Summer Party Pennants with ESC {by Jenny Marples}

Hello everyone, Jenny here with you today to share my ideas for creating fabric pennants, perfect for decorating your garden at a Summer party. Fabrics are such forgiving surfaces to work on so it's actually easier than you might think to get great results! 

The new collection of stamps and stencils from Raquel Burillo (Scrapcosy) are just perfect for this purpose, with beautiful floral images, lovely words and clever accent pieces.

Here's a peek at what's coming up...

The stamp sets used all come from the latest release and include ESC56, ESC57 and ESC58, combined with stencils PS528 and PS529. These are all available from your local stockists now.

The pastel palette of colours used for these pennants include PaperArtsy Fresco Finish Acrylic Paints (Cloud 9, Sand, Lemon Meringue, Guacamole, Spring, Cloudy, Mauve and Dolly Mix) which combine so well with Mattints (Acid, Fern, Bellflower and Foxglove).

To get started on these pennants you need to raid your fabric stash, ideally looking for non-patterned pieces in complimentary shades. I chose a neutral, vintage selection, dying some scraps with diluted Just Walnut and Lemoncello Infusions, though you may decide on a different colour scheme to suit your party theme.

Now grab those stencils and get to work, repeating patterns if needed to fill space. The fabric may absorb more paint than you are used to with paper so lift the corner of your stencils to check before you remove them completely.

I find ironing my fabrics before stencilling really helps to achieve that crisp finish. You can also re-iron them once the paint is fully dry. I know, ironing, but it's the fun sort!

Tear apart your stencilled fabrics into smaller pieces and begin to assemble them into rectangular pennants, adding in other scraps as required. A piece of muslin and a damaged lace tablecloth did the trick for me.

Make sure to overlap your pieces and I highly recommend temporarily attaching them together with a fabric glue pen.

A quick running stitch along the edges helps to make those joins secure and you can add extra translucent layers over the top to break up some of the larger areas.

Now it's time to add some colour with those floral images.

 

I felt nervous about stamping directly onto the fabric pennants so decided to make use of PaperArtsy's Blank Printed Tissue (PT10) using grey permanent ink to transfer the images onto one side.

It's a lot simpler to paint in blocks of colour on the reverse of your stamped images - the tissue allows for the colour to show through.

On the right side add a touch of shading with your Mattints.

Try adding a coat of Acid Mattint to the centre of your unpainted glass to make it look like it's been filled with an enticing beverage!

The Acid Mattint with also add that pop of yellow when painted over Cloud 9 paint.

You end up with a much larger range of colours to play with by adding Mattints over your painted images and it's worth experimenting on a scrap of tissue if you are unsure about any of the combinations.

With coloured images at the ready it's time to add them to your fabric pennants.

Use a matte medium like PaperArtsy Fresco Finish Matte Glaze to stick your tissue images to the pennants. Be generous with your application because the fabric will absorb more than paper. And notice how the colour becomes slightly stronger with the glaze applied.

Your tissue images will take longer to become fixed in place so allow for drying time. The upside to this is that you have a small amount of 'wiggle room' to reposition your images needed.

 

The ticket image from set ESC56 is perfect for letting you add some lovely sentiments. I added some extra pieces of lace trim to the pennants and repeat stamped the Greek key motif from set ESC56 on grosgrain ribbon to join them together. You can disguise the joins with little flowers for a seamless look!

And with that these Summer Party Pennants are complete.

Let's give you a closer look at my finished examples;

You can divide your images up to extend across several pennants - I did this with one of the butterflies, some tickets and the mixed flower clusters. 

I'm now thinking this could look good with a warm colour palette, possibly even more vibrant! Which colours would you choose?

Thank you for joining me today.

Jenny

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Strawberry journal spread with ESC {by Riikka Kovasin}

Hello everyone, Riikka here with you today for an art journal spread process. I was inspired by warm days, memories of summers gone by and the sweet taste of strawberries. In this post I'm showing you, how I created a weathered collage background for the page to echo fleeting moments and then layered a mix of vintage and herbal focal points on top.

 

My main inspiration for this project was the beautiful strawberry set by Scrapcosy (ESC53). I wanted to use that as my focal point. I then thought about a fun technique using rubbing for the background, so I chose a stencil (PS491) to be used in that.

To be honest, I started with three Fresco Finish acrylic paints and then added a Mattint and another Fresco Finish color along the way. First, I chose a color palette that would highlight the red strawberries, but also show off the green leaves. I picked Spring (FF180), Aquamarine (FF153), and China (FF101). When creating, I wanted the background to be more vintage looking, so I added Mattint Glow (MT01) to the mix, and lastly used Gold Rush (FF204) as the last stage of my worn wallpaper technique.

Along with these PaperArtsy mediums, I used a black stamping ink, beeswax crayons, and colored pencils.

