Showing posts with label Admiral. Show all posts
Showing posts with label Admiral. Show all posts

Friday, 31 July 2026

Pocket Shrine "Seth-style" with SA {by Ann Barnes}


Hello everyone, Ann here with you today sharing a folded "Seth-style" pocket shrine using the newest Seth Apter Stamp Release for PaperArtsy. 

I was thrilled to receive the three new Seth Apter stamps from PA HQ. Seth's designs never disappoint; and these newest stamps are some of my favorites! It's definitely worth checking out Seth's PaperArtsy Release Blog created for these new sets, it offers insight into the designs as well as inspiration from the designer himself!







Seth's stamp designs are so perfect for incorporating into backgrounds and creating mixed media abstract art. For this project I wanted to create something meaningful that allowed a few of the designs to become focal points. I decided to make a pocket shrine, combining my love for religious art with Seth's unique grungy, layered style. This is a special piece that can be used for prayer or contemplation. I drew color inspiration from the image of Mary, choosing PaperArtsy Fresco  Chalk Acrylic in Castleton (FF231), Admiral (FF233), Tomato (FF229), Buff (FF96), and Gold Rush (FF204).


Using images stamped onto PaperArtsy Printed Tissue - Blank (PT10), I was able to figure out the shrine sizing. I cut the shrine shape from a piece of primed canvas. Working on the outside surface, I began to add layers of paint first with a brayer, and then with a chip brush.


I started with a layer of Buff (FF96) then built up layers with the colors, each time brushing more Buff on top to create a muted and worn look. Partially stamping different images randomly onto the surface added texture. I stamped in Tomato (FF229) along the fold locations to create a binding appearance. I love how this looks when the shrine is folded.


The interplay of this lined image atop the canvas texture gives the surface a linen appearance. It's a good idea to put the stamps into water after using them with paint, they are much easier to clean.




As soon as I saw the frame image in Seth Apter Set 53 (SA053), I knew it would be amazing in 3D. Stamping into air dry clay allows you to create a relief of the image.


I rolled out the clay onto my craft surface. I kept the thickness to about 1/8". The thicker the slab you create, the longer it will take to dry. Also note that if it is very thin, it will be extremely fragile. Stamp directly into the clay with consistent pressure. (Note: spritz the stamp with water before stamping for easier release after impression.)


You can make various versions of the frame by cutting out different sections. The central opening can be removed or remain intact; while the outside can be decorative or square. There are many variations you can try. Adding color to the raised edges or within the recessed areas allows the design to stand out visually.


Once you select the frame style you desire, the rough edges are easily cleaned up with a small piece of extra fine sandpaper or by using a craft knife to scrape away any excess.



When the pocket shrine is unfolded, the beautiful interior is revealed. I chose the mandala style stamp image to balance the central framed piece. I stamped the image with Ranger Archival Ink in Watering Can onto separate papers and allowed it to dry. I colored the image using watercolor paints, then set it aside to dry.
 

I next worked on creating the main background for the interior of the shrine. I painted the entire surface of the canvas with Castleton (FF231). This color complements the watercolored images as well as the framed Madonna. Using a hardened paintbrush, I added streaks of Buff (FF96). This created a textured effect adding interest while also softening the appearance. The patterned areas were created using the repeating diamond shape stamp, and gold embossing powder. This surface makes me think of a wallpaper design.


With the main interior background complete I wanted to focus on the pocket. This is where the outside surface becomes an interior surface. To close the edges securely, I stamped some twill with the tread-like stamp. The twill ribbon was narrower than the stamp, which allowed me to create a unique pattern. I secured this around the right and left sides of the pocket with glue.


I wanted to add a special detail to the top edge of the pocket. This was created by stamping and embossing the DNA-like pattern onto a piece of paper then fussy cutting around the design to create a unique "Ric Rac" piece. This piece was trimmed to the correct length and attached to the pocket just below the red stamped edge.


I stamped out the bubble letter phrases onto paper with Ranger Archival Ink in Cobalt. Then using a small circle punch, I punched out the circled letters to form the word MARIA. These were glued in place along the base of the pocket.


When the two watercolor panels were dry, I added gold details with a metallic pen as well as some gemstones to embellish. I then attached them to each side panel with French knot stitches at all four corners.


I want to make the outside closure flap very special. To do this, I emboss the radial circular stamp in gold. Red stitches follow some of the rays upwards accentuating the design and mimicking the attached flaming heart Milagros.


