Showing posts with label crackle glaze. Show all posts
Showing posts with label crackle glaze. Show all posts

Friday, 7 November 2025

Nov 2025 - With 3 Things - A Trio of Baubles {by Sarah Downes}


Hello friends, 
My name is Sarah Downes. I’m very excited (if a little apprehensive) to share my very first blog post with you. I was invited to take part in the ‘with 3 things’ challenge by the PaperArtsy team.

For this feature on the PaperArtsy Blog 3 identical items are sent to 3 members of the PaperArtsy Blogging team. Typically we will receive a stamp, a stencil and a couple of Fresco Paints.

We have no clue what PaperArtsy HQ is going to send, the whole idea of this challenge is to do something crafty in our personal style with these 3 items. We can incorporate other PA products into the mix if we feel it is necessary.

When the parcel arrived it was wrapped in beautiful PaperArtsy tissue paper which I will be able to use for another project. Inside I was thrilled to find a beautiful Eclectica Kay Carley stamp set, EKC11 and PaperArtsy Stencil PS162 along with 2 Fresco Finish paints in Verdigris and Zinc


I have quite a few Kay Carley stamps and stencils but most of mine are of beautiful spring and summer flowers. I didn’t have any winter or Christmas ones so this would be a new departure for me. With my mystery package, I made a series of large decorative baubles!

While I was more than happy with the chosen colours, I soon realised that these stamps were not going to need a lot of colouring in or painting like flowers do, so it was clear, this project was not going to be in my usual style. Eek!

To warm up and get to know the products a little better I decided to stamp out the images and have a play with the paints and the stencil to hopefully get some ideas flowing!

I felt I wanted to introduce a further paint into the mix so I could vary the shade of the green and grey paints. I decided on Fresco Finish Chalk as I thought this colour was less stark than a pure white and a little closer to the rustic vibe I was now feeling this project needed.


Having had a play (and calmed down a bit) I was thinking about going in the direction of making Christmas decorations. I remembered that I had some mdf bauble shapes stashed away so I got these out and felt these would make a great substrate once prepped with gesso. It was then I thought I might need a red involved (as it’s Christmas!) so I chose Cherry Red from Tracy Scott's Fresco Finish line.

1st Big Bauble

I was looking to achieve a rustic style of Christmas decoration so I decided to apply the paint with a small brayer, first with Zinc


Then with Chalk. This gave me the textured and slight grungy finish I was hoping for.


My next idea was to use the lovely holly design in stencil PS162 to frame the edge of the bauble. I used a sponge dauber to apply the Verdigris Fresco Finish paint through the stencil around the edges and especially across the top. I also used the sponge to apply paint directly to the edge the bauble to give it a bit of a frame.


The triangle on the stencil suggested bunting to me. I used a plate to draw a curved pencil line to help me position the triangles to look like hanging bunting.  I wanted to decorate the bunting with the stars/snowflakes so I needed the background colours to be light. I used Zinc and Chalk and mixed Chalk and Cherry Red to make a pretty pink. I then sponged the 3 colours though the triangles on the stencil to make the bunting.


I also used the Cherry Red paint with a tiny ball tool to add some berries in amongst the holly.


I used some permanent inks (Archival by Ranger and Versafine Claire by Tsukineko) to stamp the little stars from EKC11 onto the bunting and a permanent marker pen to draw around the triangles and over the pencil line. On reflection, I probably should have used a slightly narrower pen nib. I then worked out where to stamp the pots ready for the Christmas trees and stamped them using a stamp platform so I could stamp over them again once I had painted them pink.


Next came stamping the trees. I chose the 2 larger trees from EKC11 and a permanent ink. I masked off the pots with a scrap of paper and used my stamp platform.


A few ribbons and silver berries found in my stash completed this side of the first bauble.


Now for the back of the bauble. I used the Holly Stencil PS162 too but this time I stencilled again and again from the middle of the bauble like clock hands in both Verdigris and Chalk.


And it was at this point I decided to stencil a heart at the centre of the bauble, to cover all the ends of the holly branches. I think it looks more finished now. 


I like to put the year on Christmas decorations I make. I used some die cut numbers and the verdigris paint for this.

Small Bauble

I chose to sponge both Verdigris and Zinc Fresco Finish paints over the front surface. 


