Showing posts with label Scottish Salmon. Show all posts
Showing posts with label Scottish Salmon. Show all posts

Friday, 19 June 2026

Rosy bookmark cards with LPC {by Riikka Kovasin}



Moikka everyone! It's Riikka here with you today. Summertime means parties, graduations and get-togethers, at least here in Finland. Sometimes you might not be able to attend, but still like to send a little something with your congratulations. So, to tackle the problem, I created a bookmark card - a little gift and a note wrapped in one. I also used a fun and handy resist technique in the process, if you want to color outside the lines.




 
I chose the stunning art deco styled Lynne Perrella set (LPC079) from the January release to be used as my focal point. I combined two of the three stamps in my make. As I was inspired by the roses in the set, I picked a rosy, warm color palette. I chose three Fresco Finish acrylic paint colors that went nicely together - Persimmon (FF209), Scottish Salmon (FF158) and Lily the Pink (FF218). For the resist technique I also picked an acrylic color, a warm neutral Fresco Finish Heavy Cream (FF203). 

To make the cards and bookmarks extra rosy, I also used Lynne Perrella stencil (PS494). In addition, I used a black and a pink stamping ink, an embossing ink as well as a black embossing powder.



I started the project by making an A4 sized masterboard. As the first layer, I added the three acrylic colors to the cardstock in haphazard segments. I let the colors mix in places and kept them pure in others. I used a big flat brush to apply the colors.


I then used the same colors but this time applied them through the rosy stencil (PS494) with a sponge. I tried to add darker (FF158) roses on top of light surfaces and light roses (FF218) on top of darker areas. In places I also added some of the Persimmon (FF209) into the mix.

By keeping the color palette coordinated, I was able to keep the overall appearance quite harmonious despite the vibrant colors. Please note, though, that this is my way of working, if you prefer the roses to pop, use a more contrasting color scheme.


I might have mentioned it before, but I hardly ever finish a project without splashes. They make nice visual texture and also blur the transitions between colors. So, I added some splashes to the masterboard using all three colors - Persimmon (FF209), Scottish Salmon (FF158), and Lily the Pink (FF218). A fan brush is a handy tool for splashes!

After letting the sheet dry, I then cut it into three pieces. I cut two 9 cm pieces out of the A4 breadth and was then left with a about 12 cm piece. Height of all the pieces was 21 cm, the breath of an A4.

I lifted the two 9 cm pieces aside and concentrated on the larger piece for a while.

 

I used the bigger masterboard piece to make my focal point bookmarks. I stamped the lady twice to my piece of background using an embossing ink and then covered the design using black embossing powder. I wanted to make two cards as I couldn't make up my mind, if I should do a playing card styled mirrored bookmark or just one with additional length.

For the "extra length" version I stamped the head of the lady to the top of the cardstock and then aligned the same stamp to stamp the top design underneath the letter block. While I got the alignment right, there was a little gap between the two design blocks as you can see from the photo underneath. I fixed that with a black marker.

For the "playing card" version I again stamped the head of the lady to the top of the sheet, flipped the stamp and stamped her again, so that the other head started from the letter block. In order to make that work, I heat-embossed the first stamped lady before stamping the other. That way I could remove the extra powder that got stuck on top of the letter design, even though I tried to be careful. If the explanations don't make any sense to you, please read on and see the next step or even the pictures of the ready bookmarks and cards. 


My crafty friends call me "Speedy Gonzales" as when I get to the zone, I'm quite a quick maker. I seldom treat the paper with an anti static tool when embossing, but jump straight to stamping. That's why I then often need to slow down before melting the embossing powder as there's powder stuck to places where it doesn't belong. One could then think, if a little extra time prepping might actually be faster than cleaning up afterwards! 

But anyhow, if you are like me, eager to get going, my tip for cleaning extra powder is a soft detail brush. You can gently swipe off the extra powder before heating to avoid grains in wrong places.


After melting the powder and letting it cool, I then colored outside the lines! While acrylic paint will stick even to glass and plastic, on top of these sleek, non-porous surfaces it's not very durable. You can use that to your advantage and use a broader brush when coloring. 

As you can see, I applied Heavy Cream (FF203) on top of the faces of the ladies in order to create a blank canvas to add hair color and make up. While I could have used white cardstock to start with, I wanted the background of the card and the bookmark echo the same design and colors. The easiest way in my book was to use a masterboard and cut the bookmarks from the same sheet.


After the paint had dried, I then grabbed a baby wipe, and revealed the embossed design underneath the paint. As you can spot from the photo below, the rubbing removed some of the paint from the face, too, letting the background ghost through. 

If you want a more solid color layer, rub more carefully. It's also handy to use a clean baby wipe to finish rubbing the paint off. At least with this opaque white, the black easily looked misty as a tiny veil of the paint was left on top using a paint saturated wipe.


