Showing posts with label BG2. Show all posts
Showing posts with label BG2. Show all posts

Thursday, 19 October 2023

2023 Topic 10: Tags {by Renata Peley} with Ink & the Dog Stamps



Hi everyone, it is Peley Renata with you today and this time, I was in a vintage mood. As you might know, I like to try new stuff, so a couple of years ago I tried creating junk journals. It was really fun and satisfying to do as I got to use up a bunch of old scrapbook papers, fabric pieces, threads, charms and paper scraps that I collected over the years. I remember watching a whole bunch of tutorials on YouTube on how to create your own journal, book binding and also on creating all those fun little pockets for journal cards and such. In a very short period of time, I created three journals, but sadly I didn’t create any new ones for at least a year now. So, this was a perfect occasion for me to go down memory lane and create mini versions of junk journals, but this time in a tag format!


This was one of those projects for me when you get so much dragged into your own thought process that you forget anything else like lunch, time, taking process photos and even to drink the coffee. But let me see if I can manage to draw you into my creative process and perhaps tempt you to try creating something like this as well.


The main topic for this project was tags, while the quarterly topic was typography and, in my mind, these two were easy to combine. I am one of those crafters who feels that a project isn’t complete without splatters and subtle text or numbers in the background. It is a perfect layer, perfect background interest which in my opinion goes well with almost everything. And I think that we all have at least one script stamp or stencil among our artsy supplies.

Anyway, with this topic in mind, I got inspired to use a couple of stamps from PaperArtsy Ink & The Dog A6 collection. All my chosen stamps featured either text, numbers or both within every image.


The stamp sets which I used and which you can see on the image above are: BG2 from the Backgrounds collection, PT2, PT3 and PT4 from the Pierrot collection, EA1 from Ephemera collection, then we have G3 from the Gentlemen and E3 from the Eclectic collection. They all belong to the PaperArtsy Ink & The Dog A6 Collection.

Now I knew what I am going to stamp, but just had to figure out on what to stamp. As I said previously, I did plan to create junk journal tag booklets, so I went digging in my stash of paper scraps. And that’s when the fun began!


The first step was to create a substrate and there were a couple of things to consider. First, it had to be in a tag format and second, it had to be a sort of a booklet. Also, I planned to create two tag booklets so that one of them would feature mostly text, while the other one mostly numbers. With that in mind, I decided to use the Art by Marlene Tag-Tastic die set. It cuts a very large tag with some other dies for hole reinforcers, a smaller tag which is great for inserts etc. Though I did modify it a bit so that both ends of the tag would be the same in order to close up nicely. Of course, you don’t really need a cutting die to create this, you just need a ruler, scissors and something to pierce a hole like a Crop-A-Dile or something like that.


Here you can see that I cut out four elements. Two of them as tag book covers and two of them as inserts. The paper that I chose was 200gsm mixed media paper as I didn’t want the cover to be too flimsy and also it should handle acrylic paints because the next step was to cover that big bright, white surface and make it look more vintage.

The first color that I applied was PaperArtsy Fresco Finish Chalk Acrylic Vanilla (FF65).


Of course, I didn’t want it too plain and simple, so I also added just a touch of PaperArtsy Fresco Finish Chalk Acrylics Khaki (FF177) and Toffee (FF74). By the way, I applied these paints on all four cut-out elements and on both sides.


As usual, I didn’t resist adding some splatters. For this, I used Toffee again but also PaperArtsy Fresco Finish Chalk Acrylic Buff (FF96). Later on, I will do some inking as well to age it a bit more, but at this point, I was happy with my base color.



With the base of the tag booklet complete and my selection of stamps on the ready, it was time for some rummaging around the house and my crafting closet.

After my little treasure hunt, I came up with some really fun goodies. First of all, I prepared a nice selection of book pages in various sizes, languages and aging stages. Oh, and in this pile, there were also a couple of tea dyed notebook pages and some old cardstock pieces as well.


And now the part that took me about 2-3 days: creating journal pockets. At start, I made some very basic ones, but that helped to jog my memory and I created a bunch of fun-looking pockets with windows and decorations and everything. Truth to be told, at this point, I strayed away a bit from my project and just had fun creating pockets in various styles, sizes and from different types of paper. If you ever want to try something like that, there are some amazing YouTube videos and blogs on this topic alone.

