Sunday, 5 February 2017

2017 Topic #2: Masks {Challenge}

 2017 Topic 2: Masks


Hi everyone, Darcy here with topic number 2. This time we are exploring masking techniques. We have touched on these previously when we did 'resists'. However there are differences, a resist can be left in place, these can include paint and embossing powders amongst other things. Masks on the other hand are a temporary step in the process and are always removed. Basically a mask is used to protect an area, this area can be left totally blank or the mask can be moved around and layers built up. 

There are several techniques and things that can be used as a mask, and each creates different effects. Our designers over the next two weeks have some really lovely ideas for you. 

Before we start, let's see who won the Topic 1: Pink and Orange Challenge...
We had an amazing array of entries, from zingy brights to more subtle blended pieces. I think you will agree this was a winning combination of colours, whether it was your first time or an old favourite. 

The winner of Pink and Orange is: Mark from Mark's Art Book

Email Darcy to claim your prize. Darcydotneedles@gmail.com

Masks have been around much longer than you might at first think. How about going back to ancient aboriginal tribes? yes really that far back. it is crazy to think that some thing we use so creatively was being used thousands of years ago.Ochre,water and animal fat were put into the mouth and then the mixture was blown and sprayed from the mouth over their hand which became a mask. the result was a halo of colour around the hand shape. 

These were not a decorative mark but one of hierarchy. The higher on the wall the print is the higher the position within the tribe. The more an important a person was the more of the wrist arm was used aswell as the hand. 


Red Hands Cave
Next came pottery, masks were used under layers of glazes. This is an age old technique that is still used today. 


Rachel Dorn
Today of course we can still use our hands, why not try that by mixing up some Fresco paint into a spray bottle with water... please do not put paint in your mouth!

But there are other methods, from found objects, to various types of paper and tapes right through to specifically designed paper and mylar masks. 

Of course the easiest thing to use is paper, you can just grab a piece and use the straight edge to mask off an area, or you could tear it apart, perhaps into raggedy strips. These strips are especially effective for creating hillsides. 


Eileen Godwin
If hills aren't your thing then torn paper can provide a really interesting edge, just hold in place and add your ink or paint. Be very careful to not push your colour under the paper. 


Susan 
Another really popular paper to use is a post-it note. The added advantage of these is the sticky strip at the back which will adhere to your project while you add colour. In this next card the post -it notes were torn and arranged into squares. 


Birgit
This quick video shows how to stamp onto a post-it note and use the cut out image as a mask. 


You can also use punched out shapes and stickers as masks. Stickers are great as they will stay in place while you add colour, be careful as you remove them as they may tear up your background paper. You could remove some of their stickiness before using them. 

Patsy Collins
Next on the list of things to try is masking tape. It can sometimes be very sticky, and tear your background paper, you can remedy this by removing some of the sticky. You can also buy artists tape which is less sticky but much more expensive. 

You can rip the masking tape for interesting ragged edges or use it as it is for nice clean lines. Depending on how careful you are applying your colour, you can get crisp lines or allow some colour to seep under for a softer look. 

Jessica Taylor
Here is a great way to use masking tape, see how it has just been used in the main centre section of the page and all the decoration is around the edge, leaving a generous area of journalling. 

Sharna
Here is another fantastic journal page done with masking tape and doodles. 

Mumly
A really effective mask can be made from an aperture care, the ones with a circle aperture are the most useful, but you could cut a circle from card yourself. At first this may appear to be a stencil, and of course it is in the sense you are adding colour inside the shape. But remember you are also masking off the rest of the card and protecting it. 

First up is a video with a really nifty technique for creating a really effective circle. 



This card begins by adding colour in this way, through a circle, while protecting the rest of the card. 


The next step is to use the circle that you have cut out, and use that as a mask, now you can work on the rest of the card. 


The final card is stunning, and shows beautiful blending. These steps are by Kerin, pop over and see the rest of the tutorial. 


Here is another fantastic piece where you can see the circle of white has been protected by a mask. 

Robert Foster 
Here is another video for you, this time from Heidi Swapp, working on a gorgeous scrapbook layout, personally this is one I am definitely going to try. There are so many amazing collage type stamps from PaperArtsy that would be perfect for this technique. 


