Showing posts with label Mini Stencil. Show all posts
Showing posts with label Mini Stencil. Show all posts

Saturday, 1 June 2024

With 3 Things: Blues Book {by Mags Woodcock}

Hello, Mags here with you today for another post in the three things challenge. 

You'll have  seen the previous two projects by Autumn and Floss, weren't they fabulous ! I love seeing how different artists use similar supplies to create a project in their own style. As many of you may know, I favour a vintage vibe with my art. This project is no exception. The book and journal Topic is a firm favourite and adding in a hidden element was great fun.


So lets have a look at the supplies I received from PaperArtsy HQ. There is a fabulous stamp set by Lynne Perrella (LPC006), a small stencil (PM015) and a bottle of Shark Mattint (MT04). If you haven't already discovered the Mattints, think coloured Matte Medium, just so incredibly versatile. As soon as I opened the parcel I was a very happy girl, a lovely surprise and right up my street.


My mind started to bubble over with ideas, so many choices and decisions. I've recently started revisiting my love of board books, you know the sort of thing that very small children start with, chunky and sturdy cardboard pages for little hands to hold. I love to repurpose those into art projects. I also adore miniature things, so a mini board book was the planned starting point for this project.

Firstly I wanted to get a feel for the stamps, the size, amount of open space etc. I was hoping to stamp onto vintage book pages, but I needed to find out which ink and papers were the best to combine. Some vintage book pages are fairly rough textured and the ink bleeds. I like Versafine Claire ink pads, as they give great detail to stamped images. You'll see that most of my papers took the ink well without any or too much bleeding. Playing with the stamps beforehand also gave me a stash to work with, and to try things on.



I sorted through my collection of saved board books, but couldn't find one small enough to work with my ideas. So I decided to create my own, in fact I created a prototype using music papers and then another using the end papers from some old books. Both were created using grey board as the base. I have a video on my YouTube channel showing the method I came up with, but you could just use a ready made board book. I decided to leave the binding until the pages were completed.


Once my board book pages were ready, I started creating the grungy papers for the backgrounds. Recently whilst playing with the Mattints, I discovered that they are fabulous for lifting multiple dried on layers of paint from a gel plate. So with this in mind I chose some vintage piano roll paper as my base, I love all the punched holes and random printed dots. I started by using just the Shark Mattint (MT04). I then needed more colours to build up the layers on the plate, so Fresco Finish Chalk Acrylic Blue Bayou (FF206) Glacier Ice (FF132) and Midnight (FF123) came out to play. I didn't over think the process and added very small amounts of paint to the plate before using my brayer to spread it thinly. Picking up a random grungy layer is easy this way. 

Once I had some layers built up on the plate, I added a layer of the Shark Mattint and pressed my vintage paper onto the plate. It's important at this stage to let the Mattint dry fairly well. Test a corner to see if it's picked up the paint, and them peel away. Any remaining prints that were too bright were given a coat of Mattint with my brayer. Even the most striking colours can be given a vintage look by adding a coat of Shark Mattint over the top.



When I had a collection of grungy vintage looking gel prints I picked out my favourites and started to add details. The first print I used the stencil (PM015) and a Micron pen to add the archway, following up with a light inking using a Ranger archival Ink pad (Jet Black) applied with a sponge.The centre of the arch was easy to cut away using a craft knife, leaving an aperture to act as a frame for a stamped image.



For the first hidden part of the project I decided to have the main character from the stamp set hiding in the building. This was fairly easy to achieve. I had stamped her onto vintage book pages, and cut her out. I folded her up and concealed her behind the bottom panel of the stamp. That way when the viewer opens the book at that page she is hidden, but moving the panel downwards reveals her. Again I used a grungy gel print as a background on the page.
I also decided to add folded index cards to the left hand pages, making for a second hidden element for secret journaling. These cards were given a coat of Shark Mattint with a brayer and then dipped into a weak solution of Just Walnut Infusions (CS25)



I continued to work with the gel prints and stamped images, cutting and combining some of the images made interesting pages.


Adding torn strips of gel prints and book papers along with small details from the stamps added interest to the rest of the pages. You'll notice I also coloured parts of the images with the Shark Mattint for a cohesive look.



When all the pages and the cover were completed I used a strip of heavy cotton rag paper to create the binding, adding Shark Matting with my fingers until I got the depth of colour I wanted. I glued the binding in place with PVA glue and clamped everything together until it was dry. With hindsight I think I should have used a lighter weight paper which would have been more pliable and adhered to the signatures better. As they say, we learn something new everyday.


I had great fun creating this little book and may add some wording to the journaling panels. Possibly something along the lines of Where did we go? Who did we meet? What did we do? . I'll let you make up your own mind about the story behind the adventures these ladies had. 
I'll leave you with a couple more photos of the project and say goodbye for now. 




Happy crafting
Mags x

https://www.youtube.com/channel/UCuhrZcsU0x6GlDK2M8Rf5HQ
https://www.facebook.com/mags.woodcock
https://www.instagram.com/mags.woodcock/



Friday, 31 May 2024

With 3 Things: Storage Book of Pockets {by Floss Nicholls}


Hello lovely creatives...It's Floss here with you today with the 3 things challenge. 

I was excited when I opened the box with the three surprise supplies in and found; stamp set Lynne Perella LPC006, The Hot Picks stencil PM018 and Shark Mattint (available from stockists). 

I knew in that moment that I wanted to do something with fussy cutting.  I'd incorporate my free motion stitching as a feature based on the Panacea Pizpireta image I'd seen a few weeks before that I found inspirational by Lisa Kokins and that I would hide stamped images in folds to incorporate the hidden element for this quarters PaperArtsy theme.

