Showing posts with label Nutty. Show all posts
Showing posts with label Nutty. Show all posts

Saturday, 25 January 2025

Suncatcher with Mattints {by Dounia Large}


Hi everyone Dounia here with you today.

This year on the blog, we are being given free reign to do a deep dive into one of the PaperArtsy product ranges, and for this post I have been exploring Mattints! I one of their main properties is their transparency so I decided to explore and exploit that in some semi transparent art, a fall inspired suncatcher mobile.


I really love how it transforms depending on the light! For the base of this project, I'm sharing with you one of my favourite technique with Mattints, making 'tissue skins'. It is is really simple and 'brainless' with gorgeous results. I hope you enjoy it too.



For transparency, the 'skins' are built out of tissue paper. The more transparent the better! I know all the PaperArtsy printed tissues will work, so I grabbed the Blank and Background Tissues (PT07 et PT10) I had on my craft table.

For a project about Mattints, I used... Mattints! also for their transparency. I somewhat limited my palette, to help create a united look. Any theme would work so I chose my favourite, fall colours! I love warm hues so went for yellow/orange/red with some greens and browns to completely cover the foliage range. I also added the 'wild cards' The Pink (MT08) et Dragonfly (MT07) to spice things up and create variety.


I first prepared the building blocks necessary, by colouring blank tissue with my chosen Mattints.


I painted roughly A4 pieces in all my fall colours, and half that in the 'wild cards'. The intensity of the colour depends a lot on the quantity of Mattint applied. Here I did two coats on one side and another coat over only half the other side. That way I had two shades of each colour, for more variety and depth.


Here is my very high-tech drying system. With the current weather, my projects are enjoying the wood stove with me! As the Mattints also work as a glue, you have to be careful not to let the sheets stick to one another!


I like to add opaque parts to all transparent projects, to create contrast & texture and highlight the transparency. For this one, I did some very basic mark making on more blank tissue with a opaque Fresco Finish Acrylic Paint. I chose Cloud 9 (FF149), a warm white, because white shows off colours the best and I thought warm version worked the best with my chosen colours.

As you can see, not much thinking is necessary for these steps, just fun playing with paint! Now it is time to start putting the layers together.
 

The principle to creating the 'skins' is to glue layers of tissue on top of each other with a transparent and wet medium, like Matte Glaze (FF52) or Mattints. For the tissue 'disappear', it is crucial to fully saturate it with glaze when gluing it. I like to apply the glaze on the back of the tissue and on the top of receiving substrate before connecting them, then apply another layer on top of the glued down tissue while it is still wet. Here you can easily see the difference between the already glued pieces and the still dry ones.


As my base, I used half of one the big sheets of painted tissue, this one is the Ladybug (MT12) one. I created a layer on top using pieces of the Backgrounds tissue as well as the tissue with white mark making. To create more variation and depth of colour, I decided to glue the pieces with Mattints instead of a colourless glaze. I chose Ladybug (MT12), Squeezed (PT06) and Nutty (MT02) to coordinate with the background. The limits of the tissue pieces are more noticeable that way but I did not mind for this project.


I repeated the process with Nutty (MT02), Glow (MT01) and Fern (MT03) backgrounds. This is the results after this first layer. The white opaque patterns will be softened by the following step.


On top of the 'pattern' layer, I added another one, this time with pieces of the coloured tissues, using coordinated Mattints to glue them. The picture seem to imply I planed their placement but in reality, I did not think too much and just glued stuff on top of each other. If the pieces overlay in some places, it just creates even more colour variation.


As the Mattints are also sealants, they make the tissue less absorbent. So I have found that you often need to 'work' the glue a bit more into the painted pieces, but they too end up disappearing.


Once all of that was a bit more dry, I repeated those two layers on the other side of the bases. This creates even more variations and also makes a stronger 'skin'. I really love how they turned out, with the bits of pattern poking out and all the different colours. However, I think their true beauty shine when seen in transparency.


There you can really see all the layers and the new colours they build. I like the darker touches created by the opaque white paint. I could just make those 'skins' for themselves and display them on my windows, but here I also wanted to show you a use for them.


All those colours had to become leaves! I roughly traced the shapes with Fresco Finish Chocolate Pudding (FF42) and cut in the middle of the lines. This both helped guide the cutting and created a border around the leaves. I think it gives them dimension and reminds me of fallen leaves starting to brown at the edges.


Here is my pile of leaves and my (also very high-tech) structure for the mobile: a cut open soda can. It then only needed a couple hours of threading the leaves onto fishing wire and adding them to the can...

I absolutely love the result. It is a bit messy and misshapen, like real leaves, and I am mesmerized by how different it looks in different lights.


The aim was to have light shine through the leaves, creating shadows and patterns, and here in the rising sun, it does not disappoint!


But I think it is also beautiful in the sun light, without transparency. The depth of colour really shows here and, I think, capture the feeling of an early autumn day.


With no direct sunlight, the colours are softer and more reminiscent of fallen leaves. I love how the golden beads pop then, adding even more whimsy.


Inside, lighted by a lamp, this thing moves with the slightest air currant and cast crazy wispy shadows. So moody!
I leave you with a couple of detail shots of the leaves.