Masking fluid has been around a long time too, and it used by waterolour artists all the time. This is a fluid that is painted onto the paper and left to dry, then the watercolour paint is added and this too allowed to dry. At the end of the process the masking fluid can be gently peeled off leaving crisp white substrate below. This is a handy technique for keeping highlights really bright, for adding droplets and sparkles etc. 

Masking fluid is generally a creamy colour, but you can also get a blue one which is much easier to see. Though if you are concerned about marking the substrate beneath then there is a clear version too. 

Sian
I love this watercolour/masking fluid spiders web. 


Finally there are mylar masks, you all know about mylar, it is the same stuff that stencils are made from, and it comes in various thicknesses. Too thin and it is very flimsy and not durable, too thick and the colour or texture paste that you add into the design goes on too thick. PaperArtsy mylar is a mid range thickness and we think that it really is good for all sorts of applications. Keep your eyes peeled for some gorgeous new additions to the PaperArtsy collections soon!

It is easy to confuse stencils and masks, and they are interchangeable. Generally a stencil will give you the shape and a mask will add details, but this is not always the case and it can be reversed. Both are lots of fun and you just need to play with them and make them work for you. 

A perfect example of using stencils and masks together is this piece by Seth Apter his stencils and masks are interchangeable and all work brilliantly together. You can buy this particular mask HERE. 


I hope you have fun making and using masks over the next two weeks, don't forget our guests have lots of ideas for you so make sure to pop back here on Mondays, Wednesdays, Fridays and Weekends to see what they have for you. 

Don't forget to follow Darcy and Leandra's Pinterest boards if this topic pushes your buttons, you will see plenty more examples to whet your appetite there! I am really looking forward to seeing what you create over the next 2 weeks!

~ Darcy



We hope that you  learn something interesting from our blog. Our bloggers deeply appreciate your comments so much, so please take time to let them know you've been inspired! Why not join our challenge by blogging your interpretation of the current topic and link it here?

The current topic link will close 17:00 (London Time) Sunday, Feb 26th 2016, and the winner will be announced 2 hours later at 19:00.

All links go in the draw to win a £50 voucher to spend on products of your choice from the PaperArtsy online store.









Challenge Guidelines

  • The challenge is a for you to show how you are inspired by the current blog topic. We encourage you to play with us and explore your personal creative style.
  • Please mention which PA blog post inspired you and and why (link directly to that post). Please don't link to the home page of your blog because then no-one can track back to easily find the original post.
  • We prefer your challenge blog post is created exclusive to our challenge, but if our topic fits perfectly with another challenge, then you may link to both if appropriate.
  • You are most welcome to use stamps/ products/ substrates you have to hand from a variety of companies, we do not expect you to exclusively use PA products - it's lovely when you do though!
  • You can enter as many times as you like. We don't want to restrict your creativity! 
NB. Link closes at 17:00 Sunday Feb 26th   (London Time)

Prize: The winner will receive a £50 credit voucher to be redeemed on the PaperArtsy Website. The credit voucher includes VAT and postage. We request that one of your purchases is an A5 rubber stamp. You can add any other items to your basket, but the final total should not exceed £50. It's your responsibility to claim your prize coupon from Darcy. 
email: darcydotneedles@gmail.com

NEW Challenge/ winner: Each fortnight on Sunday, the winner will be announced at 19:00 (London time). In the same post, the link for the next fortnight will be posted. 

Good Luck! If you have any questions, don't hesitate to ask!

Saturday, 4 February 2017

2017 #1 Art Journalling {by Tracy Scott}

2017 Topic 1: Pink and Orange

Tonight we have some inspiration from Tracy Scott, showcasing her stamps in such an eye-catching , colourful style. Tracy is well known for using colour in this fabulous way, so sit back and enjoy. 

Hi everyone Tracy here.
Great to be here on the PA blog tonight. For tonight's project I have chosen to show a page in my 365 mini art journal.

At the end of last year I thought it might be fun to keep a mini journal for 2017, a small journal that I could create in everyday, that wouldn't be too overwhelming or time consuming. I'm loving playing with different products and trying out new techniques in my little book.... it has certainly got the creative juices flowing again !!!


 Although I tend to use pink a lot when I create I very rarely sway towards orange although I'm never quite sure why this is as I absolutely love the vibrant combination of the two together (for this journal page I used a combination of two of the colours in my new fresco paints 'Prawn' and 'Tangerine Twist'... "don't they look fabulous together?"