On the inside of the flap, I added pieces of thread to balance the stitched threads and glued an accent piece at the center.














I love how the different patterns interact, can you spot at least 6 different stamps in the detail image above?


The frames I created are truly beautiful. I am looking forward to using the extras in different projects.


The connections between the "DNA strands" created the perfect spot to attach additional Milagros.


Here is a close up view of the stamped twill used to secure the pocket sides.


I made a few cards that can be tucked into the pocket, for a prayer or special intention. I love the way that the designs look embossed in gold and colored with watercolors.


I love the way this turned out. I have so many ideas for using these new stamp sets from PaperArtsy, and look forward to sharing more! I can imagine creating a pocket shrine to hold a treasured coin or good luck piece to carry with you. I think I might try my hand at making some of the "bits" Seth shares on the blog. There are so many possibilities! If you are interested in grabbing any of the newest stamp sets, there is a list of stockists on the PaperArtsy site where you can find one that's located in your area. Hopefully you are inspired to get creative.

I'm so happy you stopped by,  Ann xx


Wednesday, 29 April 2026

stract Art Creativity with SA {by Amanda Pink}



Hello everyone, Amanda (p1nkart) here with you today for some 'abstract art' creativity with Seth Apter's new mini stamps released just last week. 


This April 26 release of 8 new minis bring with it some exciting news....Seth is moving to his own designer index sheets with PaperArtsy. How cool is that! Big Congratulations Seth!

This means that all Seth's mini stamps will have new designer index sheets and product codes so I will reference the new product codes alongside the ones you'll see on the index sheets in this post today. 

Stockists of Seth's new minis can be found here on the blog at the foot of any of the new release posts. 




Seth Apter's new release includes 8 new mini stamps. The codes of these is now SAM073 - SAM080, was as shown in the picture EM161-EM168)There's a great mix of versatile designs in this release that I'm sure will lend themselves to all styles of creativity. 
Along with the mini stamps I also received some of Seth's PaperArtsy Fresco Chalk Acrylic paints - Admiral (FF233), Kiln (FF234) Pumice (FF232), Rusty (FF227) so I just added in a couple of Seth's other colours: PaperArtsy Fresco Chalk Acrylic - Glacier Ice (FF132), Heavy Cream (FF203) and of course my 'go to' Little Black Dress (FF19).


 
My creativity bagan with painting a couple of masterboards. This a great way of streamlining the painting process to create a larger panel that you can then cut down into smaller cohesive pieces. 

I'm always keen to try different ways to apply paint other than with a brush so given the mini stamps are a similar size to a credit card/ store card / lottery card that was my tool of choice.
 
When I'm creating painty layers with several colours I either work with a dark colour then go with a lighter colour or I switch it up and work with a light colour then a darker colour. 
I generally find this lessens the chances of the colours 'muddying' and also helps build up layers of colour to create a sense of depth. 
So the order of play this time was PaperArtsy Fresco Chalk Acrylic - Admiral (FF233), Glacier Ice (FF132).


PaperArtsy Fresco Chalk Acrylic - Kiln (FF234).  
Application was simply picking up some paint with the 'card' and scraping it onto the PaperArtsy Smoothy (SCA4H).  All very loose and free - no over thinking just having fun!   


PaperArtsy Fresco Chalk Acrylic - Rusty (FF227).
This is a translucent colour so its 'see through' properties help with building depth and layers of colour when scraped over/ near the opaque colours already laid down, whilst also adding pops of rusty brightness when scraped over the 'open' space.


At this point I liked the idea of 'knocking the colours back' a bit and at the same time adding some painty texture. I wasn't sure the 'lottery card' was the right tool for the job so I replaced it with my palette knife and 'patted' around PaperArtsy Fresco Chalk Acrylic - Pumice (FF232)....


.... then PaperArtsy Fresco Chalk Acrylic - Heavy Cream (FF203). 


The texture of the 'patted' paint allowed me to 'catch it' very lightly in a few places with PaperArtsy Fresco Chalk Acrylic - Admiral (FF233).



The second masterboard was made in exactly the same way as the first one but just before I called it 'ready for stamping' I went back in with PaperArtsy Fresco Chalk Acrylic - Rusty (FF227), this time blending it in, around and over the painty layers.


