Showing posts with label 2024 Topic 2. Show all posts
Showing posts with label 2024 Topic 2. Show all posts

Monday, 20 May 2024

2024 Topic 3 : Vintage PaperArtsy Stamps {by Riikka Kovasin} on the PaperArtsy Blog



Hi there! It's Riikka from Paperiliitin blog here today to share my home decor project with a nautical touch with you. 

When pondering, what to pitch for, what kind of project to do, I was looking through the different vintage stamp collections by PaperArtsy. When I saw these sea inspired sets from the Hot Pick series, I immediately saw them as table decor pieces. I imagined the bigger elements perched on top of a metal wire with a spool as the base. Maybe it was the closing summer and sailing season that got me thinking that. I don't sail, but living in a coastal city with a glimpse of the sea from the windows, you start to notice sails emerging after hibernation when the coastal ice melts. These could also serve as a table numbers in a party either by changing the composition a little, leaving room for a number on the top, or then by adding a number to the top creature.

I covered the "vintage" part by simply choosing a stamp set, but tried to add a bit weathered, vintage feel to the project otherwise as well. When pitching this idea, I thought to incorporate the the quarterly theme of "Glace" by using a Mattint on the creatures but I ended up topping that by making a colored glace to age the spools and also for the "sand" I then added on top of them.


When I set to work, I started to hope I had drift wood to be used as the bases. There were two obstacles there - I had pitched for the spools and more importantly I didn't have any drift wood at hand! What the thought of that greyish weathered wood then caused was to turn those spools into the tones of drift wood and I like that even better! 


I chose two aquatic Hot Pick stamp sets for these decorations, HP1112 and HP1201. Combined they had enough big animals to make the focal points. I guess I could have gotten away by just using the latter, HP1201, but I really liked the crab on the second set. My star sign is cancer, so that also weighed in to pick two sets.


 

As you can see from the materials photo above, I took it after finishing the project. To be honest, when I started the only thing I knew for certain was the stamp sets! I was also relatively certain that I would use Mattint Shark (MT04), but otherwise I hadn't a specific Fresco Finish paints in my mind. In the end I chose to use just one color, Chalk (FF83) and color the creatures using brush tip markers. There's two reasons for this. For one, I had already stamped the images and should then have either chosen translucent colors or turn them into translucent by mixing them with a matte medium or equivalent in order not to cover the stamped details and lines. Secondly, I would have needed at least three colors, maybe even more and I didn't want to have an extensive list of materials. By using markers instead I was able to use several colors, hopefully give an idea and inspire how to combine different materials. Sometimes a simple kid's marker is all you need!


The first thing I needed to tackle, was to learn how to make mirrored images of the stamps. The other option was to make the decorations one sided but I didn't want the back to look unfinished. Especially as I thought these to be table decorations, to be viewed from all sides, I wanted them to look good from all angles. After a quick google, I thought to try a gel printing plate to get the image reversed. And it worked beautifully! The images weren't quite as crisp as the "real deal", but they were absolutely fine enough to be used to cover the back. 

What I did was to ink the stamp and then carefully stamp to the gel printing plate. While the ink was still wet I delicately placed a paper on top and pulled the print. The result was a mirror image of the original stamp! I learned that especially the pressure when pulling the print was key. If I pressed too hard, the image smudged. I used black, oil-based ink here but feel free to experiment with other inks as well! I assume that water-based inks might bead on top of the plate, though.


After tackling the mirror issue, I could then stamp the images the right way around. I also stamped a bunch of texts and three anchors. At this stage I thought to include them to the spools as decorations, not to the stems, so I only needed one side. I used the same black ink as in the mirror stamping.

Spoiler alert! If you want to re-create the decorations, stamp the anchors straight away as mirrored, too. 


The last preparation step was to turn the spools more weathered. For that I mixed Fresco Finish acrylic Chalk (FF83) with Mattint Shark (MT04). This created a lovely greyish glace, I then painted to my spools. In the picture underneath you can see one of the spools untreated and two treated with the glace. 