For my 365 journal I decided not to go for an expensive journal with nice paper but to go for a small diary type journal, I wasn't sure how the pages were going to hold up to my usual wet mediums of acrylic paints, modelling pastes, collage etc but have found that with a coat of gesso first every page has withstood everything I've thrown at it so far !!


Background stamping with stamps from ETS08 and flower head stamp from ETS06, I'm loving using metallics on my pages at the moment, whether it be gold and silver paint splatters or using my metallic gel pens to add some details... I just cant get enough of them...




My other soft spot at the moment seems to be for scribbling....I seem to be doing some sort of scribbling on every page I do.... its just so freeing and makes me so very happy !!!


And of course who doesn't love a bit of glitter, I never used to be a glitter girl but to be honest I just cant get enough of the stuff nowadays...



This little book has certainly given me the freedom to try new things, new colour combinations and new techniques, I find that as the book is inexpensive and lined I don't have the same fear of the blank page that can sometimes occur in a more expensive journal. 

What a fabulous way to play and express creative freedom !!

Some of the ideas I've explored in my little book have gone on to be expanded in my larger journals so its the perfect place for practising !!! Why not give it a go, grab yourself a little notebook and experiment to your hearts content...... but be warned......it's addictive !!!!!

Thanks for stopping by and joining me tonight, if you want to check out more of my work including more of my 365 journal pages you can find me at the following links....

www.instagram.com/Tr4cy1973

What a great idea Tracy, we all lead such busy lives that to have something like this that is simple and achievable is just the perfect way to get an arty fix each day. 


We hope that you  learn something interesting from our blog. Our bloggers deeply appreciate your comments so much, so please take time to let them know you've been inspired! Why not join our challenge by blogging your interpretation of the current topic and link it HERE?

The current topic link will close 17:00 (London Time) Sunday, Feb 5th 2016, and the winner will be announced 2 hours later at 19:00.

All links go in the draw to win a £50 voucher to spend on products of your choice from the PaperArtsy online store.

Friday, 3 February 2017

2017 #1 No Place Like Home {by Chris Cresswell}

2017 Topic 1: Pink and Orange


It's lovely to have Chris with her vibrant art on the blog tonight. Chris is a master of creating layers and contrast, and she always throws herself enthusiastically into all she makes. Enjoy, she has lots of tips for you tonight!

Hello PaperArtsy Blog followers, it’s Chris Cresswell here, sharing a post on this fabulous Pink/Orange challenge theme, using Stamps designed by Ellen Vargo. Anyone who follows my blog will know that these are my favourite ‘Go-to’ colours, and Ellen’s stamps are perfect for art journaling. Therefore, the colour theme and stamps dictated my project choice: mixed media/art journaling on a 10” x 12” canvas.

I love to use bright colours in my art journaling (my art work is seldom subdued!), and I love adding lots of layers despite the fact the first layers seldom make an appearance in the completed project. I don’t mind that. I never have an ‘end view’ in sight when I begin. I start with paint and I just keep layering! I love the process and learning more about the products I’m using as they mix with, blend or cover the layers underneath.


For this project, I first created a collage of various torn pieces from my stash, to deliberately create different textures. This is an idea I’ve borrowed from Birgit Koopsen who tends to use all her gelli-prints to create a collaged layer.


I chose quite a few Fresco Chalk paints in various yellows, oranges and pinks (I’ve listed these on my blog), and starting with dry brushing but ending with my fingers, I blended the colours, layer upon layer until I was happy with the result. My art journaling style is very influenced by Kate Crane, so I tend to add layers in a similar way to her: paint, stencil, stamp, spray or drip, not necessarily in that order.



As Ellen hasn’t produced any stencils for PaperArtsy, I looked through my PA stencils for designs that would match her stamps: PSO15 by Emma Godfrey was perfect.


I first used Emma’s stencil to push through some  Prima 3D gel before using the same paint colours to stamp randomly over the canvas with a variety of Ellen’s stamps: 





I also used a Tim Holtz Distress crayon, Picked Raspberry, to highlight the raised gel, screwed up tissue and corrugated card. I stamped again using Snowflake before watering it down slightly to flick the paint across the canvas.