I love the snippets of pattern and texture that randomly show.


I prefer warm colours, but let's not forget the beautiful greens that bring depth and contrast.

I hope you enjoyed this journey in Mattintland and that it inspires you to try making tissue 'skins'. The process itself is easy and fun and the possibilities to use them are endless!

Keep creative
Dounia x

Thursday, 18 April 2024

2024 Topic 3 : Vintage PaperArtsy Stamps {by Etsuko Noguchi} on the PaperArtsy Blog


Hi everyone

Etsuko Noguchi (My favorite things) here with you today.

This PaperArtsy blog  has been very exciting recently with bloggers sharing all about Mattints, so as we move into a new topic, I thought I'd use those a little differently myself along with the Vintage stamps I am using, Hot Picks.
This vintage topic had me thinking about how to mash-up my chosen Hot Picks decorative large number stamp set with Seth Apter stamp set. I thought a bit about what to make, but then I remembered the block cubes my son had, I decided to create a Cube Calendar using a calendar I saw on Pinterest as a template.


Combining Seth's stamps and Hot Picks printing tissue paper on the box, this was another fun collage, recalling Seth's painting of old piano.




The colours used here are Mattint Jam, Glow and Nutty, which complement Seth's favourite colours PaperArtsy Fresco Finish Chalk Acrylic Kiwi Gold, Rusty and Tomato nicely. Mattint Nutty is used as a vintage vibe at the end.

My first choice, Hot Pics stamp set 2301 (HP2301), opened the door to ideas here, and Seth Apter stamp set 34 (ESA34) is one of my favourite sets, full of marks and images for collages.
The Printed Tissue-Hot Pics (PT01) and Frames (PT02) were used as the basis for the collage on the box.




First, the box was made to hold the calendar. The boards I used were a little stronger then Balsa wood and it was easy to cut with a knife and light, so it was easy to process the glue. The size of the box plan was determined by calculating that the cube used for day is 5cm square, and the stick trees for the weeks and months are 1.9 cm square x 10cm long.


Assembled using Tacky Glue.


And gessoed in white, the six sticks are for the months and the weeks that come later. 


Printed Tissue-Hot Picks (PT01) attached to the wall of the box using gel matte.


Then gessoed in white too.



Now the fun work begins. I made a collage on the box by combining Seth's Stamps and Printed Tissue-Hot pics PT01 and PT02. I remembered Seth painting an old piano and had fun working on it. Once the tissue paper was dry, I applied PaperArtsy Fresco Finish Chalk Acrylic - (Seth Apter) Rusty, Tomato, Kiwi Gold and Olive directly to the Seth Apter stamp set 34 (ESA34) and randomly stamped them on the box. I then used Ranger Archival Ink - Sepia and Jet Black on stamp-mini EM103 to stamp here and here to add contrast. And Printed Tissue - Frames (PT02) was used focal point. 


Mattint Nutty was used to lower the overall tone and bring out the vintage vibe.


These pictures below show an overall view of the box.






Now it's time to use the main HP2301 number stamps, which is ideal as a focal point on cards and tags etc., as each letter is large and decorative. I used this stamps on the 5cm cube. 


PaperArtsy Fresco Finish Chalk Acrylic - Heavy Cream (Seth Apter) applied to the surface of the cube.


PaperArtsy Fresco Finish Chalk Acrylic - Truffle was applied directly to Seth Apter Mini stamp EM100 and stamped on four surfaces.


Each number was then embossed using black embossing powder. The two cubes have 12 faces and numbers 1, 2 and 0 (zero) are two each, making a total of 13 from 1 to 0 (zero), so 9 and 6 are shared. It is important to note that numbers 1, 2 and 0 (zero) should not be in the same cube. 


I wanted to use Mattint Nutty to bring out the vintage vibe of the cube too, but the whole thing became too dark, so I only used Ranger Archival Ink - Potting Soil distressing on the edges.



Finally the six sticks shown earlier were coloured. I was not sure which colour to use this time and tried some colours but finally I decided on this dark pink as I wanted  a slightly more flamboyant colour, I used mixed PaperArtsy Fresco Finish Chalk Acrylic - Bougainvillea and Mahogany.  I then added a little pattern to EM103 using PaperArtsy Fresco Finish Chalk Acrylic -Chocolate Pudding. Again I wanted a vintage look, so I used Sanding Block on the edges of the wood, then used Distress Archival Ink - Ground Espresso and finally covered it with Mattint Nutty. Also I made a collage paper using Mattint - Dragonfly, Jam and Glow for the dictionary pages and used it for the box edges and wall collage.



The months were the right size for the Hot Picks stamp set 06 (HPXT06) I have, but the weeks were very small, so I took apart the month spellings and joined them together. These word were embossed on blank tissue paper using embossing powder Ranger - Seafoam White and attached using matte gel. 



I really enjoyed working with the printed tissue paper and mash up with stamps and stencils from different designers to create a wide range of images, and addition of Mattints to the paintwork produced some interesting results that I'm keen to experiment with more in the future, Hope you enjoy it too!!



Facebook: Etsuko Noguchi
Instagram: Pixienest
Pinterest: Etsuko N