Monday, 6 November 2023

NEW PaperArtsy Products: Gwen Lafleur {November 2023}


A note from Leandra:

This release is reminiscent of a Sunday afternoon walk through a nature reserve. Birds, fish and flowers are there to delight and explore, from pond dipping to spotting birds circling overhead these gorgeous stamps sets will take you on a journey of discovery.

Gwen will be live with her new products for 30 minutes over in our Facebook Group, PaperArtsy People shortly after this post publishes. I really hope you can drop by or catch the replay. You will love seeing what Gwen has made with these for sure!
 
For the next few months, these stamps are available EXCLUSIVELY from our approved stockists. Please check the list at the foot of this post of from the home page tab of the blog.
 
Hi everyone, Gwen here! 

I'm thrilled to share my latest release 
for PaperArtsy with you which includes three hand-drawn stamp sets.

Nature has always been one of my biggest sources of inspiration and for this collection of stamps, I've turned to three of my favorite parts of nature: birds, flowers, and the ocean. I love having the ability to mix and match to add these elements into my work, and I hope you do as well!


Price: RRP €23.00 +VAT    Size:5" x 6" (13 x16.5cm)
All stamps are individually trimmed onto cling foam with a laminated storage/index sheet.

  
Eclectica³ Gwen Lafleur stamp set 37 (EGL37)

"Exotic Ocean" Mixed Media Projects


Sea Dragon Art Journal Page

I've long had a love for visiting aquariums and looking for tide pools on the beach - I think that sea life is so incredibly fascinating. I remember the first time I saw a sea dragon in an aquarium - such an elegant and other-worldly creature. They look like large, leafy seahorses and I couldn't resist drawing one as a stamp to go into this set. 
 

I love how you can add an exotic ocean creature into your work, as I did here on this page of a mini nature-themed art journal. But you can also use just the leafy edges of the Sea Dragon to create sea plants or to add a unique texture into the background or the edge of your work for added versatility.

Here you also get a better look at the fragment of a sounding map that I included as a background element. (These maps show the depth of the water as well as the locations of things like piles and submerged elements to help ships navigate through the waters.) This makes such a cool and realistic looking collage element for creating a layered background.
 

Clown Fish Altered Postcard

While I love Nemo as much as anyone, I have to admit that I've had a soft spot for clown fish since one of my roommates in grad school got a salt water aquarium that sat in the living room of our apartment; one of her first additions to the tank was a pair of these distinctive fish. I used to take care of her aquarium for her when she would travel and the Clown Fish habitat is still a favorite stop when I get a chance to visit an aquarium.

Add the clown fish to some coral, smaller schools of fish, and give them some bubbles, and you can create a fun scene for a card, journal page, or for a scrapbook layout. For this piece, I used one of my favorite substrates - an antique postcard. 
 

One of my favorite things about these stamps that having the shading and a light suggestion of scales included in the design makes it very quick and easy to color them (and if you stamp on a white background, just a quick layer of orange and you're about done!) 
 
 
I also really enjoy having two different perspectives of the fish - it makes it so much more fun to create scenes and to have some variety to add into your work. 
 

 
Eclectica³ Gwen Lafleur stamp set 38 (EGL38)

 Backyard Birds Mixed Media Projects

I grew up in a family that loves birds - there are a few different versions of Sibley's bird books handy in our living room for any backyard birding and my mom still tells stories of the types of bird houses that were on her parents' property when she was growing up. I also have aunts and uncles who are birders and I have several t-shirts that proclaim, "Easily distracted by birds." Nothing but the truth! I can't imagine a world without birdsong and being able to enjoy the presence and antics of these fascinating creatures. 

For this set I picked a few favorites both from some of the many bird species that can be found nesting in my yard (here we have the Downey Woodpecker and one of its feathers as well as a Carolina or Black Capped Chickadee) to visitors (like this Red Winged Blackbird) who live in the grasses along the banks of a nearby pond and stop in now and then for a snack at one of my feeders. And of course, I included a branch for them to perch on with some acorns for a fun little accent.
 