I was very aware at this stage it was very bright and needed more contrast. I was longing to bring in some blue to create a contrast and cool down all of this orange. However, I wasn’t ready to do that yet, so I introduced some of the darker pinks; and of course my favourite, Bougainvillea. I added more stamping, this time using Little Black Dress to produce an even bolder contrast to the pinks and oranges. Ellen’s stamps are great for this. However, it was still too bright, even for me! So a little further dry brushing with DecoArt translucent white toned it down to a level I was happy with. But this meant that some of the original stamping had been concealed by the further paint layers. Luckily, some added doodling brought them back into the arena.


Now to prepare the main focus which was to add collage papers to three of the little wooden houses I’d bought from PaperArtsy at Port Sunlight. This is where I was going to introduce some blue. I chose some papers from my stash that would complement the background but add some contrast, be in keeping with the subject but also draw the eye of the viewer. Some corrugated card painted with Autumn Fire was glued to the roofs and some doodles with a white gel pen were added onto the house fronts. In  true Kate Crane style, I added little numbers to each house. Love that idea!  I deliberately left the little wire hooks in each roof to represent chimneys as I knew I was going to add twisted wire to these at the end.




Before adding the houses to the canvas, I doodled a little more with black and white pens, used a black Posca pen to darken the black circles, added some washi tape and rubbed around the edges of the canvas with a mix of archival inks and Distress crayons. Now, it was just a case of gluing the houses to the canvas and deciding on some text.


Originally I was going to title this: The Blue House, as I intended the middle house to be a much more vivid blue. However, it didn’t seem to match the finished result, so the old cliché came out! I used a mix of Tim Holtz’s Alpha Parts and Block letters for the title. The border ‘flags’ were created using the triangular block stamp from EEV03. I sprayed some card with a mix of Dylusions spray inks, using oranges and pinks, then stamped on top with Ranger Jet Black Archival ink. I cut the triangles out individually and glued them in twos and threes to the sides of the canvas. I wound some thin blue wire around a pencil three times  to represent curling smoke and attached these to the wire loops on the roofs.  Finally, I added some Treasure Gold (Renaissance and Classic) around the edges of the canvas, over the raised parts and on the wooden letters.


I was very much in my comfort zone with this project. I realise that not all of you may wish to work with such bright colours and some will be horrified that I haven’t left an inch of white space (I really struggle there) but that is not me! I love what I do. Bright colours make me happy. In fact, I loved this challenge so much, I actually made two projects. Photos and information about my second project (a Heart-shaped Wall Hanging/Note holder) using these colours and stamps can be found on my blog, if you’re interested. Do join in with this challenge if you haven’t already, you might be surprised at just how happy it makes you feel!

Chris Cresswell
Blog: www.loopsandlines.blogspot.co.uk
Facebook: Chris Cresswell
Twitter: @artmadnana
Instagram: @artmadnana
Pinterest: Chris Cresswell

Ohh another bold and beautiful piece from Chris. I love your explanation of how you make your decisions, it's so interesting to see how we all approach a project in our own way! This is such a great piece Chris, thankyou! ~ Leandra


We hope that you  learn something interesting from our blog. Our bloggers deeply appreciate your comments so much, so please take time to let them know you've been inspired! Why not join our challenge by blogging your interpretation of the current topic and link it HERE?

The current topic link will close 17:00 (London Time) Sunday, Feb 5th 2016, and the winner will be announced 2 hours later at 19:00.

All links go in the draw to win a £50 voucher to spend on products of your choice from the PaperArtsy online store.

Wednesday, 1 February 2017

2017 #1 Pretty Planning {by Christine Dark}


2017 Topic 1: True Colours – Pink and Orange 




This evening Chris joins us with a walk through of this fab project, Chris has such amazing attention to detail and the joy she gets from creating is so very obvious in her finished projects. 


Hello PaperArtsy Blog followers, its Chris Dark here, sharing with you a post on Topic 1: Pink & Orange, inspired by Stampington's True Colours Publication. Colour is a starting point for most of my projects, after the stamps of course, but I hadn’t really thought about it much before writing this post. When I did, I realised it’s a big part of my creative process; I have the stamps in my hand and then I’m in the paint and ink drawers thinking about colour combinations. So this topic was an obvious choice for me. 