I started my art journal spread by coloring tissue paper. For that I used a gel plate and added two acrylic paint colors, Aquamarine (FF153) and Spring (FF180) on top of the plate in small dots. I then used a brayer to spread the colors and pulled a print to a piece of tissue paper.

While making the prints, I cleaned my brayer to my art journal. This added a touch of color to the spread, with the same color scheme I was then adding on top a bit later. Also, no paint was wasted this way!

After the tissue had dried, I added a pattern on top using frottage. I slipped the stencil (PS491) underneath my tissue paper print and then gently rubbed with a beeswax crayon from the top. This added the pattern of the stencil to the print.

 

I named this technique worn wallpaper, but in fact it's a couple of techniques bundled together. The end result looks like a weathered, stained, and torn wallpaper.

I started with collage. I tore the tissue paper into smaller pieces and adhered them on top of the colored spread. I used a matte medium to adhere the pieces in place. If you want to combine a couple of steps, read further for another medium option. I didn't want to cover the whole area but instead give the impression of torn wallpaper.

Next, I added the same pattern but in another way. I used the same stencil (PS491) but this time with paint and a sponge. I used Fresco Finish China (FF101) mixed with Aquamarine (FF153). I concentrated the pattern to the gaps between the tissue paper pieces.

I thought the background needed a touch of contrast. I created that with a text stamp from the set (ESC53) and black ink. As you can see from the picture below, I didn't mean the text to be readable, but instead to add visual texture.

These steps were all about building layers, like layers of different wallpapers added to the wall along the years.

While I liked how fresh the background looked, I felt that a touch of vintage was needed to convey the idea of worn wallpaper and to match the background better to the vintage photos I was planning adding on top. 

First, I added a layer of Mattint onto the page, transforming the color scheme to a warmer one. You can tweak the colors easily with a layer of this medium! If I'd realized earlier, that a vintage touch would be needed, I could have used Mattint to adhere the tissue paper pieces in the first place.

As the last step of the worn wallpaper, I used water resist to create a splodgy paint layer on top of everything already on the background. First, I took a water mister and kept it at hand. I then painted the spread speedily with Fresco Finish Gold Rush (FF204). Next, I sprayed some water on my hand and flicked droplets to the wet paint. I tried to add a generous amount of the droplets, covering the whole area. 

I then used a heat tool to dry the paint. The idea with the water droplets is that the paint underneath the water won't dry while the other parts of the layer do. I then picked up a rag and dried the droplets and removed the paint underneath them. I was left with a splodgy, weathered looking paint layer with all the previous patterns peeking through.  

I had now my mission accomplished - a weathered, torn looking wallpaper background!

Now that the background was done, I concentrated my attention to the focal points. That is the strawberries. I stamped a multitude of them to two surfaces - the more geometrical design from the set (ESC53) on top of white cardstock, to be colored, and the more loose design on top of old book pages. I used the same black ink for both.

I cut the strawberries stamped on top of the book paper loose, and collaged those onto my background. I let the design partly overlap and created a cluster of plants on both pages.

Then it was coloring time! I used colored pencils to add color to the geometrical strawberry designs. I wanted the berries vibrant red and the leaves luscious green. I also stamped a couple of additional strawberries and colored them, too.

After coloring the images, I cut the strawberry plants loose. I also cut some of the berries loose, to be used individually here and there.

I chose a couple of old photos of girls to be standing among the strawberries. I layered the strawberries and girls and adhered them to the page using double sided tape. As I was working on a bound journal, I didn't dare to use foam tape, which I usually prefer to create an illusion of perspective.

As a finishing touch, I added a little journaling to my spread. First, I stamped the "beautiful memories" from the stamp set (ESC53) onto a piece of old book paper. I then searched text stickers that would make up a story, when combined. The stickers were actually from a Halloween themed pad, but I bet you couldn't tell that from the finished story. At least I hope so! You can read the story a bit further along the post.

An air of days gone by topped with sweet strawberries! Above you can see the finished art journal spread. I really like using the long journal format, but it's a bit tricky, when taking pictures.

The main points in this spread are the layered, worn wallpaper looking background and the clusters on top. Notice, how I used the strawberry design repeatedly, like there's a shadow underneath the colored plants? You can just see sneaks of the bookpaper stamped flora, but it still creates a nice backdrop to the colored clusters.

Here's a closer detail on the cluster and the background. There's repetition in the pattern - first in the background using the same stencil and then in the cluster using the strawberry stamp. I hope here you can see the bookpaper version better, peeking underneath the colored plants.

In case you are wondering, what kind of a story I whipped up with the Halloween stickers, you can read it here. "Beautiful memories held her spellbound. Then, suddenly, a strange thing happened. A beautiful garden." Naturally, instead of stickers, you could use actual clippings from old books.

Thank you for stopping by today! Wishing you a lovely summer day!

Xoxo Riikka

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