Anyway, I created about 30 pockets or more, but I will show you just a couple of them, mostly to demonstrate the styles and shapes that I made.


Another thing that I found in my treasure hunt was my old hand-made ephemera. There was a point some time ago, when I felt that I lacked inspiration and ideas to make a full project so instead, I decided to create some bits and pieces using really the smallest paper scraps. Some of them were free printables cut to small formats, some cut-outs from books or scrapbook papers while others I stamped. Anyway, I even got them organized by shape and size and now I was genuinely happy to put them to use. And as luck would have it, a lot of them had numbers or little text on them which was just perfect for my project where typography also was in the back of my mind as our quarterly theme.


With all these goodies gathered, I slowly started assembling my tag booklets and planning some layouts.


This first tag that I was creating was supposed to feature mostly numbers, so that’s something I tried to pay attention to when choosing the stamps from my selection to embellish the elements. Here, for instance, you can see that I chose a stamp with a big and bold number to decorate the little pocket that I created from tea-dyed notebook paper.


I didn’t only stamp numbers, I also stamped some other images. As you can see on the photo below. This picture in particular was supposed to be on the cover of my tag, but it felt a bit small so I decided to do some stencilling as well, using one of the super versatile and gorgeous PaperArtsy Mini Stencils PM026.


Working with this mini stencil inspired me to take a step backwards, and add more background interest with another PaperArtsy stencil featuring numbers: PS021. For inking, I used a Ranger Distress Oxide ink pad in Vintage Photo color, and while this ink was still in my hands, I also used it to darken the edges of my tag as well.



Of course, I was doing some more inking, stamping, paper folding and, in the end, my final layout looked something like this:


And from the other side:


As you can see, I created three pockets which I filled with small papers of different shapes and types, some of them premade, while others I cut out and decorated using PaperArtsy stamps. Also, I made a little cluster of papers and stitched them all together while leaving the threads for a bit messy look. What else….oh, of course I used paper doily, a bit of washi tape, mini paper clip and later on I will add a couple more details, but before completing this tag booklet, I made another one featuring letters, so let me show you a bit of that process too.


Ok, so now on to the second tag book. As you can imagine, most of the process was much the same but of course there were some details that I did differently this time around.

First of all, if I am being honest, I wasn’t 100% happy with my cover image for the previous tag. I stamped it with black ink, and even the print wasn’t ideal. But I learned from my mistakes and this time I used dark brown ink and a stamping platform.


This time, instead of numbers, I created background interest using a script stamp. This particular one is PaperArtsy Ink & The Dog A6 Backgrounds collection (BG2).


Next to the couple of premade ones, I also created a few new ephemera pieces using PaperArtsy stamps from the Pierrot collection.


The next step was planning out the base layout.


I am not the most organized person, so for me there was a lot of going back and forth between stamping, creating elements, planning layouts and realizing I have more pockets and not enough papers to fill them with, so once again I went back to stamping. Here you can see that I used tea-dyed paper and a PaperArtsy stamp from the Ephemera collection (EA1).


And then it was all about compiling these elements into one whole, binding the papers and making them into booklets.

For creating the holes, I used Crop-A-Dile, while for binding, I used jewelry cord, but any kind of decorative thread can work just as well.


As this project was coming to its end, I also filled the created pockets with previously mentioned ephemera pieces. Here I will show you a couple of images of how it all looked.



These two images above represent some of the pages from the tag featuring mostly numbers, but the next two the tag featuring letters.



As you might notice, I really tried to include the typography topic in my tags. Another thing that you might notice is some sewing that I did. When it comes to junk journals, I really enjoy including a variety of textures in them. That’s why some pockets were sewn in, others glued while I even stapled one of them. Also, there is such a lovely variety of papers included: old book paper, scrapbook paper, vellum, tea-dyed paper etc. And at the end, I feel like all these items came together so nicely, as if they were made for each other.