Usually I’m attracted to bright colour for my makes but I’m also quite a seasonal creator, the colours I see around me outside can inspire colour choices. Coming into spring and with a true colour palette of pink and orange I was immediately visualising brightly coloured Azaleas and Camellias which are a welcome burst of vibrancy after winter. Kay’s beautiful floral stamps from Eclectica Kay Carley set 1, (ECK01) are actually summer flowers and still work perfectly for me. I’ve created a varied palette of paints using Fresco Finish Chalk Acrylic paints.



I recently bought an inexpensive supermarket planner and realised I’d find it more appealing to write in if I gave it a cover treatment. I’m pleased with the results and of course the Fresco Finish Chalk Acrylic paints work perfectly on the plastic cover and are great for building up layers which is how my projects tend to develop. 


I knew straight away that I wanted to work with Fresco Finish Crackle Glaze. So I chose several shades of Fresco Finish paints and mixed them on the cover, not worrying too much about perfect blending, I just wanted a variance in shade so that what showed through the cracks later wasn’t a solid colour; I think it’s more pleasing for the eye.


The next layer is a thin application of Fresco Finish Crackle Glaze. If you haven’t used this before then I can highly recommend it as it’s the easiest way to achieve a lovely crackle finish. It's a 2 step process, with the top coat cracking over the bottom one. I love varying the size of the crackles by making the paint application thin or thick and I like leaving some areas with just a hint of paint for a distressed effect which is ultimately the finish I want.

I enjoy building up layers with paints and mediums and even though I’m going to cover up a lot of the crackle effect and rub some of it away it still adds texture and richness to the project.


I like to create more varied palettes I’ll add lights and darks together for variety but I particularly love to add the translucent colours to my mixes for extra zing. 
What I’m looking for in this layer is a hint of something which will show through a bit in the subsequent layers so I’m stamping the flowers in black and block painting them very quickly not worrying about it at all. I also might have stamped with a couple of sneaky new stamps..shhh!


Next layer and what I want now is the look of plaster or paint over old fresco. A church local to me has some beautiful 1,000 year old Saxon fresco’s which have always inspired me and have the distressed partly revealed appearance that I want. Yes, it can be difficult to cover up what you’ve just painted but hardly any time was spent on the previous layer. 


Now I’m preparing painted and stamped tissue pieces and a panel of chipboard for the next two layers, using the brayer is a great way to apply paint quickly and if your brayer has build up like mine the bonus is a lot of added texture!


With stamping around the cover in paint and ink with additional stamps from Eclectica Kay Carley Set 2 (EKC02) for more interest the layers are building up nicely and everything is ready to be glued down. The fussy cut flowers are applied with Fresco Finish Gloss Glaze and there’s a sponged application of paint to the centre of the panel as a ground for the die cut and painted letters. This is the time to play with layout and move things around before gluing down.


The above photo is taken in artificial light so you can hopefully see the gloss finish created by the glaze, the glaze also seals everything, gives the colour a bit more vibrancy and protects the cover in use.


Final finishing touches are an important for me and the part I find relaxing as they usually involve doodling of some kind. I’ve added a little bit of pencil in blue tones to tie in with the planner divider tabs, some doodling with black and white pens and some glitter glue.

In conclusion, I thoroughly enjoyed giving myself a planner cover that will hopefully encourage me to open and use it. Working with lots of painty layers is one of my favourite processes and hopefully will show how building up these layers over each other gives the end result lots of depth and interest. I found the flowers were very quick to cut out due to their shape and I would definitely repeat this collage with the flower heads, it would be great as a border for an art journal spread or canvas. 

Thanks for joining me tonight, I hope you’ll join us in Topic 1 True Colours and zing up your projects with some pink and orange!

Have a creative week,

Chris 
Find my classes at The Craft Barn

I love this Chris, such a fun way to start our day writing lists in this bright,funky planner. We usually see Kay's stamps done with cooler,muted shades, but you have shown spectacularly how they work just as well with these stunning zingy colours. ~ Darcy


We hope that you  learn something interesting from our blog. Our bloggers deeply appreciate your comments so much, so please take time to let them know you've been inspired! Why not join our challenge by blogging your interpretation of the current topic and link it HERE.?

The current topic link will close 17:00 (London Time) Sunday, February 5th, 2017, and the winner will be announced 2 hours later at 19:00.

All links go in the draw to win a £50 voucher to spend on products of your choice from the PaperArtsy online store.