Showing posts with label Smoothy. Show all posts
Showing posts with label Smoothy. Show all posts

Wednesday, 14 October 2026

Wings Spool Journal with Hot Picks {by Etsuko Noguchi}

 
Hello everyone Etsuko (@pixienes ) here with you today and I'd like to share a little spool journal I’ve made using Hot Picks stamps.




I’ve been wanting to try making a journal using small spools of thread for quite some time now. The theme I was given this time was the Hot Picks stamp set. I believe this was PaperArtsy’s very first original A5-sized set, and I always find the number of stamps, the variety on offer and their versatility extremely useful. Today, I focused on the butterfly from the Hot Picks stamp set 1506EZ (HP1506EZ), whilst also adding two moth designs Hot Picks stamp set 1109EZ and  1104EZ (HP1109EZ and HP1004EZ) to my selection.


For the paint used to colour the butterflies, I chose five vibrant colours, from the left of the page: PaperArtsy Fresco Finish Chalk Acrylic – Green Patina, Southern Skies, London Bus, Persimmon and Banana; and for the background of the journal, three more subdued colours: PaperArtsy Fresco Finish Chalk Acrylic – Wisteria, Blue Oyster and Lemon Meringue. I’ve started working with these lovely PaperArtsy Fresco Finish Chalk Acrylics.




I created some layered material to add to the background of the journal. I applied PaperArtsy Mattint—Bellflower, Dragonfly, Glow and Shadow—or watercolours onto PaperArtsy Printed Tissue Hot Picks – Blank (PT10), and placed a sheet of copy paper underneath to prevent the glaze from bleeding through. This resulted in a pattern as shown in the illustration below, so I used that as a layer too. 
Blank Tissue is an essential item for me; I simply cannot do without it when I’m working. For example, I can use it to apply a sheer layer of colour to alter the look of the background, or stamp an image and colour it from the reverse to create a focal point, or even use it to position the stamps I’m using. It can also be crumpled to create surface texture, and there seems to be many more uses for it yet.


I applied Mattints and watercolours to a sheet of tissue paper using a flat brush.


These are the sheets of copy paper that collected colour as underlays.


For the journal’s band, I glued together three 2-inch-wide strips of Smoothy (Heavyweight) A4 white stamping card, cut to the width of the spool. I then applied Fresco Finish Chalk Acrylic – Wisteria, Blue Oyster and Lemon Meringue – using PaperArtsy Brayer as the colours were a little pale, I added some Persimmon to create the base for the background.


To finish off the background, I arranged torn-up sheets of copy paper and the tissue paper cut into circles as shown in the diagram below.





Now let’s create the butterflies and labels, which are the main features. To ensure the butterflies—the focal point—stand out, I coloured each one in a vivid shade. The colour scheme for the butterflies on this screen uses, from left to right, Banana, Persimmon and Green Patina; I blended the colours so that the boundary between Banana and Persimmon forms a gradient. Initially, I cut them out right along the edge of the stamp to blend them into the background, but after checking the contrast with the surrounding area, I left a small white border around them.



As well as the HP1506EZ, the ‘Hot Picks’ section featured a butterfly from the HP1109EZ and moths from the HP1004EZ and HP1009EZ, so I’ve included them here and coloured them using Wisteria and Southern Skies in addition to the three colours mentioned above.



To make the labels, I combined all four ‘Mattints’ colours with an additional shade, ‘Mattint- High Viz’, and applied them to Smoothy (Heavyweight) A4 white stamping card to create the base. I then used the HP2402 and HP2602 stamps to produce the labels.


As I wanted some slightly thicker embellishments, I dyed several types of fabric using some powder pigments.



I stamped an HP2602 butterfly hair clip onto a piece of paper, coloured it, attached it to an O-ring, and applied a thick layer of resin to create a decorative element for the end of the string used to bind the journal.




Now that the base and components for the journal are complete, I’d like to share the details with you. Please do have a look. It’s a bit long, so it’s a shame I can’t show the whole thing on one screen, but I’ll go through it frame by frame.


The first frame.


The second frame.


the third frame.


the fourth frame.


the fifth frame.


the sixth frame


the final frame.




