2024 Topic 8 : White {by Ellie Knol}

Hi everyone

Ellie Knol from PAPER-STAMPS-COLOR here with you today.

This topic WHITE had me thinking about using a lot of white paint from the Fresco Chalk Acrylic Paints !

I also wrote down a range of ideas; not only the type of project, but also the products, and techniques I could incorporate. 

I'm looking forward to sharing with you today my experiments making fabric paper from tissue paper; adding pieces of lace, gauze, leftover die-cuts.  Have a look how it worked out: I assumed the decoupage glue would offer a sturdy base to form "lace-paper".

There's more to discover: grunge paste on tissue paper for instance... 

To describe this project in a few words it would be Grungy Fragile Nature  Art... 

FRAGILE dried flowers, NATURE stamps and the ART to put that together!

To create with just WHITE is a challenge to me; it's always a struggle to NOT use color. I need colorrrrrr... lol How about you?

Read on to see how I worked around that.... 

The two stamp sets are from Sara Naumann; Set 35 (ESN35) and Set 55 (ESN55).
I know these two stamp sets will be great when using lots of white, and the type of project I envisioned to make.

I decided on embroidery cloth as the base of the project. 

I had a leftover discolored piece of embroidery cloth and decided to give it a go at making it sturdy with a mix of white glue and a filler, like grunge paste.

I wet the cloth with water, added the mix of glue and paste and worked it into the cloth, creating creases on purpose. I left the strip with creases in the sun to dry.

When dry I knew right away where this was taking me. I cut it in three pieces, and made a hem on my sewing machine with white thread on both the bottom and top of each peace to form a loophole through which I could put twigs or other wooden elements! 

The process of making fabric paper from tissue paper, leftover pieces of die cuts, lace, gauze, and of course decoupage glue is so easy! I like to use a watered down white glue, so the glue will dry slowly. Start with a layer of tissue paper as the base, adhere it to a craft sheet on the edges. Glue and layer the elements mentioned above to the tissue paper; keep adding until the tissue paper is covered to make a sturdy lacy-paper and you are happy with the outcome.

Do not overlap too much. Two layers, max three is best to be able to keep the patterns differentiated.

I used PaperArtsy Printed Tissue Blank (PT10 available from a PaperArtsy Stockist).

When totally dry, peel the new creation off the craft sheet, and enjoy your DIY structured paper. Here I used a green craft mat for contrast to show you the dried 'paper'.

WHITE, right? 

It turned out quite nice; a very structured surface, and worth all the effort. It also gave me additional ideas for making more "fabric papers" in the near future, lots of fun ahead.

I cut three tags from the lacy-paper with a die cut frame.

Now for my struggle, a real one. To make a project with just whites is a challenge to me. I'd like to enhance the lace and gauze patterns. To achieve that I chose to use nature's main color: green.

Infusions Dye Stain Slime is my choice to gradually add a little depth to the die cut tag pieces. It will also make the stamped images pop more, as white on white does not show the contrasts that well. It gives the edges of the tag shape a nice frame. I love that there are different color green particles in the stain, and of course some brown too. Needless to say: I tried it on a scrap piece first.

Next step of course is choosing the composition of the three 'sturdy cotton bases' and lacy-paper tags; to be filled with stamped images, spatters maybe, and adding more detail like embellishments.

Some sprigs, maybe, white washed to make it suit the project more. So far so good, we'll see.

 

Seeing it come together is always the fun part!
What composition do I prefer? Fussy cutting stamped images is a good start...

Now, I need to change the color of the stamping ink. I want the stamped images to blend in more with the color of the dried foliage. I got my color swatches of permanent inks out.. Memento Olive Grove looks the perfect match, I think... the Bamboo is too light to match the darker particles of the Slime Infusions.

SO, off I went and stamped all the stamps in both sets onto tissue paper, and onto white paper with this green color.

Now I have all of the stamping ready to assemble it to the lace paper tags, I also need some words to go with it. "FRAGILE" "NATURE" and "ART" which have to be adhered to leftover pieces of the lacy papers... Tissue paper to the rescue again, and Grunge Paste through PaperArtsy Stencil PS271.

I also created tissue paper with Grunge Paste through PaperArtsy Stencil PS270, but I did not use it in the end. New fodder... 

I am so happy I experimented a little.
Expect to see more details in this section, the final touches, assembling all the elements and some last-minute changes; some fiddling around ... always...

By moving around the elements I finally came to the compositions and adhered all of it to the lace-paper-tags. Quickly, before I could change my mind again!

I chose to fill in the parts I could not fussy cut with tissue paper, as you can see quite clearly on the middle tag here. I adhered the tissue paper with image and script to the lace-paper; when dry I adhered the fussy cut twig with bookbinding glue to line up over the tissue paper twig. 

I cut multiple twigs from our apple tree outside, and cut them to size to fit through the loopholes as shown. I chose to scrape the bark off and was surprised how beautiful the green matches the Infusions Slime color.

Of course I need white spatters; Fresco Chalk Acrylic Snowflake (FF15)

AND some spatters with Slime Infusions .. 

I ended up tearing the alphabet letters from the tissue paper (from stencil PS271) and adhered it with decoupage glue to leftover lacy paper to form the words; FRAGILE dried flowers, NATURE stamps and the ART to put that together.

I so much enjoyed playing with these products, and these various elements.