I wanted to introduce more texture for this decoration. Time to get the Grunge Paste out! I used a palette knife to apply it through stencil PS162 at the bottom of the bauble. I also used the grunge paste through the hearts and let them dry. I loved how cleanly it went through the stencil. I left  it to dry thoroughly. I think I did a better job of this than sponging the paint on the first decoration.


Crackle Glaze
was then spread over the hearts because I wanted to add to the rustic vibe. Next I painted Verdigris over the hearts and waited for the crackles to appear! I painted the berries green to keep to a simple colour palette.  


As focal elements, I stamped the small tree from EKC11 in a dark green permanent ink and the sentiment in black and added a smattering of tiny stars with a touch of glitter glue.


Now for the back. I decided to use the Crackle Glaze again between a layer of Zinc and Chalk Fresco Finish paints. I was pleased with the rustic look. 


I mixed Grunge Paste with the Verdigris paint. Then I used the mixture through the holly stencil. I was amazed how the colour of the paint was barely altered by mixing it with grunge paste, even when dry. I shall definitely do more of this!


To finish this bauble, I didn’t have any more matching ribbon so I used the Verdigris paint to change the colour of some ribbon and attached it to the bauble adding a little charm from my stash which I painted with Zinc paint. 

2nd Big Bauble
I wanted to make a 3rd and final bauble because I had noticed that the trees from EKC11 were like the branches of a snowflake so I definitely wanted to make a large snowflake with them. Also I wanted to use the trees as branches to make a bigger Christmas tree. Another large bauble was in order for these 2 ideas! 


I sponged Verdigris Fresco Finish across the whole surface. Then I  drew a pencil line down the centre of the bauble to help me line up the pot and the tree stamps and stamped and painted in the pot on the stamp platform. Then stamped the pot again to replace the detail.


Starting at the bottom with the largest tree stamp from stamp set EKC11, I began to create a Christmas tree, changing to the smaller tree stamps as I got higher up the tree. I used a light and a dark green permanent ink to give the tree some depth.


To anchor my tree, I usied torn paper to mask off an area under the pot and used the Chalk paint to create a snowy base.


To finish off I embossed a gold snowflake star at the top of the tree and white snowflakes around the tree. I dug out some sparkly embellishments to decorate the branches.


I also added some sparkle too along the branches and on the snow with glitter glue.


Now for the reverse side. This time I really went for it with the Crackle Glaze and used it across the whole surface over a layer of Verdigris and under an application of Chalk. The grungy, crackle finish was really pleasing. I also sponged around the edge with the verdigris paint to frame the design. 


Having made a paper template using my quilting ruler to mark out the 60 degree angles for a six pointed snowflake, I then transferred the markings to the bauble.


I used the largest stamp from stamp set EKC11 to form the snowflake in grey permanent ink and then rubbed out the pencil guides. 


I was really pleased with how this worked out. I added 2025 again at the neck of the bauble.


On reflection I think I prefer the back of the baubles I made to the fronts! I like the simplicity of the designs and the colours. There’s a lesson for me there! Sometimes simpler is better!

Thank you if you made it this far, I hope it wasn’t too rambling. 

I have loved being a part of this challenge and can’t wait to see what the other 2 participants have made. I’m sure I will say ‘why didn’t I think of that!’ when I see their ideas! 

Facebook: Sarah Downes

Monday, 4 December 2023

2023 Topic 12: Designer Focus: JoFY {by Ellie Knol}



Hi everyone

Ellie Knol from PAPER-STAMPS-COLOR here with you today.

I want to concentrate on a 'wonky bits' style with JoFY stamps as people seem to enjoy that at the moment; I do for one! 

In JoFY's stamp sets are lots of versatile images that are easily fussy cut; I will use them as fodder. Do you know what fodder is? Read on and you will find out. 

The first theme this quarter was tags, and the overall theme typography. My aim is to add these in my project too. Follow the pictures and see where I've incorporated them. 

First things first: I need a book to store these fussy cut images! 




I found a book for photographs with sticky pages; I will recycle it for my purpose!! I need to make it pretty of course. I took it apart, and will adhere gelli printed papers (fodder from my stash) to the covers.

I chose to mainly use the beautiful Jo Firth-Young Stamp Set 127 (JOFY127), but will eventually add fussy cut images into the book from other stamps sets. More fodder! 


So what can be used as fodder?
Another word for it might be: 'stash' to be used later on, on a project.
 
