Showing posts with label Peachy Keen. Show all posts
Showing posts with label Peachy Keen. Show all posts

Thursday, 22 January 2026

Fun with stencils with TS {by Mags Woodcock}



This project was born of a challenge, a challenge to myself to create an art journal page using mainly stencils by Tracy Scott, along with Fresco Finish Chalk Acrylics.




I chose four Tracy Scott stencils, (PS306, PS340, PS462 and PS446) along with four main Fresco Chalk Acrylic colours, Vanilla (FF65), Peachy Keen (FF157), Butternut (FF02) and Cerulean (FF200) to work with. With the option of adding in other supplies if I thought the page needed it.



As with a lot of my art journal pages, the process is about building up layers on the page.

I started by applying areas of Fresco Chalk Acrylics to a sheet of heavy weight Smoothy card (SCA4H). I blended the Frescos in some areas, and over painted with a dry brush in others, concentrating with the warmer colours in my selection for the first layers.

 I had punched holes along the top edge to align with the ring binding of my journal.


I continued adding areas of Frescos. overlapping some of the first layers, this time using a mixture of Cerulean with a touch of Vanilla. Using a small amount of paint allowed me to create brush strokes for visual texture.


I hate to waste supplies, so I used up the leftover paint on another sheet of Smoothy card, warm colours at one end, cool at the other. I had a plan for this, but more of that later.


It was now time to add some more detailed layers to my page, using Fresco Chalk Acrylic, Snowflake (FF15) sponged through Tracy's stencil PS306.  I balanced the large area of stencilling on the right hand side with a smaller area on the left hand side for balance.


As soon as the Snowflake Fresco was completely dry I used a white gel pen to extend the stencil on the left hand side. I love this technique for adding interest without visual weight.


It was now time for me to add some stencilled wording using Tracy's stencil PS446 and Ranger Archival ink Bluebird. I used a mini stencil brush to get into all the details. I then shifted the stencil a touch and brushed on  Ranger Archival, Hickory Smoke to create a shadow.


 

I love to add shading to details on my pages, so chose stencil PS462 and a black fine liner pen to add circles traveling upwards across the page. 


To create the illusion of three dimensional bubbles, I added a small area of 6B pencil to one side of each circle, and smudged it out with a cotton bud to create shading.



When creating art journal pages, I like to have a strong focal area. I was now time to start creating that.

Remember those painted papers, created from the leftover Frescos ? It was time to bring those back into play. I placed stencil PS340 on the Cerulean painted paper and applied Ranger Archival, Bluebird with my mini stencil brush, I concentrated on the centre area and the edges of the petals.
 

Continuing to use the stencil as a guide I used a black fine liner pen to outline the flower petals. I then used Tracy's stencil PS462 to add circle details to the centre of the flower.  Initially I used a white gel pen, but I was unhappy with the look, so added black fine liner over the top


My focal element was looking good, but it was lacking a little something. I cut it out, leaving a little border around the outside. Placing it on my page I could see it needed some lighter and darker areas.


I added white gel pen to the circles in the centre of the flower, which lifted it considerably. Using a soft pencil again to add shading to the petals around the centre section. Both alterations added interest and depth to the flower.


To make the most of all the stencilling, I aligned the focal flower with the stencilled petals on the background. I adhered the flower with gel medium and removed the excess. I repeated this with the leftover part of the flower on the left hand side of the page.


It was at this point I felt the page needed some more interest and details in the background. So stencil PS340 came back into use with the Bluebird Archival ink, adding small flowers where I thought they were needed.


My page was almost finished, but it needed some stamping and a few darker details. Tracy's stamp set TS065 had just the right elements , so I used Ranger Archival, Jet Black ink to stamp the small crosses and Bluebird to stamp the random marks.



I love how this page turned out, the sense of movement provided by the bubbles, and the focal flower which links the two sides of the page.  The white stencilled petals which add details to carry the eye across the page, along with the bold lettering



If I could sum up some of the cornerstones of my art journaling style, it would be, depth, focus and details. Each one as important as the next.

Here you can see the shadow on the wording, created with Hickory Smoke ink, it combines all three cornerstones perfectly.


You can see here how the stencilling below the  flower reinforces the focal area, and the repetition makes the page cohesive


The stamping on the page adds small details to the background, some bold, some subtle, but all adding to the overall look of the page.


