Showing posts with label EAB02. Show all posts
Showing posts with label EAB02. Show all posts

Thursday, 30 April 2020

2020 #8 Popping Pink: A Box full of Quotes with EAB and ESA {by Amanda Pink}

2020 Topic 8: Popping Pink


We're so glad that Amanda Pink stepped up for this theme, and her clever cerise quote box is a plethora of pink stamping with some subtle details.Having a partly finished project that you can keep adding to is such a great idea for many of us right now who might not feel like creating a whole project in one go. ~Keren

Hi everyone, it's Amanda from ink-a-pink here with you today, and I'd like to share the project I have created for the current challenge: 'Popping Pink'.

I think this topic has my name written all over it, don't you? lol!    

It was only a few years ago now that through my creativity I actually started to appreciate the colour 'Pink'. I love the more vibrant, funky shades that really 'pop' when you team them up with black and white. I also love quote/sayings and have over the years recorded many I have heard or read in notebooks. So when I knew I would be creating with Alison Bomber's stamps for this topic I thought I would combine both of these 'loves' and create a 'box (rather than notebooks) filled with a collection of quote tiles in pink, black and white. 
Although this project may at first appear to be finished and indeed it could well be, I intend to keep adding to it. It will be my ongoing 'focus' project during my 'stay home' time- something I feel I need to keep  both the fingers and mind busy during these concerning times.






I used a That's Crafty Mdf ATB for the box which I painted with PaperArtsy Fresco Finish paint: Little Black Dress.


The main creativity began with masterboard backgrounds. Whenever I need several similar looking backgrounds for one project I like to create masterboards that I later cut to size. 



PaperArtsy's Magenta Infusions create the most fabulous 'popping pink' colours depending on how much water you spritz them with so they served as my ink to monoprint and stamp some masterboard backgrounds. For the monoprinting I used some textured wallpaper (far left) and for the stamping I used a couple of the stamps (centre and far right) from one of PaperArtsy recently released stampsets: Eclectica (Seth Apter) collection (ESA15).



It 's the first time I've used Infusions in this way and was really pleased with the results.



The monoprinted background.



The circle stamped background. 



The 'grid circle' stamp background.

I assigned the monoprint background to the box and after cutting it into panels to fit each of the 5 faces I added some black detail stamping.



There's some 'crosses' ...



....and some 'target circles' using stamps from PaperArtsy Eclectica (Seth Apter) collection (ESA15).



There's also some broken text using a couple of quote stamps from PaperArtsy Eclectica (Alison Bomber) Collection (EAB02 and EAB08). Alison's quotes are great to add some text to your backgrounds whether you stamp them in full or you stamp them more brokenly as I have done.






Fast forward past all the matt n layering and adhering and the box was ready to be filled.




It was 'more of the same' creativity for the quote tiles: cutting to size the Infusion stamped masterboards, matt n layering and adding some black detail stamping.


I stamped the tile backgrounds with the same stamp from ESA15 as I had on the box backgrounds so there was some continuity of design between the two. I also stamped a few small open circles using PaperArtsy (Tracy Scott) Minis (EM60). Tracy's stamp design has open space between the circles which allows you to stamp a single circle with out having to mask off the others. I think the single circles compliment the 'target circles' and fill in the gaps ( so to speak) nicely.





Each tile has its own 'quote' taken from 5 of PaperArtsy's Eclectica (Alison Bomber) Collection (EAB02, 03070817). I selected the quotes that worked best with the size of the tiles. It pained me to leave the others out as I wanted to use them all!



On the reverse of the tiles there's a blank panel on which a few words could be written if I give/send them to anyone; I am sure I will.



I also made some tiles into cards and rather than have the quotes centralised I split them up and arranged them 'creatively' on the backgrounds.



The tiles and the cards along with a few envelopes fit in the box perfectly with plenty of room for the tiles I have yet to create. Should keep me busy for the foreseeable future !!

Admittedly this is a big project but it could very easily be broken down into a number of creative sessions, for example the box one day, the matt n layers another, the backgrounds another.  
The creativity could also be divided up amongst the people you are 'staying home' with.

It's also a versatile project that could be 'changed up' so easily. You could use different colours, mediums, stamps. The tiles could be used in the ways I have shown or they could be used to make tryptechs, gift tags or framed either individually or in sets to display around the home.
Just a few ideas but there are so many creative options!
Why not have a go at creating something similar yourself and have fun 'making it your own'. 


Thanks for stopping by today/ tonight.
Stay safe and well and keep on creating.
Take care,
Amanda 
x

Blog: ink-a-pink
Facebook: Amanda Pink
Instagram: Kynapi10
Pinterest: PinkArt

Monday, 17 September 2018

2018 #16 Reinkers: Experiments with Rats, reinkers and EDY {by Raquel Burillo}

2018 Topic 16: Reinkers


Rats! Yes that is right!! Re-inkers and rats...2 words I never thought I'd be writing in a sentence!  Read on!! ~ Leandra

Hi everyone! Raquel here from scrapcosy. Today I’m bringing you 2 different projects (and therefore, 2 videos) that I’ve created for the Reinkers challenge.

You would think reinkers just exist to add ink on your wasted ink pads, however, as you may have seen from the intro post and as you will see here and the rest of the weeks, you can do many other things with them. At my end I will show you about 5 different uses and I will use my favourite stamp set by Darcy EDY21 and one of her new stencils from the latest release PS115.



