Showing posts with label HP1201. Show all posts
Showing posts with label HP1201. Show all posts

Monday, 20 May 2024

2024 Topic 3 : Vintage PaperArtsy Stamps {by Riikka Kovasin} on the PaperArtsy Blog



Hi there! It's Riikka from Paperiliitin blog here today to share my home decor project with a nautical touch with you. 

When pondering, what to pitch for, what kind of project to do, I was looking through the different vintage stamp collections by PaperArtsy. When I saw these sea inspired sets from the Hot Pick series, I immediately saw them as table decor pieces. I imagined the bigger elements perched on top of a metal wire with a spool as the base. Maybe it was the closing summer and sailing season that got me thinking that. I don't sail, but living in a coastal city with a glimpse of the sea from the windows, you start to notice sails emerging after hibernation when the coastal ice melts. These could also serve as a table numbers in a party either by changing the composition a little, leaving room for a number on the top, or then by adding a number to the top creature.

I covered the "vintage" part by simply choosing a stamp set, but tried to add a bit weathered, vintage feel to the project otherwise as well. When pitching this idea, I thought to incorporate the the quarterly theme of "Glace" by using a Mattint on the creatures but I ended up topping that by making a colored glace to age the spools and also for the "sand" I then added on top of them.


When I set to work, I started to hope I had drift wood to be used as the bases. There were two obstacles there - I had pitched for the spools and more importantly I didn't have any drift wood at hand! What the thought of that greyish weathered wood then caused was to turn those spools into the tones of drift wood and I like that even better! 


I chose two aquatic Hot Pick stamp sets for these decorations, HP1112 and HP1201. Combined they had enough big animals to make the focal points. I guess I could have gotten away by just using the latter, HP1201, but I really liked the crab on the second set. My star sign is cancer, so that also weighed in to pick two sets.


 

As you can see from the materials photo above, I took it after finishing the project. To be honest, when I started the only thing I knew for certain was the stamp sets! I was also relatively certain that I would use Mattint Shark (MT04), but otherwise I hadn't a specific Fresco Finish paints in my mind. In the end I chose to use just one color, Chalk (FF83) and color the creatures using brush tip markers. There's two reasons for this. For one, I had already stamped the images and should then have either chosen translucent colors or turn them into translucent by mixing them with a matte medium or equivalent in order not to cover the stamped details and lines. Secondly, I would have needed at least three colors, maybe even more and I didn't want to have an extensive list of materials. By using markers instead I was able to use several colors, hopefully give an idea and inspire how to combine different materials. Sometimes a simple kid's marker is all you need!


The first thing I needed to tackle, was to learn how to make mirrored images of the stamps. The other option was to make the decorations one sided but I didn't want the back to look unfinished. Especially as I thought these to be table decorations, to be viewed from all sides, I wanted them to look good from all angles. After a quick google, I thought to try a gel printing plate to get the image reversed. And it worked beautifully! The images weren't quite as crisp as the "real deal", but they were absolutely fine enough to be used to cover the back. 

What I did was to ink the stamp and then carefully stamp to the gel printing plate. While the ink was still wet I delicately placed a paper on top and pulled the print. The result was a mirror image of the original stamp! I learned that especially the pressure when pulling the print was key. If I pressed too hard, the image smudged. I used black, oil-based ink here but feel free to experiment with other inks as well! I assume that water-based inks might bead on top of the plate, though.


After tackling the mirror issue, I could then stamp the images the right way around. I also stamped a bunch of texts and three anchors. At this stage I thought to include them to the spools as decorations, not to the stems, so I only needed one side. I used the same black ink as in the mirror stamping.

Spoiler alert! If you want to re-create the decorations, stamp the anchors straight away as mirrored, too. 


The last preparation step was to turn the spools more weathered. For that I mixed Fresco Finish acrylic Chalk (FF83) with Mattint Shark (MT04). This created a lovely greyish glace, I then painted to my spools. In the picture underneath you can see one of the spools untreated and two treated with the glace. 

I used more Mattint Shark (MT04in the mix than the acrylic paint to keep the medium quite translucent. I also added a touch of white here and there undiluted when the surface was still wet and mixed it in on top of the surface of the spool. This created a beautiful uneven look.



