Showing posts with label Khaki. Show all posts
Showing posts with label Khaki. Show all posts

Monday, 17 March 2025

Wax resist with JoFY Products {by Renata Peley}


Hi everyone! Peley Renata here, back after a very long break from painting, drawing, blogging or, sadly, doing anything crafty. Life has a funny way of taking us in unexpected directions, and sometimes the things we love get neglected. I guess that’s exactly what happened to me over the past six months. So, creating this project was a challenge in its own way, especially since I hadn’t touched a paintbrush in far too long. But one thing that made it all a bit easier? The always cute and inspiring JoFY designs and the gorgeous PaperArtsy Fresco Finish Chalk Acrylic colors. So, instead of rehashing what’s been keeping me busy these past few months—let’s get crafty!


As you can see, the good weather here in Hungary has inspired me to use bright, happy colors and incorporate some lovely floral designs into my project. And since I never do anything the easy way, I decided that after my break, a more layered project was needed to refresh my crafty memory. But let’s start from the beginning!


If you're somewhat familiar with my work, you already know that I struggle with preparing supplies for a project as I never have a complete image of where it’s going to take me. But the stamp sets were an easy choice this time. PaperArtsy JoFY100 is a rather old stamp set, but it’s always been one of my favorites from Jo Firth-Young. I knew right away that the lovely little girl would be the center of attention in my project. And since I wanted to ground her in a flower bouquet, JoFY134 felt like the perfect fit.


As for the colors, I decided to layer them in a fun way—but you’ll see what I mean very soon! I also gathered a few other supplies: some mixed media paper in white, black cardstock, a white candle, PaperArtsy tissue paper, and colored pencils.


When creating layers for my project, the first step was to adhere the PaperArtsy tissue paper. This time, I chose the one designed by Alison Bomber as she has some really lovely floral prints with script. I tore off a couple of sections and adhered them to my paper using matte medium, covering almost the entire surface.

 
The next step was adding a layer of paint. The first two colors I chose were PaperArtsy Fresco Finish Chalk Acrylics in Chocolate Pudding and Sugar Plum shades. I dipped my paintbrush in a bit of water before applying the paint to dilute it, as I wanted the tissue paper design to remain visible in certain areas. I also used a baby wipe to blend the colors better and make them even more transparent.


Okay, obviously, this was the ugly stage of my project, but now the fun begins! After drying my first layer of paint, I grabbed a candle and started rubbing it over random areas where I wanted the next layer of paint to be rubbed off later. I chose a candle because I figured most of you probably have one or two lying around the house. But if you want an even easier option, a wax paste or Tim Holtz Ranger Distress Glaze would work even better.

After applying my wax, I moved on to the next layer of acrylics—this time choosing Aquamarine and Khaki shades.


When the second layer of paint was dry, I started rubbing it off using a wet tissue. Here’s a little tip—try to be a bit more patient and gentle than I was, as I ended up rubbing off a few spots a bit too much! If you used a candle, it can help to use a heat gun to slightly melt the wax, making it easier to remove the paint. And I’ll say it again—be gentle as there is really no need for much pressure!
But anyway, overall, I was happy with the results. It left quite the fun texture in a few spots.

 

With that, my background could be considered done, but I still wanted to add a few details and, of course, prepare my focal images.


As you can see, I just couldn’t resist doing some stamping on my background—I mean, those letter designs are just gorgeous! For the stamping, I used Ranger Archival Ink in Potting Soil shade, and while the ink pad was in my hand, I also used it to distress the edges of my paper. Oh, and I almost forgot my signature move—adding some splatters! I used Sugar Plum again, since it matched the first layer of color. And let’s be real, pink is the color of spring! :)

 
Now, I wanted to prepare my images. I stamped them on off-white paper, and for coloring, I used Caran D'Ache Luminance colored pencils and this part of the project took the most time. But of course, there are faster options like alcohol markers, acrylic markers, or even watercolors—whatever you guys prefer! Personally, I’ve always enjoyed coloring with colored pencils, as I find it almost meditative.

Well, playing with these layers was quite the adventure, especially since I feel almost like a beginner after my way-too-long break. But anyway... now, it was time to put it all together! 

The layout wasn’t complicated—I just decided to tuck my girl in among the flowers and add a fun zen quote, because, let’s be honest, this girl looks a bit wise, don’t you think? :) The last step was to adhere my project to the black cardstock, as I feel it gives the whole piece a nice frame. And that’s about it!