Watercolour - Welcome Home



For this technique I decided to use the distress oxide reinkers as watercolours. I selected for my palette: fossilized amber, faded jeans, aged mahogany, vintage photo, bundled sage, peeled paint and a touch of picked raspberry). I stamped my images on a 5 by 7 piece of heavy smoothy paper using versaFine Clair fallen leaves, which seem to repel water very well and don’t get as much covered as regular archival or regular versafine. This is my go to ink when it comes to this technique. I used my PaperArtsy white craft mat as a palette and I put a tiny drop of each one of the inks on it, then with a waterbrush (or a brush dipped into water) I added water to the drop, and I started colouring my stamped composition. I used the stamp set EDY21 by Darcy.  


I did some masking to create a little neighbourhood out of just one house (I love that house!!) and I used just 5 colours of ink for the entire piece.




And since my composition was crooked, I decided to attach it to a dark background a bit twisted so the actual floor is flat.


I really spent a relaxing time with this project, I really enjoyed playing with the reinkers in this way! If you want to see it coming to life, here is the video:




Experiments with Rats


Then, I decided to experiment a little bit more. I recently bought a vintage photo regular distress reinker for my inkpad, since I was running out of that ink again… It’s my favourite ink to add a final vintage touch on projects. And I also had the Vintage Photo distress oxide reinker. So I decided to use both reinkers (regular and oxide) to create the same project in 2 tiny cards out of smoothy heavy cardstock and compare the results. Regular Distress ink is translucent and Distress Oxide ink is opaque so even if I used the same colour, I thought the results should be a bit different, and I was right. Here is a video with all the details of my experiments, but I'll also write down the main steps and techniques used.


The first technique was to create my background. I used 2 big drops of Chalk Fresco Paint on my craftsheet, I extended them with a palette knife and added one drop of Vintage Photo Oxide ink on one and regular ink on the other one, I mixed the paint loosely and dragged and touched each piece of card on the corresponding puddle of paint until I got full coverage. I got a pastel look and when dried it with the Heat Tool it surprisingly became pinkish. I didn’t finish there, I added some water on the leftovers of the sheet, picked it again with my card, sprayed on the card some drops and heat set, until I created that typical distressed background full of drops, splashes and all but in a softer version. They got similar colour but the oxide one (left) was lighter in colour.



The second technique was to add ink through the stencil. I just put a tiny amount of ink in my craftsheet and lifted/smudge it using a piece of cut-n-dry foam and I added the buildings using Darcy’s new stencil PS115 to my background. I had to headset the ink, since I’m applying a non permanent ink on a non porous surface, so it takes a while to dry. The regular distress is translucent, so I can still see some of that texture (drops etc.) I created (first picture). Distress Oxide (second picture) is opaque so all that texture becomes covered.



Then I added the floor on my background. For that I used the cobweb part of the stencil (covered with tape to create a flat line) and I used Grunge Paste through the stencil. For my third technique I mixed a drop (2 for the oxide ink, since they are smaller due to the type of applicator tip) with Grunge Paste and stencilled each rat. At first they looked similar in colour but when dry the regular distress rat (first picture) was much darker than the oxide one (second picture). With the leftovers of each sponge I aded some ink on the borders of the card and on top of all the GP areas (floors and rats) to add more texture.



At this point, the 2 cards were very similar but one was significantly lighter (oxides) than the other one (regular) so I decided to bring a quote about light and darkness as a final touch to my little experiments and Alison Bomber’s stamps EAB02 were just the perfect match


I used the stamp with the quote “If there is light, then there is darkness. Pitagoras” for my final technique. So I got a piece of cut-n-dry felt and I created a mini inkpad of distress oxide vintage photo (regular) to stamp my quote twice on a piece of card. Why I did it twice? Because I wanted half a sentence on one card and half a sentence on the other card AND I wanted my margin to be as wider as I could. If I had just stamped the quote once and had cut it by the middle, the margin I would have got would have been too narrow for my taste. So I cut each sentence from a different stamped quote. And this time I went for the same ink for both cards (regular distress) so there would be something coordinating between them. I finally assembled these on a light brown card (for the oxide sample) and a dark brown card (for the regular one) and I used crunchy waxed kraft paper torn by hand, one flat (oxide) and one crumbled (regular) to create an intermediate layer between the piece and the card base. I decorated each piece with a metallic star.


Thanks very much for reading! I hope you liked the techniques and I encourage you to get your reinkers out and come up with other new techniques. As you see, one colour it’s enough to experiment. And just consider that the ink is a very concentrated liquid paint, so almost anything you do with paint can also probably be done with a reinker.

If you want to stay in touch or see more about me, here are my social media links

To join our challenge and win a PaperArtsy Gift voucher:

Simply make something arty relevant to the topic, and link your creation from any social URL (eg. Instagram, Pinterest, Blog Post etc) sharing your original make to this challenge page.

The current topic link Topic 16: Reinkers will close 17:00 (London Time) Sunday, September 30th 2018, and the winner will be announced 2 hours later at 19:00.

All links go in the draw to win a PaperArtsy voucher for £50 to spend on our retail website. Please make sure we can contact you as a prize winner - it helps if you share your contact info from the platform you opt to use.

Good Luck! If you have any questions, don't hesitate to ask!