I've loved creating this journal page, and also setting myself a challenge. I think I may set myself a few more in the future. All the techniques I've used can be easily transferred to other projects, such as a canvas for home décor, greeting cards and ATCs etc.

I would love to see any projects inspired by this blog post, even in a small way. Please tag me if you share on social media.

Happy crafting   Mags x


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Friday, 11 July 2025

December Diary with NEW PaperArtsy products {by Jenny Marples}


Hi everyone, nice to be back with you again. Jenny Marples here with you.

This year on the blog, we have free reign to do a deep dive into a PaperArtsy product range of our choosing. For this post I have been exploring the new Hot Picks Xmas releases.

If you watched Leandra's recent video launch you'll have seen there are three new sets of stamps and some new Paper Tissue, great for making your seasonal cards. I decided to use them to create a way of recording the memories, activities and important details from each day leading up to the festivities on Christmas Day.


Rather than go down the usual route of creating a journal for this purpose I opted to make a set of index cards and challenged myself to use every stamp available. To find out if this was achieved and see how I created these cards keep reading.



The PaperArtsy Fresco Finish Chalk Paints chosen for this project leaned into a 'Scandi style' colour palette.



Let's get straight into building the background for the cards beginning with base layer, a random patchwork of Tinned Peas, Hey Pesto and Zucchini Fresco Finish Chalk Acrylic Paints. It's worth having three brushes on the go at the same time for this part.


I like to add extra layers in decreasing amounts and find scraping the Blue Moon and Marbles Fresco Finish Chalk Acrylic Paint from a gel plate with a spatula onto the background works well. It also means you can pull a print with any remaining paint from the gel plate 'palette', so no waste!


To finish the layering take turns with 'highlight' colours, Sand, Peachy Keen and Cloud 9 Fresco Finish Chalk Acrylic Paints rolling a small amount of each in turn across the gel plate with a brayer before running it lightly over the background.


Chop up your background into the size of cards needed, retaining some to decorate your box. Now it's time to start decorating the individual diary cards.


It can feel pretty daunting to be faced with 25 'blank' cards so break it down by using some of the new Printed Tissue PT12 'Script', tearing off pieces and adding them using Mattints which coordinate with the paint colours. Here you can see Fern Mattint produces a subtle look which is to be expected on a mainly green background.


Then try Shark Mattint to echo the blues already used. You'll notice I blended the tinted tissue into the background by scraping a little more Sand, Peachy Keen and Cloud 9 Fresco Finish Chalk Acrylic Paint over the top.


Ladybug Mattint again echoes the salmon pinks in the background but definitely provides more contrast.


Finally try using Nutty Mattint, again to provide more contrast. In hindsight I would have been less heavy-handed with this one but still like how it picks up some of the browns in the colour palette. Now it's time to get stamping with that challenge to use every image provided.
 


It was a joy reaching randomly for each stamp in turn from the new PaperArtsy Hot Picks sets HPXM10, HPXM11 and HPXM12I recommend using a stamping platform for this part as it allows you to re-stamp with extra ink if needed (we are stamping onto an uneven surface after all). It also means you can paint in the details and re-stamp over the top with ease. Along with the colours already used I added Chocolate Pudding and Scottish Salmon Fresco Finish Chalk Acrylic Paints into the mix.


You'll notice a simple 'faux stitched' border has been applied around the cards; it's my favourite 'no sew' option which involved running a pattern tracing wheel along the edges before following the lines with a permanent black pen.


Try stamping directly over the Printed Tissue sections to enhance each image. It means you can get away with using even the smallest images individually to help decorate each page. You might spot I even used the PaperArtsy car image which is included on the sheet of script.


To add visual impact with the tiniest images try repeat stamping them. I also used part of the sentiment from one set inside the decorative cartouche from another.


Since the idea of this project is to create a record of each day in December adding the dates is always helpful; I used the PaperArtsy Stencil PS021 for this, adding that slightly uneven look in the corner of every card.


To finish the set mount your decorated cards onto slightly larger plain ones, enabling you to add lists, reminders, photos, receipts and memories on the back. You can also make a few blank cards with pockets on the front to store these. For my diary box I used a CooKatzCraft kit which has a co-ordinating die set to cut the holes in the bottom of the cards.

Now your diary cards can be loaded into their box in readiness for December.


Here are some more of the completed cards;





I loved creating this set of diary cards and did indeed use all 26 of the stamps contained within the three new sets. As well as making your own record in a box (or book) you could also use this method to create cards, tags and gift bags.