PaperArtsy: Chocolate Pudding

Showing posts with label Chocolate Pudding. Show all posts

Thursday, 16 July 2026

Funky Neverending Card with JoFY {by Martha Ponsanesi}

Hello everyone, Martha (@CrfatingMartha ) here with you today for a trip back in time! I am so excited to share an interactive 'never-ending' card, packed with warm colours, funky doodle layers, and a delightfully nostalgic palette.

The spectacular March release by Jo Firth-Young instantly stole my heart and inspired me to play with retro vibes using her new mini stamps and stencils. To bring this project to life, I also decided to dust off an older stamp set featuring those wonderfully bold, chunky flowers that scream 'flower power' to me.

To capture that authentic retro aesthetic, I curated a warm, earthy, and slightly dusty colour palette using PaperArtsy Fresco Finish Chalk Acrylics. I chose the Chocolate Pudding (FF42), Cayenne (FF159), Mustard Pickle (FF148), for a striking pop of contrast, I added Caribbean Sea (FF94) and Slimed (FF137). While the final color balance turned out slightly different from what I had originally envisioned, I absolutely love the result!
I used the three stencils from JOFY's latest release PS512, PS513 and PS514 ( as usual, you can find the latest release products at the PaperArtsy stockist listed here ), to build my backgrounds, simply applying the paint with a dedicated sponge for each colour.

The beautiful vase stencil PS514 inspired me to create a layered pattern, overlapping the shapes in different shades to build depth.

By the end of this first stage, I had created a collection of vibrant, textured backgrounds ready to be cut down into panels.

As well as a background, I wanted to use the PS514 stencil to create a focal image too.

First, I stenciled a vase using a sponge and let it dry completely.
Next, I replaced the stencil exactly over the painted shape to act as a protective mask.
I then stamped some of the mini geometric patterns directly through the stencil opening. This ensured the stamped designs stayed perfectly inside the vase silhouette with crisp, clean borders.

I stamped some flowers from JOFY95 stamp set onto cardstock and heat-embossed the outlines with clear embossing powder.

Once embossed, I painted the petals using my Fresco Finish paints highly diluted with water, creating a beautiful, translucent water color effect.

Since I wanted to showcase some of the gorgeous new mini stamps, I knew a neverending card structure would be the perfect interactive choice.

You can find in the photo reminder of how to make the structure.

I cut out the squares and rectangles from my custom backgrounds to decorate each section of the card.

For these long side panels, I added some playful, abstract detail by randomly stamping the geometric curves from JM100.

I then fussy-cut the water coloured 'flower power' blossoms and layered them onto the central panels to create a striking focal point.

To prevent the busy backgrounds from becoming visually overwhelming, I made a conscious design choice for the other panels. While some images were stamped directly onto the stencilled papers, others were stamped on a separate sheet of cardstock, fussy-cut, and kept in crisp black and white. This created a perfect visual balance. For this part of the card I used JM97, JM102 and JM104.

Again, some images were stamped directly onto the background (with solid color this time, not through the stencil), with JM99 and JM102, while others were colored and cut out.

My absolute favourite spread is the one featuring the large Chocolate Pudding (FF42) vase. The pops of Caribbean Sea (FF94) dots on the vase, combined with the vibrant hand-painted flowers from JOFY123, feel so wonderfully retro.

And here is how the card unfolds, revealing its four different faces.

The defining feature of a neverending card is its continuous folding mechanism, which means you have to be incredibly mindful of the embellishments you apply. On two of the spreads, I made sure all my decorative elements stayed strictly within the square panels.

However, on the other two spreads, I chose focal elements that crossed over the edges. To allow the card to fold seamlessly without catching, I had to carefully slice through these overhanging stamped elements exactly along the fold lines after gluing them down.

I still have a lovely pile of extra stencilled vases on my desk, just waiting to be filled with more funky flowers for some standard-sized cards. The possibilities really are endless!

Have fun!

Martha xxx

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Friday, 30 January 2026

Tracy Meets Grunge with TS {by Autumn Clark}

Hello darlings! It's Autumn Clark here today, with such joy to be back on the PaperArtsy blog and to share the excitement of the new Tracy Scott launch with you!