Finally, I’d like to show you the finished piece, featuring the embellishments I made from resin and the coiled design.
 



Place the dyed fabric beneath the label so that it takes on a slightly three-dimensional shape, and stitch it in place to help it adhere to the background.


I tore the coloured tissue paper into circles and stuck them here and there.


I layered some fabric and secured it with eyelets to make some embellishments.


Labels, stamps and small round labels, made in the same way as the first ones.


As I kept unravelling and rewinding the paper time and again for the photo shoot, the stiff paper became creased and wrinkled; the tips of the butterflies started to peel away, and after gluing them back on repeatedly, they were on the verge of breaking—it was a close call, and I nearly ended up with a half-baked vintage journal. However, I’m delighted that I managed to pull it together and was able to show it to you all. I’d like to thank you for stopping by today.

Etsuko xxx


Monday, 2 March 2026

Nut Shell Books with I&D {by Liesbeth Fidder-de Vos}



Hi everyone, Liesbeth here. These beautiful PaperArtsy I&D 'Vintage Nude' stamps were once among the very first I ever owned about 20 years ago, and today I'd love to show you how I used them to create two (nut)shell booklets.





I no longer have the original packaging, but here you can see the wonderful stamps featured in this blogpost: PaperArtsy Ink & The Dog Collection: Vintage Nudes plate 1, Vintage Nudes plate 2, Vintage Nudes plate 3 and Vintage Nudes plate 4.

I also used real shells and nutshells, and PaperArtsy Stencils PS234, PS002, PS239, PS173 and PS105.

For the pages I used PaperArtsy Smoothy white stamping card,regular. The perfect cardstock!

Paints I used: PaperArtsy Fresco Paints: Smurf, Banana, Snowflake, Gold and Gloss Glaze.




I started with the shell book, two shells will be the cover. Using one of the shells as a template I cut the double pages out of the folded cardstock.


Time for some layers, first I used the stencils with the Fresco Finish paints Banana and Smurf to paint some marks at the edges of the pages here and there. Later on the paints will work as a resist. I sponged the pages with Distress Inks: Wild Honey, Salvaged Patina, Salty Ocean and Chipped Sapphire, overlapping areas.


I sprayed some waterdrops to create nice spots, after drying I made a next layer with Distress Ink Chipped Sapphire and the stencils as shown.


Time for the beautiful Vintage Nudes stamps, I stamped them with Tsukineko StazOn - Jet Black. I used every single stamp from the four stamp sets and tried to create nice compositions. I also stamped the small flower (Plate 3) here and there with blue and yellow Distress ink. After that I bleached (watered down bleach and a synthetic brush) and coloured the women and some other details, and finished with a bit of glitter glue.


A hard decision.. shall I paint the shells or not? I did, using the Fresco Paint Snowflake :-) Onto very thin, one layer napkin paper I stamped the small flower (Plate 3) with three different blue colours waterproof ink (I used Versafine Clair), tore them out and glued them one by one onto the shells with Fresco Finish Gloss Glaze. 
I glued the double pages back to back to create a book.



Something was still missing, so i decided to take the amazing Fresco Finish Paint Gold and painted the edges of the shells a bit ragged. It's so shiny..to me the perfect finishing touch!


To 'bind' the book, I added some washi tape on the spine of the booklet, glued some pieces of fibre in the shells and glued the booklet in the shells.



Here you see how the first page is glued into the front shell. I glued the edge and secured the page with clamps till it was dry.


I couldn`t resist making another tiny walnut book, the stamps are so perfect for this! Made in much the same way. This one, however, is an accordion book, 6 pages long.


The closed books. I decided not to paint the nutshell, but of course it's up to you.


This picture shows the beauty of the stamps! And also the layering, glitters, colour pencil make-up and other details. 



Finished! A small shell book and a tiny nutshell book full of lovely Vintage Nudes:-)



Look at that cute nude ladies in their gothic arches, love it!


Another detail of the nutshell pages.



This is the final page of the shell book. The bleached woman pops out, the golden Fresco paint and glitter glue make it shine!
It was a pleasure to create this two books with the wonderful ,oldies' PaperArtsy Ink & The Dog ,Vintage Nudes`.
Hope I inspired you, have fun!

Liesbeth XX