I used more Mattint Shark (MT04in the mix than the acrylic paint to keep the medium quite translucent. I also added a touch of white here and there undiluted when the surface was still wet and mixed it in on top of the surface of the spool. This created a beautiful uneven look.



The idea about the silvery wood came from the drift wood desire. Instead of going rummaging the (at the time frozen) shores, I turned something I had to resemble the thing I wanted. I found it quite remarkable how easy it was to change the mood of the spools with a touch of color. The impact of color keeps surprising me constantly! 

After letting the color medium dry, I wrapped some natural twine around each spool. I secured the start underneath a couple of loops of the twine and when I then had the whole spool covered with the twine, I glued the end as hidden as possible.


Now that I had all the elements started, it was time to go back to the stamped images and color them. The first thing I did was to add a layer of Mattint Shark (MT04) on top. This had two purposes. One, to create a wash to match each creature, make them a part of the series, but also to seal the surface. That then enabled me to play with the color without it getting absorbed into the paper straight away. I also remembered hearing or reading that the Mattints, even though acrylic, worked nicely as a ground for even water-based markers and pens, so I gave it a go.

I used a small paint brush to apply the medium, then let it dry and added the brush-tip marker on top. Subsequently I used the same brush to move the marker color around, give it more gradient transition. As you can see from the ready project or step photos further along, I didn't color the whole fish blue nor crab red, but instead added color to the edges and then pulled it towards the middle with a wet brush. I think this creates a lovely dimensional feel to the creature but also lets some of the Shark color to show.


Then it was time to cut! I carefully cut the crab, the fish and the seashell out of the sheet. I mainly used just scissors as I prefer those over a craft knife. The seashell was the easiest to cut, but both the crab and the fish had these teeny tiny details that took a while to cut. You can be a bit more rough around the edges, if you wish, but to me the beauty of the finished items is partly the delicate details.

I also inked the edges of each item twice. "Twice, what you mean?" you might ask. I first inked the stamped side with a delicate touch, my intention just masking the white edge of the paper after cutting. But to the flip side, the back side I added a bigger amount of color. This was to ensure that no white was peeking when I layered the two images back to back. As the other images, the mirrored ones, were a bit more smudged than the others, the measurements could have been a tad off but more importantly I cut the images loose by hand, so there was bound to be some differences. By using the same brown ink throughout, I hoped to hide the seam as well as I could. Naturally, you could use also an array of inks and follow the color scheme of the item with the ink. Blue for blue, red for red and so forth. I just thought the brown added a nice vintage touch to the elements.


Next I then mounted the focal points in place on top of wires. I used some foam tape in the middle of the element to make it a bit curved and dimensional, while the outlines were adhered together back to back. 

I mentioned earlier, that if you wanted to re-create these exact decorations, also mirror stamp the anchors. I hadn't done that, as I was thinking of adding the anchor to decorate the spool, but it was just way too big for that. My options then were either to leave the anchors off completely or add them to the stems as well. I wanted the decorations to have something more than just the spool and the focal elements, so I opted for the latter. That then meant I needed to mirror stamp the anchors as I couldn't leave those without a backing now that I had the creatures nicely done! Luckily I now knew how to proceed.


After stamping and coloring the additional anchors, I then adhered them to the wires as well. I then cut the wires to correct lengths and added several rounds of cotton tape to the ends to have them bulkier and thus easier to be adhered inside the spools. 

My mind was set to add some kind of embellishment to the spool, too. I could have done that many ways, but I craved for something grungy, yet nautical. I decided to make a bunch of tiny barnacles to be added to the spools. I used air-drying clay for those. I made a little sphere, pushed it down to a cone shape and then added the hole and some texture to the rim using a pencil as my sculpting tool.