The properties of the translucent PaperArtsy Fresco Chalk Acrylics lend themselves to this technique and it's an effective way to add depth and a subtle hint of shading to your work. In this case, the rusty blend also added a delicate, warm glow which hopefully you can see in the photo below.
Masterboard 1with no blending is on the left,  masterboard 2 with blending on the right.



After cutting the 2 masterboards down into the required size panels it was time to get inky with Seth's new minis.

I selected 4 of Seth's mini stamps, one for each of the 4 panels cut from masterboard 1. With 8 to choose from the struggle was real! ;)

The chosen minis were stamped repeatedly and quite freely onto their designated panel using inks that were similar in colour to some of the PaperArtsy Fresco Chalk Acrylics I'd used. So Ranger Industries - Archival Ink (Cobalt, Plum) and Ranger Industries Distress Archival Ink (Wild Honey).

First up Seth's Mini 163 (new product code SAM075) stamped on panel 1.


The fine line detail on this stamp is really impressive and the design is such that it can be stamped any which way you choose - vertically, horizontally or even diagonally.


Next up for panel 2. Seth's mini stamp 161 (new product code: SAM073).


Sometimes I stamped the design's in full, other times just part of the design's.


Panel 3 was assigned Seth's mini stamp 164 (new product code: SAM076).
The index card for this mini stamp shows the design stamped horizontally but I chose to turn the stamp on its side and stamp the design vertically.


I do appreciate a versatile stamp design that lends itself to being stamped whichever way round you choose.


The 4th and final panel was stamped with Seth's mini stamp 168 (new product code: SAM080).


I like the 'brokenness' of this design. How some letters are legible, some not so, if at all. To echo the 'brokenness of the design I stamped it in that way too.


After stamping each of the panels with one of the four selected mini stamps, I then stamped them all with Seth's mini stamp 162 (new product code: SAM074).


I inked up just a small part of this mini, stamping it here and there on each panel with Tsukineko-Versafine Clair (Nocturne). The detail you get from only a small part of the design is so impressive - a mix of speckles, ultra fine lines and a cross. What's not to love!


An overview of all 4 panels.


The panels were now as good as ready for finishing touches and mounting but there were still 3 of Seth's mini stamps waiting patiently in the wings for their chance to get inky.

As I wasn't sure how I'd end up utilising the art panels (wall art, journal pages, card toppers, gift bag toppers - all possible options ?? ) I thought I'd make a file box to keep them in until I decide.
This is where masterboard 2 came in. I cut pieces to the required size to decorate the file box and then stamped them with 2 of the remaining 3 mini stamps.

Firstly, Seth's 'ledger' mini stamp EM167 (new product code: SAM079).


Then some bold black ink stamping with Seth's mini stamp 165 (new product code: SAM077).

 
Stamped several times  this mini stamp creates a fabulous repeat pattern.
The way Seth has designed this stamp (and how it's been cut at PaperArtsy HQ) makes it really easy to match up and that is whether you hold the stamp horizontally or vertically when stamping. I love that!



The abstract art panels and file box.


A quick tour of the abstract art panels

EM163 (new product code: SAM075)


Pieces cut from one of Seth's dies - Sissix (Waffle) provide a simple focal for each of the panels and play into the 'abstract'.


EM161 (new product code: SAM073)



EM164 (new product code: SAM076)



EM168 (new product code: SAM080)



Here's a closer look at the file box covered with the patterned masterboard pieces. 
This view shows the stamped repeat pattern running horizontally.


Turn it around and the other side shows the stamped pattern running vertically.


Finally, the spines of the file box.


These were covered with a couple of masterboard strips that I stamped with Seth's mini stamp 167 (new product code: SAM079) and part of Seth's mini stamp 166 (new product code: SAM078).




Just a few extra details that you'll have spotted in some of the photos already shared. 

I stamped Seth's mini 167 (new product code: SAM079) on a small piece of PaperArtsy Smoothy (SCA4H) painted with PaperArtsy Fresco Chalk Acrylic - Pumice (FF232).


Cutting the stamped ledger in to small strips added a simple decorative touch to each of the four panels.


While thoughtful positioning of Seth's die cuts highlights selected stamped crosses.


I’ve loved getting creative with Seth’s new minis, but I soon realized I’ve only skimmed the surface of their capabilities. They may be small in size, but their creative versatility and potential are massive!

Thanks for stopping by today / tonight
Creative wishes 
Amanda
x


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