The idea about the silvery wood came from the drift wood desire. Instead of going rummaging the (at the time frozen) shores, I turned something I had to resemble the thing I wanted. I found it quite remarkable how easy it was to change the mood of the spools with a touch of color. The impact of color keeps surprising me constantly! 

After letting the color medium dry, I wrapped some natural twine around each spool. I secured the start underneath a couple of loops of the twine and when I then had the whole spool covered with the twine, I glued the end as hidden as possible.


Now that I had all the elements started, it was time to go back to the stamped images and color them. The first thing I did was to add a layer of Mattint Shark (MT04) on top. This had two purposes. One, to create a wash to match each creature, make them a part of the series, but also to seal the surface. That then enabled me to play with the color without it getting absorbed into the paper straight away. I also remembered hearing or reading that the Mattints, even though acrylic, worked nicely as a ground for even water-based markers and pens, so I gave it a go.

I used a small paint brush to apply the medium, then let it dry and added the brush-tip marker on top. Subsequently I used the same brush to move the marker color around, give it more gradient transition. As you can see from the ready project or step photos further along, I didn't color the whole fish blue nor crab red, but instead added color to the edges and then pulled it towards the middle with a wet brush. I think this creates a lovely dimensional feel to the creature but also lets some of the Shark color to show.


Then it was time to cut! I carefully cut the crab, the fish and the seashell out of the sheet. I mainly used just scissors as I prefer those over a craft knife. The seashell was the easiest to cut, but both the crab and the fish had these teeny tiny details that took a while to cut. You can be a bit more rough around the edges, if you wish, but to me the beauty of the finished items is partly the delicate details.

I also inked the edges of each item twice. "Twice, what you mean?" you might ask. I first inked the stamped side with a delicate touch, my intention just masking the white edge of the paper after cutting. But to the flip side, the back side I added a bigger amount of color. This was to ensure that no white was peeking when I layered the two images back to back. As the other images, the mirrored ones, were a bit more smudged than the others, the measurements could have been a tad off but more importantly I cut the images loose by hand, so there was bound to be some differences. By using the same brown ink throughout, I hoped to hide the seam as well as I could. Naturally, you could use also an array of inks and follow the color scheme of the item with the ink. Blue for blue, red for red and so forth. I just thought the brown added a nice vintage touch to the elements.


Next I then mounted the focal points in place on top of wires. I used some foam tape in the middle of the element to make it a bit curved and dimensional, while the outlines were adhered together back to back. 

I mentioned earlier, that if you wanted to re-create these exact decorations, also mirror stamp the anchors. I hadn't done that, as I was thinking of adding the anchor to decorate the spool, but it was just way too big for that. My options then were either to leave the anchors off completely or add them to the stems as well. I wanted the decorations to have something more than just the spool and the focal elements, so I opted for the latter. That then meant I needed to mirror stamp the anchors as I couldn't leave those without a backing now that I had the creatures nicely done! Luckily I now knew how to proceed.


After stamping and coloring the additional anchors, I then adhered them to the wires as well. I then cut the wires to correct lengths and added several rounds of cotton tape to the ends to have them bulkier and thus easier to be adhered inside the spools. 

My mind was set to add some kind of embellishment to the spool, too. I could have done that many ways, but I craved for something grungy, yet nautical. I decided to make a bunch of tiny barnacles to be added to the spools. I used air-drying clay for those. I made a little sphere, pushed it down to a cone shape and then added the hole and some texture to the rim using a pencil as my sculpting tool.


While the barnacles were drying, I made some sandy touches to accompany them. I had these lightweight little pebbles in a couple of sizes, but they were white. While I know there's white sandy beaches in the world, I wanted a bit more contrast between the white barnacles and the sand. Luckily, there was an easy solution to my problem and that was to create a colored glace. This then allowed me not only to add color but to adhere the tiny texture pebbles in place. For the colored gel I used a matte medium and colored it using Infusions Just Walnut (CS25). I made a couple of batches of the sandy stuff with a varying amount of Infusion crystals added, so I could add a touch of variation in the color.


