Showing posts with label HP2603. Show all posts
Showing posts with label HP2603. Show all posts

Friday, 3 April 2026

Romantic journal page with HP {by Renata Peley}



Hi everyone, Renata here! 

Today I’m excited to share a simple, super easy project that anyone can try. I often hear from my crafty friends that working with white space can be tricky—how do you fill a page with color but still leave some “empty” areas without making it look unfinished? 

In this blog post , I’ll walk you through the steps and show you that it’s actually much easier than it seems. With just a few simple techniques, you can create a page that feels balanced, colorful, and polished. By the end, you’ll see how a little planning and a few small tricks can make your project look complete and professional—without any stress.




Let’s start with the necessary supplies. First up is choosing the right substrate, depending on the coloring medium you want to use. This time, I decided to work with a water-based medium, so I needed a paper that could handle a fair amount of water. I could have gone with watercolor paper—which would probably have been a better choice since it doesn’t wrinkle as easily—but I seem to have misplaced mine. Instead, I went with Canson mixed media paper, a good neutral option that always does the job.

Choosing a coloring medium took a bit of thinking. I had originally planned to use PaperArtsy Fresco Finish Chalk Acrylics, but at the last minute I changed my mind and went with Lindy’s Gang coloured ink sprays instead. I was in the mood for a flowy, abstract, and dreamy kind of page—perfect for capturing that carefree, springtime vibe, if you want to get a little poetic about it!


And of course, we can’t forget the star of the show: the absolutely gorgeous PaperArtsy Hot Pick designs. I could write a whole novel of compliments to describe how beautiful and versatile these stamps are, but honestly, the images speak for themselves. 

The specific sets featured in the photos are HP2601, HP2602, and HP2603. While HP6202 provides a stunning focal point with its detailed girl stamp, the other sets are amazing for building backgrounds, adding texture, and creating visual interest and dimension. Each set brings something unique to the table—whether it’s delicate script, bold shapes, or subtle patterns—making them perfect for layering and experimenting. Combined, they let you play with depth, color, and composition in endless ways, giving your projects that professional, polished look while still leaving plenty of room for creativity.


Following my usual instinct, I started stamping with VersaFine Onyx Black, but something didn’t feel quite right. Since I was planning to use the image from PaperArtsy Hot Picks HP2602 for a feminine vibe, the black ink felt a bit harsh. So, I decided to stamp it again—this time using a brown Ranger Archival Ink in Potting Soil, which felt much softer and suited the overall look better, and that was going to work out well with the other softer colours I would end up using.


Generally, to get into the zone, I like to start with an image before creating my background. (I feel like I’ve said this a million times! 😄) But honestly, I just can’t decide on the background colors, the color scheme, or even the size of my substrate without having the image in place first.

When choosing these colors, I was going for a feminine, vintage vibe, so I opted for a lovely pinkish-purplish shade paired with two shades of brown. For reference, here are the exact Lindy's Stamp Gang colors I used: from Flat Fabio collection, I went with Café au Lait and Pop Rock Purple, and to add a bit of shimmer, I also included Moon Shadow Mist in Gossamer Gold. To be honest, I was also consulting my color palette swatches—which I create for every coloring medium I use. I really can’t stress enough how useful this little tool is; it makes choosing colors so much easier and saves a lot of guesswork.


And as soon as my image was ready, I started splashing the first bits of color. I sprayed the paper with water on both sides (hoping it would help reduce any wrinkling). Then, using my brushes, I began randomly applying the ink, mostly in the middle of the paper. I didn’t measure or plan anything—keeping it loose helped create a more random, natural vibe.

I know it might look a little messy right now, but trust the process—it gets better. Here’s a little tip: this is the part where you really get to enjoy the flow! Spray some water, apply your ink, then lift the paper and let it move. Let the colors blend and mingle on their own. Honestly, this is my favorite part of watching the colours develop—it’s not only magical, but also relaxing.


After letting each layer dry a bit and adding a few more inky layers to build depth, I moved on to a fun technique to give the background a soft, dreamy vibe. Dip your rubber stamps in watercolor (or, in my case, Lindy’s ink sprays) and press them onto your paper. This won’t give a sharp, clear image—but it creates a beautiful, atmospheric effect that adds plenty of character to your piece. It’s also a fantastic way to introduce subtle patterns and textures without ever overpowering your focal image, and an ideal option with abstract or background imagery, like the ledger stamp I used from the new Hot Picks.



When choosing a stamp for this technique, it’s best to avoid ones with important details. For example a face and eyes, all the details would blur, so that is not going to be a good choice, because they really won’t show up. Within these PaperArtsy Hot Picks, set HP2601, there’s a  gorgeous script—but I have to warn you, it’s not ideal for this method because the lines are really tight together, so the ink just blurs. That said, I loved this ledger stamp, but compared to the script, this stamp jhas lines and details further apart, so it seems to work OK. I just couldn’t resist using it all over my background… Of course, you can also switch to a different approach: good old-fashioned stamping with an ink pad!

