I also have a few less complicated samples from Ally Pally that I also want to explain, as there are certain question I get asked time and again, so a few tidbits of hopefully useful info might be contained in this rambling too.
Crackle Glaze. It's a doddle.
- First coat either dark or light, this is the colour that will show through the cracks. I have used Inky Pool. DRY IT
- Next scrape on with a spatula a THIN layer of crackle glaze. DRY IT. (Heat tool is faster)
- Lastly apply your contrasting coat of top coat, I used Nougat. As it dries it cracks, so work fast, and use just one stroke to apply. DRY.
- Apply the top coat thickly for big cracks, or thin for fine cracks. Try cut and dry foam, it gives a porcelain crackle effect because the paint is applied evenly and thin, a paint brush gives long linear cracks.
- If you start sanding the edges before it is one dry, you will easily be able to sand away to the bottom layer for an even more distressed paint effect.
- Apply brown distress ink on top also gives ore of a weathered effect, but also dry dabbing away excess distress with a baby wipe.
- I have sealed the sample above with a 50/50 mix of metallic glaze with satin glaze. The metallic glaze has mica which gives a soft sparkle on light colours such as nougat. If you use it 100% direct from the bottle you get mega sparkle, so reduce the mica content by mixing with satin or gloss glaze. You can see the effect top left and bottom right of the sample above.
- It comes in 2 colours, black or white. The white can be mixed with other colours of paint, and will still puff, even at 50/50 ratio. The black dries kind of grey, but shows off mica powders, embossing powders or treasure gold and liquid leaf beautifully. Both colours are kind of sticky to the touch once heated and puffed, so if you are using mica or embossing powders, they will grab instantly without the need for any adhesives.
- Apply with a spatula, brush or finger to the receiving surface (wood, card, tag etc). For a wood grain effect, scrape on quite thin. For veins (like in leaves) splat at it with a palette knife. For bubbles (or warts) leave a thicker layer of product. For stripes, use a rubber texture tool - we have a 3 sided one offering different groove widths.
- Heat with a heat tool, and the product will dry off, then start to puff. Once puffed it will look matte.
- Now you can paint, emboss, or rub on treasure gold to highlight the texture
|White puff mixed with South Pacific paint, and dabbed onto Artemio branch|
Left to right a few of the colours: Spanish Topaz, Indigo, Olive Bronze, Onyxite, Green Amber.
crunchy waxed craft paper. Here is our Tall Heart die, embossed, then rubbed with Spanish Topaz.
crunchy has been crumpled, then rubbed with copper treasure gold. As have the puff painted lumpy bits on the tag. The number 9 was painted black, then lightly brushed with copper. So easy, and so effective because the colours are awesome.
crunchy. In this sample, the crunchy was die cut (Grungeflower 1), then embossed, sprayed with watered down Snowflake Paint, then rubbed with Onyxite and Spanish Topaz Treasure Gold. Also the plastic Artemio button has been brushed directly too, it sticks to the texture so easily, and doesn't rub off.
metal card petals, around the lumpy bits of the central brad and on the leaves.
amber green is really picked up on the left hand side popping off the green tones in this painted background.
Onyxite. It's on top of the green amber treasure gold.
And lastly, prepare for a shock. Not something you see very often from me....a purple sample.
pansy and beach hut, with eggplant and rose thrown in for good measure. Sky was sponged through a stencil. Black puff was applied to the Artemio wood frame, and then it was rubbed with Indigo Treasure gold, followed by a touch of Spanish Topaz.
mermaid watered down. Love the Indigo applied to a scallop flower die cut from metal card and embossed. I did sand the metal card before applying the Treasure Gold.
And how did I get the image onto the fabric? I used Satin Glaze to transfer it....and that I shall save for another post!!
Liquid Leaf , as above: florentine, renaissance, copper, brass, white fire, pewter.
This is a very runny metallic paint, again used for furniture restoration. It can be used on all surfaces including, well everything. It dries fast, is permanent, and does not leave any brush strokes. The samples above are made from puff paint thru a stencil, then painted (one coat) with liquid leaf. It is truly amazing stuff, and I shall be demoing it at the upcoming shows in October. But you can already buy it now from the website, it is in the same category as Treasure Gold, so don't get the 2 muddled up.
Hope you find that info useful. And I'll be adding the rest of the colour pictures of the Treasure Gold colours to the site as soon as I get my paws on the new stuff when it arrives! (Tomorrow)