Now that I had a nice neutral surface to work on, I could color the character using colored pencils and markers. 

A couple of tips, when choosing the coloring tools. If you want the characters to pop, use a contrasting color. For a calmer effect, stick to the color scheme you already have going in the background. I went with the latter option and colored my ladies to red heads. 

Another tip is to use mediums that are meant for non-porous surfaces. You're working on top of acrylics, so take that into consideration when picking you coloring mediums. While the chalk-like surface of the Fresco Finish paints might even allow you to use watercolors, that perhaps is not be the best option for a bookmark done on top of acrylic paints. I mean you don't want the mark to stain the book, if the weather is humid.



Now that my ladies were stamped and colored, I turned them into bookmarks. I adhered the stamped piece on top of red cardstock using double sided adhesive sheet and then cut the ladies loose from the background.

I then set these bookmarks aside as I begun working with the 9 cm background pieces.
 

The first thing I did to the 9 cm pieces was to trim 1,5 cm of their length. The pieces now were 9 x 19,5 cm. I then added a rosy border to them. I used a black ink and the lady with stunning art deco -styled roses on her hair. I inked the stamp and pushed just the top to my card pieces.


More roses! When thinking about the project, I saw the bookmark on top of the background, hold in place with a rose wreath. I had hoped to get the roses from the same masterboard, but as I couldn't decide about the bookmark design, I needed an extra piece for the roses. In the end I think this might have been even a better solution than to use the same masterboard. Using the same colors kept the project cohesive, but there's still some variation highlighting the rose wreath. 

I first painted a piece of cardstock pink using Lily the Pink (FF218) and then added red roses on top using the stencil (PS494) and Scotting Salmon (FF158).


After letting the piece dry, I used the same rose-crowned lady to stamp several roses on top. I used black stamping ink as a means to tie everything together. 

I then cut the roses loose. I left two of the wreaths whole, but cut the third into smaller bits. These I used to add some dimensionality to the design - like a 3D picture.


Next up was 'inking the edges' -time! I went through all the elements with the same pink ink using an ink blending tool. By elements I mean the bookmarks, card bases as well as the wreaths of roses.


Lastly only the finishing touches and assembly were left to do. I first backed the card bases with black cardstock. I cut that black piece 0,5 cm bigger than the self-made background piece, so it added a nice, crisp edge around the focal area. 

I then measured the right place for the rose wreath. I called it 'measured', but I just used my eye, not a ruler. In order to add some extra texture and a little detail to the card, instead of just adhering the wreath from the ends, I used a couple of stitches. I made sure there was enough room to slide the bookmark underneath, though. I then added the smaller rose segments on top using foam tape. Just make sure the tape sticks only to roses, not to the card base! Otherwise you might have trouble threading the bookmark underneath the wreath.

To match the white linen thread I used, I also added some white splashes in the mix. These were done using Heavy Cream (FF209) and a fan brush.

As the last step I then mounted the focal area on top of a white card base and then slipped the bookmark in place.




Here they are - bookmark cards ready to be sent out to congratulate or cheer! 

The wreath of roses keeps the bookmark snuggly in place, but it's still easy to pull loose to use. The colors are vibrant and echo that of the roses. On top you can see the playing card version of the bookmark, which actually became my favorite. To see the other one, please scroll down a bit more.


I really like the grungy detail the stitches add to the card! It's such a small thing, but adds quite a lot of impact, partly because of the stark contrast by the white thread. If you wish a more subtle solution, either use a thread that matches your color palette better or use glue instead. Just make sure, the bookmark has enough room to be slipped in place and out again!


Another thing I really like about these cards, is the matching color palette throughout. The bookmark blends in to the card base nicely as it's done on top of the same masterboard. If you'd wish the card to be more presentable after the bookmark is taken into use, you could always stamp the lady also to the background.


Here are the two cards once more - the red head mirrored one and the pink-haired with a long dress. Which one of the two is your favorite?

Thank you for stopping by today! I wish you found this project inspiring!

Xoxo, Riikka




Instagram: Paperiliitin

Thursday, 5 December 2024

2024 Topic 10 : Gilded {by Jenny Marples}



Hi everyone Jenny Marples here with you today. I'm still dreaming of Japan and enjoying creating little sketches of houses, shops and other buildings I captured on camera.

This topic gilded had me thinking about the breathtakingly beautiful gilded/painted walls and ceilings inside the  Nijo-jo Castle in Kyoto; a mix of hand painted scenes and graphic patterns cover gold leaf surfaces that have aged and faded slightly. So I decided to attempt to replicate that look, using gold as the main background rather than leaving it to the finishing touches.


