Showing posts with label Aquamarine. Show all posts
Showing posts with label Aquamarine. Show all posts

Monday, 13 July 2026

Strawberry journal spread with ESC {by Riikka Kovasin}



Hello everyone, Riikka here with you today for an art journal spread process. I was inspired by warm days, memories of summers gone by and the sweet taste of strawberries. In this post I'm showing you, how I created a weathered collage background for the page to echo fleeting moments and then layered a mix of vintage and herbal focal points on top.



 
My main inspiration for this project was the beautiful strawberry set by Scrapcosy (ESC53). I wanted to use that as my focal point. I then thought about a fun technique using rubbing for the background, so I chose a stencil (PS491) to be used in that.

To be honest, I started with three Fresco Finish acrylic paints and then added a Mattint and another Fresco Finish color along the way. First, I chose a color palette that would highlight the red strawberries, but also show off the green leaves. I picked Spring (FF180), Aquamarine (FF153), and China (FF101). When creating, I wanted the background to be more vintage looking, so I added Mattint Glow (MT01) to the mix, and lastly used Gold Rush (FF204) as the last stage of my worn wallpaper technique.

Along with these PaperArtsy mediums, I used a black stamping ink, beeswax crayons, and colored pencils.



I started my art journal spread by coloring tissue paper. For that I used a gel plate and added two acrylic paint colors, Aquamarine (FF153) and Spring (FF180) on top of the plate in small dots. I then used a brayer to spread the colors and pulled a print to a piece of tissue paper.


While making the prints, I cleaned my brayer to my art journal. This added a touch of color to the spread, with the same color scheme I was then adding on top a bit later. Also, no paint was wasted this way!


After the tissue had dried, I added a pattern on top using frottage. I slipped the stencil (PS491) underneath my tissue paper print and then gently rubbed with a beeswax crayon from the top. This added the pattern of the stencil to the print.

 


I named this technique worn wallpaper, but in fact it's a couple of techniques bundled together. The end result looks like a weathered, stained, and torn wallpaper.

I started with collage. I tore the tissue paper into smaller pieces and adhered them on top of the colored spread. I used a matte medium to adhere the pieces in place. If you want to combine a couple of steps, read further for another medium option. I didn't want to cover the whole area but instead give the impression of torn wallpaper.


Next, I added the same pattern but in another way. I used the same stencil (PS491) but this time with paint and a sponge. I used Fresco Finish China (FF101) mixed with Aquamarine (FF153). I concentrated the pattern to the gaps between the tissue paper pieces.


I thought the background needed a touch of contrast. I created that with a text stamp from the set (ESC53) and black ink. As you can see from the picture below, I didn't mean the text to be readable, but instead to add visual texture.

These steps were all about building layers, like layers of different wallpapers added to the wall along the years.


While I liked how fresh the background looked, I felt that a touch of vintage was needed to convey the idea of worn wallpaper and to match the background better to the vintage photos I was planning adding on top. 

First, I added a layer of Mattint onto the page, transforming the color scheme to a warmer one. You can tweak the colors easily with a layer of this medium! If I'd realized earlier, that a vintage touch would be needed, I could have used Mattint to adhere the tissue paper pieces in the first place.


As the last step of the worn wallpaper, I used water resist to create a splodgy paint layer on top of everything already on the background. First, I took a water mister and kept it at hand. I then painted the spread speedily with Fresco Finish Gold Rush (FF204). Next, I sprayed some water on my hand and flicked droplets to the wet paint. I tried to add a generous amount of the droplets, covering the whole area. 

I then used a heat tool to dry the paint. The idea with the water droplets is that the paint underneath the water won't dry while the other parts of the layer do. I then picked up a rag and dried the droplets and removed the paint underneath them. I was left with a splodgy, weathered looking paint layer with all the previous patterns peeking through.  


I had now my mission accomplished - a weathered, torn looking wallpaper background!



Now that the background was done, I concentrated my attention to the focal points. That is the strawberries. I stamped a multitude of them to two surfaces - the more geometrical design from the set (ESC53) on top of white cardstock, to be colored, and the more loose design on top of old book pages. I used the same black ink for both.


I cut the strawberries stamped on top of the book paper loose, and collaged those onto my background. I let the design partly overlap and created a cluster of plants on both pages.


Then it was coloring time! I used colored pencils to add color to the geometrical strawberry designs. I wanted the berries vibrant red and the leaves luscious green. I also stamped a couple of additional strawberries and colored them, too.


After coloring the images, I cut the strawberry plants loose. I also cut some of the berries loose, to be used individually here and there.

