Here's a great way to capture the beauty of a fallen leaf beneath a layer of frost and snow; after stamping the leaf shape onto your page paint over with a shade of brown (in this case Caramel). Cover with a thick layer of PaperArtsy Grunge Paste and leave until it starts to go dry.
Showing posts with label PM023. Show all posts
Showing posts with label PM023. Show all posts
Thursday, 22 February 2024
2024 Topic 1: Miniature {by Jenny Marples} on the PaperArtsy Blog
Hi everyone Jenny Marples here with you today. Since the beginning of the year I've been looking back at past projects as a way of reminding myself about favourite techniques - we learn so much over years of creating and it's easy to forget some of the most effective methods for achieving certain results.
This miniature topic had me thinking about little books (of course!) and with the 'glazed' theme in mind it was inevitable that there would need to be a window of some sorts on the cover. So I decided to grab some old packaging and scraps of paper, combining them with one of my all time favourite stamp sets to celebrate the winter season.
All that 'digging back' through the archives really paid off as I had a lot of fun without needing to over-think the processes.
Feeling inspired by the bare trees and remaining fallen leaves seen on early morning dog walks the majority of the pages in this little book use the images on the Courtney Franich stamp set ECF05. You can extend it's design potential even further by the addition of the PaperArtsy Mini stamp MN129 and PaperArtsy Mini stencil PM023.
Starting with strips of paper collaged with a mix of old book pages is always a great way to get rid of that 'blank page' panic and I like to limit that even further by applying some colour and design before chopping it up into pages. Use a brayer or palette knife and your stamps to begin the process.
Adding lighter layers over the top is another of my favourite techniques; I have used three PaperArtsy Fresco Finish Chalk Acrylic Paints from the same set (Pine Grove, Bora Bora and Seaglass) to do this. If you don't have a complete set to hand remember you can add a white like Cloud 9 and Little Black Dress to any of the mid-tone paints to give yourself a range of tones.
Stamping and stencilling with paints is so effective - just remember to clean them afterwards to ensure you continue to get those great results with your inks too.
Cut up your strips of painted paper into pages tall enough to fit the covers of your book. Having pages of different widths is a great way to add interest and encourage people make their way through the book. I bound my pages together as a temporary measure whilst completing the decorating but you can leave them unbound until the end if you'd prefer.
Below you can see where the paint stamped images have become the focal points of these pages with just a little extra embellishment.
With the first of the pages complete it's time to dip into that 'box of techniques' to create more focal points.
When completely dry paint over with Fresco Finish Pearl Glaze to get that frosty look.
The same Fresco Finish Pearl Glaze adds a frosty shimmer to a leaf stamped with permanent ink onto brown card, whilst a little Fresco Finish Metallic Acrylic Paint in Gold catches the light on a painted tag.
Use the Fresco Finish Pearl Glaze over hand-drawn branches too.
Another way of glazing leaves is to heat emboss them. Try using your embossing powders over a piece of card dipped and dried repeatedly in dilute paint (I used Fresco Finish Chalk Acrylic Paint in Toffee here).
Cut roughly around the embossed leaves, apply a coat of Fresco Finish Chalk Acrylic Paint, then rub away when dry to reveal the full detail of the embossed leaves.
If you want to dull the shiny surface of the embossing use a coat of Fresco Finish Matte Glaze over the top and allow to air dry. Hint; this also works if you have unwanted shiny patches on your matte book pages left by excess glue etc.
And as a final way to use the same stamps to add extra texture to your book pages try stamping on PaperArtsy Crunchy Waxed Kraft Paper that has been scrunched up and flattened.
Below you'll see how the embossed leaves and stamped Crunchy Waxed Kraft Paper have been used to decorate more of the book pages.
Now it's time to complete the book, starting by cutting the covers from leftover corrugated card and plastic packaging. I used the Sizzix 'Needle Book' Scoreboards Die by Eileen Hull Designs for this. Draw and cut a small oval out of the front cover layers to create a window.