 

 

Well, guys, thanks for sharing this adventure with me. Honestly, it wasn’t easy to begin, but starting something is never easy, but it’s mostly worth it... especially when we’re talking about being crafty! :)

And of course, I hope you had fun, got inspired, and that next time it won’t take as long to share another project with you.

Renata 💜

Saturday, 30 October 2021

2021 Topic 13: Tiny (News) Print with ESA {by Jenny Marples}

    2021 Topic 13: Tiny (News) Print

Making a scene from non-scene type images is a clever stretch of any stamps. Jenny has been experimenting with some of Seth Apter's new stamps and made a fabulous wall of words. She's got some great tips for making your stamping look metallic and creating more natural looking foliage and flowers.
~ Keren

Hi everyone, it's Jenny (Pushing The Right Buttons) with you today, and I'm here to share with you a new journal page that features images from one of Seth Apter's new releases. 

I am a huge fan of Seth's designs particularly because they are so often based on the architectural and structural features he sees around him every day in NYC. Looking at them from a different perspective they could also represent things seen in and on buildings in other parts of the World, like a cottage in rural France for example...



This piece begins with the edge of a torn piece of manuscript and some PaperArtsy Grunge Paste, all designed to give the feel of the side of a rustic building.


Apply Sand, Stone, Heavy Cream and Chalk Fresco Finish paints in layers (working from dark to light) with a spatula to blend the manuscript and Grunge Paste together.



 
Seth's 'The Alphabet' text stamp from his new ESA25 stamp set was the original inspiration for this whole piece - to me the way the letters and surrounding tiny text have been grouped look like uneven brickwork.

  
Repeat stamp 'The Alphabet' (minus its title section and final line) using a pale grey permanent ink, knowing the uneven layer of Grunge Paste beneath will give the stamping a worn feel by missing parts.
 

Use the grouping of the letters as a guide and draw around them with a permanent marker (black or dark grey are perfect for this). I would suggest practicing on a piece of scrap of paper so you can work out what you want your 'bricks' to look like.
 
 
Add some shading to make the bricks look more realistic - I used a watercolour pencil along the bottom and left-hand side of each brick, blending out the shading with a water brush. At this point you can reapply patches of Grunge Paste to break up the pattern a little and tone down the lines around the bricks if they are too prominent with some more paint.
 

This second stamp from Seth's set immediately reminded me of window shutters. To recreate them start by applying a thick layer of Grunge Paste to a piece of card. Allow it to start to dry a little then push the stamp into the paste to create an impression. Two hints; first, if it doesn't create the right impression use a wet spatula to smooth out the paste and try again. Second, make sure to spritz your stamp with water before plunging it into the paste and wash it as soon as you've finished to remove excess paste.
 
 
When the embossed paste has dried paint it and then re-stamp with a contrasting permanent ink (I used a white StazOn Pigment pad for this). You can make a 'mount' for your completed shutters by drawing brick shapes on a slightly larger piece of card, painting them with the same paints as the main wall. It's worth painting the centre of the mount too since some of it may show when your shutters are glued on top.



 
Older walls often have metal ties inserted into them to prevent them from pulling apart and ultimately falling down! Another of the stamps from Seth's set is perfect for recreating those. Try clear embossing over your stamped 'ties' to give them a metallic look.
 
 
With the building 'constructed' it's time to add some prettiness and colour. One place to start is with Kay Carley's stencil PS080 which helpfully includes little butterflies and dragonflies as well as the grasses and flowers found in a rural border. Use a mix of green shades for a more realistic feel.




After starting with the stencilled greenery you can make it even more 'wild' and unstructured by dipping a wooden skewer into the various green paints and adding pointed lines over the top. I also added extra detail to the flowers following the positioning from the stencil.




It's often only when you get to see the 'almost complete' stage of a project that you can take a step back and consider if it needs any adjustments. In this case with the walls looking too grey I went back over the edges with a little more Grunge Paste and followed up by adding patches of the Sand coloured paint.


The window panel was glued into its final position, a little over from where it was originally planned.

 
To help draw the eye around the finished page a little better, a couple of the tiny butterflies were stencilled in place using a mix of the Claret and Grape paints. You can draw in the tiny details like the antennae with a fineliner pen.


I found when it came to stamping the phrase 'found and gathered' from Seth's stamp set it didn't quite fit around the flowers. To make it work I stamped the first two words independently of the third, moving that one a little further over to the right.


Here's a reminder of what the finished piece looks like;
 


Take a look at the images in your stamp sets with fresh eyes to see what they bring to mind. It may be something you've encountered on adventures abroad or even something much closer to home. You don't need to draw an entire building or landscape to capture the feel of those surroundings.

Thank you so much for stopping by.