While the barnacles were drying, I made some sandy touches to accompany them. I had these lightweight little pebbles in a couple of sizes, but they were white. While I know there's white sandy beaches in the world, I wanted a bit more contrast between the white barnacles and the sand. Luckily, there was an easy solution to my problem and that was to create a colored glace. This then allowed me not only to add color but to adhere the tiny texture pebbles in place. For the colored gel I used a matte medium and colored it using Infusions Just Walnut (CS25). I made a couple of batches of the sandy stuff with a varying amount of Infusion crystals added, so I could add a touch of variation in the color.


The last thing left then was to add the little barnacles in place. They took a surprisingly long time to dry even being so small! I like how the clay feels and looks "right" for these creatures, but I guess you could use drops of hot glue to make the shape as well, if you are in a hurry. Just use a non-stick surface, so you can re-melt the glue, should the end result not be what you wanted and paint the shapes using white acrylic after cooling.

I used regular craft glue to adhere the little details in place. As I wanted there to be contrast between the sand and the barnacles, I didn't color them anyway. In another project they could use a tad of darker paint added and wiped off to heighten the texture. 


After the glue dried, the decorations were done! I hope they echo my goal of a nautical, yet vintage feel.

Here they are! Three home decor pieces or table decorations for parties. I chose to go with a nautical combo of red, blue and white with added brown for the vintage feel, but you could adjust the palette to fit your preferences! 

Now thinking back, I could have added a wooden bead or two to each decoration. Those all could have been white, echoing the barnacles, but I could have gone with the nautical combo of blue, red, white as well.


I did this project a bit differently than I usually craft. Usually I finish a project in one sitting. This time, however, partly because of the short days of Finnish spring, I was forced to leave the project for a while and continue next day. While I was able to pick up where I left off, it made me realize once again that I really prefer a fast, stream-lined creating process! But, that being said, I think it's important to try to break the patterns at times, to try new things. It's the only way you can learn and improve! 


I'm mostly a paper crafter so my go to material is paper. I like how it behaved in this project, but you could do similar table decorations using air-drying clay in a more prominent role. Instead of stamping the characters on top of paper, you could stamp them to a circle of air-drying clay and thus have a completely different feel to the whole piece. Or you could use paper for the main creature, but use metal foil for the anchor, giving the decoration also a totally different look. 

To be honest, I even thought about using shrink plastic with the anchors at first, turning them into little charms for the spools. It was the vintage drive that changed my mind as I couldn't see a shiny piece of plastic as a part of the project. But maybe with a different color scheme that would be just the thing? Or coloring the piece with a metal color, turning the whole embellishment into a piece of jewelry would be the solution? 


What I really like about these decorations, is their vintage feel! That's mainly because of the vintage vibe of the stamps, but I also believe the fact how the color is applied, enhances the feel. I also loved working with Mattint and creating those tiny barnacles. They are such a tiny thing, but still have a lot of impact!  


Thank you for stopping by today! I hope you enjoyed the project!



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Thursday, 11 April 2024

2024 Topic 2 : Mattints {by Amanda Pink} on the PaperArtsy Blog



Hi Everyone

Amanda Pink (p1nkart) here with you today.

It's good to be back having had to take some 'time out' from my creativity last year and how lucky am I that my return comes with the opportunity to 'play' with Ellen Vargo stamps and the new PaperArtsy Mattints, especially as I'm feeling like a 'newbie' myself having been away for awhile !! 

I didn't really have any creative direction with regards what kind of project I would make for this topic prior to starting (which is often the case) but I knew given the PaperArtsy Mattints were new to me I would spend some initial time getting to know them, getting a feel for them. There was no grand experimentation but we had fun together swatching, colour blending, mixing, splatting and spraying. It was this play time along with the Ellen Vargo stamps I'd chosen to work with that sparked up ideas for my project/s.  


I combined some pattern play with some PaperArtsy Mattint fabric painting which resulted in a decorative cushion and complementing patterned panel along with a few 'added extras'. Plenty of fun was had along the way with a little 'drama' thrown in too! 