For stamping the script I just mentioned, as well as some of the smaller stamps from HP2603, I chose Ranger Distress Oxide ink pads in Picked Raspberry and Gathered Twigs. This helped me stay in line with my chosen color scheme while adding a bit of depth and variety to the background. And Oxide Inks are opaque, so they sit nicely on top of the watercolour background.


At this point, I was thinking about how to make my project a bit more special and striking, and it occurred to me that adding gold could really help. But how? 

Well, for no particular reason other than just having fun, I decided to try some gold foiling. Here I want to mention a little regret and a recommendation: a really fun way to do this is to use foiling glue as a stamping medium. Simply dip your stamp into the glue and stamp it onto your paper (again, it’s best not to use overly detailed images). And of course, make sure to clean your stamp really well afterward. Unfortunately, this idea came to me a little too late, so I ended up applying random lines, smudges, and drops of glue on my paper.


Here you can see how I applied my glue. One important thing to keep in mind—when using foiling glue (I used a Pentart 3D glue pen), you need to wait for it to dry and become translucent before applying the foil. If you skip this step, the foil won’t adhere properly and you won’t get the desired effect. So yes… a bit of patience is required here! 😄 After waiting (what felt like forever) for my thicker layers of glue to dry, I gently rubbed some gold foil over it with my finger—and this is how it turned out:


Even though I didn’t use the stamping-with-glue technique I just recommended, I still think the result turned out gorgeous. It added just the right touch of magic to my vintage background and brought everything together beautifully. The bits of gold catch the light in such a subtle way, giving the page that extra something without overwhelming it. Honestly, it’s one of those details that makes a bigger difference than you’d expect.


When it came to my focal girl, I continued with the same idea and added gold foiling, along with tiny touches of color just for fun and texture—and look at how pretty that turned out! The gold and soft colors really brought her to life and added a delicate, whimsical sparkle. But you know what they say—some gold calls for more gold, right? 😄 So I added some sparkly, magical wings to my girl. It was such a fun little addition that gave her even more personality and charm.


At this point, they’re less wings and more just sparkly lapel decoration… but no need to get too technical—they’re still pretty, and that’s what matters! 😄 The stamp itself is already so elegant, and this little touch of gold just enhances its charm even more. It adds a soft shimmer that catches the eye without taking away from the overall delicate look.

 
For the next step, I deliberated a lot. I mean, you could absolutely leave it as it is and simply adhere the girl to the background—but I wanted my girl to really pop—she deserves a royal spot, after all! To help lift her up, I added some tinted gauze, giving her a little extra dimension and presence on the page. Of course, there are so many other options you can try here—floral fussy cuttings, a piece of corrugated cardstock, lace, or whatever you have on hand to create that layered effect.


Next, it was time to add a sentiment, and luckily, PaperArtsy Hot Pick HP6202—the same set with the girl—gave me the answer. What I really love about this set is how versatile the words are—they can be used individually, combined as I did here, or even stamped repeatedly to create subtle background interest. I stamped mine near the focal image, but instead of lining up every word tightly, I left a bit of space between them. This small tweak adds extra visual interest and helps guide the eye naturally across the page, as you will see at final result image.



The final touch was to age my page a bit… or, well, quite a lot! Using scissors, I gently rubbed the edges of my paper, letting them fray slightly. Some edges accidentally ripped more than I planned, but it was one of those happy accidents, and I decided to lean into it, using the imperfections to add extra age and texture. Next, I lightly inked the edges with Ranger Distress Oxide in Vintage Photo to deepen the worn look and bring out more contrast. 


Finally, for stability and to give the page a solid base, I adhered it to black cardstock. The result? A beautifully balanced page that not only highlights my focal image but also provides the perfect backdrop for twisting and shaping the edges, giving it that extra vintage charm.


I have to admit I feel a little regret with these photos—here in Hungary we’ve had quite a stretch of gloomy days, and to make things even trickier, my lamp decided to give up right at the start of my crafting process. Because of that, the images don’t quite capture the true colors and mood of the page, and I do apologize for that, but I still hope you can catch the spirit and feel of the mood through them…





And that’s it—our vintage-inspired, gold-sparkled page is complete! I hope you enjoyed following along and seeing how a few simple techniques can come together to create something magical. From picking your colors and stamps to experimenting with water, paint, and even a little happy chaos, each step adds its own charm. Don’t be afraid to play around and make mistakes—sometimes those “oops” moments turn out to be the best parts of a project. Adding layers, textures, and even a touch of gold can really elevate your design and give it that special, finished feel. Remember, starting with your focal image first can make all the difference when choosing colors and planning your layout. Little details like inking the edges or adding gauze can bring depth and make your page feel alive. Most importantly, have fun with it and trust your instincts—your creative flow knows what it’s doing. I can’t wait to see what you create when you try this yourself!

Renata 💜


Instagram: @renata_artjournaling

Wednesday, 25 March 2026

NEW PaperArtsy Products: Hot Picks {March 2026}


A note from Leandra:
OK so I'm just going to say it I am chuffed to bits with these stamps, and judging by how shops have already been ordering plenty -they love them too! We wnet for a Paris inspired theme, so we have our beautiful woman, and the Eiffel Tower, plus a map dating back to 1615 of central Paris. The detail on this is incredible, it almost looks 3D.