Chickadee Painted Wood Ornament

I love Chickadees - where I live, we have Carolina Chickadees and they're tiny and adorable but also fierce. They stay here year-round, so I wanted to use one as the main image for a handmade Christmas ornament. I love how beautifully the image stamps and how quickly you can get a life-like bird with less than 10 minutes and a bit of paint and ink.
 
 
I'm also really happy with how easy it was to take the plain branch image from the set and transform it into a holiday scene with a few flicks and dots of paint to make pine boughs and berries.
 

Avian Art Journal Pages

I used the other two birds in the set, along with the feather and acorn images, to pull together a spread in my mini nature-themed art journal. I'm absolutely thrilled at how beautifully these stamp and how easy it was to create realistic looking painted birds in my journal.
 

This little friend is drawn as a male Red Winged Blackbird, but all you have to do is change the colors of his feathers, beak, and legs to create a completely different species of bird. Here, I kept him as a blackbird and love how I was able to create a bit of a wash with the PaperArtsy Fresco Acrylic Paints to add his dark color without completely losing the details of the stamp.
 

It's no secret at this point that I love to use my stamps to create scenes, and I can't get over how that single branch can be so versatile and create different looks in those scenes depending on how you position it, what you add to it with either stamps or paint / drawing, and how you color it.
 

For the other page in my spread, I focused on this little male Downy Woodpecker (the female doesn't have the red patch.) In the last several years I have become quite fascinated by woodpeckers - especially the way they rule the feeders and the hierarchy that is determined by the size of the woodpecker, but I digress... (Did I mention that I also have a few t-shirts that say Bird Nerd?)

Needless to say, these little guys are also quite adorable and I love their black and white spotted feathers that give them such a unique and easily identifiable pattern.
 

Hands down, my favorite thing about the woodpecker and feather stamps is that I stamped it in black, and with literally two minutes and a white gel pen and a touch of red PaperArtsy Fresco Acrylic Paint, I had a totally realistic looking illustration in my journal. I know I've said it a few times, but I do love a great shortcut!
 


Eclectica³ Gwen Lafleur stamp set 39 (EGL39)
 
 Pollination Garden Art Journal Spread

For the final set in this release, I had to include flowers, of course! I drew some of the plants that I have in my yard, which were initially chosen to plant because the deer won't eat either Marigolds or Lantana. However the amount of Lantana in particular has increased because it's such a great pollinator - both types of flowers attract lots of bees and butterflies. 


Of course, I had to have a classic jar stamp for collecting a bouquet of backyard blooms in your artwork. I love creating and using stamps of glass items in my work and how fun it is to fill them with flowers and other things (see the project below!) In this case, I didn't even mask anything - I just used paint and a pen to make it look like the flowers were overlapping the glass. I also enjoy how easily you can make a wash with the PaperArtsy Fresco Acrylic Paints to make it look like the jar is full of water.
 
 
The little bee might be my favorite part of the set, though - it's awfully cute! 
 

For the second page in the spread, I focused on the French Marigolds - I love the color and I think they're such a pretty flower. I added a stem of lemon leaves that make great filler if you want to make a bouquet in the jar, but they're also great for giving a little more weight and added layers to a focal point. 
 

I actually drew this butterfly as a Monarch Butterfly, but you can color it any way you want to change it up and give you a different look for different projects. The same is true for the other flowers and leaves in the set - it's easy to mix it up to get lots of variety in your work with just a different shade of paint!
 

 
Project - Stamped and Collaged Tags


As a project combining all three sets from this release, I thought it would be fun to do some collaged tags with focal points made up of stamps from different sets. Together, these three tags use all of the stamps in all three sets.

 
First you stamp and paint your images. I used a stamp positioning tool and a lighter ink and stamped my first image on heavy PaperArtsy Smoothy Card. I painted the image with PaperArtsy Fresco Acrylic Paints. When the paint was dry, I put the paper back in the stamp positioning tool and restamped the main image in a darker ink to get the details back in. 
 

If you want to create layered pieces, you can then mask the first image and follow the same process to stamp the image you want to have showing behind it. Or, just stamp them each separately and you can layer and glue them together in the next steps.