I gathered together a few supplies that I knew I would be needing throughout my creativity.  Although I would be using all 8 PaperArtsy Mattints (MT01,MT02, MT03, MT04, MT05, MT06, MT07, MT08) for my initial 'playtime' I ended up narrowing my colour palette down to only 3 for my projects: PaperArtsy Mattints (Glow MT01, Squeezed MT06, Dragonfly MT07). This trio of colours was very much influenced by a colour wheel I made during my 'playtime' which you'll see soon. 
As I planned to swatch the PaperArtsy Mattints on a range of different substrates I rounded those up too. 
Ellen Vargo stamp set 09 (EEV09) was a definite choice while Ellen Vargo stamp set 05 (EEV05) and PaperArtsy mini stencil (PM025) were possible/ maybe additions.



So my PaperArtsy Mattint 'play' began.

Swatches 
I made a collection of PaperArtsy Mattint colour swatch panels using a range of different substrates to not only get a feel for painting with the PaperArtsy Mattints but to also get a general idea of their colours when painted on each of the substrates and see if the substrate had any affect on the depth/intensity of their colours. 
They'd also be a handy resource for future reference. 
 
The unpatterned 'petal' stamp on Ellen Vargo stampset 09 (EEV09) provided an ideal space to paint the PaperArtsy Mattint colours within. 



The selection of substrates were a mix of those I use regularly: PaperArtsy Smoothy (SCA4H), watercolour paper, mixed media paper, cartridge paper......




.......and those I use every now and again: tissue (the regular 'gift wrap' kind), tracing paper, canvas and fabric (a thin soft cotton).

(I only painted the 'petals' once with the PaperArtsy Mattints, the tissue back and front.)


From swatching out the PaperArtsy Mattint colours I noticed:
  • Their consistency. Loose and fluid so they moved with ease and made for effortless painting. I personally found them very relaxing to paint with too. 
  • All the colours are generally quite light and subtle when painted (to be expected given they are a transparent tinted glaze), however by painting more layers they will become richer or in the case of the tissue paint both back and front. 
  • Generally, the substrate does affect the depth/ intensity of the PaperArtsy Mattint colours as you can see from the photo's above.   
Colour blending and splatters

With the PaperArtsy Mattints being quite a fluid medium they lend themselves to colour blending and do so with great ease, flowing effortlessly from one colour to another and without the need for any water! 
In just minutes I made a few colour blend samples with all of the PaperArtsy Mattint colours using a wide brush on mixed media paper. Loved the results. 

As they are a fluid medium then I was sure they would splatter. I do like splattering paint around and they liked being splattered around too ;) and without the need to add water. Although they are a transparent tint the splatters they make are rich in colour. 


Spraying

Once decanted into 'mister'/ 'spray' bottles PaperArtsy Mattints can also be sprayed. I found by spraying them, much like when splattering they give a rich colour. Once sprayed they can be moved around either by tilting the substrate they've been sprayed on or by spraying with water or both. 
I had fun spraying a sample page using 3 PaperArtsy Mattint colours (Glow MT01, Squeezed MT09, Dragonfly MT06).  


Colour Mixing / Colour Wheels

PaperArtsy Mattints are happy to be mixed together too and they create some gorgeous new colours when mixed as I found when I made a few PaperArtsy Mattint Colour wheels.

I used the colour wheel PDF (you can find it here) and PaperArtsy Mattints in groups of 3:
Top left: (Fern MT03, Jam MT05, Squeezed MT06)
Top Right: (Glow MT01, Squeezed MT06, Dragonfly MT07)
Bottom Left: (Glow MT01, Nutty MT02, Dragonfly MT07)
Bottom Right: ( Shark MT04, Dragonfly MT07, The Pink MT08)


Alot of what I learnt about the PaperArtsy Mattints from spending some time getting to know them will have already been covered here on the blog but as this is the final post for this topic I thought it might be worth sharing as a very basic recap. 