In a project like this, no one can guide you precisely from step to step. All of us will have a different range of stamps, ephemeras, sense of beauty and layout. When I create a project like this, I like using paper scraps, small cut-outs, but I also like a bit of stitching and sewing, I enjoy using different types and sizes of paper, I also prefer a bit of a messy look, imperfect stamping, clusters of paper, etc…If you try to create this kind of project, let yourself be inspired by other people’s work, but let your crafty supplies and scraps guide you through the crafty process. And if you do it like this, there are two things that I can promise you: you are going to have a lot of fun and a lot of mess to clean up around you crafting station. 😊

Renata 💜


Monday, 10 April 2023

2023 Topic 4 : Mail Art {by Floss Nicholls} with Ink & the Dog stamps



Hi everyone it's Floss from flossworkshopart with you today.

I whooped out loud with joy when this latest PaperArtsy mail art topic opportunity landed in my email box! It instantly got me thinking about the amount I used to use 'snail' mail and how I loved to decorate envelopes, or parcels and the crazy things I used to send through the post, (more of that later...) and so because of this I decided to go straight for the obvious for this blog and decorate some envelopes.  I wanted to keep things fairly straight forward but keeping my use of gesso, a few layers, a little stitching and some embossing...as that wouldn't be me without those things...and they all tie in nicely with this quarter's theme: textures. 


I hope that at least one of these envelopes will inspire you to join in with this topic and consider sending an art envelope to brighten someone's day...I think art should be shared with all, so why not also bring some joy to the posties whilst your 'snail' mail is on the way to its destination?! Decorating envelopes is something I've totally enjoyed doing for many many years...maybe I should tell you about one of the funniest things I sent through the post...


I wanted to make the art mail envelopes more individual and I knew that by using PaperArtsy infusions on a good cartridge paper, it would give me interesting results that would be totally uncontrolled and random to start with. I did a colour swatch for Sunset Beach and Olive Tree because I think they suited the stamps I was going to use.


Here you can see, not only did I colour swatch the infusions but I started to look at how different colour inks would work over them instead of just going straight for black.. I think that using different coloured ink pads can enhance the overall appearance of an art piece and it can compliment the different tones within the infusion dye stains as they are rarely a solid colour. You will also see that I have labelled bleach on the swatch too.


Some people like to sprinkle infusions on wet paper, some prefer to sprinkle infusions onto dry paper and then spray them to activate. I personally like to dry sprinkle then spray, I then use a large flat brush to swirl the colours and liquid into some very pleasing designs. It really does depend on how much you like to leave or dissolve the little specks within the infusions, and how much water you use to hydrate the powders. I mostly like to dissolve mine or leave heavy areas that almost create a crust when left.





Using a hairdryer or heat gun can speed up the drying process and give some interesting outcomes too depending on the length of time you hold it in the same spot.  Here you can see how very different each page was...


I wanted the envelopes to be  220 x 110 mm (standard DL size) and so I needed the paper to be 251mm x 251mm to start with. I used my trusty paper cutter and made sure that each page was square.

 
Some dyed pages were not big enough so I sewed some together to make the correct size required. The stitching which would add further interest and texture to the envelope. 

I found an amazing website that was extremely helpful with envelope making sizes. www.imjustlovinit.co.uk This link will allow you to choose metric/imperial and put in your own envelope measurements...it's fabulous if you make bespoke cards etc which need something different from standard sizes given.


I scored the first line at 164mm, then rotated the paper CLOCKWISE and lined the score line I had just made with the horizontal cream plastic triangle inline with the 1cm marking measurement.  I kept rotating right and scoring until I'd done all 4 lines.


I punched the little triangles out where the score lines crossed...you can also use scissors to do this. I then folded them into envelopes ready to have some creative fun with...


The folded envelope on the left shows an example of what I mentioned earlier about the 'crust' texture where the infusions remain less activated but heat set onto the surface.


Having tested how bleach works on infusions, I knew that my first 'texture' layer was going to be stamping bleach.  THIS IS AN ADULT ONLY part of the project. Please wear gloves and open your windows if you are going to try this element of the project or get an adult to help you if you are a young artist.  It is safe to use bleach with the rubber stamps, as long as you wipe the stamp straight after with a damp cloth or a wet wipe and then use running water to thoroughly clean them after you've finished this stage. I used thin bleach poured onto 4 layers of folded kitchen towel to make a stamp pad. you don't want the paper towel to be soggy...but I found just enough to make a slight sound when releasing the stamp. Do try test pieces first. 

