Showing posts with label ESC53. Show all posts
Showing posts with label ESC53. Show all posts

Monday, 13 July 2026

Strawberry journal spread with ESC {by Riikka Kovasin}



Hello everyone, Riikka here with you today for an art journal spread process. I was inspired by warm days, memories of summers gone by and the sweet taste of strawberries. In this post I'm showing you, how I created a weathered collage background for the page to echo fleeting moments and then layered a mix of vintage and herbal focal points on top.



 
My main inspiration for this project was the beautiful strawberry set by Scrapcosy (ESC53). I wanted to use that as my focal point. I then thought about a fun technique using rubbing for the background, so I chose a stencil (PS491) to be used in that.

To be honest, I started with three Fresco Finish acrylic paints and then added a Mattint and another Fresco Finish color along the way. First, I chose a color palette that would highlight the red strawberries, but also show off the green leaves. I picked Spring (FF180), Aquamarine (FF153), and China (FF101). When creating, I wanted the background to be more vintage looking, so I added Mattint Glow (MT01) to the mix, and lastly used Gold Rush (FF204) as the last stage of my worn wallpaper technique.

Along with these PaperArtsy mediums, I used a black stamping ink, beeswax crayons, and colored pencils.



I started my art journal spread by coloring tissue paper. For that I used a gel plate and added two acrylic paint colors, Aquamarine (FF153) and Spring (FF180) on top of the plate in small dots. I then used a brayer to spread the colors and pulled a print to a piece of tissue paper.


While making the prints, I cleaned my brayer to my art journal. This added a touch of color to the spread, with the same color scheme I was then adding on top a bit later. Also, no paint was wasted this way!


After the tissue had dried, I added a pattern on top using frottage. I slipped the stencil (PS491) underneath my tissue paper print and then gently rubbed with a beeswax crayon from the top. This added the pattern of the stencil to the print.

 


I named this technique worn wallpaper, but in fact it's a couple of techniques bundled together. The end result looks like a weathered, stained, and torn wallpaper.

I started with collage. I tore the tissue paper into smaller pieces and adhered them on top of the colored spread. I used a matte medium to adhere the pieces in place. If you want to combine a couple of steps, read further for another medium option. I didn't want to cover the whole area but instead give the impression of torn wallpaper.


Next, I added the same pattern but in another way. I used the same stencil (PS491) but this time with paint and a sponge. I used Fresco Finish China (FF101) mixed with Aquamarine (FF153). I concentrated the pattern to the gaps between the tissue paper pieces.


I thought the background needed a touch of contrast. I created that with a text stamp from the set (ESC53) and black ink. As you can see from the picture below, I didn't mean the text to be readable, but instead to add visual texture.

These steps were all about building layers, like layers of different wallpapers added to the wall along the years.


While I liked how fresh the background looked, I felt that a touch of vintage was needed to convey the idea of worn wallpaper and to match the background better to the vintage photos I was planning adding on top. 

First, I added a layer of Mattint onto the page, transforming the color scheme to a warmer one. You can tweak the colors easily with a layer of this medium! If I'd realized earlier, that a vintage touch would be needed, I could have used Mattint to adhere the tissue paper pieces in the first place.


As the last step of the worn wallpaper, I used water resist to create a splodgy paint layer on top of everything already on the background. First, I took a water mister and kept it at hand. I then painted the spread speedily with Fresco Finish Gold Rush (FF204). Next, I sprayed some water on my hand and flicked droplets to the wet paint. I tried to add a generous amount of the droplets, covering the whole area. 

I then used a heat tool to dry the paint. The idea with the water droplets is that the paint underneath the water won't dry while the other parts of the layer do. I then picked up a rag and dried the droplets and removed the paint underneath them. I was left with a splodgy, weathered looking paint layer with all the previous patterns peeking through.  


I had now my mission accomplished - a weathered, torn looking wallpaper background!



Now that the background was done, I concentrated my attention to the focal points. That is the strawberries. I stamped a multitude of them to two surfaces - the more geometrical design from the set (ESC53) on top of white cardstock, to be colored, and the more loose design on top of old book pages. I used the same black ink for both.


I cut the strawberries stamped on top of the book paper loose, and collaged those onto my background. I let the design partly overlap and created a cluster of plants on both pages.


Then it was coloring time! I used colored pencils to add color to the geometrical strawberry designs. I wanted the berries vibrant red and the leaves luscious green. I also stamped a couple of additional strawberries and colored them, too.


After coloring the images, I cut the strawberry plants loose. I also cut some of the berries loose, to be used individually here and there.

I chose a couple of old photos of girls to be standing among the strawberries. I layered the strawberries and girls and adhered them to the page using double sided tape. As I was working on a bound journal, I didn't dare to use foam tape, which I usually prefer to create an illusion of perspective.


