Showing posts with label Master Colour Wheel. Show all posts
Showing posts with label Master Colour Wheel. Show all posts

Tuesday, 2 January 2024

PaperArtsy Blog - 2023 Year in Review {Quarter 3, Topics 7 to 9}


Hi everyone, it's Leandra back with you for the 3rd instalment of the annual PaperArtsy blog review, and this one really is a doozy! Our blogger by this part of the year were thoroughly enjoying the theme, and how the 3 topics could bounce off each other, so we saw a fair bit of cross-pollination of topics this quarter! But first a bit of behind the scenes catch up from me!

I've been hearing from lots of people that 2023 seemed like it was the most 'normal' year we have had in some time! Yay for that, right!?

Mark and I still have lists and lists of things that need doing in and around our property here in France, it seems to take forever to get things done when juggling work, visitors and planning forward, but we are thoroughly enjoying ourselves. It is a never ending surprise that we have met so many people since our arrival, and in particular we have become super friendly with people from the closest neighbouring houses. But even in the nearest villages as we settle into a Sunday routine of Brocante visits and such, we are gradually meeting up with other 'regulars' on the similar schedule! We never expected to be so lucky to be surrounded by so many chatty, welcoming people in this little corner of rural France. We feel so fortunate and are content to be here.

This year we were also joined by our parents from New Zealand who each stayed for 3-4 weeks, as well as other New Zealand friends - the house was full from early Spring to late Autumn. In November we managed a trip to New Zealand ourselves for our niece's wedding, which was also an opportunity for us to catch up with many New Zealand people who we have not seen in a very, very long time! Nothing like a wedding for a good excuse to catch up!

After a few tough years, not only planning a move, but navigating covid, for us 2023 finally felt like a year of enjoyment, social activites and a lot less stress, which was truly needed! We are finding a nice balance and starting to understand the seasonal cycles that French life is very much based around, be it what you eat, through to what you do. It is a culture full of tradition and ritual, and people here use the seasons to plan events, festivals, celebrations and food or wine related harvests, there is always something new to learn and discover, be it a place, a flavour or an activity. 

One of our serendipitous highlights was booking a last minute vineyard tour to one of the higher-end producers in St Emillion. We had 4 kiwis here, and as the 6 of us drove up to the magnificent building on the estate, we realised harvest had begun (it only lasts for 2 weeks, you'de be surprised how small each vineyard is physically, and during harvest, with all hands on deck, it is quite common for tours to stop). We not only got to taste the grapes that had just been picked, but ohhh the smell as you walked through the room of tanks holding the new season's liquid was like you were being blasted with raisin vapour. It was incredible to smell the fresh grapes already being squeezed of their full juice. A real treat to see all the action of harvest up close. 

Speaking of learning new things .... Quarter 3 on the blog had the theme of 'Transparency' running through all the posts, another wonderful concept with wide reaching creative opportunities easily incorporated into crafty projects. Our bloggers came up with many fabulous ideas!

The topics were also popular: 7: Art Dolls, 8: Master Colour Wheel and 9: Lynne Perrella, designer focus. I was super keen for this entire quarter and what it would bring - all my favourite elements were coming together for this quarter!

Come along with us as we take a look back at some of the highlights...

Transparency can be anything from delicate overlays like mica, vellum or acetate, to see through layers we apply: glaze, embossing powder, glass or wax, or perhaps something that disappears like tissue paper. Head over here to see the topic introduction and a wide range of ideas that Dounia presented. We thought it would be nice to highlight a few of the transparency interpretations by our bloggers...

Martha Ponsanesi made a gorgeous mini accordion book with printed tissue in the background and Lynne Perrella stamps throughout. The transparent part of this project was the vibrant alcohol inked cover/ sleeve that surrounds the book-in-a-box. It's a delightful cheery idea. Check it out here


What about this resplendent Egyptian tribute? Riikka Kovasin used tissue paper onto wood in tiny squares for the garment on this Egyptian goddess. It wasn't all plain sailing though and she did have to tweak things a bit but the resulting impact is fantastic. Read all about it in her blog post here


Etsuko Noguchi created these two little shrine boxes with see-through panels, the overall style was quite steampunky - Darcy's stamps do often head in that direction. The accents with metal embellishments fit in beautifully. Etusko's  blog post is well worth a read, she always explores interesting products and ways to use them!



Art Dolls have been a passion of mine for some many years, there even used to be a magazine dedicated to them back in the day! It is a theme we regularly come back to because the scope is so wide, paper dolls, stuffing, filled dolls .. or event a bottle doll perhaps! If you want more inspo for this theme, check out the topic intro post

Renata Peley's post created a bit of a buzz using Nicci Battilana's articulated doll stamps. The 'stage' frame was an inspired choice and really helped set off those dolls and thier personalities so perfectly. Check her blog post here.


I hope you did not miss this ... by Floss Nicholls. She painted onto some thick plastic packaging and then scratched off some of the paint to make patterns with an embossing stylus - this packaging became part of her art doll's clothing. She also stamped onto organza, and we love how the 'hair' comes from a Sara Naumann foliage stamp! Here's her blog post .