I also thought it worth sharing as most of what I've made so far I used in my main creativity and as I mentioned at the start it was this 'play' time along with Ellen Vargo stamp set 09 (EEV09) that sparked the ideas for my project/s.
Those 'sparks' came primarily from how I found the PaperArtsy Mattints so relaxing and effortless to paint with, the lovely warm colours of the colour wheel I made using PaperArtsy Mattints (Glow MT01, Squeezed MT06, Dragonfly MT07) and the depth of colour they gave when painted on fabric!

So I jumped right in to make my fabric painted project. 

At this point I was thinking along the lines of a tapestry ring as I could envisage the 'petal' and circle shape stamps from Ellen Vargo stampset 09 (EEV09) making a lovely focal flower pattern framed within the ring. 

I used to do alot of fabric painting back in my younger years before the days of blogging and sharing our art/ creativity on social media. I used to hand draw and paint t shirts, primarily vinyl/ LP covers using fabric inks/ paints of that time so I was keen to touch base again with something I used to love doing.

One thing I remember from those fabric painting days was that I always stretched the t- shirts over a board so they were nice and taut for drawing / painting on.  

So, I stretched a piece of thin cotton fabric (the same as I'd used for the fabric swatch) over a greyboard panel......


....holding it in place on the reverse with some masking tape.  


I used my stamping platform to stamp mainly for ease of stamping (for me) but also to allow me to restamp/ over stamp with precision if required. 

As I was thinking of using a tapestry ring it served as an aid to 'guestimate' where to position the centre of the flower when I began stamping.


I picked out 4 of the different patterned petals and one of the patterned circles (all quite randomly) from Ellen Vargo Stampset 09 (EEV09) to create the flower.

The flower design was such that I wanted some of the petals to look like they were behind the others while also wanting them all to look like they sat under (not up to or on top of) the centre of the flower.  So to achieve this there was some 'masking off' involved when stamping.   

'Masking off' is when you cover a section/area of a stamped image to protect it from being stamped over when another image is to be stamped anywhere near it.

I stamped what would be the centre of the flower on the fabric then masked it off with a paper circle. I then positioned one of the patterned petals on the fabric making sure the tip of the petal sat on top of the circle mask (that was the part of the petal I didn't want to stamp) and stamped.
Keeping the circle mask in place throughout I then stamped the patterned petal 3 more times then repeated this process with one of the other patterned petals. 


The petals I went on to stamp were the ones I wanted to look like they were behind those I'd already stamped so that required 'masking off' the two petals either side of where I would be stamping my next patterned petal, aswell as the centre circle .


I continued masking off/ stamping with the rest of the patterned petal stamps until I had a fully stamped flower. 
I was really happy with the result. The stamps stamped so easily and effortlessly onto fabric  producing such clear crisp detailed results every time. I didn't have to restamp/ over stamp once!  I used Versafine ink (Onyx black) to stamp with and was impressed with it's blackness' on the fabric and that it didn't 'bleed out' at all.   


Time now for some relaxing Mattint painting!

I kept the fabric stretched on the board for this but disguarded of the stamping platform as I knew even though I would be painting over the detailed stamping it would still remain visible through the PaperArtsy Mattints because they are transparent tints! 

To paint the flower design I referenced the colour wheel I'd made earlier with PaperArtsy Mattints (Glow MT01, Squeezed MT06, Dragonfly MT07). It was these colours/ combinations of these colours (the primary colours 1,5,9) that I used to paint the petals to the fore of the design.


Those that sat behind I painted with combinations of the 'mixed' colours from the colour wheel (the  secondary and tertiary colours: 3 and 11, 6 and 10).
From what I learnt earlier during my PaperArtsy Mattint 'play' time I knew the 'mixed' colours would be slightly deeper/ richer on the fabric than they were on the colour wheel as I'd made that on PaperArtsy Smoothy. 


For the centre I returned to PaperArtsy Mattints (Glow MT01, Squeezed MT06, Dragonfly MT07)


As the PaperArtsy Mattints have a matte finish I was able to add some white pen highlights to the painted flower knowing they would be well received. 

It was so pleasing to see the flower design once I'd finished painting it with the PaperArtsy Mattints and what a relaxing, chilled out time I'd had. 
Thanks to referencing the PaperArtsy Mattint Colour wheel the colours all worked well together.


