3 Things - Infused Tissue Journey {by Floss Nicholls}

Hi everyone, it's Floss from flossWORKSHOPart with you today for a 'With 3 Things' challenge post.

This feature on the PaperArtsy Blog is where 3 identical items are sent to 3 members of the PaperArtsy Blogging team. Typically we will receive a stamp, a stencil and a colour product.

We have no clue what PaperArtsy HQ is going to send, the whole idea of this challenge is to do something crafty in our personal style with these 3 items.

We can incorporate other PA products into the mix if we feel it is necessary.

So let's take a look at what I received from PA HQ ...

So there was no stencil this time...but I received tissue paper and some card stock too.  It got me thinking straight away how I had never tried infusions on tissue paper before so it was the very first thing I did.

I started by sprinkling a little of The Sage Infusions onto my paint palette and sprayed the palette with water. I then used the colour to paint some detail onto the Seth Apter Printed Tissue paper. I painted the infusions on the front of the tissue.

I did not over mix the infusions dye stain so that it would allow the colour variants to still remain visible with the brush stroke.  I was fearful that the tissue might rip when I applied the water (as I use water to rip tissue regularly) but I did not pull the tissue...I let it dry.  The tissue paper was strong enough to take the 'wet' and so I thought I would become more bold in my approach and started to fill in areas with my brush.

I decided that parts of the tissue needed to be vibrant and so...

I used PaperArtsy Fresco Finish Heavy Cream acrylic paint on the reverse of the tissue paper and only after the infusions was fully dry to make the infusions colour more opaque and the areas where there was no infusions to be a solid strong cream. I did not add water to the acrylic as I did not want to reactivate the infusions dye stain.

There is definitely an obvious difference where I painted the ovals with the heavy cream as you can see here within the numbered areas with the cream vs the space around it left clear of paint.

The variety of colours within The Sage infusions was remarkable and so to give me more colour range in density I decided to sprinkle some infusions onto the Heavy Cream Acrylic on my paint palette...

I used it to paint other areas on the reverse of the Seth Apter tissue paper leaving the grains unmixed so that the dye would 'do it's own thing' within the paint.

It gave me so much more of an individual and slightly uncontrolled outcome.

Sprinkling a few grains of the infusions directly onto areas of the Seth Apter tissue and then spraying it made me wonder if I'd taken it a step too far, but again, the tissue held up to the wet spray! It gave me a softer palette with less of the powder being used.

I started looking at areas that were the same size as the provided card stock.  To do this, I used the card to draw around and cut a window out to audition certain areas of the tissue.

It was a tough decision which areas of the tissue to use...or whether to use the whole window framed area...or whether to collage various different parts of the tissue to cover the framed area.  I used the frame to guide my wet brush to rip different boxes from the whole tissue paper.

I then glued the sections I ripped onto the card stock and waited for them to fully dry.

Whether I decide to use the little cards as ATC trading cards, mount them together as a tryptic or in a square grid, for me, they needed more texture and attention to detail...and so by using PaperArtsy mini rubber stamps EM137 and EM141, I added further texture embossed detail to each card with opaque vanilla WOW Embossing powder.

And then collaged again over the top to create further texture.

I used partial stamps on this one...I like a little hint of embossing here and there. I achieved this by attaching masking tape over parts of the stamp after I'd pressed it into the embossing ink pad and before pressing it onto the paper, it allowed me to place the numbers strategically around the tissue design...

Using paper masks over the tissue design allowed me to add an embossed design section to each of the cards...

These two cards are still awaiting embossed details but I am now thinking that I could add stitching to elements of these cards...and maybe the others too...I guess it is because a lot of my art has stitching involved.

It seems that I am guilty of thinking I have finished a piece of art only to look at it a few days later and wonder what else I can add or change. Are you like that too? Looking at these images again now that they are on a big screen in front of me, I think they need stitching and that they could be used as journal fronts too...

It was a fun exploration and one I shall definitely be using again!

I hope that you will try this if you haven't already...

Much love,

Floss x x x

YouTube: @flossworkshopart 

Facebook: floss_workshop.art

Instagram: floss_workshop.art

Website: flossWORKSHOPart

I couldn't resist it...I added some stitching...