We were absolutely blown away by Rikka's take on the art doll theme - she made a pair of crows! These imposing characters challenged Riikka initially, but after one came into being, she had to make another. Her story is a fabulous read, you can find out all about the process here. The Scrapcosy stamps she used were stamped onto the black fabric, and then embroidered to highlight the petals in a monochromatic colour scheme. Riikka often ties her work into her Finnish roots, so with each post, she also weaves a tale throughout, making her blog posts extremely interesting and educational!




For our colour topic, we decided it was time for a sort of round up post. By this time (18 months or so with a colour topic every quarter) we had been studying numerous 'colour theory' combinations (complementary, split-complementary and so on), so we thought, why not create a 'master wheel' where we chose the 3 starting fresco colours, and then each blogger could explore the various combos each colour way could allow, and they could choose to make something with one of those combos. 
Our 3 colours, after much deliberation, were Butter, Aqua Duck Egg and Candy Floss, these can be identified as primary colours, and they mix to create a soft, user-friendly, well balanced master-wheel. Those 3 colours created over 100 possible combinations. The topic intro to is a handy review post, so if you want to know more about colour mixing and combinations, this is a really good one to read - here's the link: Topic intro post


Nikki Acton chose this split-complementary colour combination. Butter with the colours created either side of opposite (blue-grey and purple).


Nikki layers her colours and page layers to get a balance of elements. She's used France Papillon images throughout, and when you look at the up close image below, you can see how the colours work so well together. Her transparent element was stamping Alison Bomber quotes onto paper towel, and then using wax to make them transparent. Check her post here for more info. 


Autumn Clark discovered 4 options within the Triadic colours created when you have 3 gaps selected between each. which one would you choose? The eagle eyed among you might notice that she substituted Lake Wanaka for Aqua Duck Egg ... but what a gorgeous wheel....



Autumn worked with Sara Naumann's bird series of stamps to make a wonderful book. You can see how the Peach, Purple and Teal colours she created all bounce off each other. You will find more pictures of the pages over at her blog post here.



Etsuko Noguchi was asked to add grey to her master wheel - this adds shade to the colours, taking them in another direction. The result was the frame above. In her blog post she explains really well how she mixes them to create more colour options For example, here is the chart she made ... 


Here Etsuko shows how the slightly edited colour is used to stamp over background layers


We hope you've found our deep dive into colour useful, but most of all, we hope it gives you confidence to try colour mixing yourself to open up new creative options as you unlock new colours. Etsuko's  blog post is full of lots of useful tips.


Many of you will know that Lynne Perrella's inimitable design style is a stand out masterclass in how create lots of details within a stamp! We are always so excited to see what she does next, and what we also love, is to see bloggers use her stamps in their unique way. Each time we shine the spotlight on one of our designers we share a bit of the back story for you, then you get a better understanding how they tick! If you would like to read about Lynne, then head here to the topic introduction post

Lynne loves bright, but Jennie loves muted, so immediately you see a different take on how these designs can look. Jennie's envelopes and tags were so delicate and pretty with the touches of lace, tying in perfectly with the lace series of stamps Lynne designed not too long ago. Check the blog post here.


What about this by Mags Woodcock? The transparent part of her doll was the bottle structure support. Lots of rusted fabric layers, and a terrarium hat no less! Read all about it in her original post. That stamp is A5 tall, so it's a beauty for a larger format project like this.


Also, I hope you saw this by Keren Baker. Her  blog post is here and you will discover she made a treasure box holder to keep the hand sewn brooch in! Again so many details to explore, from the stamped box to the acetate painted lid.


A few of our bloggers in this quarter challenged themselves to bring together all 3 topics (Art Dolls, Master Wheel and Lynne Perrella) from this quarter for example Jenny Marples here


This post is quite incredible, as Jenny makes a colour wheel, then dyes fabric to match the 'Master wheel' topic. Her Art Doll is hand made with lacey undergarments, and the Lynne Perrella stamps are not just the face of the dolls, but also make up the accoutrements of her attire too. The planning, thought and passion that goes into a creation like this is just stunning, even the backdrop wallpaper uses the Master wheel colours. And like I say, Jennie wasn't the only blogger to take this approach! 

We truly are so spoiled by our blogging team and the lengths they go to creating their projects. I hope you can appreciate the time they put into each piece, but more importantly, how much they enjoy what they do while creating.

We'll be back in a few more days with more highlights from the PaperArtsy Blog, hope to see you again!

Leandra

Thursday, 17 August 2023

2023 Topic 8 : Master Wheel - Double split complementary shade {by Floss Nicholls} with Seth Apter stamps


Hi everyone

It's Floss with you here with you today.

I've been having fun playing in my journal with double split complementary colours this week using the 2023 Topic 8 colour combo: Aqua Duck Egg FF199, Candy Floss FF70, Butter FF129 and adding Little Black Dress FF19 to gain shades of the of the many combinations on the colour wheel.  With this quarter's transparency theme in mind I decided to use apertures through the page as there's nothing more transparent than an open window and so I created lots of holes to peek through. I really had to be mindful where I placed designs so that they'd work over two pages...here's how I got on...