I've had a total blast playing with these gorgeous stamps and have created several project ideas for you to get your creative juices flowing, from tag book to bookmark to journal page, I hope will spark a play session of your own...

I almost always start a project with a gel printing session and went with earth tones to show how Tracy's stamps can go both bright and rustic, which I hope you will agree. I used a combination of PaperArtsy Fresco Chalk Acrylics in Nougat, Terracotta, Rusty, Sargasso (TS), Jade (TS), Chocolate Pudding and Toffee. Later in the process I pulled out my Infusions powders and chose A Bit Jaded and Rusty Car.

I used Tracy's entire collection for these projects, including the stamps TS104, TS105 and TS106 and the stencils PS497, PS498 and PS499. Find a stockist HERE. And if you didn't catch Tracy's FB live, make sure to join the PaperArtsy People FB group HERE to stay up to date and catch all future lives.

You might have noticed from the photo of my Infusions box on my table that it was an extremely sunny day in my little art room. I could not find my smaller gel plate, so I had to use the monstrosity and with the sun pouring down on it, I found my paint was drying at rocket speed. But I am always fond of this half printed effect because I love the impartial prints and faded portions of the stencils mixing into the paint. Part of my process includes blotting through the stencils onto prints. Below shows how I did that with PS499. Later you will see a fun idea I came up with to make the most of the white spaces in my prints...

I printed heavy duty plain cardstock and both sides of several premade large tags by Dina Wakely. I used the floral designs from PS497 and PS498.

I cut my favorite sections of the prints into card fronts. I folded the tags in half with one end meeting the tag reinforcer on each of the three tags, then glued them together to form pockets where each tag met the next. This concept was inspired by a Fodder Challenge 2023 project.

While the tags were clamped together to dry, I worked on each card panel. I began spritzing water on the white spaces in the gel printing and sprinkling on my Infusions in Rusty Car. Because I had used normal cardstock, the Infusions seeped into the paper, rather than sitting on the surface like it would with Bristol or watercolor paper. The great thing about this is that the paint still sits on the surface and the effect is really unique.

To make the pieces a bit more intense, I coated them with Mattint in High Viz, which also serves to seal the Infusions. Next I colored two scraps of Bristol paper with Infusions in Rusty Car and A Bit Jaded so I could use them as a stamping surface.

Here's a sampling of the panels, which remind me of torn wallpaper. What fun!

I stamped so many of the images from Tracy's stamp sets TS104, TS105 and TS106, first onto Bristol paper for watercoloring with Distress Inks, then onto my dried Infusions stained papers in different colors of ink and off white embossing.

I fussy cut these images to give me a variety to pick from to complete my tag book and cards.

I layered the images onto my tag book and used Distress Ink in Rusty Hinge to sponge some of the white spaces to complete the backgrounds.

I used the leftover gel prints to cut smaller tags to fit into the pockets and to cut tag reinforcers for those.

Here are the front and back of my completed tag book, finished with sentiment stickers, sari ribbon and twine...

With my leftover fussy cuts, I began to complete the cards. I really had fun with this and tried to hone in on the trademark mandala loving Tracy Scott style by using geometric repeats in the cards. Often, I cut the flowers in half to achieve this effect.

I was craving a little white contrast for these pieces and thought a bit of text would be just the trick, so I grabbed Eclectica³ stamp set 54 by Sara Naumann (ESN54), which had some great jumbo text that worked beautifully with the butterfly theme. I used off white embossing powder for this, which finished my cards and bookmark nicely.

I had one large piece of gel printed paper left and several of my fussy cut images, so I pulled out my floral journal. I've shared numerous projects over the years on my blog with Tracy Scott and Jofy stamp in this journal. I thought adding another from this project would be a great way to remember these fun projects and color palette.

The spiral journal is filled with watercolor paper, so I was able to use the Infusions in A Bit Jaded to add some color on each side of the page, then I tore the edges of my gel print and glued it down the middle. I used some leftover stamped flowers from set TS105 as leaves for the focal flower and a smaller gel printed tag, which hadn't found its way into my projects.