As a finishing touch, I added a little journaling to my spread. First, I stamped the "beautiful memories" from the stamp set (ESC53) onto a piece of old book paper. I then searched text stickers that would make up a story, when combined. The stickers were actually from a Halloween themed pad, but I bet you couldn't tell that from the finished story. At least I hope so! You can read the story a bit further along the post.





An air of days gone by topped with sweet strawberries! Above you can see the finished art journal spread. I really like using the long journal format, but it's a bit tricky, when taking pictures.

The main points in this spread are the layered, worn wallpaper looking background and the clusters on top. Notice, how I used the strawberry design repeatedly, like there's a shadow underneath the colored plants? You can just see sneaks of the bookpaper stamped flora, but it still creates a nice backdrop to the colored clusters.


Here's a closer detail on the cluster and the background. There's repetition in the pattern - first in the background using the same stencil and then in the cluster using the strawberry stamp. I hope here you can see the bookpaper version better, peeking underneath the colored plants.


In case you are wondering, what kind of a story I whipped up with the Halloween stickers, you can read it here. "Beautiful memories held her spellbound. Then, suddenly, a strange thing happened. A beautiful garden." Naturally, instead of stickers, you could use actual clippings from old books.


Thank you for stopping by today! Wishing you a lovely summer day!

Xoxo Riikka



Instagram: Paperiliitin

Friday, 2 January 2026

2025 Year in review: Scrapcosy

Hi everyone, Raquel here from Scrapcosy, wishing you a happy New Year full of health, happiness, creativity and great moments to remember! My New Year resolution is to spend more time in my craft room, creating things, playing with my stamps and stencils and sharing more projects with you in my YouTube channel. 

I'm here today to share with you what 2025 has meant for me crafty-wise. I've reached what I feel is an unbelievable milestone: I went beyond stamp set number 50! I'm in love with all the designs I came up with this 2025. After all the hard work, having them turned into stamps and stencils to play with is an amazing feeling! I feel so lucky to design for PaperArtsy! 

April Release: Garden Flowers
ESC50, ESC51 & ESC52
PS468, PS469 & PS470 (Large)


To celebrate the 50th stamp set I went for a favourite thing of mine: patchwork fabric with roses. I'm a patchwork fabric lover, I can't help it, when I see a beautiful rose-pattern fabric I just buy it, touch it, look at it, keep it... my Preciousss... So with design number 50 I wanted to be able to create a fabric-like pattern with roses, so I drew my own flower bouquet inspired in a couple of those fabrics I own and I got it in two different sizes and with extra little flowers to decorate. I was so happy with this design! And I created this sample to show you the type of fabric I love!


With ESC51 I was inspired to handwrite a poem about a day in a wild garden. With the help of Leandra and Alison Bomber, I polished it a little bit and all the writing was ready to create texture in different shapes. The daisies bouquet I saw in an embroidery vintage book inspired the flowers in this stamp set, so I decided to create a book mark showing part of the poem and the beautiful flowers. I created other samples on each side of the book mark with the little elements that allow the creation of repetitive patterns, which is another thing I love. 


I chose this sample from the release since this is the one I did a live demo on. I love the background I created with PS470, grunge paste and infusions and I love how the magnolia flower from ESC52 (inspired by a heritage wooden box I have) stands out on top of it. This is my favourite sample on the release! 


Meanwhile, over on the PaperArtsy Blog, Ann Barnes made this gorgeous shadowbox with my new stamps..


As you can see, some gorgeous shading on the flowers...


And beautiful paint details from stencilling various layers on the frame and the background.



November Release: Strawberries & Mushrooms
ESC53, ESC54 & ESC55
PS491, PS492 & PS493 (Large)


Inspired in the arts and crafts movement started by William Morris and the vintage perfume labels, ESC53 and ESC54 were born. I love strawberries so those and their plants in different shapes were the stars of these 2 stamp sets. I wanted to create a modernist label so I could use it not only for preserve jars but also for being the focal point of a sample, like this one, where PS491 stencil also stands out in the background.


ESC54 has also a countryside vibe, so that's what I wanted to convey with this sample, where I used the strawberry plant as a focal and the 2 tartan stripes to create a beautiful squared fabric-like pattern in the background. This stamp set is really versatile and those 2 stripes will let you create many different patterns.


This was my favourite sample on the release. I love mushrooms, so it was time to get a new mushroom stamp set with ESC55. I didn't want to just add new specimens to my previous mushroom sets, I wanted to create beautiful mushroom bouquets or groups of them that could be used as a focal and would be beautiful as stand alone images. I'm so happy with both collages and also with the fact that the extra images will let you add dimension and background patterns.


The image for this other sample is meant to be used in borders of cards and art journal pages, however it looks so stunning on its own that it deserved to be in the centre of the card. Multiple stamped and cut images allow that 3D effect on the card that pops the mushrooms out of the paper. It's like they are truly alive!