Naturally, it's difficult to show all four of the pages I created in one 'finished project photo' when working in a journal, so let me explain what I did and why I did it, working up to showing you the outcomes over four pages...


I was excited to start using the new Seth Apter mini stamps EM73 and EM79 along with his ESA35 stamp set, EM52 and the EM40 stamps as I knew that I could create some great textures and features with these.


Before I started working in my journal I needed to look at what this topics colours; butter, aqua duck egg and candy floss would make when mixed together to choose which combination I would use.


I liked the option of the double split complimentary selection as I could add more interest by having more colours involved that I knew would work well together having both impact and subtlety. I chose number 6 on my wheel as the base colour and matched it up with the two segments either side of it's direct opposite. The diagram below in the middle picture of the top row will show my choice.


A more detailed explanation of the double-split complementary colour wheel and the benefits of using this selection written by Keren Baker can be seen either here... 2022 Topic #8: Split complementary or also beautifully explained by Dounia Large here 2023 Topic 08: Master Colour Wheel - Topic Introduction. Both are well worth a read.


Having selected my colours from the colour wheel, I then needed to mix them into another wheel using different amounts of little black dress FF19 to create shades of each of the colours.  I found this exercise very therapeutic and would recommend doing this if you ever lose your creative spark and need to get back into your art but don't know what to do. 

I always mix an equal amount of all three colours together when I create my colour wheel to create what can be a more muddy shade. This mix can be seen below on the right hand image with 1+5+9 written inside the box.  I find it useful to do this as I feel that the 'total mixed colour' tends to harmonise a piece of art by pulling all the colours together .


I was choosing between split complementary...


...and double-split complementary, which as you know I went ahead with...


Breaking an empty page is often considered to be one of the hardest thing to do when creating art and so I used ESA35 and a WOW clear matt embossing powder to put some basic transparent texture onto the double page spread.


Then I used a dry sponge to add my first colour onto the double spread; I used the tertiary No8 segment without black for the colour base. I added texture using the dots from stamp set ESA35 using the same colour but with Little Black Dress to add a contrast with it's darker shade. Now the first page was underway...time to turn it over to prepare the other double spread.


I used the section 3 toned mix for the base colour of this double spread.  As you know, I like to add plenty of textures into my art and so I used EM79 and Rangers distress archival ink in Hickory smoke over the other journal spread to add interest to a flat page. Note that I am now going to be working over two spreads simultaneously. 

 

I started laying out some of the rubber stamps and drew rough circles to mark where I was going to carefully cut my apertures out using a scalpel and a cutting mat between the pages.


Keeping the colour wheel to hand, I stamped a whole batch of tissue papers with a selection of the stamps I was using to give me plenty of choice when it came to adding details. (It also gives me plenty of fodder to play with at a later date too!) I painted the reverse of the tissue paper in some areas making sure that my paint mixes matched those on my wheel.


I also painted some block colours and stamped over them using the same double-split complementary colours and stamp sets.
 

Drawing through the holes onto the printed coloured paper allowed me to get the exact shapes I needed.  I use a Pilot Frixion pen to do this as it can be erased easily by gently heating it gently with a heat gun or hair dryer which is much quicker and less damaging to the surface than an eraser and pencil.


Using the apertures from the page that closes over this place your designs and check to see whether they show what you'd like to see through the holes.  I like to hide some of the designs so that both pages are not in replica. 



Having seen how the colours work together through the holes, I thought that I'd like to bring more detail and colour onto the page and so using the Frixion pen once more I traced through the hole to match the opening of the aperture then rough cut a ring to edge finish the hole in another shade.



Now that I had most of the pieces glued into place I wanted to bring it all together.  At this stage I thought a lot of the designs were just floating on the page and it needed tying together.

Whilst I was deciding what detail to add to the pages, I used a scrap piece of paper between the pages so that I could ink some of the apertures that did not have a coloured ring around them. This gave a little more definition and contrast.


Using the little stitches stamp from ESA35 and Rangers distress archival ink in Hickory smoke I added the little crosses to the first page spread...
 

and to the second page spread along with the dots on line stamp from the same ESA35 set using a darker shade from segment 3 of the colour wheel. These were my final outcomes...


Lifting the page slightly will show any areas that need trimming off to make the apertures neater...





I especially enjoyed the challenge of setting the designs behind the apertures as well as at the same time being able to see elements of it peeking through.  I still have not decided if this is 'done' yet.  I think I may revisit it to add some hand stitching to accentuate some of the little crosses but I would need to be super careful with the reverse of the page with the apertures cut out...


It was a fun project to do and colour mixing is always interesting with the amount of colours you can make using just 3 paints...or in this case four.  I hope this has inspired you to cut holes out of your pages and reach for some of your favourite stamps to peep through them!

Until next time, enjoy your creative time

Love
Floss x x x 



I have several classes going on throughout August and Sept including a mixed media creative wellness tag day on the August bank holiday monday especially for those of you who work hard all week and don't get much time off for weekday classes. (in person in East Sussex UK)

If you need to plan ahead...then I have two full day mixed media classes running back to back on 31.10.23 and 01.11.23...check the website to see the difference between the two days.