2021 Topic 11: Twinkle Twinkle
With
a really achievable 'painting over an image' technique from Jenny, this
lovely fairytale inspired page has layer upon layer of lovely ideas.
The twinkle of stars from embroidery and a night-time paint effect adds a
clever emanating glow
~ Keren
~ Keren
Hi everyone, it's Jenny (Pushing The Right Buttons) with
you today, and I'm here to share a collage piece which took a decidedly
fairy-tale twist as the Twinkle Twinkle theme pushed through.
Seth
Apter stamps were used to enhance the main image, picking up on the
theme and helping to suggest what may be around it rather than needing
to draw in the whole scene.
Continuing
to focus on architecture I experimented with a different method for
creating the focal image of a window, one which doesn't require you to
draw the initial image.
Having
kicked off with layers of manuscript, white gesso, asemic writing in
pencil and brown ink I wanted to add some stars to evoke those that
might be seen in a night sky. To give some control over where they would
be on the page I stamped the stars onto wet strength tissue using Sour
Grapes Fresco Finish Paint before applying this to the background with a
generous amount of matte gel medium.
To
emulate the look of bricks on the edge of a tall building I stamped
Seth's interconnecting blocks border in a continuous strip down the
centre of the page using a dark blue ink.
It's
always good to add extra layers and textures to build a 'frame' around
your focal image and draw attention to it. I'm sure I am not the only
one to have an ever-growing collection of unused scraps which can be
called on to do this. Try dividing those scraps into colour families and
putting them into transparent page pockets so you can find them more
easily. I chose some leftover teabag paper stained with Limoncello
Infusions and a crumpled piece of tissue that had turned brown on the
edge.
Now
for the window; I wanted to try painting over a printed image rather
than drawing one this time. Several years ago I took a photo of this
window on a visit to Auxerre in France. After printing it onto photocopy
paper I stuck the image onto card with matte gel medium and applied
some Grunge Paste around it to replicate the look of an aged wall. The
photo was taken during the day but I wanted to make it look like night
had fallen so I began by adding a base layer of Slate Fresco Finish
Paint around the bricks framing the glass. Alternate layers of Baltic
Blue and Slate Fresco Finish Paints were then applied on top, with less
and less paint used each time until I had the depth of colour required.
The
bricks around the window were painted with Surf's Up Fresco Finish
Paint, dry brushed and edged with more of the Slate to deepen the
colour. In my original photo the walls around the window were 'pebble
dashed' with no bricks exposed. To leave it this way made the window
look like it was floating so I added some bricks beneath to emulate
those stamped onto the background, giving them the same paint treatment
as those around the window. Finally the dark glass in the window was
over-painted with Sand Fresco Finish Paint to make it look as though a
light inside the building was shining through. I added extra highlights
with an iridescent gel pen and Snowflake Fresco Finish Paint, also
applying tiny touches to the bricks and window ledge before outlining
the main elements with a fine black pen.
To
add an extra touch of texture I coloured some cotton fabric with Wolf
Eye Fresco Finish Paint before over-stamping it with the large text
stamp from Seth Apter's ESA13 stamp set in Iceberg Fresco Finish Paint.
Prior
to adding the cloth and window pieces to the background I layered them
together and hand stitched the three stars around the window. Once in
place on the collage background splattered the whole piece with dilute
Snowflake Fresco Finish Paint to give the impression of a starry night
sky - it was at this stage that the collage turned from having a simple
architectural feel to one that looked more like an illustration in a
fairy tale book.
Going with this fairy tale theme, and as a way of finishing the piece I stamped a phrase from Alison Bomber's EAB16 Magic & Wonder stamp set onto card and cut around it before mounting it at the base of the window.
If
you feel less confident with drawing a window I hope you have a go at
painting over a printed one, remembering to take time to build up the
layers of paint and drawing around the finished elements to make them
stand out. And if you are then going to add your painting to a
background try using your stamps to suggest other parts of the building
and surroundings.
Thank you so much for stopping by.
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This is really awesome! I love everything about it, but especially love the window!
ReplyDeleteThis is amazing. I would never think to go dark with the wall, and what a great choice!
ReplyDeleteLovely layers, and topped off with the perfect quote for that castle tower window.
ReplyDeleteAlison x
Fabulous collaged layers each one necessary as its adds either texture, detail or dimension to the finishing piece . Great idea to over paint a photo and wonderfully executed ( and explained) . The white splatters and hand stitched stars - the perfect 'twinkly' finishing touches , especially against the dark backdrop of the focal image .
ReplyDeleteTfs Jenny x
Such a clever and unique approach. Loving it!
ReplyDelete