In the case of my Clown Fish in the jar shown above, I didn't mask it since I wanted it to look like it was inside the jar and I just positioned the jar stamp over the fish and stamped on top. (If there's a bit over overlap where the fish gets a bit outside of the jar, you can cut it off.)


After the focal points are stamped and painted, cut them out. If you didn't mask and layer the designs into a single image to cut out, just do each one individually and then you can overlap them as you like and glue them in place.


With the focal points ready, you can start working on the elements to make it into a tag. I started with the tag background using an extra large manila tag and rubbed Distress Ink on my Teflon mat and spritzed water, then rubbed the tag in the wet ink. I also pounced the ink pad directly on the tag and spritzed and then dabbed with a paper towel to get different effects. 


Next you can pick some of the images that you didn't choose for your focal point and stamp them randomly over the background of the tag. 


With the background done, it was time to create a few collage elements. For this I just used plain copy paper since I wanted something very lightweight, but you can use whatever you'd like. For each one I chose 1-2 images and stamped them - some random, some in a pattern, and then colored them with PaperArtsy Fresco Acrylic Paints and then added a light wash for the backgrounds.


Once all of the elements are done, it's time to assemble! I pulled out some ledger paper, book pages, reproduction tickets, and some stamped labels. Arrange strips of your collage elements in the background until you like how it looks and feels - I like to have a bit of the stamping still show through from the base. Adhere the collage elements in place (I used a glue stick) and then glue down your focal point on top. (Since I used heavy card, I used Tacky Glue for that part.) 

Voila! Completed tags that you can add into a journal, turn into a tag book, or give or hang them as their own little pieces of art.


That's it for today! I hope you love the new stamps as much as I do and that you're feeling inspired by the samples and project tutorial. I can't wait to see what you all do with the designs in this new release.

Happy stamping!
Gwen

Socials...

Teaching Schedule:
November 2023 - Gratitude Junk Journal 2023, hosted by Tiare Smith (Online - not too late to join!)
November 18, 2023 - Ornaments & Amulets at Artistic Artifacts in Alexandria, Virginia, USA
April 19-20, 2024 - 2nd Annual Creative Minds Summit at Artistic Artifacts
May 16, 2024 - Angels & Icons, Art & Soul Retreat, Harrisburg, PA, USA
May 17, 2024 - Stitches + GlueArt & Soul Retreat, Harrisburg, PA, USA
May 18, 2024 - Flip Art FolioArt & Soul Retreat, Harrisburg, PA, USA

I also have several online workshops available on demand. Those and future workshops are all listed and kept up to date on my website.

Below is a list of the retailers who have already got these new releases in stock ready for you to buy NOW! 

 PaperArtsy Stockist List

Our stockists are your go-to  source for all PaperArtsy products, and we suggest that you also use the PaperArtsy People Facebook group to source a retailer in your country. Many are members of our FB group and will happily share links to their online stores.

Australia
Bev's Cross Crafts, Spreyton, Tasmania https://www.bevscrosscrafts.com.au/
Crafters Cupboard, Berwick, Victoria www.crafterscupboard.com.au
Memories on the Murray, Murray Bridge, SA  https://www.memoriesonthemurray.net/
Natalie May Scrapbooking, Dover Gardens, SA https://nataliemay.com.au/
Scrapbook Superstore & More, South Penrith, NSW https://www.scrapbooksuperstore.com.au/
The Scrapbooker's Confetti Box, Swansea, NSW https://thescrapbookersconfettibox.com/
The Scrapbook Store, North Perth,WA http://thescrapbookstore.com.au/ 

Belgium
Cart N Scrap Art, Antwerp, www.cartnscrapart.be
Créatelier Caracolle, Liège, www.createliercaracolle.be

Canada
Paper Art Creations Inc, Leduc, Alberta, www.paperartcreations.com/
Scrapbook Centrale, Dollard Des Ormeaux, Quebec www.scrapbookcentrale.ca
Scrap Addicts, Edmonton, Alberta www.scrapaddicts.ca/
Scrap and Bean, Edmonton, Alberta scrapandbean.com/ 
Scrapbooking Fairies, Drayton Valley, Alberta www.scrapbookingfairies.com/
The Paper & ink Boutique, Calgary, Alberta www.paperandinkboutique.com/
The Scrap Yard, Calgary, Alberta, www.thescrapyardcalgary.com/ 