Anyway, lets get into it shall we!


Leandra will be LIVE over in our Facebook Group, 'PaperArtsy People' shortly after this post publishes, and remember, all our new releases are ONLY available EXCLUSIVELY from our approved stockists. Please check the list at the foot of this post to find a retailer online or geographically near you, it makes sense to order within your country where possible.

Our retailers endeavour to join the designer's live to share their direct shopping links in the live chat - this makes it easy for you to find a store with product in stock immediately.


Hello everyone. Leandra here with you today

3 new Hot Picks for 2026 heaps of ephemera, stamps, tickets, writing and the 3rd set has some fabulous elements that are so handy for vintage backgrounds.

Let's get into it ...


PaperArtsy 'Hot Picks' Red Rubber Stamps (A5 set)
Price: RRP €23.00 +VAT    
Size:5" x 6" (13 x16.5cm)
All stamps are individually trimmed onto cling foam, with a laminated storage/index sheet.

Hot Pick 2601 by PaperArtsy (HP2601)

Damask Eiffel
If you watch my live, I will show you a background I made recently, and I decided to replicate it to some extent for this sample. I loved how the damask stamp by Seth looks like olld wallpaper, and when we were house hunting here in France, we saw some older houses with wallpaper peeling much like this design!

I have a thing for Seths Kiwi Gold and Rusty paints, when contrasted with blue - for me they are just awesome, so that set the tone for most of the artwork in this release.  
 

I really enjoy making backgrounds, and it seems to be a shame to put stuff on top sometimes!
Embedded behind the focal you will see some peeks of the Paris map. I did knock it back quite a bit with some Sand paint. And some Glow Mattint.


Top left was a watery Rusty addition, and look closely below and you will see the  large receipt from HP2603, also stamped in Rusty top left. As we go through these samples, many of the elements from stamp set 2603 will crop up as it ended up feeling like an indispensable ephemera support stamp set for the other 2.


You will notice the postmarks above, and the 'G Black' letterhead below were all stamped onto plain tissue, I then coloured it with Glow Mattint, and added it onto the background. Funny thing is you can't see the wrinkles in real life, but you can here!!


 Vintage Eiffel

This sample was all created on one layer of card. Even though it looks a bit more dimensional, paints are adding the impression of more layers.


The edges were brayered with Blues and browns, Toffee, French Roast, Chocolate Pudding, Space Cadet are all quite dark colours to begin with. Then I build a lighter centre with Sand, Nougat, Chantilly and Lake Wanaka is a nice dusky blue.



The image is stamped in the centre, shaded inside and out with more paint. I decided to add the long text stamp in black ink from HP2602 to frame the design, that was fun how that turned out as an inbetween layer.

 
 On the Map

This map was made almost 300 years before the Eiffel Tower came to be! So I decided to use it as a vision of the future on a journal spread. 



And of course a balancing cluster was then required on the opposite page! More of the Paris map later ...


In Colour
The next couple of samples are with Oxide inks, a bit of a different style, and a different result




Here's a variation of the same idea. I like to play about making multiples whern I am on a roll



Hot Pick 2602 by PaperArtsy (HP2602)


Thoughtful

It's probably easier to see the entrie journal spread before we zoom in on some of the details. Scraps of loose receipts were stuck down to break the blank pages, and then colour gradually added. THis was actually the first sample I did with all these stamps.

 
The postage stamps are ideal for background details, there are some postage cancellations too, lots of vintage paint splatter and sepia tones. 


She is a ray of sunshine with her colourful attire. I loved adding vintage lace to make a dress, and the vines in the background have some infusions dribbled around them too. 


You can see the receipts stamped at the edges are way more visible up close.



Beauty

This sample is a bit more subdued, she almost looks ghostly. Far less colour on her face gives her that ghostly feel, perhaps the twigs don't help ...could this be halloween even!


Another wallpaper-esque background, more vintage papers are used rather than coveted, and again the lace is a nod to a bygone era.

 
Here is a ticket, but it is actually an advertisement for the Edson brand of lace paper, or what we woud called doilies. and they make all kinds of pockets with varous closures, I wonder if they were glassine envelopes ? To rekindle that vibe, I coloured the tissue with glow mattint to give a sense of waxed paper.


Secret
 
Just to prove that these designs do not need to always be vintage in color or style, add some bright pink, and how cheerful she is! 
 

It really does make a difference when you spend some time building up colour around her eyes.



Hot Pick 2603 by PaperArtsy (HP2603)

Ephemera

As I said at the outset,this fabulous stamp set is packed with useful designs and ephemeral elements. On the journal spread below I stamped the flower shop advert pretty much in the middle of the page ...


A bit easier to spot in this photo below. These stamps are great for adding texture to a page with their interesting fonts. 



And of course this is the doily advert we just looked at. I also extensively used the large receipt from the silk fabric shop in almost all my background layers.