Showing posts with label 2021 Topic 11. Show all posts
Showing posts with label 2021 Topic 11. Show all posts

Sunday, 19 September 2021

2021 Topic 11: Twinkle Twinkle with EKC {by Kay Carley}

  2021 Topic 11: Twinkle Twinkle


Sparkly meets twinkly today with Kay waving her magic over some painted and stencilled panels. It's easy to forget about humble products- but the embossing ink pen has been used to such great effect. With her signature touch of sparkle, Kay has brought tone-on-tone cards to life.
~ Keren.

Hi everyone, it's Kay with you today, and I'm here to share with you a set of Christmas cards using stamps from (EKC23).

I love to use white embossing when making Christmas cards especially if there are snowflakes involved. The layers involved to create these cards are very simple but a few finishing touches make all the difference to the final result!...

To begin I cut up some Smoothy card into the size of panels that I wanted my finished cards to be (or you could create a 'masterboard' and cut into panels afterwards). I then painted each of the panels using Fresco Chalk Acrylic (Caribbean Sea) with a thin layer of (Mermaid) over the top. I use a sponge wedge to apply my paint as I find it easier to really pull that paint out.


My next step was to begin adding some interest to my panels by stencilling snowflakes from my stencil (PS118) using Fresco Chalk Acrylic in (Snowflake).


I didn't want the stencilled snowflakes to be really defined so I used the square end of my sponge wedge to sponge Fresco Chalk Acrylic (Snowflake) through, picking up just small amounts of paint each time and tapping off the excess paint before applying it through the stencil.
 


With my white snowflakes I simply moved the stencil and repeated the snowflakes in the pattern of the stencil but for my next layer of snowflakes I used a different stencil (PS119) which has more 'open style' snowflakes and stencilled each of them separately, choosing which size of snowflake I wanted where.


These 'positioned' snowflakes were softly stencilled using a stencil brush (this time) to give me more control of the precision stencilling.


You can see how even though I mainly positioned my second layer of Fresco Chalk Acrylic (Forest) snowflakes into the gaps from the first layer, I still overlapped those white snowflakes here and there to give some depth to the background. I purposely kept the snowflakes soft and 'patchy' looking so that they wouldn't 'overtake' my main imagery. This is achieved by only picking up small amounts of paint and really working it into the brush before applying it through the stencil.
 


(Firstly sorry about the fact that these next few pictures make the panels look as if I've used blue paint...I haven't......it is still the same background colours as before.....not sure why these photographed differently!) My next step was to decide what sort of layout and design I wanted to create for each of the panels, so I spent a little bit of time seeing what layout I thought would suit each panel. Once I'd decided on the layouts it was then a simple matter of stamping and embossing my imagery into place using a clear embossing inkpad and WOW! Sparkling Snow Embossing Glitter.


Next I used a clear embossing pen to add embossed hanging chains for some of the snowflakes to dangle from.
 

The 'chains' were embossed using the same WOW! Sparkling Snow embossing glitter. (Before I embarked on all of my embossing I dusted each of the panels first using an anti-static bag.)
 

After stamping and embossing all my imagery it was then a matter of deciding how to colour them. For me, the easiest and quickest way of achieving this was by using some dye based pens so I reached for my Distress markers.


The colours of markers I chose to use were Broken China, Peacock Feathers and Pine Needles to keep the whole look of these cards 'tone-on-tone'.


As well as colouring some of the snowflakes etc. I used the lightest marker (Broken China) to outline some of the bigger imagery such as the large snowflakes above. This is relatively quick to do and it makes a world of difference to your white embossed imagery standing out from the background.


Once all my colouring was finished I added a lot more 'twinkle' to the panels by adding Crystal glitter glue into some of the imagery!





If you are short on time and don't want to outline the main imagery simply choose a different colour of embossing powder.....a gold twinkly embossing powder with this colour scheme looks fabulous and doesn't require any 'outlining'. 

Another option if you are short on time is to omit the stencilling and go with a stamped background instead.

Love Kay x

Blog: Kays Crafty Corner
Facebook: Kay Carley
Facebook Group: Crafting with Kay Carley
Twitter: @carleycards
Instagram: kay.carley
Pinterest: Kay Carley

At this current time, all of my teaching is being done online. You can find details of all of my past and current online workshops over on my Crafting with Kay Carley Facebook Group.

  

Saturday, 18 September 2021

2021 Topic 11: Twinkle Twinkle with ESA {by Jenny Marples}

   2021 Topic 11: Twinkle Twinkle


With a really achievable 'painting over an image' technique from Jenny, this lovely fairytale inspired page has layer upon layer of lovely ideas. The twinkle of stars from embroidery and a night-time paint effect adds a clever emanating glow
~ Keren

Hi everyone, it's Jenny (Pushing The Right Buttonswith you today, and I'm here to share a collage piece which took a decidedly fairy-tale twist as the Twinkle Twinkle theme pushed through. 

Seth Apter stamps were used to enhance the main image, picking up on the theme and helping to suggest what may be around it rather than needing to draw in the whole scene.


