Showing posts with label PT10. Show all posts
Showing posts with label PT10. Show all posts

Wednesday, 14 October 2026

Wings Spool Journal with Hot Picks {by Etsuko Noguchi}

 
Hello everyone Etsuko (@pixienes ) here with you today and I'd like to share a little spool journal I’ve made using Hot Picks stamps.




I’ve been wanting to try making a journal using small spools of thread for quite some time now. The theme I was given this time was the Hot Picks stamp set. I believe this was PaperArtsy’s very first original A5-sized set, and I always find the number of stamps, the variety on offer and their versatility extremely useful. Today, I focused on the butterfly from the Hot Picks stamp set 1506EZ (HP1506EZ), whilst also adding two moth designs Hot Picks stamp set 1109EZ and  1104EZ (HP1109EZ and HP1004EZ) to my selection.


For the paint used to colour the butterflies, I chose five vibrant colours, from the left of the page: PaperArtsy Fresco Finish Chalk Acrylic – Green Patina, Southern Skies, London Bus, Persimmon and Banana; and for the background of the journal, three more subdued colours: PaperArtsy Fresco Finish Chalk Acrylic – Wisteria, Blue Oyster and Lemon Meringue. I’ve started working with these lovely PaperArtsy Fresco Finish Chalk Acrylics.




I created some layered material to add to the background of the journal. I applied PaperArtsy Mattint—Bellflower, Dragonfly, Glow and Shadow—or watercolours onto PaperArtsy Printed Tissue Hot Picks – Blank (PT10), and placed a sheet of copy paper underneath to prevent the glaze from bleeding through. This resulted in a pattern as shown in the illustration below, so I used that as a layer too. 
Blank Tissue is an essential item for me; I simply cannot do without it when I’m working. For example, I can use it to apply a sheer layer of colour to alter the look of the background, or stamp an image and colour it from the reverse to create a focal point, or even use it to position the stamps I’m using. It can also be crumpled to create surface texture, and there seems to be many more uses for it yet.


I applied Mattints and watercolours to a sheet of tissue paper using a flat brush.


These are the sheets of copy paper that collected colour as underlays.


For the journal’s band, I glued together three 2-inch-wide strips of Smoothy (Heavyweight) A4 white stamping card, cut to the width of the spool. I then applied Fresco Finish Chalk Acrylic – Wisteria, Blue Oyster and Lemon Meringue – using PaperArtsy Brayer as the colours were a little pale, I added some Persimmon to create the base for the background.


To finish off the background, I arranged torn-up sheets of copy paper and the tissue paper cut into circles as shown in the diagram below.





Now let’s create the butterflies and labels, which are the main features. To ensure the butterflies—the focal point—stand out, I coloured each one in a vivid shade. The colour scheme for the butterflies on this screen uses, from left to right, Banana, Persimmon and Green Patina; I blended the colours so that the boundary between Banana and Persimmon forms a gradient. Initially, I cut them out right along the edge of the stamp to blend them into the background, but after checking the contrast with the surrounding area, I left a small white border around them.



As well as the HP1506EZ, the ‘Hot Picks’ section featured a butterfly from the HP1109EZ and moths from the HP1004EZ and HP1009EZ, so I’ve included them here and coloured them using Wisteria and Southern Skies in addition to the three colours mentioned above.



To make the labels, I combined all four ‘Mattints’ colours with an additional shade, ‘Mattint- High Viz’, and applied them to Smoothy (Heavyweight) A4 white stamping card to create the base. I then used the HP2402 and HP2602 stamps to produce the labels.


As I wanted some slightly thicker embellishments, I dyed several types of fabric using some powder pigments.



I stamped an HP2602 butterfly hair clip onto a piece of paper, coloured it, attached it to an O-ring, and applied a thick layer of resin to create a decorative element for the end of the string used to bind the journal.




Now that the base and components for the journal are complete, I’d like to share the details with you. Please do have a look. It’s a bit long, so it’s a shame I can’t show the whole thing on one screen, but I’ll go through it frame by frame.


The first frame.


The second frame.


the third frame.


the fourth frame.


the fifth frame.


the sixth frame


the final frame.




Finally, I’d like to show you the finished piece, featuring the embellishments I made from resin and the coiled design.
 



Place the dyed fabric beneath the label so that it takes on a slightly three-dimensional shape, and stitch it in place to help it adhere to the background.


I tore the coloured tissue paper into circles and stuck them here and there.


I layered some fabric and secured it with eyelets to make some embellishments.


Labels, stamps and small round labels, made in the same way as the first ones.


As I kept unravelling and rewinding the paper time and again for the photo shoot, the stiff paper became creased and wrinkled; the tips of the butterflies started to peel away, and after gluing them back on repeatedly, they were on the verge of breaking—it was a close call, and I nearly ended up with a half-baked vintage journal. However, I’m delighted that I managed to pull it together and was able to show it to you all. I’d like to thank you for stopping by today.

Etsuko xxx


Friday, 9 October 2026

Pocket Art Book with EEG {by Martha Ponsanesi}


Hello everyone, Martha (@CrfatingMartha ) here with you today sharing a little project, a One Sheet Mini Book, using some Stamps and Stencils by Emma Godfrey.




For my project I choose two Stamp Sets by Emma Godfrey Set 15 (EEG15) and Set 23 (EEG23), and some Mini Stencils (PM004, PM005, PM006, PM007, PM009, PM010).