The last thing left then was to add the little barnacles in place. They took a surprisingly long time to dry even being so small! I like how the clay feels and looks "right" for these creatures, but I guess you could use drops of hot glue to make the shape as well, if you are in a hurry. Just use a non-stick surface, so you can re-melt the glue, should the end result not be what you wanted and paint the shapes using white acrylic after cooling.

I used regular craft glue to adhere the little details in place. As I wanted there to be contrast between the sand and the barnacles, I didn't color them anyway. In another project they could use a tad of darker paint added and wiped off to heighten the texture. 


After the glue dried, the decorations were done! I hope they echo my goal of a nautical, yet vintage feel.

Here they are! Three home decor pieces or table decorations for parties. I chose to go with a nautical combo of red, blue and white with added brown for the vintage feel, but you could adjust the palette to fit your preferences! 

Now thinking back, I could have added a wooden bead or two to each decoration. Those all could have been white, echoing the barnacles, but I could have gone with the nautical combo of blue, red, white as well.


I did this project a bit differently than I usually craft. Usually I finish a project in one sitting. This time, however, partly because of the short days of Finnish spring, I was forced to leave the project for a while and continue next day. While I was able to pick up where I left off, it made me realize once again that I really prefer a fast, stream-lined creating process! But, that being said, I think it's important to try to break the patterns at times, to try new things. It's the only way you can learn and improve! 


I'm mostly a paper crafter so my go to material is paper. I like how it behaved in this project, but you could do similar table decorations using air-drying clay in a more prominent role. Instead of stamping the characters on top of paper, you could stamp them to a circle of air-drying clay and thus have a completely different feel to the whole piece. Or you could use paper for the main creature, but use metal foil for the anchor, giving the decoration also a totally different look. 

To be honest, I even thought about using shrink plastic with the anchors at first, turning them into little charms for the spools. It was the vintage drive that changed my mind as I couldn't see a shiny piece of plastic as a part of the project. But maybe with a different color scheme that would be just the thing? Or coloring the piece with a metal color, turning the whole embellishment into a piece of jewelry would be the solution? 


What I really like about these decorations, is their vintage feel! That's mainly because of the vintage vibe of the stamps, but I also believe the fact how the color is applied, enhances the feel. I also loved working with Mattint and creating those tiny barnacles. They are such a tiny thing, but still have a lot of impact!  


Thank you for stopping by today! I hope you enjoyed the project!



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Monday, 12 February 2024

2024 Topic 1: Miniature {by Ann Barnes} on the PaperArtsy Blog



Hi everyone, Ann (aksbarchitect CREATES) here with you today. We have had a spell of cold and rainy days lately and I have been sipping tea and dreaming about warm weather, sunny skies and clear blue seas.

Perhaps it was all the tea, or maybe just a longing for the peacefulness of the underwater world; but when I began thinking about the miniature topic, I envisioned using teabags as translucent pages in a miniature book. Pages, that when stacked together, would create the illusion of the vast depths of the sea. Today I am sharing a few of the things I learned during the process of creating my book and incorporating larger images into a miniature piece.


I love how the book came together, especially the glimpse of things to come through the portholes on the cover. I found a tried and true way for the stamped image on the page to align with an opening on a previous page that I will be sharing with you.



With the intention that my teabag pages would be representing water, I knew they would need to be colored a shade of blue. To help me decide, I selected three different translucent blue PaperArtsy paints: Fresco Finish Chalk Acrylics (South Pacific FF45, Inky Pool FF46, and Glass Blue FF102), as well as PaperArtsy Fresco Matte-tint (Mattint) in the Shark blue (Mattint Shark). I only chose the translucent products to maximize the view through the pages when they are stacked. I created washes by adding some water to each different color/product in my palette wells. I then painted teabag samples for each color and once they were dry, I was able to determine which would work best for my project. Seeing the gorgeous results, I know that even the castoffs will be fun to use in future projects!


When the colored teabag pieces were stacked on top of one another, the ones that were created with PaperArtsy Fresco Mattint Shark were the most translucent. This was very important to me since I wanted to be able to see through the layers. With the background color decision made, I gathered a number of plain teabags and set about making a lot more "pages."


Now it was time to select the stamps that would be included. I love the detailed fish included on the Hot Picks stamp sets 1201 (HP1201) and 1202 (HP1202).