I chose a couple of old photos of girls to be standing among the strawberries. I layered the strawberries and girls and adhered them to the page using double sided tape. As I was working on a bound journal, I didn't dare to use foam tape, which I usually prefer to create an illusion of perspective.


As a finishing touch, I added a little journaling to my spread. First, I stamped the "beautiful memories" from the stamp set (ESC53) onto a piece of old book paper. I then searched text stickers that would make up a story, when combined. The stickers were actually from a Halloween themed pad, but I bet you couldn't tell that from the finished story. At least I hope so! You can read the story a bit further along the post.





An air of days gone by topped with sweet strawberries! Above you can see the finished art journal spread. I really like using the long journal format, but it's a bit tricky, when taking pictures.

The main points in this spread are the layered, worn wallpaper looking background and the clusters on top. Notice, how I used the strawberry design repeatedly, like there's a shadow underneath the colored plants? You can just see sneaks of the bookpaper stamped flora, but it still creates a nice backdrop to the colored clusters.


Here's a closer detail on the cluster and the background. There's repetition in the pattern - first in the background using the same stencil and then in the cluster using the strawberry stamp. I hope here you can see the bookpaper version better, peeking underneath the colored plants.


In case you are wondering, what kind of a story I whipped up with the Halloween stickers, you can read it here. "Beautiful memories held her spellbound. Then, suddenly, a strange thing happened. A beautiful garden." Naturally, instead of stickers, you could use actual clippings from old books.


Thank you for stopping by today! Wishing you a lovely summer day!

Xoxo Riikka



Instagram: Paperiliitin

Monday, 30 March 2026

Rhythm of Circles with EPA {by Nikki Acton}



Hi everyone, Nikki here with you today sharing a journal page (or maybe wall art) using the new mini stamps from the Eclectica³ PaperArtsy stamp collection (EPA). These mini stamps are designed to be ideal under-layers complimenting other designer lines, but I decided to make them the focal point too.




 
There are eight new mini stamps - Eclectica PaperArtsy EM153 - EM160. (Available from PaperArtsy Stockists). I used seven of them today.

I needed two contrasting colourways for my project so selected Fresco Chalk Acrylics in Cerise (FF136), Sunshine (FF223), Persimmon (FF209) and Electric Violet (FF201) for my warmer colours and Aquamarine (FF153) and Sargasso (FF135) for the cooler ones. It's rare I don't include some black and white in my projects, my go to colours being Little Black Dress (FF19) and Chalk (FF83).

To build up my background I also used one stencil - PaperArtsy stencil PS329 - by JOFY.



To begin I took three of the red / warm colours and loosely added to my page. No need for precision or blending here - lots more layers to go!


Next I used the stencil to add some Chalk acrylic randomly over my page followed by some stamping of the bubble wrap stamp (EM156) with Electric Violet paint.


More stamping - this time with Ranger Archival inks. I used Plum, Watering Can, Orange Blossom and Jet Black. When adding to a background like this I do not use a block but just hold the stamp into the ink and transfer to the page. I am happy if I only get half the image!


I created two of these backgrounds - and as with any process like this they are slightly different. I used black ink on one for the branches but the more subtle Orange Blossom ink on the other. On one I added some additional stencilling using Sunshine.



For my blue/green background I used my gel plate. This technique gives you the mirror image of the stamp you are using. First I add some paint to my gel plate.


Next I begin stamping off the gel plate - i.e. using the paint on the gel plate to stamp onto another piece of paper. You need to work relatively quickly (to prevent paint drying on the plate).



Once complete I use what is left on the gel plate to create the print. You can see below the gel print alongside where I have 'stamped off' the gel plate onto card.


I also used this technique for some of my focal imagery. While the gel print version doesn't give the perfect image that you get stamping with ink and PaperArtsy stamps, it does give you a wonderful, grungy version!



The blue flecks of paints on the black print were leftovers from the previous print - cool effect!


To build my focus I stamped and punched or fussy cut different images. I mainly used the half circle from EM153 and the full circle from EM157. I stamped on both the warm (reds) and cooler (blue/greens) backgrounds and also used the gel print black circles.


I cut other parts of the background to form the layers. As I was using square backgrounds but circles as the focus I made sure I softened the edges with a corner punch. 
 

Each layer was mounted onto black card (or card painted black). 












I created a little cluster of stamped elements and added one of the word stamps.


I love how the stamped semi circles look over the busy multicoloured background.

I hope you like my journal page. I look forward to seeing what you do with this fabulous collection of Mini's.

Happy crafting, Nikki.


Instagram: @a2a.craft
Pinterest: nikacton
YouTube: @nikkiacton797