I made a list, I've used the first 6 on the front cover of the recycled book. 

- colorful (gelliprinted) papers 
- fussycut images 
- printed tissue paper like JoFY Printed Tissue PT03 
- dried leaves and flowers
- books to recycle
- words and quotes

wooden / paper / grey board alphabets
backgrounds
rub-ons
magazine text and pictures
diecuts, also from colored or text papers
found objects
ephemera
brads and other embellishments
threads and fabrics
Fabric lace and lacy/ structured papers
etc


I stamped the pictures that are fussy cut easily of all my JoFY stamp sets (twice) onto some sturdy paper with a black ink.
So the fussy cutting began.... 


An example of a fussy cut image used on an art journal page; yes it's featured on the page I used as inspiration for my previous post with EAB


I love how this has turned out. 


On this second art journal page I used the fussy cut flower from JOFY127, the stamp set featured in this post. I made this page a while ago, and it was the inspiration to create fodder for future use. 



I adhered a laser copy of this gelliprint to the covers of the book.


I am so happy I used a copy as I messed it up. Read on to find out what I did (wrong). 


 

The cover looks so pretty. 

I try getting a nice composition with a few fussy cut images....  


.. lots of possibilities!
 
 
... lots of images to choose from. 
 

While creating this project I suddenly had to be without contact lenses for 3 weeks, and I had to pause this as I couldn't see much. JUST before that situation,  as a final touch, I added a layer of watered down gold mica creative paint. When it dried I knew I made a mistake; it was yellowish all over, and the paint was not as transparent as I'd hoped. 


So, 3 weeks later, with eyesight back, the project needed a twist!
I adhered another copy of the gelliprint and covered it with two layers of 
PaperArtsy Fresco Finish Satin Glaze, otherwise the paper might absorb too much moisture in the steps to come, and also it acted as a better base for the crackle I want to apply in a future step.  


When dry I applied PaperArtsy Fresco Finish Crackle Glaze through PaperArtsy Stencil by JoFY (PS396) with a palette knife.


I air dried the crackle paint, then lined the stencil back up, and applied a mix of 50/50 PaperArtsy Grunge Paste and Fresco Finish Chalk Acrylic (Snowflake, FF15) with a palette knife.   

 
Then the magic happened. There's not as many cracks as I hoped for, but I kind of expected this to be the case. Grunge paste , being so thick, is logically going to be more complicated to crack than a thinner product like paint, so potentially not as 'crackable' as Fresco Paints, and the surface area of the stencil pattern was not that big. But the mix of the 2 produced this result, what do you think?
 

LOVE this PaperArtsy Stencil by JoFY (
PS396)!

This, adding finishing touches, is always my most favorite part of a project.

I try to balance dark and light to create depth and interest.

It needs a bit more color.. I sponged 
Worn Lipstick Distress Ink -  to areas and sprayed it with water. 



No.. it needs Infusions!
Infusions - Royal Blood; dried with a heat tool:



and Blackcurrant...



.. and also a little Rusty Car and Sleight Blue


All of them in a row : Infusions Dye Stain - 
Blackcurrent
Rusty CarSleight Blue and Royal Blood.


Back to the fodder: here you see JoFY Printed Tissue PT03 adhered to some edges.
I am not sure whether I will use all of these fussy cut images, though. The dried fern leaf has been adhered and covered with watered down bookbinding glue. 




LOTS going on.. I know, but I like it!
White splatters... extra color added to the images, white border around the dried fern leaf and around the gelli print as a frame.. also 3 small tags.. 



Where's the typography?
.. the word 'timeless', stamped script in the background, and of course the script from the 
Printed Tissue!


 ... and the flower head needed more yellow as a final touch! 

 
I have some useful fodder! For future projects! 
 



I'm sure you've noticed that I kept going, not sure whether it would work, messing up a background and continuing with a new idea. Sometimes a project has to go through an ugly phase, to end up being a very unique project, prettier as envisioned in the first place, and very personal.

Creating or collecting fodder is timeless.. I find inspiration in them, and sometimes use them years later. Just imagine a creative space without fodder..  it would be a quite boring space. 
Keep saving and creating fodder! Look at the list (above in the post) and save it all!
A start could be creating a book with just stamped and fussy cut images; as shown in this post.
Find the background and project for these fodder images later, maybe years later. Easy.. 
Have fun!