Since each of my pages is a long rectangular shape, I knew that I would need to get creative with the stamp placement. Some of the fish would easily fit within the page parameters. Other times I would only be able to use a portion of an image. I wanted to create the most impact from the partial images. In order to see exactly what would end up on the page, I used a helpful technique.


I stamped all of the images on a piece of clear plastic and cut them out individually. This does not have to be perfect, as it is only going to be used as a guide for placement on the page. These pieces are easily moved around the "page" to figure out exactly how I wanted it placed. It is easy to see which areas would fit within the boundaries and which would not. You can turn the pieces and manipulate the scene to your liking. When you have located it exactly as you wish, simply align the stamp with the image on the clear plastic then close the stamping platform lid. When you lift the lid, the stamp sticks to it and you can move your plastic piece out of the way; then it is easy to ink up the stamp and print onto the page in the desired location.


Knowing portions of the first page of the book would show through the three "porthole" openings on the cover, I thought it would be fun to have one of the fish heads peaking through a hole. My clear plastic technique came in handy to ensure that the image was placed exactly where I wanted it. I simply traced the cover outline as well as the openings onto a scrap paper, layered my page above it and then placed the plastic piece in the correct location. You can see below how the fish head will show through the hole once the cover is in place. You can also store any of your plastic pieces with the corresponding stamp set for future use.


I wanted a school of tiny fish on some of the pages. I noticed that the large ship image on Hot Pics stamp set 1202 had a few smaller fish images at the bottom, so I very carefully cut them away from the larger image with my Exacto knife. I was then able to use these stamps with a small acrylic block to create varied compositions.


I continued stamping pages, creating a variety of compositions.


When all of the pages had been stamped, it was time to add color. I flipped the pages over and I used watercolor pencils on the reverse side of each image. Pencils that have a lot of pigment work really well since they make it easy to create shading, going from very opaque to just a subtle hint of color.
 

By coloring on the back side, when the pages are viewed from the front the stamped images remain crisp and the color does not take away from any of the details.


Thinking about our current theme "glazed" and how I might be able to incorporate it into my book pages, I decided to add some 'bubbles" to the watery pages. To do this, I watered down a bit of PaperArtsy Mattint (Shark) then added a few drops of PaperArtsy Fresco Finish Chalk Acrylic (Metallic Glaze FF24). I flicked droplets onto the pages and allowed them to dry. The droplets will give a shimmery illusion of air bubbles to each page with a touch of metallic glaze.


To create interest and texture, and a bit of grungy green, I decided to add some ocean plant life among the pages. I die cut tiny plants out of watercolor paper and then used PaperArtsy colored stains Infusions (Olive Tree CS16, The Sage CS03, and Green Man CS18) to color them. I attached them to pages randomly throughout the book along with some gold die cuts.


I love the poem The Ocean by Nathanial Hawthorne and thought it would be perfect to incorporate it into my book. I printed the poem on clear vellum and cut out each line to add onto my pages. I used the string from the teabag tags to sew each piece in place.


Wanting to add just a little bit more grungy texture to the pages before binding it all together, I spread drips of glue along the bottom of some pages and sprinkled sand on it. I let it dry overnight. In the morning, I shook off any of the sand that did not adhere.

     

The pages were finally ready to be bound into a book. I stacked them in the correct order, added the front and back covers and bound them with a simple binding technique.


I am so thrilled with my little teabag book. I love turning the pages and seeing the colorful sea life. The bits of sand give an authentic feel to the pages, and the grungy pieces of green sea plants add layers of depth.
   

As I turn the pages and read The Ocean, my thoughts are transformed to a glorious undersea world. I especially like how you can see into the depths. These are a few close ups of my favorite pages:




I love the way this miniature book turned out. The layers of pages and textures create a deep sea adventure where you can let your imagination soar. Over the remaining winter days, you may find me sipping tea and flipping through my book dreaming about a peaceful kingdom under the sea. Perhaps you would like to create your own version, filled with fields of flowers or your favorite things. The Hot Picks stamp collection has a wonderful selection of different stamps where you are sure to find something to spark your imagination.
Ann
xx