I found it was easier to cut a piece of kraft card the same size as the corrugated front cover and heat emboss that - it is flat and less likely to absorb the embossing ink. Use a permanent ink on your stamp as a release agent and press into the molten powder to get a deep impression.
Finally assemble the book, stitching the spine onto a piece of cloth before gluing each side to the front and back covers as shown below. Trim to fit, then add the embossed panel on the front. I chose to make an embossed cover for the back too; the corrugated card adds dimension and strength to your covers whilst the embossed panels give that decorative finishing touch.
Here you can see how the covers look inside when teamed with the front and back pages of the book.
You can add extra details to complete your pages if you want; examples here include washi tape, lace trims, charms, hand-stitching and some die cuts left over from my last PaperArtsy project. And if you are wondering about the words used they are (of course) from an Alison Bomber stamp set EAB01, fitting perfectly with the Winter tree/fallen leaves theme.
It was so enjoyable to revisit some much loved techniques and pick up on design ideas that have worked well in the past, like remembering to add touches of black and white to make the pages 'pop'.
So what would you like to repeat from your creative journey? Or are you just starting out and using some of these ideas for the first time? The pages of a small book are easy to cover so make a fantastic place to give them a go.
Jenny
Monday, 3 April 2023
2023 Topic 4 : Mail Art {by Jenny Marples} with Lynne Perrella stamps
Hi everyone Jenny Marples (Pushing The Right Buttons) here with you today.
I've been enjoying some creative time lately. The topic mail art had me thinking about how to use postcards and envelopes when building art books. So I decided to use them both as pages and decorative elements, incorporating as many textures as possible to fit with the over-arching theme this quarter. I'm looking forward to sharing with you today what I figured out about using mail items in books and developed a theme celebrating the masked costume balls held during the Carnevale di Venezia.
It just so happens that Eileen Hull has recently released a couple of die sets that create postage stamps shapes in different sizes, and most excitingly I discovered that these work really well with Lynne Perrella's collage style stamp designs.
My starting point was Lynne Perrella stamp sets filled with flamboyantly dressed ladies and the Venezia stamp image. It conjured up thoughts of postcards from Venice during carnival time, rich colours, damasks, fabric and lace.
I pulled out a couple of stencils which I already have (a Scrapcosy set of damask designs and a diamond harlequin pattern on a Sara Naumann one) and also introduced a recent mini stencil from PaperArtsy's own collection which replicates the geometric patterns made by the perforations on sheets of postage stamps.
To begin with I needed to work out how best to incorporate some blank postcards and envelopes into the construction of a book. I started by working on a large piece of heavyweight paper for use as pages, adding gesso with a brayer and stamping the postcard images from the PaperArtsy Ink & The Dog 'Words 4' stamp set in a pale coloured permanent ink.
Oddly, when tea staining the paper it turned a shade of pale yellow (very similar to 'Vanilla' PaperArtsy Fresco Finish Chalk Acrylic Paint - a helpful observation for later in the process). I replicated the colour by using a diluted wash of 'Lemoncello' PaperArtsy Infusions on three postcards and envelopes.
Books are usually created with a set of signatures; to begin the process of building these I cut out three folded pages from the stamped paper. You'll have seen in previous posts how I tend to use a pale colour to create highlighted areas.
This was achieved by using 'Cloud 9' PaperArtsy Fresco Finish Chalk Acrylic Paint, a spatula and PaperArtsy Mini Mask PM023.
Next for the envelopes; as well as folding them in half for use as pocket pages you can gently pull them apart and re-assemble in a smaller form, cutting pieces off as needed.
In this way you can use smaller ones to decorate pages as seen below. I also added elements from one of the collage images in PaperArtsy stamp set LPC060 by Lynne Perrella - you can cut out the script tag and dream labels.
The folded envelope can be cut down at an angle to create a slip pocket on one side of the signature. On this side the pocket is decorated with some stencilling, lace and a stamped glove image.
On the opposite side the decoration is much simpler, including lots of textural lace.