Denmark
Hobbyboden Scrapworld Samso www.hobbyboden.dk

France
Eirl Bancon Cartoscrap, Midi Pyrenees, www.cartoscrap.com
Fée Du Scrap, Saint Sébastien-Sur-Loire, www.feeduscrap.fr/
Horizon Créatif, Ste Jalle www.horizon-creatif.fr
Instant Créatif, La Possession, La Réunion, www.icreatif.re
Katzelkraft, Ingwiller www.katzelkraft.fr/en/
Kerudoc Creation, St Yvi www.kerudoccreation.com
Le Grenier des filles, Pierre Benite
Page de scrap, Saint Pavace, www.pagedescrap.fr/
Scrap Déco Home, Goutrens, www.scrapdecohome.fr/
Toutencolle, Dun sur Auron www.toutencolle.fr

Finland
Heidin Korttipaja, Istunmaki, www.korttipaja.fi/fi
Piia Paper, Kittiläwww.piiapaper.com/fi

Germany
Stempelbar, Berlin, www.stempelbar.de
Stempeloase Munich, Munich www.stempeloase.de
Stempelfee Shop, Hilden www.stempelfee-shop.de
Stempellaedle, Stuttgart, www.stempellaedle.de/shop

Greece
Scraps N Pieces, Kallithea www.scrapsnpieces.gr

Italy
Immagine SAS di Rapaccini, Rome, www.immaginelab.com
Il Negozio Della Mamma Di Cle, Torino, www.ilnegoziodellamammadicle.com
Marte Savona, Savona, www.martesavona.it
Pezze E Colori, Lissone, www.pezzeecolori.it/ 
Piccole Passioni, Siena, www.piccolepassioni.it

Japan
La Wadao, Odawara, Kanagawa, www.lawadao.com
Tiny Dots, Funabashi-shi, Chiba www.tinydots.shop-pro.jp

Netherlands
De Hobbystudio, Genemuiden, www.dehobbystudio.nl/
Doe@ding,Spijkenisse doeading.nl/
Hobbycompleet de Duif, Leeuwarden www.hobbycompleet.nl
Stampingcorner, Capelle Aan Den Ijssel www.stampingcorner.nl

Norway
Hobbygarasjen, Kopervik, www.Hobbygarasjen.no

Spain
Cien por Cien Manualidades, Barcelona,  www.100x100manualidades.es
Ideas 10 Manualidades Y Scrapbook, Bilbao ideas10manualidades.com/
Marakiscrap, Tarragona, www.marakiscrap.com
Scrap & Papers Experiences, Barcelona, www.scrappapersexperiences.com
The Paradise Corner, Barcelona, www.theparadisecorner.com

Sweden
Butik Elva, Staffanstorp, www.butikelva.se

Taiwan
Mandy's Cards, Taipei www.facebook.com/mandy.card.77

United Kingdom
Amelia's Creative Crafts, Studley, Warwickshire  www.ameliascreativecrafts.co.uk
Art from the Heart, Harrogate, Yorkshire www.afth.co.uk
Crafts at The Malthouse, Herstmonceux,  East Sussex, www.themalthouse.co.uk/
Loobi Crafts, Leighton Buzzard, Bedfordshire, www.loobicrafts.co.uk
Stampers Grove, Springbank, Lilliesleaf, Melrose,Scotland www.stampersgrove.co.uk
The Artistic Stamper Craft Store, Faversham, Kent www.theartisticstamper.com
The Forget me not Kraft KabinRochford, Essex, www.TheForgetMeNotKraftKabin.co.uk

