Hi everyone, Keren here today with a little forage into sewing using Seth Apter's wonderful stamps. I was interested in incorporating different sewing techniques as well as some other things I'd been wanting to experiment with. This blog post for me was going to be more about the journey rather than the final destination.
It turned out that I totally love natural dyeing but not using brown tones so I'll be on the hunt for blues, pinks and greens instead! It also made me want be more artistic with my sewing as opposed to my usual relatively clean and simple style.
I've recently been looking at Catharine Ellis and Caitlyn Irwin and enjoying learning about dyeing fibre and fabric with natural elements like onion, pomegranate, eucalyptus and more. So although I wanted to sew with Seth's stamped images, I wanted to create a fabric colour and also try and fashion a different substance to sew onto (but more about that later). It turns out that onion skins and toilet paper actually make fabulous raw ingredients. Let me show you why!
Here's what I started with- all (except the Gold) being Fresco Finish Chalk Acrylic paints in Seth Apter colours. I actually only ended up using these: Butter, A Bit Fishy, Green Patina, Toffee Apple and Stardust.
I also gathered toilet paper, threads, white mercerized cotton and onions.
I decided against just one project, wanting a selection of tags to act as resource for when the mojo goes missing!
To begin with, it was time to dye! Remove all the onion outer papery skins (I mixed red and yellow onions but really wished I'd had more red and therefore ended up with a more pinky hue. Add enough water to cover the fabric you're using. As I was stamping onto the fabric, I chose mercerized cotton which allows for a more crisp end effect. In order to prepare the fabric, you need to 'scour' it by washing it on a rinse and spin. Now heat the water until you achieve a desired colour.
To keep an even colour, you need to strain the skins and if you use some muslin, you'll usefully also have that dyed for another project.
You'll end up with a coloured dye. Pop it back into your chosen boiling implement (which ideally will be stainless steel and reserved for dyeing) and heat again.
I wanted an ombre effect so only dipped a portion of the fabric and kept splashing up dye intermittently. The fabric will dry a slightly lighter colour so you need to keep that in mind. Dry naturally and you are ready to use it.
The other preparatory steps were to do some basic paper casting. Super easy and a great way of adding texture that's lightweight to any project. Grab these supplies:
Spray water over the stamps. It's helpful to have them on an acrylic mount. Grab your toilet paper- it doesn't matter if it's embossed paper as it will flatten out. Add a layer, spray that, add another layer, spray that too. I used 3 sheets. Make sure it's really wet,(but not sopping) and gently push down into the grooves of the stamped image. Press carefully so not to tear the paper. Leave to dry.
Once totally dried, remove from the stamp, trim and you end up with some amazing casts. Just be mindful that if you add too much moisture or wet substance, it's likely to flatten again.
My fabric once dried was a little disappointing. I loved the ombre effect and the texture before ironing but didn't love the colour. I loved the paper casts and couldn't wait to use them. Now I needed to add these elements to the project tags and get sewing.
Time to stamp. I grabbed two Seth sets: ESA23 and ESA25.
Stamping using paint is easy enough but application is key. I found it easiest using a foam applicator (some inexpensive makeup sponges) and pouncing gently onto the stamp. A good even coat and an even pressure onto the fabric will give great results.
You can see how intricate the images are and the quality of the rubber stamps. I love that Seth's stamps are abstract enough for you to imagine them as different things. I also imagined the larger image as a cabbage too! I added the lines with circles as flower stalks and their parallel positions fitted in well with our overarching theme of 'Tracks'.
I had some linen type fabric for doing hand-sewing. Because it's quite rough, a stamping platform was of massive help here. I used Archival Ink and re-stamped 3 times to get a decent density of black colour. I wanted to build my stitches like brick work and the lines were easy to trace with stitches. Stitched thread 'tracking' around the outer shapes.
In my attempt to find muslin when straining, I'd inadvertently picked up some fusible stabiliser. The fabric with the 'flowers' on seemed bare and uninteresting and I thought if I added some green to the top of the interfacing, I could simply iron leaf shapes onto the stems.
As I looked at the sewn tag, it too seemed unfinished. I grabbed some Matt Duralar which I knew would be great stamped and sewn on, and it added that extra dimension that was missing.
Now I needed to add some little details and finish off.
I found incorporating the paper cast flowers really challenging. I needed some colour to contrast them against but equally they seemed too plain to not add colour to them too. I dry brushed some of the colours, carefully blending those that would mix to nice new colours and then added some Stardust in the opposite direction, having a tartan style in my head. The grey knocked back the 'brights' a little too. Adding black embossing powder helped with the textural combination.
Dry brushing paint worked well with the flowers. I did go a little overboard and should have stuck just to the edges. If you flick the edges a little, the layers will start to separate which makes the finished flower a little more dimensional. You can see where I've stitched in the centres. The stamped sleeve of Duralar seemed to help ground the design.
I rarely have 'found' objects- I guess I should look for them more, but as I was trying to finish off the circles tag, I wanted to add some marks (Seth's love of found objects and mark making hadn't been lost on me!) and just dumped the bottom of my white gel pen into the paint and just 'stamped' it around. It echoes the other circles and felt like it helped tie the opaque sleeve with the rest of the tag.
My giant tag was languishing. Adding some French knots and mounting it on wadding then sewing on my machine gave it more structure but I felt like I'd lost the subtlety of the painted flowers. It was done though, so I had just to finish it by mounting on some strong cardboard.
In artistic endeavours, you never love everything. Were it not for the fact I'd learned so much creating the flower tag, it'd probably have ended up in the 'bin of rejection'!!! Here's the three, side by side!
I learned two new techniques, that I will be exploring more. What happens when you add Infusions onto the stamps before or after wetting? What's the final result on the paper casting? What shades can I achieve by dyeing with everyday plants and vegetables or fruits around me, and how can I incorporate them into my art.
But also, I really didn't like the final massive tag with the paint stamped flowers. I nearly used the floral panel to make a journal cover and I'm sorely disappointed that I didn't as the crisp edges of a die-cut journal would have looked much better. I love the faux tartan-esque brushing and will definitely try that one again.
I was really inspired by Seth's love of mark making and will try and remember to pick up random objects off my desk to add into my projects ;-)
Keren x
Karen, thanks for posting your adventure! I must say all 3 tags are pretty and yet the third large one is my fave. Why, because it says love to me and some people prefer the wonky to the perfect, lol. Keep going!
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