Continuing to focus on architecture I experimented with a different method for creating the focal image of a window, one which doesn't require you to draw the initial image.


Before we take a look at that let's begin with the collage style background which made use of stamps from two of Seth Apter's stamp sets, ESA02 and ESA18.



Having kicked off with layers of manuscript, white gesso, asemic writing in pencil and brown ink I wanted to add some stars to evoke those that might be seen in a night sky. To give some control over where they would be on the page I stamped the stars onto wet strength tissue using Sour Grapes Fresco Finish Paint before applying this to the background with a generous amount of matte gel medium.


To emulate the look of bricks on the edge of a tall building I stamped Seth's interconnecting blocks border in a continuous strip down the centre of the page using a dark blue ink.


It's always good to add extra layers and textures to build a 'frame' around your focal image and draw attention to it. I'm sure I am not the only one to have an ever-growing collection of unused scraps which can be called on to do this. Try dividing those scraps into colour families and putting them into transparent page pockets so you can find them more easily. I chose some leftover teabag paper stained with Limoncello Infusions and a crumpled piece of tissue that had turned brown on the edge.


Now for the window; I wanted to try painting over a printed image rather than drawing one this time. Several years ago I took a photo of this window on a visit to Auxerre in France. After printing it onto photocopy paper I stuck the image onto card with matte gel medium and applied some Grunge Paste around it to replicate the look of an aged wall. The photo was taken during the day but I wanted to make it look like night had fallen so I began by adding a base layer of Slate Fresco Finish Paint around the bricks framing the glass. Alternate layers of Baltic Blue and Slate Fresco Finish Paints were then applied on top, with less and less paint used each time until I had the depth of colour required.



The bricks around the window were painted with Surf's Up Fresco Finish Paint, dry brushed and edged with more of the Slate to deepen the colour. In my original photo the walls around the window were 'pebble dashed' with no bricks exposed. To leave it this way made the window look like it was floating so I added some bricks beneath to emulate those stamped onto the background, giving them the same paint treatment as those around the window. Finally the dark glass in the window was over-painted with Sand Fresco Finish Paint to make it look as though a light inside the building was shining through. I added extra highlights with an iridescent gel pen and Snowflake Fresco Finish Paint, also applying tiny touches to the bricks and window ledge before outlining the main elements with a fine black pen.

 
To add an extra touch of texture I coloured some cotton fabric with Wolf Eye Fresco Finish Paint before over-stamping it with the large text stamp from Seth Apter's ESA13 stamp set in Iceberg Fresco Finish Paint.





Prior to adding the cloth and window pieces to the background I layered them together and hand stitched the three stars around the window. Once in place on the collage background splattered the whole piece with dilute Snowflake Fresco Finish Paint to give the impression of a starry night sky - it was at this stage that the collage turned from having a simple architectural feel to one that looked more like an illustration in a fairy tale book.


 
Going with this fairy tale theme, and as a way of finishing the piece I stamped a phrase from Alison Bomber's EAB16 Magic & Wonder stamp set onto card and cut around it before mounting it at the base of the window.



Here are some final photos of the finished piece.



If you feel less confident with drawing a window I hope you have a go at painting over a printed one, remembering to take time to build up the layers of paint and drawing around the finished elements to make them stand out. And if you are then going to add your painting to a background try using your stamps to suggest other parts of the building and surroundings.

Thank you so much for stopping by.

Thursday, 16 September 2021

2021 Topic 11: Twinkle Twinkle with HP {by Kate Yetter}

   2021 Topic 11: Twinkle Twinkle

With an oh-so-subtle take on the theme, Kate has added twinkle using embossing powder and lots of lovely Grunge Paste under some Hot Picks for celestial imagery. Vintage magazines and Infusions are the supporting acts to this neutral schemed journalled beauty

~ Keren.


Hi everyone, it's Kate with you today, and I'm here to share with you an art journal layout for the theme twinkle twinkle.

I decided to use a neutral color scheme with this layout instead of using sparkles (my initial thought), due to wanting to showcase these stamps.  


I started out by covering my pages with vintage magazine paper.


Using texture paste, I stenciled the background with flowers.





 A light wash of gesso was put down to allow the paint and water to remain on the surface. I then sprinkled some Infusions and activated it with water.


 

While I was waiting for my background to dry, I moved on to creating my embellishments. I chose a stamp set that reminded me of stars/galaxies, and used gold embossing powder to create a twinkle.



I stamped the main image and painted it with Caramel Chalk Paint.



Using a piece of a ripped brown bag, I stamped it to be used as a layer.


My last touch to the background was rubbing black gesso over the stenciled area with my finger. I love the contrast it creates.


I finished the layout by layering all the embellishments in an arrangement pleasing to my eye.




Using Grunge Paste is my favorite way to make an interesting background without a lot of fuss. Add a bit of color, in my case a contrasting color, and it really draws the eye. If you haven't tried Grunge Paste yet, give it a try. You may get hooked, like me.

Until next time,