USA
Artistic Artifacts, Alexandria, VA www.artisticartifacts.com/
Artistic Studio Creations, Fayetteville, Georgia www.facebook.com/ASCbyCrystal
Craftiness, Chatsworth, CA, www.craftinessonline.com/
Everything Scrapbook & Stamps, Lake Worth, Florida https://everythingmixedmedia.com/
Frantic Stamper, Oregon www.franticstamper.com
Free Heart LLC, Denver, Colarado, www.freeheartllc.com/
Joggles, Coventry, Rhode Island, www.joggles.com
PaperCraft Clubhouse, Westbrook, Connecticut, papercraftclubhouse.com/
Qingquing's Stamp Shop, Portland, Oregon
Roadtique Boutique, Rochester, New York Facebook Page
Runaway, Art & Craft Studio, NE Salem, Oregon www.runawayart.com/
Simon Says Stamp, Columbus, Ohio www. simonsaysstamp.com
Topflight Stamps, Irmo, South Carolina topflightstamps.com/

If you are interested in becoming a PaperArtsy stockist contact Dounia@paperartsy.com for more information

PaperArtsy Links
Facebook Group PaperArtsy People
Facebook Page PaperArtsy

Thursday, 2 November 2023

2023 Topic 11: Monochrome {by Floss Nicholls} with Green & Everything Art stamps



Hi everyone,

It's Floss Nicholls aka flossWORKSHOPart here with you today.

I was pleased to be part of the final colour wheel monochromatic topic of the year because I have enjoyed contributing to them all so far; I feel that there's something quite meditative about mixing colours and I couldn't wait to get started.

This latest colour wheel had me thinking about being bold and creating something for a wall.  I have a recent personal challenge for myself to make BIGGER art and what better excuse do I need to put 'bigger' into practice... I adore circles and monotone themes and so thought that making a large canvas to hang on my dining room wall would fit this challenge nicely.

I had originally planned to feature more typographic images and stitched lines but when I got down to the assembly I actually preferred to use the imagery in a more subtle way and make more of a feature of the tetradic colourway instead.


I was asked to use green within the monochrome colour wheel and so I chose one of my favourite greens; Tinned Peas, to go with Little Black Dress, Cloud 9 and the Everything Art rubber stamp sets shown below.



As with all the colour wheel projects that I have had the pleasure of sharing with you, I started by making a full colour wheel using three PaperArtsy fresco finish chalk paints.  This time I used Little Black Dress FF19, Cloud 9 FF149 with Tinned Peas FF55


I really wanted to use a good contrast within my colour choice and so I chose to use the two strongest 'opposites' black and white.  The cloud 9 is a softer slightly more creamy white which I thought might be good to define it from the white canvas background...but then I decided it'd be fun to have a textured background on the canvas too and so that idea went completely sideways. I automatically fell in love with the Cloud 9 as soon as I started painting a whole flat page of it.  It reminded me of my favourite vanilla white embossing powder, so I made a mental note that I needed to add this to my next shopping list as I know it's going to become one of my go to paints!

Sorry...I digressed in a moment of colour bliss...back to my tedrads...with the great tip Dounia gave in one of her blogs, 'try not to use all the colours in the same quantity', I opted for a complementary TETRAD split as shown below. This combination uses two primaries with their two opposite secondary colours.  I thought that this offered a harmony so that I could use strong variations for foreground and background pops of colour.


         

With the clear idea of wanting to use circles I started doodling layouts which could be fun on a big scale. I considered stitching in, around and through the circles, I considered adding asemic writing to embrace the typographic theme...


and then I thought before I go any further it'd be more useful to cut out some paper circles** and play with layouts rather than doodling them on paper to get a better feel of placement and size. 

Rather than adding gesso to the whole canvas and stamping into that, I decided to add gesso to the stamp and stamp that onto the canvas. My thinking behind this was that I wanted to add a light 'broken' or textured wash over the canvas rather than keeping the blank stark white background.  I also wanted the colour to absorb into the canvas in areas. I used PaperArtsy's Everything Art EEA02 hand and moth stamps for this as I loved the compass detail and the grungy details. I did two test runs on small canvas's to see whether I liked the outcome before I started on the 400mm x 400mm one.  I videoed the small canvases to show the process... (scroll to the end to watch) 


The gesso left most of the stamp detail on the canvas. TIP: put something firm beneath the canvas when stamping. 


I then started looking at what  textures to add to the whole pages of painted paper I had made. I used Wow matt clear embossing powder and Ranger Archival Ink in moss green here.  I especially liked the two dark sheets but knew I had to get the gel plate out to get rid of the flatness of the pages...