I hope you found some inspirational ideas in this post, and enjoyed the techniques to play and make art. 
Enjoy! 

Ellie Knol

Blog: http://elliecreahoekje.blogspot.nl/
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2024 Topic 8 : White {by Ann Barnes}

Hi everyone, Ann (aksbarchitect CREATES) here with you today. I feel like the days and months tend to go by faster and faster as I get older, and I find myself wanting it to slow down. Summer in the U.S.A. has come and gone and we are now officially in the season of Autumn. 

Not quite wanting to let go of those summer vibes, I decided to create a bright and airy art journal spread highlighting the wonderful Kate Crane stamp set (KC005) (available from a PaperArtsy Stockist) filled with different mark making stamps. 

The current topic, White, gave me the perfect opportunity to keep everything clean and bright, and as I began to create pieces that I would be collaging into my journal, I thought it would be great to experiment with different ways to allow white to take a leading role.

Whenever I work in my art journal, I don't usually have a final vision in my head, I tend to let the pages go wherever the art leads, this spread was no different. The inks guided my color choices, and then I let the composition flow.

I think one of my favorite aspects of this journal spread is the way that I was able to take the stamp designs and create repetitive patterns with them. The patterned paper I created could  then be torn or cut into perfectly sized pieces for use. Many of the Kate Crane (KC005) stamp designs consist of small groupings of shapes and marks. Repetitive stamping can easily modify the appearance, creating your own designs. I look forward to sharing some of the tricks I use when doing this.

I love working with inks, and am generally up for trying new and different products. The current PaperArtsy theme: Nature, gave me the perfect opportunity to play with some special inks that were derived from nature; or plants and bugs, to be exact! These inks from Fiber&Mud were so fun to experiment with. I also used VersaMark embossing ink, Ranger Industries Embossing Powders - white and clear, PaperArtsy Fresco Finish Chalk Acrylic - Snowflake (FF15)  and white POSCA paint pens. 

I began with a blank page in my Mixed Media Art Journal. I don't usually gesso my pages when I am using inks, I like the way that the unaltered paper absorbs both ink and water. Since I know that I will be highlighting the color white, before I add any color to the page, I go ahead and stamp the triple circle with axis lines multiple times using VersaMark embossing ink and then heat emboss the images with clear embossing powder. These images will appear as white when I add ink and water since the embossing will create a resist.

I love the way that the inks settled around and within the stamped images, in some cases remaining quite pigmented and others diluted. Within the divided circles, the colors vary and create a lot of interest. 

I can't wait to begin adding more collage elements to the page to give it structure and carry the eyes across the spread. It's easy to create elements that coordinate by using the same colors with a different stamp or stamping medium.

 

Using a base of wet strength tissue paper that I have colored with Fiber&Mud ink and allowed to dry, I align the stamp onto a clear acrylic block. I always try to line up at least one element with the grid pattern that is etched into the acrylic. If your stamp block does not have the grid pattern, you could create your own lines with either a Sharpie marker or even with wash tape. The point of alignment is important as this is how you will be able to line up rows or columns and easily create a repeat pattern.

Stamp the initial image onto the paper, then move the stamp (vertically or horizontally) adjacent to the original stamped image. It's a good idea to note approximately how much space you need to leave as a gap between imprints to create a continuous flow. Using the grid (etched or improvised) align the design and stamp again. Depending on the type of ink you are using, you may need to re-ink your stamp between each step. When in doubt, it's always a good idea to re-ink prior to stamping a new section. Once you have created/completed the desired pattern, Coat with embossing powder and heat emboss.

I created another long pattern on white tissue using the tiny open circle stamp design with white embossing. These little circles were so fun to drop a bit of the Fiber&Mud ink into and let dry. The random intense color inside gave this pattern an entirely new look.

I also stamped the long lines image onto white cardstock and embossed with white. After the heat embossing had cooled, I used a paint brush to paint swaths of ink perpendicular to the white lines.creating a brand new pattern.

When I have an assortment of patterned papers complete, it is time to start laying out the pieces. The top left and bottom right corners containing the sectioned circles and flowing ink areas create the background, and dictate the direction of the layout.

I want to keep my pages fairly monochromatic with the Indigo and Cochineal Purple tones. When I search through my stash of papers, some botanical images catch my attention. These will work with both the Nature theme and my color scheme. I start with a large block of color towards the center of the page and work my way out, trying to work in both directions outward to maintain balance. Many collage artists have a personal style. I have learned that my style always tends to be axial (containing horizontal and vertical elements). I also have a thing for using circles in my art. You will see many of these elements in my work.

Once I have all of the pieces attached, I add some PaperArtsy Fresh Finish - Snowflake (FF15) splatters to both pages using a Distress splatter brush. Once the splatters are dry, I then go back and add small details with gold. I love how this spread turned out. The way that the botanical elements tied in with the "marks" was refreshing. I don't often use a lot of white in my work, yet after completing this piece, I may rethink that. I love the clean look that is achieved when using white.  

It is always fun to create in my art journal. I find it a great place to experiment with new techniques or even just to practice making art each day. Whether you work in a journal on a regular basis or just sporadically, or even if it is something you have never done, I highly recommend trying it. It's a safe place to create that never has to be shared, if you don't want to. If you find you create something that you are very proud of, you can display it. There truly are no rules. So grab your supplies and enjoy the experience. Thanks for stopping by today. ~Ann

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