Artsy Flowers with Seth Apter products {by Floss Nicholls}

Hi everyone, It's Floss here with you today on behalf of PaperArtsy...and it sure is nice to be back with you again.

With freedom to deep dive into the numerous PaperArtsy ranges of our choosing, I have selected to use some old and some new products by the fabulous mark-making -master Seth Apter.  I have also chosen to combine four of his colour chalk paints into the project.

Yes, you're right...there are so many layers of textures explored here. These include: embossing, surface collage, free motion embroidery and some hand sewing to finish. 

So, where do you start with that many things going on?

Choosing supplies ahead is often the hard part...with so many great mark making options available, I decided to go with some circles and some scratchy text. I liked the idea of using the circles as poppies (ESA18), the script lines (ESA36) for textured backgrounds and bringing the old and new together.

  

The PaperArtsy tissue paper is missing from the photo, but after pulling all my Seth colours out to choose from, these are the four that sang to me today: Gold Rush, Toffee Apple, Purple Majesty and one of my absolute go-to's...Heavy Cream. I deliberately chose two translucent colours as I wanted the layers of colour to show through one another and build upon.

I stamped the circles from ESA18 onto my gel plate using Ranger's Archival black ink and let that dry. I then used my finger to smear Toffee Apple and Purple Majesty in different parts of the stamped images and let that dry too.

Whilst the chalk paint was drying I glued some of Seth Apter printed tissue onto an A5 piece of 350gsm heavy watercolour paper. I applied gesso over some of the page and scratched into it.  I find it very difficult to work on an empty page so like to break it up with some text or some texture.  Some of this will shine through the design as it progresses.

To create some collage papers, I first rolled  the Toffee Apple and Purple Majesty chalk paints onto one side of my gel plate. Where I stamped into the paint on the left side, I transferred the lifted paint onto the right side of the gel plate giving me both positive and negative images of the stamps. I allowed this to dry before using the heavy cream acrylic chalk paint to lift the gel print.

Naturally, the under-paper which I protect my workbench with gets interesting too...I roll the excess paint off my brayer to keep the brayer more or less paint free, and stamp any excess paint over that.

 

So something that protects my table may end up being used elsewhere in my art on this project...or one at some point...

I added some gesso over parts of the collage...and scratched into that...

I then used the brayer over the stamp to apply the rubber circles image to the design using Gold Rush.

I auditioned which circles may look good on the background so that I had good contrast between the 'flower' colour and the background...they didn't quite 'pop' for me so I added eyelets into the centre of them and considered adding something between the flower head and the background.

Here are a few close-up shots so you can see more clearly what I have done.

I used the script from ESA36 with some WOW embossing ink to bring background lightened detail...because the surface was already uneven I decided to use my stamping platform so that I could re-ink my stamp should it not impress fully over an uneven surface.

I used WOW opaque vanilla white (another of my favourites!) and heat set that.

I stamped little crosses onto the design using EM80 and then glued teabags behind where I was going to place the flower heads, allowing some to extend over the flower head but removing the centres, I then glued the flower heads on...

I added some frayed calico down the side of the A5 card on the left side and stitched that using my sewing machine.

I started thinking about the vase and so I stamped the circles from ESA18 onto plain acid free tissue using Gold Rush and the square frame from ESA36 onto a separate piece of tissue using Ranger's Archival Ink. I painted heavy Cream onto the reverse area of the circles printed in Gold Rush and glued that within the frame that was printed using black ink.

This created a vase...

Using my stamping platform again, I stamped the series of lines from ESA18 onto a tight weave calico that had been pre 'rough' painted, again using Ranger's Archival black ink.

I cut and glued that onto the side using some teabag between the layers to give a rugged edge around it..

I drew lines onto where the stems may go using a Frixion pen,  I use these pens because I can apply heat to where the lines are and they disappear. I could not decide whether to collage or stitch the stems.. So I auditioned both ideas.

I like to photograph the options as it's easier to decide something visual if you can flick back and forth between the options when making a decision.

I decided on an amalgamation of those ideas...I liked the stems more delicate than the original collage ones I had planned and the variation of widths made a much better balance of shapes.  I stitched the stems in place.

For more detail, I used an awl to pierce inside the eyelets and used wool to make a cross inside the flower centre.

A rich brown Gutterman thread was used to pick out the detail of the stamped image on the calico, an ivory white thread was stitched around the outside of the calico and the wool was used to 'join' the two dots up.

The LOST AND FOUND statement was applied...it was quite an apt statement actually as I kept losing and finding things whilst making this piece!

The finishing touches were adding some wool across the flower stems...

A very busy textured piece...I do like the colours and the textures together...I hope you do too!

Here are some close ups...

I particularly like the Gold Rush on the heavy cream...printing on both sides of the tissue was interesting...

There are so many variations of this piece that could be made using these stamp sets...I had so much fun creating collage papers that I can go and make several more now...please tag me if you give this project a go, I'd love to see the outcome.

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2023 Topic 5 : Tinged Blue {by Victoria Wilding} with Seth Apter stamps

Hi everyone

Victoria back with you today and I'm so excited to share with you my project for the Tinged Blue topic. Blue is one of my go to colours for creating and features heavily in many of my makes, so as soon as I saw this topic, I knew I would be diving in to explore Surf's Up in more detail.Dounia's introduction to the Tinged Blue topic provides a great overview of Surf's Up colour theory and show's the great variety of colour variations you can get from a single colour. 