 

I played around with my paper circles** and decided on the layout. (photo taken before I had used the gesso). I drew around various round objects I had in the workshop to get my sizes and was rough in cutting round them rather than being precise.


I don't know about you...but I am much more of a ripper than a cutter and wanted my circles to have a torn slightly uneven edge and not a 'perfect round smooth circle' hence the rough cutting. If this is not your thing then naturally feel free to use a compass and a pair of scissors for all circle making stages. I used scissors only at this stage for the shape to draw round to use once I had printed my papers.

Having torn paper many times I knew that if you tear it one way you show more of the unpainted edge and vice versa. The way to remind myself especially for circles was to tear two from a page in my scraps box...one clockwise circle and the other anticlockwise.  I am right handed and so the paper in my right hand was torn upwards leaving more unpainted white edge on the clockwise tear...if you are left handed naturally the outcome for you is likely to be the other way round. 


Using the same colours from my colour wheel I used my gel plate to create a selection of textured papers to use for my circles.
 

I also used the colours over ones I had already painted from the same colour wheel selection  to bring me more depth and texture. I used the letters from Everything Art EEA05 that could be read either as is or in reverse on my stamping block so they read the correct way round regardless of whether I used them to texture the gel plate and pull a print or to take the paint off the gel plate and stamp it directly on a printed sheet. I like to press the stamp that I have pressed into the paint on the gel plate to make an imprint onto other prints to make full use of the paint so less gets wasted or washed down the sink.


I loved the subtle textures that I was creating with the stamps and in this case decided that it would be good to focus on the colours more than the powerful images as a focus.


I then had quite a choice of which layer would be on top of what in which circle!



I mentioned changing my mind about a flat white background and using more texture instead by using the hand and moth from stamp set EEA02. I wanted the background to be soft and muted. When I make a colour wheel I always mix the three colours I use together for an 'overall' colour and decided to do just this for my background.  I added plenty of water and applied it to the whole canvas, including the sides and then whilst it was still wet, I rubbed it with a dry sponge to expose the stamped gesso.


The circles went back onto the canvas to relook at my position choice and then I numbered them so I knew where I'd placed them!


Using a piece of card to make the circles into windows allowed me to select the exact piece of printed paper I liked for a circle. I use this method quite a lot and it does go totally against my OCD of cutting paper near the edges to not get too much waste by cutting right in the middle of something, but textures and patterns here were far more important and I know the rest of the paper will definitely get used for other things! 


I did this with each of the layers in all the circles and then moved them about again until I was happy with all nine. 

I tore the circles and arranged them paying attention to contrast and harmony in my choices.


I do like how the colours and texture compliment each other and how the stamp designs are subtle rather than the focus of the piece. I used the bottom left circle as an O to also represent the typographic theme as well as part of the overall circle design.
 

I decided to edge finish a few with Ranger archival black ink and glued them onto the canvas using a gel mat medium.
 

I divided the canvas into 9 equal squares and positioned each circle within the centre of them. I found this to be the easiest way to place the circles as they were not of equal sizes.





My favourite colour is green and so the colours really appealed to me personally in this monochrome colour wheel topic.  The canvas is now hanging in my dining room.


I use rubber stamps in many ways, for texturizing, for over stamping, for adding phrases or focal points to my art and this project made me reflect on the many ways I do that within my work and how calming art keeps me in my everyday. I found this project particularly calming as there was a lot of colour mixing and methodical repetition in the processes. I do hope that if you give this project a try, whether it's in a journal or on a canvas and whether you use the same stamps or colours I have, or not, it also brings you the same amount of joy and calm in the process as it did for me.



I have created a two minute video to show how I added the gesso texture stamp to the canvas.  A little tip...with the canvas not being a solid surface, I found that a lot of the stamp did not imprint.  By using a book or a solid surface beneath the canvas allowed a much better outcome.


Until next time,

Much love,
Floss x x x


website/in-person workshop bookings: flossWORKSHOPart

Full Day Mixed media in-person workshop: 

Go LARGE in-person mixed media full day canvas: 

Many other classes and dates available