I was itching to get started and so went to find a fairly thin hard back book. 

I folded eleven pages roughly in the centre of the book using the deep margin as my measurement...and glued those folds down.  I then folded the remaining pages in half lengthways but did not need to glue these.  The idea behind this was to use the book as storage for my fussy cuts.  The front half of the folds to store the rough cuts, the back half for those that had been fussy cut and the middle pockets for anything in between.

With a thicker book, if I'd have folded all the pages in half it would have given me an open rolodex book holder, but I wanted to be able to close this one and potentially be able to flip through the pockets and tuck spots so I took a few pages out too...Being able to close the book would hold all the fussy cuts securely in place and this was important so I could have it with me wherever I went. My reel shows me shaking it about and nothing falls out :)


Using my gel plate, PaperArtsy stencil PM018, and their slimed and desert bush fresco paints I created some papers which I would use for the concertina edging which would hold the centre pockets together and bring some colour to the project. 

I measured the depth of the page for the length of each segment and made each segment wide enough to allow the pages to open enough to access the pocket area and also enough space to stamp the hidden feature within the folds.  I chose to stamp some images using Ranger Archival Plum Ink as I thought it suited the greens beautifully. 


I used my stamping platform to create a whole stash of prints to fussy cut...again I used Ranger Archival Inks in black and plum for this.  I used the Shark Mattint to bring a little interest to some of the prints using a small brush.


I really liked the idea of the hidden images in the folds...with two segments between each page it gave me an opportunity to mix the images up by stamping directly on to some of the concertina folded sections and fussy cut and glue black and white stamps on to others making this hidden detail more visually stimulating.


I wanted to explore using the shark Mattint further and wondered what it would look like on mulberry paper...It looked/reacted as I hoped it might and was definitely a YESSSS moment!

I squirted the Mattint straight onto the mulberry paper and spread it to cover the surface using and old store card. It absorbed deeper into the areas where the mattint was squirted than where it was spread and so it left some 'streaks' which was, for me, a bonus.  But it was the way the mattint worked with the little fibres inside the paper that was what I wanted to test...The fibres remained white giving me another visible texture. You really must try this technique if you like mulberry paper.


I glued tissue paper, fabric and paper 'Lynne Perrella' flowers made with stamp set LPC006 for a further variety of texture and surfaces onto the mulberry paper. I enjoyed using different parts of the stamps to give me colour density variation too. My free motion stitching around the flower using plum and cream coloured threads gave me a little more attention to detail and interest with another on the reverse. I then glued this onto the book creating the cover.


I used a lace ribbon to secure the tuck folder book together keeping all the fussy cuts safely stored away ready to be used on other projects.


I now have somewhere safe to keep my fussy cuts; it's organised sections means I can take my tuck folder book anywhere with me and I can trim to my hearts content at any given moment!

I really enjoyed making this project and I shall be putting a class together for this soon so do give me a shout if you are interested in doing this in person or online.

I must say one of the things I really like about doing the 'with 3 things' blog posts for PaperArtsy is that I have absolutely no idea what same (or very similar) three products/supplies the three blog artists will receive and then how we all make something so very different. You'll already have seen one fabulous post by Autumn yesterday and so make sure you look out for the third with 3 things using the same supplies by Mags tomorrow.

Until next time 
Sending lots of creative love
Floss x x x


Thursday, 30 May 2024

With 3 Things: Altered Book {by Autumn Clark}


Hi friends, it's Autumn Clark from SewPaperPaint with you for another With 3 Things post. I was so happy the current Topic, Books & Journals, was announced in conjunction with these particular 3 things.

I had previously started a shabby Lynne Perrella altered book and was thrilled to incorporate these 3 things into its pages.  Find more details on the altered book HERE.

Our allotment of treasures included the new PaperArtsy Mattint in Shark, along with a beautiful stamp set by Lynne Perrella (LPC006) and a favorite Hot Picks Mini Mask (PM017).

I had previously torn the pages between a spread to make room for the added artwork and decided it would be a fun place to start these journal pages.  I used the glue properties of the Mattints to adhere the layers of torn pages together.  The finished result was a sturdy, tinted page on which I could journal, with loads of texture as a bonus!

I mixed up a bit of Sleight Blue Infusions with water to make some "ink" for journaling.  I used a brush to scribe some thoughts in large script onto the tinted pages, adding some splatter for extra detail.  I tried to do some stencil monoprinting with PaperArtsy Fresco Chalk Acrylics over the backgrounds, but it didn't show up very much, so I tried to come up with an alternate idea for using the Mini Mask.  



I grabbed some tea dyed paper and did a stencil monoprint with Infusions  on the paper.  I wet the stencil thoroughly so it bled through to the backside of the thin paper.  I decided I would use this two-sided paper to make flaps for some "hidden" journaling to tie in with our quarterly theme.  


I sewed some random lace and blank pages along with some wrinkled strips of paper I had dyed with the leftover on my kraft mat from the monoprinting.  I liked how this wrinkled paper tied into the torn paper book page base.


I used the remainder of my Infusions "ink" mix with a glass dip pen to do some journaling on the blank pages.  I had never tried using a glass dip pen and was surprised at the way my faux ink flowed so evenly!  I used two of the stamps from the Lynne Perrella set as my focal images on either side of the spread.  The book closes very well because the thin papers don't add much bulk, but looks incredibly textural nonetheless.  I hope this project has inspired you today!  Perhaps you can use your Mattints to adhere some book pages together in your own altered book.  

Have fun!  xx, Autumn


YouTube: SewPaperPaint
Facebook: Autumn Clark
Instagram: @sewpaperpaint
Pinterest: SewPaperPaint