I've been wanting to create some art for a box frame I've had hanging around, for well over a year, so decided to create a project using that. Creating a piece of wall art without a specific final hanging location in mind, I wanted to keep things as neutral and simple as possible, so that it would meld nicely with a range of interior decor. I decided to create a series of background papers, which layered a range of the colour mixes and use these to create some butterflies, providing a modern twist on a specimen display box. 

The different elements of this project were so enjoyable. Simple, uncomplicated and playful art which was the grown up version of those colour mixing classes way back in junior school! I love the visual texture the stamping creates when combined with the different colour mixes. So let's take a look at those colours in more detail.

To create my printed papers I selected my PaperArtsy products, a mixing palette and a small gel plate and brayer. Seth Apter's designs are perfect for adding abstract background details to add visual texture without detracting from the main subject of a piece, so his stamp sets ESA35 and ESA36 were a natural choice for this project and helped tie my project into the quarter's theme. With their mix of lines, circles and tiny text the stamps provide the perfect subtle background texture for butterfly wings which don't deviate too far from natures markings. I also selected Sara Naumann's stencil PS122  to trace my butterfly shapes. 

I was tasked with creating a range of different tones with neutral colour mixes, but since I'm always keen to push the boundaries, I decided to go for a coloured grey and coloured neutral as my mixing colours. The PaperArtsy Fresco Finish Chalk Acrylic's I selected (Surf's Up - FF146, Stardust - FF222, Nougat FF39) push the colour mixes towards the blue-green space of the colour wheel.

Colour swatching and mixing colours is such a great way to get the creative juices flowing and spark ideas. A while ago I started to keep a colour journal for this very reason, so before cracking on with my project, I decided to take a closer look at some of the mixes my three colours would create and test out the results on paper, in my journal. 

I squeezed out small blobs of each colour into my mixing palette and added varying amounts of Stardust and Nougat to Surf's Up, mixing with my paintbrush. 

These are some of the swatches I created from those mixes. The swatches on the top row are the pure colours, straight from the bottle, with the two rows underneath showing the mix of Surf's Up with each of the additional colours in varying quantities. The swatches to the left have the least amount of the 2nd colour added, with the swatches on the right of the page having the most amount added. You can clearly see that as more of the 2nd colour is added, the colour hue of the blue changes, with Stardust creating blue-grey tones, whilst Nougat creates a softer, muddier hue which leans towards sea green.

I can never resist bringing some pretty to my colour swatching, so to see how the different mixes play together, I created some quick loose florals on the adjacent page. The mix of darker and lighter tones work so nicely together and create enough variety to give the composition depth. I was confident that they were going to create a colour scheme pleasing to the eye and restful enough to make a nice interior piece of art. 

 

Next it was time to put some of those colour mixes to use and create my project. The first step was creating the background papers for my butterflies. Rather than premix the colours and then add to the gel plate, I decided to take the lazy approach and let the gel plate do all the work! 

I squeezed a small amount of surf's up and stardust onto the plate, mixing as I spread out the colours with the brayer. I like the uneven, random colour mixes this application creates, with the papers have interesting, grungy texture right from the off. I then repeat this process using Surf's Up and Nougat.

With the papers dry, I then used a variety of the mixes to add some stamping details to the papers, using numerous stamps from the sets for more diversity in the patterns.

 

At this stage I decided that the papers needed another layer of contrast, so I added one final layer of stamping using Archival Ink (Faded Jeans).

 

With the background papers created, it was time to make the butterflies. When initially planning the project, I thought I would use a single butterfly, possibly hand drawn, however, after deciding to use the stencil, the size of the largest butterfly was too small for the frame, so I opted to use multiples of different sizes. I traced out the butterflies on top of my background papers, selecting different areas of interest on the papers to include.

I fussy cut these out and then had a little play with composition on a plan piece of card. It was at this stage that I decided to layer the different sizes on top of each other, so I arranged them into sets of three. 

I then stitched down the centre to stack the three butterflies on top of each other. By only attaching them in the centre, this allowed the wings to be teased out, creating extra dimension once placed in the frame. 

Here are the completed butterflies ready for the final part of the project. 

The combination of different colour mixes and stamping details, provides so much contrast, leading the eye through all the details when looking at with these little butterflies. Each one is  completely unique, whilst also being similar enough to the others to provide harmony in the final design.

The final part of the project was to create a piece of background card to attached the butterflies to. To tie into the overall colour scheme, I used a range of mixes of Surf's Up, Stardust and Nougat, lightly braying the colours in layers to the outside edges of the card.

A final bit of detail was added with some stamping in Archival Ink (Cornflower Blue).

 

To complete, I mounted the four butterflies to the centre of the card using foam squares to lift them off the page for extra dimension.

 

I placed the piece in the box frame and voila, the project was complete!

The final piece is just lovely, if I do say so myself! The little bit of detail to the outer edges of the card, draws the eye right into the butterflies where you are in for a visual treat with lots of subtle colour and textural details. If your budget is a little tight, you could definitely create this using just one of the step sets and you could draw the butterfly (or butterflies by hand). You could mix it up by using different multiples of butterflies in the final piece, changing up the composition for different effects, the possibilities are almost endless!

I hope this has inspired you to give colour mixing a go and demonstrated how easy it is to use that to your advantage in a project. If you're inspired to have a go, I'd love to see what you make, so don't forget to tag me on socials.

Wishing you a creative, happy week!

Victoria

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