In my testing I found that the more closed the image was the less defined it would be using bleach. I liked the results using the background (BG3EZ) stamp best. 


Having done a fair amount of testing the process I went ahead with adding bleached layers to the envelopes.  I used BG2EZ with bleach and then stamped MN23 using Ranger Archival Ink ground espresso in small areas without using a stamping block so I could limit the area stamped. I stamped the top and bottom flaps upside down to accommodate the folding upwards leaving the numbers to be the right way up when it was assembled and glued together.


I then spread gesso onto some fine calico using an old store card...notice that it was spread uneven to enhance the feel of the texture.  Once it had dried I used another stamp from the same BG2EZ set onto this using Ranger Archival Hickory Smoke Ink pad. i did not refesh the ink each time so that it would give me more 'broken' tones.


I did not measure the fabric as it was just a random piece that I pulled out of my stash but did feel a bit jammy with how I snipped the edge and ripped it into three strips, then folded those strips into three to snip the edges allowing me to rip again making 9 labels. I prefer to rip rather than cut fabric as it leaves a lovely frayed edge which adds to the natural textural quality.  The fabric piece was approximately 330mm x 180mm making the labels approx 110mm x 60mm.


I then punched some circles out of left over pieces of dyed paper, cut oblongs of scrap chiffon fabric, which I folded into three, assembled, punched and secured with an eyelet. I added a string for decoration purposes. I did worry about the string maybe getting caught up or ripped off so I made sure that part would be stitched or heavily glued in place.


I did edge finish the coloured circle using the ground espresso to allow it to 'pop'.


I started to think about what I would decorate the envelopes with and have to admit that I could not resist using some of the tissue paper that PaperArtsy wrap their goods in when they arrive through the post!
I painted along the parts of the tissue paper I wanted to use with water to remove, this gave a more natural rustic tear in the tissue paper which would help it to blend into the background once applied to the envelope...I also used this method to remove a couple of the stamps and the car too. I was after textures rather than images to add subtle interest to the envelopes.


I started assembling which stamps I thought would work well with which envelope...and which tissue paper textures would enhance each one.  The different envelopes really allowed for so much choice and fun.


The tin lid on the left is what I used to contain my 'bleach ink pad'. If you are going to use text for your envelope textures then remember that the top and bottom flaps will fold over so remember to do those the opposite way (upside down) to the fronts and sides of the envelope.


I thought the little dolls were just so cute popping out of the inside of the envelopes. 


I glued the labels on and sewed extra chiffon along the edges or slightly tucked chiffon under the labels and stitched them into place.  


I then embossed little details over where I had used the tissue papers or stamped.


I painted PaperArtsy Fresco Finish Snowflake Chalk acrylic on the reverse of the torn tissue paper car and stamps so it would be more defined and embossed the measurements from the G3EZ stamp using Wow opaque vanilla embossing powder.


I then used double sided tape to secure the sides under the bottom folded over flap. I will use double sided tape or a glue stick to secure the envelope closed once I am ready to enclose something inside and post it on its merry little way into the world...




I particularly liked adding the script stamp both horizontally and vertically creating a grid pattern with the bleach.



Is there one you'd love to have fall through your letter box? 


I made four finished envelopes for this blog but I now have several more envelopes dyed and ready to play with. I found it easier to batch dye papers. I will definitely doing more and perhaps extend the series.

I found stamping and embossing onto tissue paper easier to place over cloth and glue into place using matte medium rather than embossing straight onto the fabric.  It may be because the fabric had quite an open weave.  The embossing ink pad soaked through into the cloth making the embossing powders difficult to show/stay on top of the cloth.  I found that when I was embossing onto tissue, I had to keep the heat gun moving and not hold it down too long as the embossing powder tried to stick it to the paper beneath it as the tissue paper was very thin.

I enjoyed how the whole thing came together at the end and because I used the stamp sets across all envelopes they automatically became connected to one another.  Maybe I should've only used one type of infusion powder, but I wanted to give myself choices. 

I'd love to hear your comments especially if you give this project a whirl and which stamps you chose to use on yours.

Enjoy your creative time,

Floss x


I have made my first YouTube video...it's a quick tutorial of how to measure, score and make envelopes using the score board and notch punch...I hope it is useful to those of you who have not made envelopes before...or for those who need reminding how to make envelopes.