft, Ingwiller katzelkraft
Kerudoc Creation, St Yvi kerudoc creation
Le Grenier des filles, Pierre Benite
Page de scrap, Saint Pavace, page de scrap
Passion Scrap, Vieux-Conde, Passion Scrap
Scrap by Jo, Saint-Orens-de-Gameville, 31650 Scrap by Jo
Toutencolle, Dun sur Auron toutencolle

Germany 
Papier & FederOwschlag, papier & feder
Stempeloase Munich, Munich stempeloase
Stempelfee Shop, Hilden stempelfee shop
Stempellaedle, Stuttgart, stempellaedle
Tue Was Di Liebst, Bayern, Tue Was du Liebst

Greece
Decoupage, Vergina

Italy
Pezze E Colori, Lissone, pezze e colori 
Piccole Passioni, Siena, piccole passioni

Japan
La Wadao, Odawara, Kanagawa, la wadao
Tiny Dots, Funabashi-shi, Chiba tiny dots

Netherlands
De Hobbystudio, Genemuiden, de hobby studio
Doe@ding,Spijkenisse doe @ ding
Hobbycompleet de Duif, Leeuwarden hobby compleet
IK Journal, Boxtel, ik journal
StamptableRoosendaal, Stamptable

Norway
Hobbykunst, Oslo, hobbykunst

Puerto Rico
Paper Boutique, Fajardi Paper Boutique

South Africa
Kcraft imports Ltd, Centurion 0014  kcraft

Spain
Cien por Cien Manualidades, Barcelona,  100 x 100 manualidades
Ideas 10 Manualidades Y Scrapbook, Bilbao ideas 10 manualidades/
La Sonrisa Creativa, Valencia, la sonrisa creativa
Les Coses de Raquel, Barcelona
Scrap & Papers Experiences, Barcelona, scrap papers experiences

United Kingdom
Art from the Heart, Harrogate, Yorkshire art from the heart
Crafts at The Malthouse, Herstmonceux,  East Sussex, crafts at the malthouse
Countryview Crafts, Potton, Bedfordshire countryview crafts
Loobi Crafts, Leighton Buzzard, Bedfordshire, loobi crafts
Procraftynation Ltd, King's Lynn, Norfolk Procraftynation
Sir Stampalot, Peterborough, Cambridgeshire sir stampalot
Stampers Grove, Springbank, Lilliesleaf, Melrose,Scotland stampers grove
The Artistic Stamper Craft Store, Faversham, Kent the artistic stamper
The Forget me not Kraft KabinRochford, Essex, The Forget Me Not Kraft Kabin

USA
Artistic Artifacts, Alexandria, VA artistic artifacts
Artistic Studio Creations, Fayetteville, Georgia Artistic Studio Creations
Craftiness, Chatsworth, CA, craftiness
Everything Scrapbook & Stamps, Lake Worth, Florida Everything Scrapbook & Stamps
Frantic Stamper, Oregon frantic stamper
Free Heart LLC, Denver, Colarado, free heart llc
Joggles, Coventry, Rhode Island, joggles
Messy Papercrafts, Temecula CA Messy Papercrafts
PaperCraft Clubhouse, Westbrook, Connecticut, papercraft clubhouse
Roadtique Boutique, Hilton NY 
Runaway, Art & Craft Studio, NE Salem, Oregon runaway
Scrap-A-Latte, West Babylon NY scrap a latte
Scrapbook-N-Memories, Harrisonville, Missouri Scrapbook N Memories
Simon Says Stamp, Columbus, Ohio simon says stamp
Topflight Stamps, Irmo, South Carolina topflight stamps

If you are interested in becoming a PaperArtsy stockist contact Dounia@paperartsy.com for more information

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