2020 Topic 4: Mighty Mica
Introduction:
Autumn has a gorgeous in-depth project tonight, you can see how she totally got caught up in the making of this! What a delight!
~ Leandra
Autumn has a gorgeous in-depth project tonight, you can see how she totally got caught up in the making of this! What a delight!
~ Leandra
Hi everyone, it's Autumn Clark from SewPaperPaint with
you today, and I'd like to share my latest journal/mini album featuring
the glorious newly released PaperArtsy Eclectica {Scrapcosy}
Collection.
When
I saw Raquel's new stamps and stencils my heart melted and I really
wanted to create a soft, vintage book to showcase them. For days I
couldn't stop adding more and more layers and bits to my pages and even
now as I see the final photos, I am beckoned to go back and play in it
yet again... (so forgive me for such a long post please :))
Having
been a stamper for some 20 years I have quite the collection of odds
and ends from trends that have come and gone, sheet mica being among the
others. I knew it would be beautiful with these stamps and a palette
of Fresco Chalk Acrylic Paints in: Blue Oyster, Waterfall, Toad Hall, Sage, Hint of Mint, Taupe, Concrete, Cloud 9 and Chalk.
PA Stencil 191 {by Scrapcosy}: PS191
Eclectica {by Scrapcosy} Sets 19 & 20: ESC19 & ESC20
PA Stencil 191 {by Scrapcosy}: PS191
PA Stencil 108 {by Scrapcosy}: PS108
I
used the bird image from ESC19 on my opening spread, but also wanted to
use it on my cover; what a beauty he is! First I stamped him directly
onto my gel-printed papers using a stamp platform, then painted him with
the above mentioned Frescos and overstamped him again for definition.
To make the images stand apart from one another, next I stamped him onto vellum with black Archival ink and then painted the top of the vellum so I could flip him over and use the image in reverse. The result was so soft and much more delicate.
By starting with simple color printed pages, I was able to add stamping, stenciling, and layers wherever I wished and built my composition in reverse around the focal elements.
To make the images stand apart from one another, next I stamped him onto vellum with black Archival ink and then painted the top of the vellum so I could flip him over and use the image in reverse. The result was so soft and much more delicate.
By starting with simple color printed pages, I was able to add stamping, stenciling, and layers wherever I wished and built my composition in reverse around the focal elements.
For
my foreground stamping, I used scraps of gelli printed pages and stamp
platform as described above. When I felt like the images needed a
little more shading, I did so with watercolors. This is why I love
working with Fresco paints so much, because the matte finish allows for
such dynamic layering. Here I mixed stamps from ESC18 with one of the new stencils, PS191. They all work so beautifully together.
Eclectica³ {Scrapcosy} Set 18: ESC18
PA Stencil 191 {by Scrapcosy}: PS191
This
stamping/painting/repeat stamping technique with the platform allowed
me to paint over the words in the circle frame stamp and I covered the
circles with die cut letters. I used the excess paper in my book
construction to make little flaps and belly bands to store ephemera. I
love using embossing folders with my prints for adding additional
texture. A gentle sanding reveals the pattern.
I added some Distress Oxide stamping here and used the coordinating Distress Oxide Spray over PA106 stencil.
All of my mica was stitched in place, though it doesn't show well in
the photos. The subtle shimmer works perfectly with these soft colors.
Flowers and birds and tea, of course! I had to mix in ESC16, but used the dotty image in ESC19 to give the teacup a pattern.
Eclectica³ {Scrapcosy} Set 16: ESC16
PA Stencil 106 {by Scrapcosy}: PS106
Because
my gel-prints were done on both sides of the paper to make this book, I
accidentally tore one of my beloved stamped dogwoods in half. Upon
realizing this, I used them on opposite sides of one spread, but painted
them differently so that they seem to be different flowers all
together.
So many details...
I
love that Raquel included a corner motif in her stencils and a corner
flower stamp. These will be showing up in many a future project.
PA Stencil 190 {Scrapcosy}: PS190
I had so much fun adding ephemera to my pages and journaling out my thoughts here and there.
Again, I used the same images in different colors and orientations, highlighting favorite details with mica.
I
am really happy to discover how wonderfully PaperArtsy Fresco Finish
Chalk Acrylic make double sided prints. There are so many times when a
double sided patterned paper is just what you need, especially with book
making. I
would love to share how I constructed this book, but fear this post
would be far too long. If you're up for it, head on over to my blog
post HERE for the specifics.
Though projects of this size can seem daunting, you can certainly try some of these techniques in a smaller format. But if you are up for it, make plenty of paper so you can stamp your heart out and have a wide array to work with in your own book. What colors are calling to you when you see these nature inspired stamps? Hmm?
It has been a pleasure, Autumn
Blog: SewPaperPaint
Facebook: Autumn Clark
YouTube: Autumn Clark: SewPaperPaint
Instagram: @sewpaperpaint
Pinterest: Autumn S Clark
This looks amazing, Autumn! off for a look at the details now.
ReplyDeleteGorgeous project.... I love the depth and colours
ReplyDeleteAbsolutely stunning Autumn!!
ReplyDeleteThe Lord filled you to the brim ~ such talent. Enjoy your work so much!
ReplyDeleteStunning Autumn - a masterclass!! xx
ReplyDeleteBeautiful!x
ReplyDeleteThis must have taken lots of careful thought and planning Autumn. The result is absolutely gorgeous! Thanks for the inspiration. Stef x
ReplyDelete