Rather than go through the process of creating an entire book I am concentrating on using gold to create backgrounds for a set of journal pages that will be incorporated into a finished piece later.



Lots of Tracy Scott's recent releases have an Oriental theme to them so you can mix and match with these and her older designs using the methods I'll be demonstrating.

As for colour schemes my palette also reflects those seen on my travels, but since gold can be considered a neutral base you could in reality use any colours you choose over it.



Since Gold Fresco Finish Metallic Acrylic Paint has a translucent quality it's also helpful to start with a complimentary opaque base colour, hence my choice of Sand Fresco Finish Chalk Acrylic Paint. 

TIP: You will find with more than one layer the gold builds in opacity, but you can impact the final shade of gold with an opaque underlayer and just 1 thin coat of gold paint. For example: if you want a more brassy look try using Kiwi Gold Fresco Finish Chalk Acrylic Paint as the base.


Apply a layer of Gold Fresco Finish Metallic Acrylic Paint over the top and don't worry if some of the brush marks remain visible.


To achieve that timeworn look I mentioned at the beginning to use a fine grain sanding block to add back some matte patches to the painted surface. And that's it - the basis of my approach to gilding each of the finished pages. These are now ready to be decorated.


I noticed some Oriental looking script in the PaperArtsy Frames Printed Tissue PT02 so tore it and applied with Fresco Finish Matte Glaze. As the gold is shiny, I could have used gloss or satin glaze as an alternative adhesive) But I chose to add back that shimmer by brushing over a little of the Gold Fresco Finish Metallic Acrylic Paint again.


I find using a stamping tool helps when you want to use opaque/semi-opaque paints to colour detailed images. These flowers from the Tracy Scott TS093 stamp set sweep across the page and add pops of colour against that gold background. 

If you page can be secured in the stamping tool securely, you can stamp, add painted colour, then stamp in black again over the painted flowers to get the crisp and clear stamped outline.


I used a combination of Scottish Salmon, Verdigris and Squid Ink Fresco Finish Chalk Acrylic Paints, highlighting the centres with a white paint pen. Whilst I've used one of my sketches on the page too you could include a photo instead.


To finish the page try stamping lines of Little Black Dress Fresco Finish Chalk Acrylic Paint along the edges with a sharp edge like a ruler. And embellish your image with a gold heat embossed token from the Tracy Scott TSM29 stamp set; you'll see I've cut apart the 3 stamps images prior to using them. (they come to you closely trimmed so snipping them apart is not tricky)
 

So how else can we use the gold background to create journal/art book pages?


Inspired by the geometric shapes seen in Nijo-jo Castle I reached for the Tracy Scott PS443 stencil. Use a large stencil brush to apply the main coat of Front Door (or Verdigris) Fresco Finish Chalk Acrylic Paint. Then use a smaller brush to add a 'highlight' to the centre of each section with Peppermint Fresco Finish Chalk Acrylic Paint.


Finish the edges with more of those black lines and a gold heat embossed medallion from the Tracy Scott TS093 stamp set.

You might have spotted the text page on the left side of the page; this is also created with the basic techniques we've already used. 


This time add text pages or Printed Tissue to a blank page then drag separate layers of first Sand Fresco Finish Chalk Acrylic Paint and second Gold Fresco Finish Metallic Acrylic Paint around the edges with a scruffy bristle brush. Sand the surface then brayer a thin layer of Peppermint Fresco Finish Chalk Acrylic Paint over the top for a worn look. You can then add embellishments/stamping of your choice and put those black lines around the edges to finish.


Now let's try using our layered gold technique in a different way, applying first the Sand Fresco Finish Chalk Acrylic Paint through a large stencil (in this case the Tracy Scott PS233 stencil) and then the Gold Fresco Finish Metallic Acrylic Paint.


Repeat stamp the Tracy Scott TSM26 stamp and add the black lines around the edges of the page. I also stuck a small piece of sewing pattern tissue over some of the stamping.


Include another of your focal point images (in my case another sketch) before stamping and painting a scattering of the flowers used on the first page across the stencilled leaves.

And you can also use your layered gold paper/card to frame your images as seen below.


Finally, and I just wanted to give a shout out to the new Mattints - they are awesome! I'd played around with some large sheets of paper, pastels, gesso, the Tracy Scott PS443 stencil, brayering and tea stain but wasn't convinced with the results. A couple of coats of the Mattints transformed it into something I could use as page backgrounds and frames for sketches.


Let's take a look at the finished pages;



These gilded pages really remind me of those walls and ceilings back in Kyoto and I'm looking forward to completing more to finish the book now. Hopefully you'll consider using gold to create backgrounds for your stamping and stencilling as part of your creative endeavours.

More Posts to Enjoy