And this final sample was the one I made for the other demo I gave here on the PaperArtsy people facebook group. It comes out of the PS493 stencil, which is a multiple layer stencil, allowing you to add different colours for each layer. With the help of a white pen for the highlights and black pen for the shadows the stencilled image gets completely transformed into a hand drawn look like image, with far more details than a simple stencilled image. 

Meanwhile, over on the bog Tracy Hickman created this stunning journal page with my November release, you can see all the details here


The new Postcards Printed Tissue made such a great backdrop to kick off her page


She also created 2 tags that make this spread interactive and allowed her to use the stamps to their full potential

End of Year Project: Xmas Baubles (by Raquel Burillo)


Although Christmas season is almost over (in Spain it lasts until 6th of January, with the celebration of the 3 wise men) this is a project that I wanted to share with you, since it can be applied to any other object, not just plastic Christmas tree baubles, but also jars, vases, coasters, wooden boxes, etc. I'll show you my way of working with PaperArtsy blank tissue paper and the stamps of your choice. Many of the designs of my 2025 releases can be used for this technique and if you keep your colour palette unified, when applied to Christmas trees baubles, you can create your own baubles collection for next year and combine these with plain and same colour baubles for a more textured Christmas tree.






My main supplies were stamp sets ESC50 and ESC53 (available from a PaperArtsy Stockist), which I stamped onto Blank Printed Tissue Paper (PT10) with some black Archival ink, which then I glued to my plastic baubles with Fresco Finish Satin Glaze and added colour with some Mattints, Infusions and Gold Fresco Finish Paint. I gave a vintage look with some Vintage Photo Distress Ink at the end.

 
Here you can probably see the supplies a bit better.



The very first layer is just adding Fresco Finish Chalk Paint to cover the plastic bauble. Here I'm dabbing the brush to add some texture. 


I created 3 different bases for each of the baubles, a dabbing one, then long and full brushstrokes and finally a roughly brushed one, where the bottom of the bauble is still golden colour. If instead of Chalk colour you add a different one, then that will be the base colour of the finished project. These may look also gorgeous in light green or like blue, using Aqua Duck Egg or Niagara Falls, for example.
 

In a nutshell, after adding the base colour, we need to glue the stamped images to the baubles and add the different colour layers. Let's see the details for each step.


First, stamp all the images on a piece of Blank PaperArtsy Printed Tissue Paper (PT10). I used Archival Ink, which dries much, much faster than Versafine ink. Just be careful when you stamp because the ink goes through the tissue and will stain your surface. Consider placing a piece of copy paper underneath the tissue, so it absorbs the ink or clean the ink from your surface after each stamped image, otherwise if you move the tissue to stamp on the same spot of your crafty table, the tissue will absorb that leftover ink and you'll be disappointed.


Once everything is stamped you want to trim each image so you can glue it to the baubles. Don't use scissors please! Use a brush dipped in water to trace around the image, then tear it so you can see the paper fibers on all edges, that will ensure the edge disappears when you glue it to your surface. If the paper doesn't easily tear, your brush needs more water. Just make sure the water stays away from the image and tear the tissue paper carefully.

Here are the 3 designs I made, combining different elements of both stamp sets. The way to glue the tissue paper is by first applying a layer of glaze onto all the surface of the bauble that each piece of tissue paper will touch. I used Fresco Finish Satin Glaze but you can use a Fresco Finish Gloss Glaze for a shiny finish or Fresco Finish Matte Glaze for a completely matte finish instead of a satin finish. Then you lay one trimmed image into that wet surface and then you apply another layer of Glaze on top of the tissue paper. You are doing it right when the tissue paper becomes transparent and you can see your image on top of the painted background, as if the tissue paper just disappeared.


Now it's time to add colour. I used Ladybug Mattint (available from PaperArtsy stockists) for the red, Glow Mattint for the yellows, Olive Tree Infusions Dye Stain mixed with Fresco Finish Satin glaze for the greens and then I added some touches/dots of Fresco Finish Gold for a more magical and Christmassy touch.


And for a final vintage touch I added some Vintage Photo Distress Ink, which will highlight the paper creases and will add some depth and texture to your project.


This is how they turned out. They look gorgeous in my Christmas tree!


The big roses combined with tiny ones and the small flower branches create a busy pattern that I love. By adding the gold spots here and there I fill the blank spaces with some magic and shine.


This design is much simpler, just 6 copies of that flower evenly spaced (or as much as I could) leave some gaps which again I filled with gold dots. These combine really well with the bottom of the bauble which I left without paint so it's also golden colour.


This same technique can be applied to other things. Imagine creating a set of coasters with the same images or a wooden tray with a repeated pattern. There are some many home decor elements you can upgrade to have that same look: pencil pots, kitchen clocks, inside of drawers, the top of a side table, wooden boxes and more.

I'm editing the YouTube video that has all the steps to create this baubles. I will add the link here once the video is published, or check my YT link below.


YouTube - learn many techniques from me in my scrapcosy YouTube channel
Instagram - follow me and contact me at instagram @scrapcosy
Scrapcosy.com - My blog