2021 Topic 8: Nature's Treasure with EEB {by Jennie Atkinson}

2021 Topic 8: Nature's Treasures

Jennie has moved into the watercolor zone for this post, using infusions in soft, delicate ways to offer subtle shades with differing depths using a range of images from the EEB collection. I think it can be quite tricky to use infusions so softly like this, and her step out instructions are really useful to see how she does this.
~ Leandra

Hi everyone, it's Jennie (Live the Dream) with you today, and I'm here to share with you a small watercolour folded book around our theme of Nature's Treasure.

The folded book has been made with just a few products and items but these are all little pieces that I like to use in my projects. I particularly love stamping flowers on dictionary paper and as these gorgeous blooms by Elizabeth Borer were fairly open I thought they would sit nicely over the text and allow a delicate colouring with Infusions.

We are currently getting some new windows installed in our 180 year old house, so rooms have had to be emptied and sadly my craft room has become a store for furniture. Even though I managed to gather a few pieces I surprised myself with using some unusual items!

I always like to start a project by gathering some bits and pieces which I think I might use. I couldn't reach my usual papers so used a piece of watercolour paper from my husband's stash - I don't normally work with such thick paper but it was a joy and allowed me to work with a lot of water. As the base was watercolour I thought that PaperArtsy Infusions would be the most appropriate to work with (The Sage and Terracotta). 

There are some of the usual tea dyed papers and ribbons, but in the top right hand corner are a few sheets of the wrapping paper from my PaperArtsy order (it was beautifully wrapped around all the paints and had hardly any creases in it at all). It feels like a thickish tissue paper and it was a great substrate to work with!

The stamp set gave me a mixture of stamps I could use as a background but also as the detail. There was also a lovely quote which could be used in itself, or broken up into smaller words.

EEB08

The torn piece of watercolour paper (12" x 7") got spritzed with a fair amount of water before adding a very watery mix of Infusions with a paintbrush.

I used the same watery mix of Infusions on my stamp, brushing lightly with the paintbrush - I was quite happy to get a distressed look.

And this was the effect ...... a lot darker than the background but totally co-ordinated! That is what is so wonderful about Infusions, you never quite know what you are going to get!

I wanted to add some extra blended elements onto the background and so turned to Raquel's lovely Nature stencil.

PS190

This gave me some lovely vertical lines and flourishes for corners, along with a sentiment for the back of the book.

Whilst the book was drying I had a lovely relaxing time stamping the flowers on the dictionary paper and painting them with very watery Infusions. You only need to dip the tip of the paintbrush into the Infusions otherwise the dictionary paper will go to pulp!

This is a very "loose" watercolour technique. I like to leave little bits of white showing and don't worry too much about going over the edges.

By this time in the progress of the windows I only had access to my sewing machine! So I made a number of panels for the book using the PaperArtsy tissue wrap as my base. This is not a good photograph because of the light from the machine, but when trying to adhere lots of fragile light pieces such as the dictionary and tissue paper, I find sewing is far better than trying to glue things together.

The inside panels are more pockets stitched only along one side and the bottom edge. The vellum allows other items to be added, even little tags placed underneath. 

I even raided the kitchen cupboards - you can see little snippets of coffee filter papers!

I cut some small tags from some of the painted pieces I didn't use.

Not everything goes to plan! I didn't like the light coloured lace on the front, so covered it up with some ribbon and embellishments. As I was making panels quite separately from the actual book it was not always easy to see what worked but I am always happy to keep "adding" until it looks right - the beauty of collage!

I shall certainly be using this thick watercolour paper again as it works so well with watery Infusions. I have no idea of the weight, but it comes from the local Art Shop in A2 size. Stamping flowers works so well on dictionary paper and I loved how beautifully the Infusions allow a loose water colouring effect. Such versatile little pots of lovelineness ! 

And do have a go at working with the PaperArtsy tissue (packing) paper - one side is quite waxy/glossy and the other more matte. It was lovely to stamp on and I did manage to paint with the infusions. It just didn't quite fit with the design I was  planning but it certainly worked well as a light base for adhering my panel pieces.

Sometimes it is quite refreshing to work with just a few, and different, products and I was creating in different parts of the house to my usual (my board was balanced on the utility room sink and the sewing machine just outside the linen cupboard !). Elizabeth's beautiful stamps were however the base and I could sit and paint them forever ..... which I did in the greenhouse!

As always thank you for joining me.

Jennie x

Blog: Live the Dream

Instagram: atkinsonjennie