The final envelope has also been used as a page embellishment, this time with the stamp image from PaperArtsy stamp set LPC060 by Lynne Perrella.
You will already have seen splashes of colour added to some of the pages; it's time to look at how to add these to your basic pages, envelopes and postcards.
When deciding on a colour scheme for the finished book I knew it had to reflect the opulence of Carnevale costumes and of course we already know the 'Vanilla' colour was a given following the tea staining. Working with colour wheel opposites I chose 'Pumpkin Soup', 'Lilac', 'Amethyst', and 'Blood Orange' PaperArtsy Fresco Finish Chalk Acrylic Paints, using a gel plate to pull prints with layers of these colours.




If you are a member of the PaperArtsy People Facebook Group you may have seen that I've been experimenting with using PaperArtsy Infusions and boiled water to stain pieces of fabric. You can also use them to stain regular tissues, allowing them all to air dry before use.
The gel plate prints and fabric can be used to decorate or even back the postcards before they are inserted into the book. In this case the fabric extended the size of one of the postcards, whilst another was folded in half to create a smaller page and a third used to create a pocket.
As mentioned earlier I used the diamond pattern in the PaperArtsy Stencil PS090 by Sara Naumann and Grunge Paste to replicate the look of a harlequin design (seen on the costume of one of the main images) on the folded postcard.
Below you can see how the finished page is backed with fabric and how the stencilling softens the look of the gel plate printed block of colour.
There is more stencilling and fabric on this page, used in part to extend the size of the postcard.
Layers of fabric can also be used on their own to create pages, with hand stitching adding some extra detail and texture.
Below you can see how that stitched page has been wrapped around a larger paper page in one of the signatures, acting as a calming contrast opposite a highly patterned and decorated page. The fabric layers used here are teabag paper, stained with those PaperArtsy Infusions.
In this next spread the stitching provides the detail opposite a simpler collage page.
You may have already noticed that after adding pieces of gel plate print or stained tissue to the pages they have been blended at the edges with some of the 'Vanilla' and 'Cloud 9' PaperArtsy Fresco Finish Chalk Acrylic Paint. The stencilling from the main page has then been replicated over the coloured area.
The colour added to the page helps to accentuate the stencilling when (as in this case) it done with paint.
All of the designs on the PaperArtsy stencil PS293 by Scrapcosy has been used on the pages throughout the book.
The same design has been used on the next page, this time in combination with more Grunge Paste to create a different look.
Here you can see the same page once completed with some of the stained teabag paper and some stamping.
When the colour on another page became too intense behind the stencilling I used a layer of lace to help reduce it, helping the stamped image on top to stand out even more.
You will have seen stamped images throughout the pages so far; they provide the finishing focal points on many of them and can be used in different ways.
When painting into detailed images with opaque paints I find a stamping platform is a really helpful tool.
By stamping with a pale permanent ink, painting over with your PaperArtsy Fresco Finish Chalk Acrylic Paints and re-stamping with a darker permanent ink you can help to bring out the fine details Lynne Perrella includes in her stamp designs.
And here you can see how it sits in the completed book.
Here is another of the finished pages given the same treatment.
Here you can see how the postcard pocket sits nicely opposite another painted lady.
Throughout this post you will have seen a number of postage stamp shaped die cuts used as page tabs and collage elements. I also found another use for them really helped by the way Lynne Perrella designs her stamps.
Since she chooses to use a mix of images to build her characters you can use those to your advantage by stamping small sections onto your die cuts. In this way you can create multiple focal points from the same stamps as can be seen below.
Using different colours of inks can give the same images a different look.
It doesn't need much to finish a page and these elements can coordinate with the pages underneath to draw your eye through the book.
Throughout this project I've enjoyed building the layers on each page and seeing how the different signatures have come together, but my favourite part has been using small sections of the stamps with the die cuts to create new focal points. It has effectively extended the use of each set which has to be a bonus! I hope that like me you will look at using your stamp sets in a different way.
Jenny
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