Along Emma Godfrey's Stamps and Stencils I used one sheet of PaperArtsy Smoothy (Regular) A4 White Stamping Card (SCA4) for the structure of my Pocket Mini Book, and PaperArtsy Printed Tissue Blank (PT10) for what will be a super fun part of the embellishments. As for the colours, well, by now you know that I have an issue with colors, it's hard for me to pick just a few, and the wide range that PaperArtsy offers tempts me even more! However, I tried to hold back and chose PaperArtsy Fresco Chalk Acrylic Snowflake (FF15), Zesty Zing (FF47), Caribbean Sea (FF94), Bubble Gum (FF116), Slimed (FF137) and Persimmon (FF209).




I find that PaperArtsy Fresco Chalk Acrylics and Gel Plate are a match made in heaven and so, to create everything I needed for my Mini Book, I grabbed my Gel Plate and Brayer and started having fun with colours.
I spread the PaperArtsy Fresco Chalk Acrylic Zesty Zing (FF47), cleaning the excess colour off the brayer onto some pages of an old diary, and placed a couple of stencils (PM010) and (PM006) on top of the Gel Plate.
                                    

I placed the PaperArtsy Printed Tissue Blank (PT10) on top and pressed it down well to absorb all the colour.


The print on the Tissue Paper is very satisfying; what's more, a lovely colour texture was left on the Gel Plate, which I am naturally going to pull...


...at first trying to stamp directly onto the sheet, but if you live in a place like beautiful, warm Italy (even in October!), it can happen that if you haven't spread enough colour on the Gelli plate, the 'stamped print' might turn out a bit disappointing like this one.


In that case, there's no need to despair: just spread a contrasting colour, or some white, so that all the remaining paint on the Gelli plate is transferred to the sheet, in this case, I used Fresco Chalk Acrylic Bubble Gum (FF116).


I got an unusual result, normally you would use a lighter colour, but on the whole, even this print has a charm of its own!


By repeating this process, alternating colours and stencils, I fully decorated the sheet of paper and the tissue paper, as well as several pages used for cleaning the brayer.




Now that I have my coloured Printed Tissue Paper, I want to add an extra decorative touch by randomly stamping with Distress Oxides in shades similar to the PaperArtsy Fresco Chalk Acrylics I used. 


Emma Godfrey Set 15 (EEG15) and Set 23 (EEG23) have decorative elements that are just perfect for my purpose.


Using Distress Oxide Black Soot, I stamped all the phrases from these same sets in various orientations.


Once the decorating phase was finished, it was time to transform my Printed Tissue Paper into DIY Washi Tape. I applied strips of double-sided tape to the back, making sure to choose one with transparent adhesive.


Then, using a craft knife, I cut strips of various sizes.


My DIY Washi Tapes are almost ready, but I realised I wanted to add one last finishing touch: using a small cap and a silicone brush, I stamped little circles and lines with PaperArtsy Fresco Chalk Acrylics Gold (FF20). It might have been better to do this before cutting the various strips; to make things easier, I stuck the strips onto the Gel Plate so they would stay put.


And now for the final touch: a few splatters, again using gold.




Now it's time to take my Smoothy sheet (SCA4), decorated with the prints made with the Gel Plate, and create the structure for my Mini. In the photo you can see how simple it is: just fold it into 4 on one side and into 3 on the other, make the classic cuts for the 'snake' folding structure, and then fold it up and glue the right pages together.


Here it is in its final size, I love how the decorative details stand out once the dimensions get smaller.


The fun now continues with the embellishments! On the two small pages that were left white, I applied my DIY Washi Tape, on one page placing strips of various sizes, and on the other creating a frame.


For the focal images on the various pages, using the sentiments from Emma Godfrey Set 15 (EEG15) and Set 23 (EEG23), I stamped with black ink and embossed with clear embossing powder. Using embossing powder is a win-win: not only does it make the sentiments stand out even more as a focal point, but it also saves you waiting for the ink to dry, which tends to take longer on top of acrylic paints, avoiding any accidental smudges on your pages.


I grabbed the Emma Godfrey Stencils again for extra touches on the pages, applying PaperArtsy Fresco Chalk Acrylics with a Cut-N-Dry Foam.


Again with stamps and Distress Oxides, I continued adding details to the pages.


From the initial session with the Gel Plate, I also had some diary pages coloured from cleaning the excess paint off the brayer; to make even more embellishments, I decided to punch circles in two different sizes...


...and stamp additional decorative elements onto them in black ink.




Ta-da! Here is my completed Mini Book!


For the closure, I opted for a simple folder clip.


Here is a showcase of the various pages.


As you can see, I used the punched circles and pieces of DIY washi tape to decorate it.





On the diagonal page, I added another circular punch-out, decorated on both sides, but it’s actually a pocket, so if you like, you can insert a pull-out tag if you'd like to write a message!



Also the folder clips are decorated with my Washi Tape.


Using Washi Tape for decoration is a fun way to add accents, but building a frame with it is also really effective.


A feature of 'real' Washi Tape is that it's repositionable, while double-sided tape isn't, if you ever need that feature (for positioning the frame, it's so much better if it is)  you can use a little bit of baby powder.


I just love how this page turned out, simple strips of Washi Tape, but I absolutely love the gold details.


I had so much fun with this project, I hope you give it a try! 
Have fun.
Martha xxx