So far so good ....... but then it all went 'pear shaped'! 

You know I was thinking of using a tapestry ring, well I got to the point of cutting away the excess fabric that was at the back after I'd pulled it through the ring all nice and taut and I only went and cut too close to the ring so the fabric came away from the ring!! :( Arghhhhh! 

I hit panic mode (so forgot to take photos - sorry) and tried to rescue but as there was now very little excess fabric left I had nothing really to play around with to pull back through the ring and the more I did the more the fabric frayed!!     
I was gutted ! What now???? My project was ruined........ 

 
..... or maybe not ?? (Truth be told the 'or maybe not' didn't happen quite as quick as that in real time ;))
I looked at what I had left, especially with regards the excess frayed fabric and wondered if there might just be enough to allow me to sew it to another piece of fabric and make something, maybe a cushion, albeit a small one??? 

So with the help of some careful sewing, some 'filling' and the addition of some PaperArtsy Mattint splatters and stenciling using PaperArtsy Mini Stencil (PM025) with a micron pen my once to be tapestry ring morphed into a cushion! 





 
...And relax!!!!

In a bid to do so and restore some inner calm after all the 'drama' I spent a bit of time creating and painting some patterned panels (6x6) one of which was the same flower design as on the cushion, this time on PaperArtsy Smoothy. 

As I used all the same stamps, PaperArtsy Mattint colours/colour wheel and creative techniques that I did for the cushion I'll just share a few photos of the finished panel that I mounted on card and entered into a journal which I've decided will be my 'pattern play and mindful colouring' journal. 


A quick scroll up of a few photos and then back and you'll see (if you haven't already) the  difference in the depth of colour of the PaperArtsy Mattints on PaperArtsy Smoothy in comparison to them on fabric!  


The word seemed appropriate! ;) 


I only set out to create a couple of pattern panels but ended up creating quite a few as the pattern ideas just kept coming. Some involved the masking off technique, others didn't. 

These I have yet to paint/ colour but I will as and when and especially now I have my 'mindful colouring journal ! 

(I set them against black to share for a clearer visual) 


I thought it would be a good idea to have something to put them in to keep then all together (and clean) until I coloured them. Remember the PaperArtsy Mattint sprayed sample page I'd made during my initial playtime? I used it to cover the back of a regular white envelope. The front I left uncovered as I think I might adhere it to the inside of the back cover of the journal so everything's kept together. 


PaperArtsy Mattints (in this case Glow MT01) can be used to tint/ stain light coloured wood too as I discovered when I made a wood chip 'button' to act as a closure. I decorated the 'button' with a stamped circle from Ellen Vargo stamp set 09 (EEV09) painted with PaperArtsy Mattints (Dragonfly MT06).


If the spare pattern panels had a place to stay together and keep safe and clean then surely the swatch panels deserved one too, right?  
The colour blend samples (again from my initial 'play') became theirs.


Some of the stamps from Ellen Vargo Stampset 05 (EEV05) highlighted with white pen and PaperArtsy mini stencil (PM025) provided some detail.  



Another wood chip 'button' made in the same way as the other sat at the back of the envelope.... 


.... while at the front some big die cut letter's spelt out the word  'Mattints'!  


I think it was save to say at this point my inner calm was fully restored ! :) 

As its a long scroll back to the start (thanks if you've stayed with me until now) here's the photo I shared back there of my PaperArtsy Mattint / Ellen Vargo creativity.   


What fun that was - even the drama ( I can say that now I'm all chilled and relaxed ;)) !  PaperArtsy Mattints are such a versatile product, true 'multi taskers' and I'm looking forward to exploring them more as I feel our 'friendship' has only just begun!

If you have the opportunity to give them a try I would say 'go for it' and be sure to share with us your mattint 'play' and any projects you make- we would love to see! 

Thanks for stopping by today/ tonight
Creative Wishes
Amanda
x


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